Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21509). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p003 RIGHT — 69 lignes

L#	Texte OCR	Role auto
1	Park to the	unknown via fallback
2	<b>CONTENTS</b>	section_header via surya_layout
3	Introduction	table via surya_layout
4	ν	table via surya_layout
5	xvii	table via surya_layout
6	<b>Abbreviations</b>	table via surya_layout
7	Bṛhaddeśī of Srī Mataṅga Muni	table via surya_layout
8	(Text and Translation)	table via surya_layout
9	CHAPTER II	table via surya_layout
10	Jātis	table via surya_layout
11	3	page_number via heuristic_pagenum
12	1. Their number, nomenclature and types	table via surya_layout
13	Number and nomenclature	table via surya_layout
14	3	page_number via heuristic_pagenum
15	3	page_number via heuristic_pagenum
16	The jātis of ṣaḍjagrāma	table via surya_layout
17	3	page_number via heuristic_pagenum
18	The jātisof madhyamagrāma	table via surya_layout
19	5	page_number via heuristic_pagenum
20	Sādhāraņakṛtā Jātis	table via surya_layout
21	5	page_number via heuristic_pagenum
22	2. The śuddhā, vikṛtā and samsargajā vikṛtā jātis	table via surya_layout
23	9	page_number via heuristic_pagenum
24	3. General definition of jāti	table via surya_layout
25	4. The tenfold lakṣaṇas or characteristics	table via surya_layout
26	The definition of graha	table via surya_layout
27	13	page_number via heuristic_pagenum
28	The definition of amśa	table via surya_layout
29	2.	table via surya_layout
30	The definition of apanyāsa	table via surya_layout
31	13	page_number via heuristic_pagenum
32	forming part of that of amsa	table via surya_layout
33	The definition of sammyāsa	table via surya_layout
34	forming part of that of amśa	table via surya_layout
35	13	page_number via heuristic_pagenum
36	The definition of vinyāsa	table via surya_layout
37	15	page_number via heuristic_pagenum
38	forming part of that of anisa	table via surya_layout
39	15	page_number via heuristic_pagenum
40	The definition of tara	table via surya_layout
41	3.	table via surya_layout
42	17	page_number via heuristic_pagenum
43	The definition of mandra	table via surya_layout
44	4.	table via surya_layout
45	17	page_number via heuristic_pagenum
46	5. The definition of sāḍava	table via surya_layout
47	19	page_number via heuristic_pagenum
48	The definition of audava	table via surya_layout
49	6.	table via surya_layout
50	21	page_number via heuristic_pagenum
51	The definition of alpatva	table via surya_layout
52	7.	table via surya_layout
53	21	page_number via heuristic_pagenum
54	The definition of bahutva	table via surya_layout
55	8.	table via surya_layout
56	21	page_number via heuristic_pagenum
57	The definition of <i>nyāsa</i>	table via surya_layout
58	9.	table via surya_layout
59	23	page_number via heuristic_pagenum
60	10. The definition of apanyāsa	table via surya_layout
61	5. Optional and alternative prescription of amśa	table via surya_layout
62	23	page_number via heuristic_pagenum
63	and the like in jātis	table via surya_layout
64	31	page_number via heuristic_pagenum
65	6. Indication of the gaņas or groups of the jātis	table via surya_layout
66	7. Prescription regarding the performance of jātis	table via surya_layout
67	33	page_number via heuristic_pagenum
68	35	page_number via heuristic_pagenum
69	8. The ṣāḍava and auḍava formation of jātis	table via surya_layout

