Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21518). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p088 RIGHT — 29 lignes

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1 TRANSLATION page_header
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2 159 page_number
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3 [4. Bhāṣās in hindolaka] section_header
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4 Combined with ṣaḍja as amśa and nyāsa, weak in dhaivata, this vesarī bhāṣā main
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5 is formed with the (profuse) use of gandhara. The to and fro movement main
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6 between şadja and gandhara should be arranged there by the performers. main
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7 (83) unknown
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8 Illustration main
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9 Sāsāgāsāsanipāni.Mādhāmāgāsamāsāsāsā. main
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10 Samagāsapamarigāsā ninimāsāgāsāsā. Dhanipāpāpanisāsā. Vesarī [i] editorial_bracket
parent ligne 9
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11 Having pancama as amśa, şadja as the concluding note, being devoid of main
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12 ṛṣabha and having concert between ṣaḍja-pañcama and the svaras comprised main
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13 of two śrutiseach, this bhāṣā called prathamamañjarī is (based on ) hindolaka. main
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14 (84) annotation_inline
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15 Illustration - Pāpāpāpādhamapānīsā pañcamapādhani dhāsāsāpāpānisāsāsā main
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16 gāsāpāgāmānisanipāpānisā gānisānisāsā. Prathamamanjarī [ii] editorial_bracket
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17 Combined with sadja as amsa and nyāsa, complete, weak in dha(dhaivata), main
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18 thus has been described chevāțī and concert between șadja-madhyama and main
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19 similarly şadja-gāndhāra should always be put up. main
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20 (85) annotation_inline
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21 Illustration - Sāpāsā. Māgāsāsā gāmanimāpāmāsā sāmāmānīmāmāmā main
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22 nīmāmāpāpāgāmāsāsāsāgāsānī. Sāgāsānīsanīdhāmadhāmāpāpāpādhāmāmādhama main
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23 pamagarisā sānīnīnīsāgārīmāmārīnīsāsā. Chevāţī [iii] editorial_bracket
parent ligne 22
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24 Having şadja às amśa and madhyama as concluding note, being weak in main
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25 niṣāda and ṛṣabha (which are also perhaps omissible), there being concert main
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26 between <i>ṣaḍja-madhyama</i> and similarly <i>gāndhāra-pañcama</i>, this <i>bhāṣā</i>, said to main
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27 be şadjamadhyamā, should be known to be hexatonic and pentatonic by main
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28 nature. It is sung also by Kinnaras.<sup>33</sup> main
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29 <math>(86-87)</math> main
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1 BŖHADDEŚĪ page_header
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2 52 page_number
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3 पञ्चमयोरत्पत्वम् । <sup>१५३</sup>गान्धारस्यांशत्वे[ऽ]प्राप्ते[ऽपि] बाहुत्यम् । षाडवे पञ्चमस्यात्पत्वम् editorial_bracket
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4 पद्जागान्धारपञ्चमयोरलपत्वम् , main
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5 औडुविते न कस्याप्यल्पत्वमशेषाणां बहुत्वम् । मध्यमो न्यासः । ऋषभधैवतावपन्यासौ । अंशानां main
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6 परस्परगमनम् । main
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7 [अनु॰ १५७] section_header
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8 १५४एकादशविधत्वमस्या:। एकादशांशका: -पूर्णाश्चत्वार:, षाडवास्त्रयो धैवतांशे तदपवादाद् main
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9 औडुविताश्चत्वार:।शुद्धस्तु नास्ति।गान्धार[ादि]मूर्छना।ताल:पञ्चपाणि:।एककलेन चित्रेण editorial_bracket
parent ligne 8
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10 मागधी, द्विकलेन वार्तिकेन सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला । रसौ शृङ्गारहास्यौ । main
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11 ध्रवागाने द्वितीयप्रेक्षणके विनियोग:। main
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12 [७. पड्जमध्यमा] section_header
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13 [अनु॰ १५८] section_header
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14 षड्जमध्यमाया ग्रहा अंशाश्च सप्तैव स्वरा:। पञ्चस्वरपरस्तार:। न्यासपरस्तत्परो वा मन्द्र: main
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15 ॰हा: annotation_inline
parent ligne 14
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16 निषादहीना षाडवा । निषादगान्धारहीना औडुविता । ग्रामाविरोधेन यथेष्टं सञ्चार: । पूर्णावस्थायां main
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17 निषादगान्धारयोरल्पत्वम् । षड्जमध्यमौ न्यासौ । सप्तस्वरा अपन्यासा: । main
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18 <b>क्खरापन्या</b> (स: ? सा) annotation_inline
parent ligne 17
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19 [अनु॰ १५९] section_header
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20 सप्तदशांशका: – तत्र सप्त पूर्णा:, पञ्च षाडवा:, पञ्च औडवाश्चेति main
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21 <sup>१५५</sup>सप्तदशविधत्वमस्याः । main
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22 एतदंशकाश्रत्वार: पाडवा:। तथैव थैवतेंऽशे पाडवानाम् औदुविताश main
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23 <sup>१५६</sup>दशिंधत्वमस्या annotation_inline
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24 शुद्धत्वं नास्ति । मध्यमादिमूर्छना । ताल: पञ्चपाणि: । एककलेन चित्रेण मागधी, द्विकलेन main
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25 (F) annotation_inline
parent ligne 24
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26 वार्तिकेन सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला । सर्वरसात्मिका, ध्रुवागाने द्वितीये प्रेक्षणके main
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27 विनियोग: । annotation_inline
parent ligne 26
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28 ॥ [इति] एता: षड्जग्रामसम्बन्धा: सप्त जातय: ॥ editorial_bracket
parent ligne 26
via heuristic_brackets
29 [अनु॰ १६०] section_header
