Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21514). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p057 RIGHT — 37 lignes

page vol_II_p057 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 97 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [1.Bhinna-şadja] section_header
via surya_layout
4 Bhinna-ṣadja is known by the wise to have dhaivata as its amśa, madhyama as its main
via surya_layout
5 conclusion, to be devoid of pañcama and ṛṣabha and having been born of main
via surya_layout
6 ṣadjodicyavati (jāti). main
via surya_layout
7 (306) main
via surya_layout
8 [Anu. 175] section_header
via surya_layout
9 This means – bhinna – şadja is related to şadjagrāma on account of being born main
via surya_layout
10 of ṣadjodicyavatī jāti. Dhaivata is the graha and aniśa, madhyama is the nyāsa; it is main
via surya_layout
11 pentatonic with the omission of <i>ṛṣabha</i> and <i>pañcama. Niṣāda</i> and <i>gāndhāra</i> are main
via surya_layout
12 kākalī and antara. Its application is prescribed in prāvešikī (dhruvās) related to the main
via surya_layout
13 entry of the hero in a situation where he is inclined towards the use of all main
via surya_layout
14 implements or tools (upakaraṇa), has an aversion to fighting which does not main
via surya_layout
15 match his disposition (vijātīya) and proceeds for hunting. main
via surya_layout
16 Bībhatsaand bhayānakaare the rasas. The mūrchanā beginning with dhaivata main
via surya_layout
17 obtains. Sañcārin is the varņa. Prasannādi is the alankāra. The kalā is formed in main
via surya_layout
18 the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in main
via surya_layout
19 the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara main
via surya_layout
20 and <i>pada</i>. main
via surya_layout
21 [2.Bhinna-pañcama] section_header
via surya_layout
22 [Anu. 176] section_header
via surya_layout
23 ......This bhinna-pañcama is said to be svarabhinna. Its description is thus- main
via surya_layout
24 The knowledgeable ones in svara have spoken of bhinna-pañcama being main
via surya_layout
25 similar48 to śuddha-pañcama. It has dhaivata as its ainśa, pañcama as its main
via surya_layout
26 concluding note and is (applied) in the entry of the sūtradhāra. main
via surya_layout
27 (307) main
via surya_layout
28 [Anu. 177] section_header
via surya_layout
29 This means-bhinna-pañcama is related to madhyamagrāma on account of main
via surya_layout
30 being born of madhyamā and pañcamī jātis. Dhaivata is the graha and amśa, main
via surya_layout
31 pañcama is the <i>nyāsa</i>, <i>niṣāda</i> is <i>kākalī</i> here. Sometimes <i>niṣāda</i><sup>49</sup> is also used main
via surya_layout
32 and this (rāga) is complete. It is applied in the entry of the sūtradhāra. main
via surya_layout
33 Bībhatsaand bhayānakaare the rasas. The mūrchanā beginning with dhaivata main
via surya_layout
34 obtains. Sañcārīn is the varņa. Prasannādi is the alankāra. The kalā is formed main
via surya_layout
35 in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā main
via surya_layout
36 prevails in the citra (mārga). A tāla like caccatpuța obtains in the songs main
via surya_layout
37 comprised of svara and pada. main
via surya_layout

vol_II_p125 RIGHT — 30 lignes

page vol_II_p125 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 233 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [D. Once again the group of seven Varņailās] section_header
via surya_layout
4 Ramaņī, candrikā, lakṣmī, padminī, similarly rañjinī, mālatī and mohinī - main
via surya_layout
5 thus is the group of seven varņailās. main
via surya_layout
6 (459) main
via surya_layout
7 [1. <i>Ramaņi</i>] section_header
via surya_layout
8 Where there is samā yati<sup>68</sup> in the first and second foot and that which is main
via surya_layout
9 adorned with nāda in each foot, that satpadī 69 is ramaņī. main
via surya_layout
10 (460) main
via surya_layout
11 [2. Candrikā] section_header
via surya_layout
12 Where srotogată<sup>70</sup> and samā yati obtain in two feet and (that which) is main
via surya_layout
13 combined with bindu-gamakas, that is called candrini. main
via surya_layout
14 (461) main
via surya_layout
15 [3. Lakşmi] section_header
via surya_layout
16 Where gopucchā, 71 sumā and srotogatā (yatis) obtain in the three feet (respectively) main
via surya_layout
17 (and) there is mūrchanā <sup>72</sup> accompanied by nāda, that clā is known as laksmī. main
via surya_layout
18 (462) main
via surya_layout
19 [4. <i>Padminī</i> ] section_header
via surya_layout
20 (That) elä which is comprised of varņadhvani<sup>73</sup> in the first, second and main
via surya_layout
21 third and fourth foot, is said to be padminī. main
via surya_layout
22 (463) main
via surya_layout
23 [5. Rañjini] section_header
via surya_layout
24 (Where) there is samā (yati) in the first and second (feet) and gopucchā main
via surya_layout
25 (yati) in the third (foot) and that which is adorned with gamakas is rañjinī. main
via surya_layout
26 (464) main
via surya_layout
27 [6. Mālatī] section_header
via surya_layout
28 That elā which is composed with short and long syllables and with alliterations, main
via surya_layout
29 having four feet at will, i.e. of variable length, is held to be malati. main
via surya_layout
30 (465) main
via surya_layout