vol_I_p077 LEFT — 45 lignes

L#	Texte OCR	Role auto
1	BRHADDESI	page_header via surya_layout
2	136	page_number via heuristic_pagenum
3	22. C.r. in S R I Sudhā, p. 94.	list_item via surya_layout
4	23. Added according to C.r. in S R I Sudhā, p. 94.	list_item via surya_layout
5	24. Portion added according to C.r. in S R I Sudhā, p. 95.	list_item via surya_layout
6	25. P.t. adds 'pañcama' before 'ṛṣabhaḥ' which is unwarranted.	list_item via surya_layout
7	26. P.t. combines sapta-svarāķ etc. and that has led to a misunderstanding	list_item via surya_layout
8	among scholars to the effect that Matanga has accepted the 'samvāda' of seven-	list_item via surya_layout
9	sruti interval in addition to that of nine and thirteen-sruti interval. (cf. IMJ,	list_item via surya_layout
10	No. 11-12, p. 57, article by P.L.S. on Matanga's Brhaddess ). Actually sapta is	list_item via surya_layout
11	related to 'svarāḥ'; hence a full-stop has been added after sapta and that clears	list_item via surya_layout
12	the whole confusion.	list_item via surya_layout
13	27. The ed. states that the text is broken here; the missing portion has been	list_item via surya_layout
14	taken by us from S R I Sudhā, p. 121.	list_item via surya_layout
15	28. Missing portion (verse 55-60) taken from C.r. in S R I Kalā, p. 79-81.	list_item via surya_layout
16	The cited verses are interspersed by Kallinatha with prose sentences of his own,	list_item via surya_layout
17	but they have been omitted by us.	list_item via surya_layout
18	29. C.r. in S R I Kalā, p. 81.	list_item via surya_layout
19	30. Sam S Sā, p. 14 and C.r. in S R I Kalā, p. 81.	list_item via surya_layout
20	31. This portion is missing in the MSS, it has been paraphrased in S R I Kalā,	list_item via surya_layout
21	p. 81 and cited in ibid. Sudhā, p. 97.	list_item via surya_layout
22	32. cf. व्हाजाती समी जेयी रिधी क्षत्रियजातिको ।	list_item via surya_layout
23	निर्गा वैश्याविति प्रौक्तौ पञ्चमः शूद्रजातिकः ॥	list_item via surya_layout
24	( Sam Mak I. 29 )	main via surya_layout
25	33. C.r. in S R I Sudhā, p. 97 and Sam Cû, p. 71.	list_item via surya_layout
26	34. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
27	35. Reading suggested by the ed.	list_item via surya_layout
28	36. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
29	37. C.r. in Sam Cu, p. 72.	list_item via surya_layout
30	38. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
31	39. cf. स्वराः सरिगमाश्चैव चत्वारो राक्षसाः स्मृताः ।	list_item via surya_layout
32	पधौ मानुषसज्ञौ च निपाद दैवत विदुः ॥	list_item via surya_layout
33	(Sam Mak I. 1.46)	main via surya_layout
34	40. After this P.t. has the following half-verse –	main via surya_layout
35	शृद्धजातिसमृत्पन्नी तौ काकल्यन्तरी स्वरी ।	main via surya_layout
36	This is redundant and misplaced because verse 61 d has already spoken of	main via surya_layout
37	kākali and antara svaras being śūdra and this line does not fit into the context	main via surya_layout
38	after verse 72; hence it has been omitted by us.	main via surya_layout
39	41. cf. Nā Ši I.4.1,2 and Gītālankāra, p. 50.	list_item via surya_layout
40	42. cf. Nā Ši I.5.14-18.	list_item via surya_layout
41	43. The reading 'hara' suggested by the ed. in the place of 'bhi' of MSS.	list_item via surya_layout
42	44. cf. Nā Ši 1.5.12-14.	list_item via surya_layout
43	पर्जाञ्चतर्वारी च ऋषभस्य च गंद्रकः ।	list_item via surya_layout
44	45. cf.	list_item via surya_layout
45	गान्धारस्य च शान्त च हास्यास्य मध्यमस्य च ॥	list_item via surya_layout

