Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21526). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p034 LEFT — 31 lignes

page vol_I_p034 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
via surya_layout
2 50 page_number
via heuristic_pagenum
3 V [ ग्राममूर्छनाप्रकरणम् ] section_header
via surya_layout
4 [ अनु. ३० ] editorial_bracket
parent ligne 3
via heuristic_brackets
5 अथ किमुच्यते ग्रामशब्देन ? ननु कति ग्रामा भवन्ति ? main
via surya_layout
6 कस्मादुत्पद्यते ग्रामः कि वा तस्य प्रयोजनम्।।८४॥ main
via surya_layout
7 अश्रोच्यते— unknown
via fallback
8 म्समूहवाचिनौ ग्रामौ स्वरश्रुत्यादिसंयुतौ ॥८५॥ main
via surya_layout
9 यथा कुटुम्बिनः सर्व एकीभूत्वा वसन्ति हि। main
via surya_layout
10 ₀ता² annotation_inline
parent ligne 9
via heuristic_markers
11 सर्वलोकेषु स ग्रामो यत्र नित्यं व्यवस्थितिः ।।८६॥ main
via surya_layout
12 ₄तः annotation_inline
parent ligne 11
via heuristic_height
13 षड्जमध्यमसंज्ञौ तु द्वौ ग्रामौ विश्रुतौ किल। main
via surya_layout
14 गान्धारं नारदो बूते स तु मर्त्यैर्न गीयते॥८७॥ main
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15 सामवेदात् स्वरा जाताः स्वरभ्यो ग्रामसम्भवः। main
via surya_layout
16 द्वावेतौ च इमौ ज्ञेयौ षड्जमध्यमलक्षितौ॥८८॥ main
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17 [ अनु. ३१ ] editorial_bracket
parent ligne 16
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18 प्रयोजनं च यथा—स्वरश्रुतिमूर्छना—तानजातिरागाणां व्यवस्थापनत्वं main
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19 o404 annotation_inline
parent ligne 18
via heuristic_height
20 नाम प्रयोजनम्। main
via surya_layout
21 [ अनु. ३२ ] editorial_bracket
parent ligne 20
via heuristic_brackets
22 ननु कथं षड्जमध्यमस्वराभ्यां ग्रामण्यपदेशः ? उच्यते—असाधारणत्वेन ताभ्यां main
via surya_layout
23 ग्रामण्यपदेशः। असाधारणत्वं च देवकुलसमुत्पन्नत्वेन। main
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24 ₀लोत्पन्न,<sup>5</sup> annotation_inline
parent ligne 23
via heuristic_markers
25 तथा चाह नारदः – main
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26 "देवकुलसमुत्पन्नाः षड्जगान्धारमध्यमाः। main
via surya_layout
27 एतेपां देवता जेया ब्रह्माविष्णुमहेश्वराः॥ "6 main
via surya_layout
28 उभयोग्रामियोर्मध्ये मुख्यत्वं कस्य गम्यते। main
via surya_layout
29 ुण्युः annotation_inline
parent ligne 28
via heuristic_height
30 षड्जस्यैव हि मुख्यत्वं गम्यते वचनान्भुनेः॥८९॥ main
via surya_layout
31 __ु•वाह्रि च __ main
via surya_layout