vol_I_p031 LEFT — 30 lignes

page vol_I_p031 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 44 page_number
via heuristic_pagenum
2 <b>BRHADDESI</b> page_header
via surya_layout
3 प्राप्नोति हृदयं शीघ्रमन्यस्मादृषभः स्मृतः। main
via surya_layout
4 स्त्रीगवीषु यथा तिष्ठन् विभाति ऋषभो महान्।। main
via surya_layout
5 स्वरग्रामे समुत्पन्नः स्वरोऽयमृषभस्तथा ॥५६॥ main
via surya_layout
6 वाचं गानात्मिकां धत्त इति गान्धारसंज्ञकः। main
via surya_layout
7 स्वराणां मध्यमत्वाच्च मध्यमः स्वर इष्यते।।५७॥ main
via surya_layout
8 स्वरान्तराणां विस्तारं यो मिमीते स पञ्चमः। main
via surya_layout
9 पाठक्रमेण गणने संख्यया पञ्चमोऽथवा।।५८।। main
via surya_layout
10 धीरस्यास्तीति धीमांस्तत्सम्बन्धी धैवतः स्मृतः । main
via surya_layout
11 यद्वा annotation_inline
parent ligne 10
via heuristic_short
12 २१षष्ठस्थाने धृतो यस्मात्तेनासौ धैवतो मतः॥५९॥ main
via surya_layout
13 पञ्चमेन annotation_inline
parent ligne 12
via heuristic_height
14 <sup>30</sup>•त्ततोऽसी annotation_inline
parent ligne 12
via heuristic_height
15 ललाटे धैवत इत्यर्थः। main
via surya_layout
16 निषीदन्ति स्वराः सर्वे निषादस्तेन कथ्यते।।६०॥ main
via surya_layout
17 [ स्वराणां सप्तसंख्यानियमः ] section_header
via surya_layout
18 [ अनु. २९ ] editorial_bracket
parent ligne 17
via heuristic_brackets
19 31 ननु कथं सप्त स्वरा इति नियमः ? उच्यते— main
via surya_layout
20 यथा सप्तधात्वाश्रितत्वेन सप्तैव धातवो main
via surya_layout
21 रसादयो जेयाः । तथा चाह सुश्रुतः — main
via surya_layout
22 'त्वगसृङ्मांसमेदोऽस्थिमज्जाशुक्राणि धातवः' । main
via surya_layout
23 इति। तथा सप्तचक्राश्रितत्वेन सप्तद्वीपाश्रितत्वेन वा सप्तैव स्वरा इति। main
via surya_layout
24 स्वरजातयः ] section_header
via surya_layout
25 चतुःश्रुतिस्वरा विप्रास्त्रिश्रुती क्षत्रियौ मतौ। main
via surya_layout
26 वैश्यौ द्विश्वतिकौ ज्ञेयौ शूद्रौ चान्तरकौ स्वरौ ३२।।६१।। main
via surya_layout
27 [ आगमस्थः स्वरोद्धारः ] editorial_bracket
parent ligne 26
via heuristic_brackets
28 वर्गाष्टकं तु सम्प्राप्य अकारादियशान्तकम्। main
via surya_layout
29 वर्णमात्राः अन्समायुक्तमुद्धरेत् स्वरसप्तकम् ॥६२॥ main
via surya_layout
30 স page_footer
via surya_layout

vol_II_p116 LEFT — 26 lignes

page vol_II_p116 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESĪ page_header
via surya_layout
2 214 page_number
via heuristic_pagenum
3 [१५. हयलीला] section_header
via surya_layout
4 अर्धं यत्र स्वरैगींत्वा यस्यास्तुरगलीलया । main
via surya_layout
5 अ(र्थ ?र्ध) annotation_inline
parent ligne 4
via heuristic_height
6 (নু) annotation_inline
parent ligne 4
via heuristic_height
7 गीयते बिरुदैरर्धं हयलीलेति सा स्मृता<sup>र७</sup> ॥३९७॥ main
via surya_layout
8 नीर (थं ?धं) main
via surya_layout
9 [१६. गजलीला] section_header
via surya_layout
10 हयलीलाकृतं सर्वं तालस्तु गजलीलक:। main
via surya_layout
11 तालोऽपि annotation_inline
parent ligne 10
via heuristic_height
12 गज्ञ annotation_inline
parent ligne 10
via heuristic_height
13 क्रियते यत्र सा ज्ञेया गजलीलेति नामतः १८॥३९८॥ main
via surya_layout
14 [१७. सिंहलील:] section_header
via surya_layout
15 छन्दसा सिंहलीलेन स्वरतेनकसंयुत:। main
via surya_layout
16 ॰लीलेत स्थ(र?रा)न्तेनतसंयुत: annotation_inline
parent ligne 15
via heuristic_markers
17 गीयते यस्तु बिरुदै: स भवेत् सिंहलीलक: १९॥३९९॥ main
via surya_layout
18 न्तै: annotation_inline
parent ligne 17
via heuristic_height
19 [१८. शरभलील:] section_header
via surya_layout
20 स्वरपाटैर्निबद्धं च भवेद्यत्र पदाष्टकम् । main
via surya_layout
21 मतः शरभलीलोऽसौ रागतालाष्ट्रकान्वितः २०॥४००॥ main
via surya_layout
22 [१९. शुकचञ्चु:] section_header
via surya_layout
23 आदौ राग: सगमकस्तालेन तु समन्वित:। main
via surya_layout
24 स(ग)मक annotation_inline
parent ligne 23
via heuristic_height
25 स्वरपाटै: प्रगीतस्तु नानादेशादिभाषया ॥ main
via surya_layout
26 गीयते यः स उद्दिष्टः शुकचञ्जूर्जनप्रियः ॥ ४०१॥ main
via surya_layout