vol_II_p109 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	[Chapter V]	section_header via surya_layout
2	[Desī rāgas]	section_header via surya_layout
3	[Propitiation]	section_header via surya_layout
4	I make obeisance to the Devīl who bears a red hue like that of the bandhūka	main via surya_layout
5	(flower), has three eyes, wears a crest of the kalā (part) of the one having rays	main via surya_layout
6	of ampta (nectar) (crescent moon), wears red clothes, is bent with the weight	main via surya_layout
7	of breasts that are becoming plump and elevated, is conventionally associated	main via surya_layout
8	with the begininning of youth, is adorned with all ornaments, has abode in	main via surya_layout
9	the lotus, whose body bears association with the citron fruit, whose (two)	main via surya_layout
10	hands hold the snare (pāśa) (and) hook (ankuśa) (and the other two) hands	main via surya_layout
11	are held in the abhaya (granting of freedom from fear) and vara (granting	main via surya_layout
12	of boons) gestures and who is the yoni (origin, birth-place) of the universe.	main via surya_layout
13	(345)	annotation_inline parent ligne 12 via heuristic_height
14	[Threefold desi ragās]	section_header via surya_layout
15	After this I shall speak of the group of desī rāgas, which embodies the	main via surya_layout
16	combination of practice (laksya) and theory (laksana) and is threefold4; viz.	main via surya_layout
17	rāgānga, bhāṣānga and kriyānga as the third one.	main via surya_layout
18	(346, 347)	annotation_inline parent ligne 17 via heuristic_height
19	I shall speak of the description of each of them one after another.	main via surya_layout
20	(348)	annotation_inline parent ligne 19 via heuristic_height
21	All rāgāngas are so called by the experts in music because they bear only	main via surya_layout
22	a reflection or shadow (chāyā) of the grāmarāgas that have been spoken of.	main via surya_layout
23	(349)	annotation_inline parent ligne 22 via heuristic_height
24	Bhāṣāṅgas are so called by the singers devoted to the rendering of	main via surya_layout
25	panegyrics because they are based on the reflection or shadow (châyā) of	main via surya_layout
26	bhāṣās<sup>7</sup> and hence become similar to the same (bhāṣās).	main via surya_layout
27	(350)	annotation_inline parent ligne 26 via heuristic_height
28	Kriyāngas are so called because they are born of the kriyā<math>^8</math> (special way of	main via surya_layout
29	rendering), born of karuna (pathos), utsāha 9 (enthusiasm) and the like.	main via surya_layout
30	(351)	annotation_inline parent ligne 29 via heuristic_height
31	The set of regulations prescribed earlier for the mārga-rāgas, could	main via surya_layout
32	sometimes become otherwise in desī-rāgas, bhāṣās and the like.	main via surya_layout
33	(352)	annotation_inline parent ligne 32 via heuristic_height
34	[Bhāṣāṅgarāgas<sup>10</sup>]	editorial_bracket parent ligne 32 via heuristic_brackets
35	[1. Kacchelli]	section_header via surya_layout
36	Kacchelli 11 is known to have madhyama as amsa, graha (and) nyāsa,	main via surya_layout
37	has low(mandra) ri (rṣabha) (and) has leaning towards high (tāra), is devoid	main via surya_layout
38	of ga-dha (gāndhāra-dhaivata) and should be known to have profuse	main via surya_layout
39	movement of pa-ri (pañcama-ṛṣabha).	main via surya_layout
40	(353)	annotation_inline parent ligne 39 via heuristic_height
41	(vide)	annotation_inline parent ligne 39 via heuristic_height

