Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21516). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p052 LEFT — 33 lignes

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1 86 page_number
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2 BRHADDEŚĪ page_header
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3 षाडव: पञ्चमश्चैव तथा कैशिकमध्यम:। main
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4 चोक्षसाधारितश्चैव चोक्षकैशिक इत्यपि ॥ main
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5 एते चोक्षास्तु विज्ञेया, भिन्नकान् साम्प्रतं शृणु ॥२९३॥ main
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6 भित्रषड्जश्च तानश्च भित्रकैशिकमध्यम:। main
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7 भित्रपञ्चमसंज्ञश्च पञ्चमो भित्रकैशिक: ॥२९४॥ main
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8 भिन्नपञ्चम इत्युक्तस्त्रयो गौडा: annotation_inline
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9 प्रकीर्तिताः annotation_inline
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10 गौडपञ्चम इत्येको गौडकैशिक इत्यपि । main
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11 गौडकैशिकमध्यमस्त्रयो गौडा: प्रकीर्तिता: ॥२९५॥ main
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12 टकरागश्च सौवीरस्तथा मालवपञ्चम:। main
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13 टङ्क annotation_inline
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14 षाडवो बोट्टरागश्च तथा हिन्दोलक: पर: ॥२९६॥ main
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15 ट[क]ककैशिक इत्युक्तस्तथा मालवकैशिक:। editorial_bracket
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16 एते रागाः समाख्याता नामतो मुनिपुङ्गवैः ॥२९७॥ main
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17 नर्तः शकाख्यः ककुभस्तथा भम्माणपञ्चमः । main
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18 (नर्तः) annotation_inline
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19 हमीण annotation_inline
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20 रूपसाधारितश्चैव तथा गान्धारपञ्चम: । main
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21 षड्जकैशिकसंज्ञश्च सप्त साधारणा: स्मृता: ॥२९८॥ main
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22 [॥ इति रागसङ्ख्या, उद्देशश्च ॥] editorial_bracket
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23 [रागाणां विशेषलक्षणानि] section_header
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24 [क. तत्र शुद्धरागाः] section_header
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25 इदानीं शुद्धानां लक्षणमाह - main
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26 <sup>३५</sup>अनपेक्ष्यान्यजातीर्ये स्वजातिमनुवर्तका: । main
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27 <sup>३६</sup>स्वजा(?) main
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28 निरपेक्षा॰ annotation_inline
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29 स्वजात्यन्यतमाश्चेव ते शुद्धाः परिकीर्तिताः ॥२९९॥ main
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30 [१.शुद्धषाडव:] section_header
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31 [अनु॰ १६४] section_header
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32 तत्र षाडव इति कस्मात्३७ ? किं षड्भि: स्वरैगीयत इति षाडव:, यद् वा षट्सु रागेषु main
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33 (vide) annotation_inline
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vol_II_p041 LEFT — 48 lignes

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1 BRHADDEŚĪ page_header
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2 64 page_number
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3 धा नी सां सा रीं रीं रीं रीं table
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4 (३) table
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5 सां सां सां री गा मा मा मा table
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6 (8) table
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7 मां धां नीं धां मां धां मां पां table
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8 (4) table
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9 गारी साधित रीरीरीरी table
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10 (६) table
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11 गां रीं सां सां पा धा मा मा table
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12 (v) table
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13 गा गा गा मा पा निधनि नी नी table
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14 (८) table
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15 गा गा नी नी गा गा गा गा table
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16 (९) table
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17 गा गा नी नी निध पा पा पा table
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18 (१०) table
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19 मां पो मो पो पो मो मो table
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20 (११) table
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21 सा मा गा निध नी नी गा गा table
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22 (१२) table
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23 ॥ [इति] कैशिकी ॥ table
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24 1 म ॥ annotation_inline
parent ligne 25