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30 इदानीं मध्य[म] ग्रामसम्बन्धा जातय उच्यन्ते - editorial_bracket
parent ligne 29
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31 --- annotation_inline
parent ligne 29
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1 251 page_number
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2 PĂŢHAVIMARŚA page_header
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3 88. ८ि. जात्यंशगतानि यानि दशकरूपाणि ताञ्चशणान्युकानि तत्सङ्कीर्णतया यन् मिश्रम् । गेयं ग्रामरागादिलक्षणम् । तद्यदि main
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4 कस्योपि जात्यंशकस्य सम्बन्ध्यंशोऽन्यस्य न्यासोऽन्यदीयोऽपन्यास इत्यादि बहुतरवैचित्र्यम् । तदेवम्भूतं यन्मिश्रगेयं तदस्या main
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5 जातेरर्थितमिति यत्रियम्यते मतङ्गनन्दिकश्यपयाष्टिकादिभिस्तद्धिकेन रूपबाहुल्येन । तथा(विहि)तं पानकमिदमिति न तु main
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6 क्रममिश्रितम्। annotation_inline
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7 Abhi Bhā on NŚ XXVIII. 141, p. 63. main
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8 89. cf. इति त्रिपष्टिरंशा: स्युस्तेपामेकैकशोंऽशता । main
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9 C.r. in Sudhā on SR I. 7.59-63. main
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10 Verses 251-256 of our text tally with Datti 90b-95. main
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11 90. P.t. adds here a confused reading after 'madhye' - list_item
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12 ये अनंशास्तेषामनंशानां list_item
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13 91. The order of ṛṣabha-dhaivata has been changed by us to dhaivata- list_item
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14 rṣabha in order to correct the respective order of kaiśikī and pañcamī. list_item
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15 92. C.r. in Sudhā on SR I.7.24-28, p.180. list_item
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16 P.t. reads the following after kriyamaņe in the first line of Anu. 139, which main
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17 is redundant- annotation_inline
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18 सप्तधिकश्चैवं चत्वारिशच्च पाडवे अस्यार्थविधौ क्रियमाणे । main
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19 93. C. r. in Sudhā on SR 1.7.24-28, p.180, reads - list_item
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20 सप्तचत्वारिंशदंशा भवन्ति । कथम् ? चतसृणां etc. list_item
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21 94. C. r. in ibid. list_item
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22 95.cf. c.r. in ibid - list_item
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23 पड्जमध्यमा पाड्जी पड्जोदोच्यवा कैशिकी रक्तगान्धारीत्यासां सप्तांशा अपवादभूता: पातनीया: । main
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24 P.t. adds the following portion after verse 257, which is out of place and has, main
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25 therefore, been omitted by us- main
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26 सगमपर्धः स्मृता +++++++ । main
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27 नन्दयन्ती भवेत् पागा गान्धारोदीच्यवासमा ॥ main
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28 96. C.r. in Sudhā on SR I. 7.24-28, p.180. list_item
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29 97. Reading in NS Chau. XXVIII. 93. list_item
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30 98. Reading in NS XXVIII. 58. list_item
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31 99. Ibid. list_item
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32 100. Reading in NS Chau. XXVIII.63. list_item
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33 101. P.t. reads - 'tadvaddhaivatahīnatā'. Reconstruction based on NŠ list_item
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34 XXVIII. 59. list_item
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35 102. Reading in NS Chau. XXVIII. 63. list_item
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36 103. Reading in NS XXVIII. 59 and NS Chau. XXVIII. 64. Recon- list_item
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37 struction of 'pañcamaḥ'as 'pañcamam 'based on NŚ Chau. XXVIII. 64. list_item
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38 104, 105.Reading in NS XXVIII. 60. list_item
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39 106, 107. Reading in NS Chau. XXVIII .64. list_item
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40 108. Reading in NŚ XXVIII. 61. list_item
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41 109. Added on the basis of NS XXVIII. 61. list_item
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vol_II_p119 RIGHT — 27 lignes

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1 TRANSLATION page_header
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2 221 page_number
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3 [33. Dvipadī] section_header
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4 That which is (performed) with karaṇa tāla and composed in the dvipadī main
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5 metre, that is said to be dvipadī by those adept in vastu.<sup>29</sup> main
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6 (414) main
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7 [34. Vartanī] section_header
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8 Where graha and nyāsa are used only according to ańiśa, where the name main
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9 of the object of (glorified) description (divine or human) and that of the main
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10 singer (composer) is put in (and) that which is sung with svaras in a tāla main
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11 other than kankāla, pratitāla, druta (fast) maņțha, (and) kudukkaka, is held main
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12 to be vartani. annotation_inline
parent ligne 11
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13 (415-416) main
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14 [35. <i>Elā</i>] section_header
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15 Where the first two feet are 'coloured' (embellished) with anuprāsa main
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16 (alliteration), there is anuprāsa 30 in the third or fourth foot or there is no main
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17 anuprāsa in these two (feet) and the fifth (foot) is with anuprāsa, where four main
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18 gītis find place in each foot, (and) after having sung one-half of its foot, main