vol_II_p057 RIGHT — 37 lignes

L#	Texte OCR	Role auto
1	97	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[1.Bhinna-şadja]	section_header via surya_layout
4	Bhinna-ṣadja is known by the wise to have dhaivata as its amśa, madhyama as its	main via surya_layout
5	conclusion, to be devoid of pañcama and ṛṣabha and having been born of	main via surya_layout
6	ṣadjodicyavati (jāti).	main via surya_layout
7	(306)	main via surya_layout
8	[Anu. 175]	section_header via surya_layout
9	This means – bhinna – şadja is related to şadjagrāma on account of being born	main via surya_layout
10	of ṣadjodicyavatī jāti. Dhaivata is the graha and aniśa, madhyama is the nyāsa; it is	main via surya_layout
11	pentatonic with the omission of <i>ṛṣabha</i> and <i>pañcama. Niṣāda</i> and <i>gāndhāra</i> are	main via surya_layout
12	kākalī and antara. Its application is prescribed in prāvešikī (dhruvās) related to the	main via surya_layout
13	entry of the hero in a situation where he is inclined towards the use of all	main via surya_layout
14	implements or tools (upakaraṇa), has an aversion to fighting which does not	main via surya_layout
15	match his disposition (vijātīya) and proceeds for hunting.	main via surya_layout
16	Bībhatsaand bhayānakaare the rasas. The mūrchanā beginning with dhaivata	main via surya_layout
17	obtains. Sañcārin is the varņa. Prasannādi is the alankāra. The kalā is formed in	main via surya_layout
18	the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in	main via surya_layout
19	the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara	main via surya_layout
20	and <i>pada</i>.	main via surya_layout
21	[2.Bhinna-pañcama]	section_header via surya_layout
22	[Anu. 176]	section_header via surya_layout
23	......This bhinna-pañcama is said to be svarabhinna. Its description is thus-	main via surya_layout
24	The knowledgeable ones in svara have spoken of bhinna-pañcama being	main via surya_layout
25	similar48 to śuddha-pañcama. It has dhaivata as its ainśa, pañcama as its	main via surya_layout
26	concluding note and is (applied) in the entry of the sūtradhāra.	main via surya_layout
27	(307)	main via surya_layout
28	[Anu. 177]	section_header via surya_layout
29	This means-bhinna-pañcama is related to madhyamagrāma on account of	main via surya_layout
30	being born of madhyamā and pañcamī jātis. Dhaivata is the graha and amśa,	main via surya_layout
31	pañcama is the <i>nyāsa</i>, <i>niṣāda</i> is <i>kākalī</i> here. Sometimes <i>niṣāda</i><sup>49</sup> is also used	main via surya_layout
32	and this (rāga) is complete. It is applied in the entry of the sūtradhāra.	main via surya_layout
33	Bībhatsaand bhayānakaare the rasas. The mūrchanā beginning with dhaivata	main via surya_layout
34	obtains. Sañcārīn is the varņa. Prasannādi is the alankāra. The kalā is formed	main via surya_layout
35	in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā	main via surya_layout
36	prevails in the citra (mārga). A tāla like caccatpuța obtains in the songs	main via surya_layout
37	comprised of svara and pada.	main via surya_layout

vol_II_p108 RIGHT — 21 lignes

L#	Texte OCR	Role auto
1	199	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Illustration-.....Śuddhā[xiv]	table via surya_layout
4	[.....]	table via surya_layout
5	Illustration - Dhāpā ninisā nidhānigāmā pāpāripāpā dhānini.	main via surya_layout
6	Dhānīgārīgāsāgāsāsāsāsāpāpāmāpāpā. Gamasānigāgamasāgāsādhāmāgāmāmā.	main via surya_layout
7	Madhyamā [xv]	editorial_bracket parent ligne 6 via heuristic_brackets
8	Pārvatī (bhāṣā) has paṇcama as amśa (and) dhaivata as the concluding note	main via surya_layout
9	and is born of a region<sup>31</sup>; it is sung in the assembly of kşatrīyas, is complete	main via surya_layout
10	and born of bhinna (şadja).	main via surya_layout
11	(33)	annotation_inline parent ligne 10 via heuristic_height
12	Illustration - Pāpāpāgā māririnirimā dhāpāpāpā sārimā. Pāgāririsani	main via surya_layout
13	dhāpāpādhā. Pārvatī [xvi]	editorial_bracket parent ligne 12 via heuristic_brackets
14	Thus end the sixteen bhāṣās of bhinnaṣaḍja according to	main via surya_layout
15	the opinion of Śardūla.	main via surya_layout
16	The proper bhāṣās adorned with vibhāṣās have been spoken of in	main via surya_layout
17	combination with practice and theory (and) blended with prastāra (lit.	main via surya_layout
18	elaboration, here notational illustration).	main via surya_layout
19	(34)	annotation_inline parent ligne 18 via heuristic_height
20	Thus ends the description of bhāṣās.	main via surya_layout
21	[Thus ends the fourth chapter.]	editorial_bracket parent ligne 20 via heuristic_brackets

213 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p003 RIGHT — 69 lignes

vol_I_p077 LEFT — 45 lignes

vol_II_p109 RIGHT — 41 lignes

vol_II_p057 RIGHT — 37 lignes

vol_II_p108 RIGHT — 21 lignes