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25 [५. मध्यमोदीच्यवा] section_header
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26 पञ्चमांशा सदा पूर्णा, मध्यमोदीच्यवा मता ॥१४॥ main
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27 ंपञ्च(मा: ? मां) annotation_inline
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28 [मता] editorial_bracket
parent ligne 26
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29 लक्ष्म शेषं विजानीयाद् गान्धारोदीच्यवागतम् । main
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30 (म्) annotation_inline
parent ligne 29
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31 मध्यमादिर्मूर्छना स्यात् तालश्चचत्पुटो मत: ॥१५॥ main
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32 ॰(मंरीन ? मूर्छना) annotation_inline
parent ligne 31
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33 चतुर्थस्य प्रेक्षणस्य ध्रुवायां विनियोजनम् । main
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34 ্ক annotation_inline
parent ligne 33
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35 <sup>१७६</sup>अस्यां मध्यमो न्यास: । षड्जधैवतावपन्यासौ । <sup>१७७</sup>प्रस्तार:- main
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36 अस्या annotation_inline
parent ligne 35
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37 पा धनि नी नी मा मा नी पा table
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38 (१) table
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39 री री री गा सा रिग गा गा table
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40 (२) table
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41 नी नी नी नी नी नी नी table
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42 (3) table
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43 नी नी धप मा निध निध पा पा table
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44 (8) table
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45 पांपारी री री री री री table
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46 (4) table
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47 मा रिग सा सधं नीं नीं नीं नीं table
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48 <b>(६)</b> table
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vol_I_p052 RIGHT — 41 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 87 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
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3 When in the gita (melodic rendering) the svaras move (to and fro) in main
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4 mutual7 (directions) along with the last one8 (of the preceding phrase forming main
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5 the beginning of the succeeding phrase), or two by two, that is known as the main
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6 (119) annotation_inline
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7 sañcārin9 (circulatory) varņa. annotation_inline
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8 (Anu. 65) section_header
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9 Just as in mālavakaišika-sāsā sanipa pani nipa nisā sādharīpā pani nini; in main
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10 various (phrases) like this, on account of mutual movement (the sañcārin varņa main
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11 is formed). annotation_inline
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12 (Anu. 66) section_header
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13 Where the svaras of the gita ascend one by one or with intervening gaps, main
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14 that varņa is called ārohin (ascending). Just as in mālavapancama - pāpasa, main
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15 dharī sama ripa mapa mapadha māmā pasāri sāsama māpā rigā sā dhani pāri main
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16 mama dhani nini pāri mama dhani pādhani riripā — thus on account of main
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17 'mutual'10 (gapless) ascent or with a gap of one or two svaras the arohin main
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18 (ascending) varņa (comes into being). main
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19 Where the svaras descend in one order alone, that is called avarohin with main
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20 (120) annotation_inline
parent ligne 19
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21 'equal' (gapless) svaras (or) with gaps. annotation_inline
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22 pāma mamagā gaga mama mari riri ri pāmā mama papā papa pa māmama main
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23 nini dhadha papa pama gagā riri ninidhā pāpā — thus is avarohin varņa on main
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24 account of 'mutual' (gapless) descent or with a gap of one or two svaras. main
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25 Hence it has been said - annotation_inline
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26 "These varnas ought to be known for the sake of the structuring" of main