vol_II_p107 LEFT — 35 lignes

page vol_II_p107 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 4
via heuristic_height
2 BRHADDEŠĪ page_header
via surya_layout
3 196 page_number
via heuristic_pagenum
4 उदाहरणम् – धासाधागा सानिसामानि । मानिधामागा । गामाधानी । धामामागा । निनि- main
via surya_layout
5 R annotation_inline
parent ligne 4
via heuristic_height
6 धाधा। ललिता। [९] editorial_bracket
parent ligne 4
via heuristic_brackets
7 ३५निषादवतिका ख्याता धैवताद्यन्तरा[जिता]। editorial_bracket
parent ligne 4
via heuristic_brackets
8 ॰पतरख्याता(?) annotation_inline
parent ligne 4
via heuristic_markers
9 सम्पूर्णाऽन्तरभाषा च गीताऽन्यैश्च रिवर्जिता<sup>३२</sup> ॥ २९॥ main
via surya_layout
10 गीतान्येन विवर्जिता annotation_inline
parent ligne 9
via heuristic_short
11 + + + म्या annotation_inline
parent ligne 9
via heuristic_height
12 उदाहरणम् – धामागापा । पासापापा । गमामापानि धापाधाधा । पामाधागागा । सनिधाधापापा main
via surya_layout
13 धासा- annotation_inline
parent ligne 12
via heuristic_short
14 गमागाप निधाधानीसरि सामापानिधापा मामागाप सधानिधाधा । निषादवती । [१०] editorial_bracket
parent ligne 12
via heuristic_brackets
15 धैवताद्यन्तसंयुक्ता षाडवा ३३तुम्बुरु [:] स्मृता । editorial_bracket
parent ligne 12
via heuristic_brackets
16 ऋषभेण विहीना तु गीयते <sup>३४</sup> ब्रह्मवादिभिः ॥ ३०॥ main
via surya_layout
17 उदाहरणम् - धानिसागा गामाधापा मागनि सनीधाधा । तुम्बुरु[:]। [११] editorial_bracket
parent ligne 16
via heuristic_brackets
18 ३५गान्धारललिता पूर्णा <sup>३६</sup>मध्यमांशा[ऽ]न्तधैवता । editorial_bracket
parent ligne 16
via heuristic_brackets
19 ल्पधैयता annotation_inline
parent ligne 16
via heuristic_height
20 गीयते पितृकार्येषु ३७षड्जधैवतसङ्गतिः ॥ ३१॥ main
via surya_layout
21 ॰मक्रमात् annotation_inline
parent ligne 20
via heuristic_markers
22 उदाहरणम्-माधापा । पासासामग सासारीरी सानिधाधा सासारिगामा गारिरि सागरीसारी । main
via surya_layout
23 ॰का॰ annotation_inline
parent ligne 22
via heuristic_markers
24 साधा । गान्धारललिता । [१२] editorial_bracket
parent ligne 22
via heuristic_brackets
25 <b>•प</b>िलता annotation_inline
parent ligne 22
via heuristic_height
26 ..... main
via surya_layout
27 उदाहरणम्- धाधाधापा । गरिरिधापधानिनिरिगा पपानिधाधा रिगरिगधापधा रिपागा रिनिधा main
via surya_layout
28 ॰नि annotation_inline
parent ligne 27
via heuristic_markers
29 पाधाधा । कलिङ्गा । [१३] editorial_bracket
parent ligne 27
via heuristic_brackets
30 oth annotation_inline
parent ligne 27
via heuristic_height
31 धैवताद्यन्तभाषा [स्याच्छुद्धा] धैवतमध्यमौ<sup>३९</sup>[?]। editorial_bracket
parent ligne 27
via heuristic_brackets
32 ॰मा शुभा annotation_inline
parent ligne 27
via heuristic_markers
33 धैवतान्तरः annotation_inline
parent ligne 27
via heuristic_height
34 मूलभाषा भिन्नषड्जे गीयते नारदादिभिः॥ ३२॥ main
via surya_layout
35 नारदतुम्बुरू(?) main
via surya_layout
158 lignes a valider — change uniquement les roles incorrects.