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19 anuprāsa is arranged; where there is the description of renunciation, well- main
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20 being or prosperity, beauty, valour, steadfastness etc., that is called <i>clā</i> by the main
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21 experts in music. annotation_inline
parent ligne 20
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22 <math>(417-419)</math> main
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23 It is always to be sung within the <i>gīta-vastus</i>, in combination with <i>tālas</i> like main
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24 maṇṭha, dvitīya, kaṅkāla and similarly elā should be combined with pratitāla main
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25 by the wise. That (clā) is marked with the name of the object of description main
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26 and the singer (composer). main
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27 <math>(420-421)</math> main
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vol_II_p003 RIGHT — 69 lignes

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1 Park to the unknown
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2 <b>CONTENTS</b> section_header
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3 Introduction table
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4 ν table
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5 xvii table
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6 <b>Abbreviations</b> table
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7 Bṛhaddeśī of Srī Mataṅga Muni table
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8 (Text and Translation) table
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9 CHAPTER II table
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10 Jātis table
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11 3 page_number
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12 1. Their number, nomenclature and types table
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13 Number and nomenclature table
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14 3 page_number
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15 3 page_number
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16 The jātis of ṣaḍjagrāma table
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17 3 page_number
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18 The jātisof madhyamagrāma table
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19 5 page_number
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20 Sādhāraņakṛtā Jātis table
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21 5 page_number
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22 2. The śuddhā, vikṛtā and samsargajā vikṛtā jātis table
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23 9 page_number
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24 3. General definition of jāti table
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25 4. The tenfold lakṣaṇas or characteristics table
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26 The definition of graha table
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27 13 page_number
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28 The definition of amśa table
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29 2. table
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30 The definition of apanyāsa table
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31 13 page_number
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32 forming part of that of amsa table
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33 The definition of sammyāsa table
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34 forming part of that of amśa table
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35 13 page_number
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36 The definition of vinyāsa table
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37 15 page_number
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38 forming part of that of anisa table
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39 15 page_number
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40 The definition of tara table
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41 3. table
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42 17 page_number
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43 The definition of mandra table
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44 4. table
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45 17 page_number
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46 5. The definition of sāḍava table
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47 19 page_number
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48 The definition of audava table
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49 6. table
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50 21 page_number
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51 The definition of alpatva table
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52 7. table
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53 21 page_number
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54 The definition of bahutva table
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55 8. table
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56 21 page_number
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57 The definition of <i>nyāsa</i> table
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58 9. table
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59 23 page_number
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60 10. The definition of apanyāsa table
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61 5. Optional and alternative prescription of amśa table
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62 23 page_number
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63 and the like in jātis table
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64 31 page_number
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65 6. Indication of the gaņas or groups of the jātis table
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66 7. Prescription regarding the performance of jātis table
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67 33 page_number
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68 35 page_number
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69 8. The ṣāḍava and auḍava formation of jātis table
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197 lignes a valider — change uniquement les roles incorrects.