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27 alankāras and the like, as being born of svaras produced by the human body 12 main
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28 (and) adorned by repetition13 (in the) three registers." (NŚ XXIX. 17) main
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29 (Anu. 67) section_header
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30 How is varna brought about? It is being answered. When the svaras stretch main
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31 the syllable<sup>14</sup> due to the demand<sup>15</sup> of melodic rendering through (their) main
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32 steadiness, circulatory movement, ascent (and) descent, then varņa (pattern of main
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33 melodic movement) is effected. annotation_inline
parent ligne 32
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34 Just as, in śādjī (jātī) the sthāyin (steady) varņa (is illustrated by) sāsāsā 16. main
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35 Sancārin (circulatory varņa) is there, as in dhaivatī (jātī) — dhā 17 dhā nidha main
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36 padha mā mā mā. Ārohin (ascending varņa) (is illustrated) in nandayantī main
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37 — 18 gā gā gā pā pā dhapa mā, dhā dhā dhā dhā nī sani nidha, pā pā main
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38 pā pā pā pā pā. Avarohin (descending varņa) is (illustrated) there itself (in main
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39 nandayanti) with svaras that are equal (gapless) or are having gaps — 19pā pā main
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40 pā pā pā pā pā pā, dhā nī mā pā gā gā gā. main
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41 These varņas obtain also in the wooden20 (viņā), just as they are main
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L#Texte OCRRole autoCorriger si incorrect
1 264 page_number
via heuristic_pagenum
2 BRHADDEŚĪ section_header
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3 101. cf. (i) annotation_inline
parent ligne 2
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4 मार्गप्रष्टेऽध बीभत्से नीचे भम्माणपञ्चम:। main
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5 Cited in the name of Kasyapa in Abhi main
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6 Bhā on NŚ XXIX. 13, p. 77. main
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7 पथि भ्रष्टे वनभ्रान्ते विनियुक्तः शिवप्रियः। main
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8 (ii) annotation_inline
parent ligne 7
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9 SR II.2.62 ab. main
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10 102.cf. annotation_inline
parent ligne 9
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11 अवरोोहाँण वर्णे स्यात् ..... main
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12 SR 11.2.57a. annotation_inline
parent ligne 11
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13 103.cf. annotation_inline
parent ligne 11
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14 अस्यापि धैवतीजातिजन्यत्वं षड्जसंश्रयम् । main
via surya_layout
15 यस्य त्रिश्रुतितायोगाद् दुर्गशक्तिरभाषत ॥ main
via surya_layout
16 भरतादिकसम्मत्या ब्रह्मशैलाधिप: पुन: । main
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17 मध्यमग्रामसम्बन्धमाचप्टे शास्त्रमोदनात् ॥ unknown
via fallback
18 S Rāj II.2. 1.551, 552. main
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19 104.cf. annotation_inline
parent ligne 18
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20 गान्धारांशग्रहन्यासः क्वचिद् वां(द्धां)शग्रहान्तभाक्। main
via surya_layout
21 S Rāj II.2.1.548 cd. main
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22 105. Reconstruction based on SR II.2.105 ab. main
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23 106. This rāga has been mentioned in the initial enumeration as well main
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24 as in the assignment of rāgas to grāmas, but its description is not to be found main
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25 in the text. The following extract from SR would be useful - main
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26 पड्जर्पभांशग्रह: स्यात् कैशिकीजातिसम्भव:॥ main
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27 ऋषभोऽल्पो निगन्यासो मन्द्रगान्धारषङ्जकः। main
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28 प्रसन्नाद्यवरोहिभ्यां युक्तः षड्जादिमूर्छनः ॥ main
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29 वीररौद्राद्भुतरसः शाम्भवः षड्जकैशिकः। main
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30 SR II.2.65c - 67b. annotation_inline
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31 107. cf.(i) main
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32 मध्यमग्रामसम्बन्धो .... annotation_inline
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33 SR II.2.86 c. annotation_inline
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34 षड्जग्रामेण सम्बन्धो...... main
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35 (ii) annotation_inline
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36 S Rāj II.2.1.639 a. main
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37 108.Reconstruction based on- main
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38 तथाह मतङ्गः - प्रयोक्तृवशात् क्वचिन्मध्यमोऽशोऽपि न्यासश्च । main
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39 C.r. in Kalā on SR II.86-88 p. 76. main
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40 109.cf. annotation_inline
parent ligne 39
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41 मतङ्गो रेवगुप्तं च टक्कसैन्धवमेव च। main
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42 साधारणेषु निक्षिप्य न च तान(य) ब्रवीदथ ॥ main
via surya_layout
43 ग्रामरागानगणयद द्वात्रिंशदिति तद्युजै:। main
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44 पञ्चैव चोपरागान् स विना पञ्चमषाडवम् ॥ main
via surya_layout
45 ग्रामरागेषु निक्षिप्य कश्चित् पञ्चमपाडवम् । main
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46 त्रयस्त्रिंशदिति प्राह न तदाचार्यसम्मतम् ॥ main
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47 S Rāj II.2.1.62-64. annotation_inline
parent ligne 46
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48 110. P.t. adds the following after this, which is out of place here and main
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49 has, therefore, been omitted by us; the ed. has put it in square brackets. main
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50 • annotation_inline
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51 [इदानीं साधारणानां ग्रामविभाग: प्रदर्श्यते - editorial_bracket
parent ligne 49
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52 ---- annotation_inline
parent ligne 49
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1 <b>BRHADDESI</b> main
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2 90 page_number
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3 (२४) परिवर्तकः (२५) उद्घट्टितः (२६) आक्षेप्तकः main
via surya_layout
4 आवर्तकः annotation_inline
parent ligne 3
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5 (२३) main
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6 (२७) संप्रदानः (२८) हसितः (२९) हुंकारः (३०) सन्धिप्रच्छादनः (३१) विध्तः main
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7 (धिन ? धुतः) annotation_inline
parent ligne 6
via heuristic_short
8 (३२) उद्गीतः (३३) गात्रवर्णश्चेति। main
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9 [ अनु₀ ७० ] editorial_bracket
parent ligne 8
via heuristic_brackets
10 इदानीमेतेषामलङ्काराणां लक्षणमुच्यते। तद्यथा— मन्द्रादारभ्य कि ो मेणारोहणं main
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11 oसाo annotation_inline
parent ligne 10
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12 यावदसौ प्रसन्नादिः। मन्द्रशब्देन प्रसन्नध्वनिरुच्यते। यथा—सा री गा मा पा धा main
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13 तारगति annotation_inline
parent ligne 12
via heuristic_short
14 १ page_number
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15 नी सा इति प्रसन्नादिः। main
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16 [ अनु₀ ७१ ] editorial_bracket
parent ligne 15
via heuristic_brackets
17 तारादारभ्यावरोहक्रमेण [ ममन्द्रपर्यन्तं ] प्रसन्नान्तः। यथा—सानीधापामागारीसा editorial_bracket
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via heuristic_brackets
18 | २ | main
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19 इति प्रसन्नान्तः। annotation_inline
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via heuristic_short
20 [ अनु॰ ७२ ] editorial_bracket
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21 यत्राद्यन्तयोः प्रसन्नः, मध्ये च तारः स भ्यप्रसन्नाद्यन्तः। यथा— सारीगामापाधानीसा main
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22 सरिगमधन(सा) annotation_inline
parent ligne 21
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23 [ ३ ] editorial_bracket
parent ligne 21
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24 सानी धापामागारी सा इति प्रसन्नाद्यन्तः । main
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25 निध प म गरि annotation_inline
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26 अनु₀ ७३ editorial_bracket
parent ligne 24
via heuristic_brackets
27 🕦 यत्र मन्द्रो मध्ये आद्यन्तयोश्च तारः, स प्रसन्नमध्यः। यथा— main
via surya_layout
28 सा नी धा पा मा गा री सा, सा री गा मा पा धा नी सा इति प्रसन्नमध्यः 14 । [ ४ ] editorial_bracket
parent ligne 27
via heuristic_brackets
29 4 page_number
via heuristic_pagenum
30 ग annotation_inline
parent ligne 27
via heuristic_height
31 [ अनु₀ ७४ ] editorial_bracket
parent ligne 27
via heuristic_brackets
32 स्थानत्रयेऽपि सदृशध्विनः सप्तस्वरोच्चारणः समः। एतदुक्तं भवति— यस्य यावत्यः main
via surya_layout
33 श्रुतयः स स्थानित्रतयेषु तावच्छूतिक एव कार्यः। यथा— सरिगमपधनीति [ अथवा ] editorial_bracket
parent ligne 32
via heuristic_brackets
34 स्व annotation_inline
parent ligne 32
via heuristic_height
35 द्वयोर्द्वयोः स्वरयोः संवादिनोरुच्चारणात् समः। तद्यथा— सम सप रिधा गनी [ ति ] editorial_bracket
parent ligne 32
via heuristic_brackets
36 <b>15ग्रामभेदे तु सम रिप गनीति विशेषः। इति समः ।</b> main
via surya_layout
37 । ५ । annotation_inline
parent ligne 36
via heuristic_short
38 मध्यमग्रामे annotation_inline
parent ligne 36
via heuristic_height
212 lignes a valider — change uniquement les roles incorrects.