vol_II_p100 LEFT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 4 page_number
via heuristic_pagenum
2 BARRION POR annotation_inline
parent ligne 5
via heuristic_height
3 182 page_number
via heuristic_pagenum
4 BŖHADDEŚI page_header
via surya_layout
5 [१५. अथ पञ्चमपाडवे] section_header
via surya_layout
6 ऋषभांशा मध्यमान्ता शकभाषा प्रकीर्तिता । main
via surya_layout
7 मध्यमांशा annotation_inline
parent ligne 6
via heuristic_height
8 सुसम्पूर्णस्वरा होषा बहुगान्धारपञ्चमा ॥ १४२॥ main
via surya_layout
9 धैवतर्षभबाहुल्यं दृश्यते च मुहुर्मुहु:। main
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10 शकरागे तु सम्भूता [?] भाषा पञ्चमषाडवे<sup>१३४</sup>॥ १४३॥ editorial_bracket
parent ligne 9
via heuristic_brackets
11 ॰प्पृ annotation_inline
parent ligne 9
via heuristic_markers
12 उदाहरणम् - रिरिसानिनि । पानिरिरिरि [००० म] [शकभाषा] editorial_bracket
parent ligne 9
via heuristic_brackets
13 [॥ इति पञ्चमषाडवे ॥] section_header
via surya_layout
14 इत्येताः प्रकटा लोके भाषा बहुमताः स्मृताः। main
via surya_layout
15 यथा यथा प्रयुञ्जीत तथा सा तु विवर्तिता ॥ १४४॥ main
via surya_layout
16 तस्य annotation_inline
parent ligne 15
via heuristic_height
17 तथा सर्वप्रयत्नेन गातव्या लक्षणान्विता । main
via surya_layout
18 गीयते annotation_inline
parent ligne 17
via heuristic_height
19 श्रोतव्या गायकैर्नित्यं परिहासार्थ-कौशले ॥ १४५॥ main
via surya_layout
20 <b>॰कौशिलि</b> annotation_inline
parent ligne 19
via heuristic_markers
21 यत्किञ्चिदाहवे[दृष्टं] समस्तं दर्शयेच्च सा । editorial_bracket
parent ligne 19
via heuristic_brackets
22 ॰दाह्यये + + annotation_inline
parent ligne 19
via heuristic_markers
23 नाशयेत्•तत् main
via surya_layout
24 सर्वत्र ग्रामरागेषु भाषाणामुपलभ्यते ॥ १४६॥ main
via surya_layout
25 सर्वन्त्रामरागेषु annotation_inline
parent ligne 24
via heuristic_height
26 [इति] सर्वागमसंहितायां याष्टिकप्रमुखभाषालक्षणाध्याय: चतुर्थ:॥ editorial_bracket
parent ligne 24
via heuristic_brackets
27 ॰भाषा(ध्या॰) annotation_inline
parent ligne 24
via heuristic_markers
28 [ख. शार्दूलमते भाषालक्षणम्] र section_header
via surya_layout
29 अतः परं प्रवक्ष्यामि शार्दूलमते भाषालक्षणम् - main
via surya_layout

vol_I_p050 RIGHT — 44 lignes

page vol_I_p050 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 83 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 the kāku-vidhi (prescription about kāku) (in Nāţyaśāstra?); considered main
via surya_layout
4 separately, one should know them as sixty-six58 for the sake of (the sthānas) main
via surya_layout
5 mandra and the like. Hence whatever is sung is only for the sake of establishing main
via surya_layout
6 the arrangement of mandra (low) and tara (high) through the sounds of the main
via surya_layout
7 voice that are particularised by medium sounds i.e. that belong to the medium main
via surya_layout
8 category.59 annotation_inline
parent ligne 7
via heuristic_height
9 I have spoken of the fourfold mūrchanās composed of seven svaras. main
via surya_layout
10 [The murchana of twelve svaras] section_header
via surya_layout
11 Now I shall speak about the mūrchanās (composed) of twelve svaras. (117) main
via surya_layout
12 (Anu. 61) annotation_inline
parent ligne 11
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13 Because the treatment of murchanas has been said to be for the sake of main
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14 obtaining the three sthanas and it has also been said that this (treatment) is for main
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15 the sake of establishing mandra and tāra, the mūrchanās should be observed as main
via surya_layout
16 being composed of twelve svaras during performance.60 main
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17 Similarly has said Kohala - annotation_inline
parent ligne 16
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18 "The order (of svaras) should always be arranged by the wise according to main
via surya_layout
19 lakşya (practice) for the sake of the accomplishment of jāti, rāga and the like, main
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20 after having established the murchanā."61 main
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21 Nandikeśvara has also said— annotation_inline
parent ligne 20
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22 "The murchanas should be known by the wise to be composed of twelve svaras main
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23 (each) for the sake of the accomplishment of jāti, bhāṣā and the like and for the main
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24 sake of the establishment of tara (high), mandra (low) and the like."62 main
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25 (Anu. 62) annotation_inline
parent ligne 24
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26 Although acaryas (teachers) have propounded murchanas of seven svaras, yet main
via surya_layout
27 murchanas have been used only with twelve svaras, for the sake of obtaining the main
via surya_layout
28 three sthānas; otherwise the usage ri -ma in cokşa (śuddha) şāḍava could not main
via surya_layout
29 have been there and if this were the case, that raga could not be formulated. main
via surya_layout
30 The usage of <math>\vec{n}</math> - <math>ga</math> - <math>ma</math> - <math>dha</math> - <math>ni</math> in <math>\hat main
via surya_layout
31 and mandra. The performance of other ragas would also be destructive (of their main
via surya_layout
32 proper form). Hence the mūrchanās beginning with sa - ri - ga - ma - pa - main
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33 dha - ni begin with dha - ni - sa - ni - ga - ma - pa (when they are formed main
via surya_layout
34 with twelve svaras). That is thus -63 main
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35 Uttaramandrā (1) annotation_inline
parent ligne 34
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36 dha-ni-sa-ri-ga-ma-pa-dha-ni-sa-ri-ga main
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37 Rajani (2) annotation_inline
parent ligne 36
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38 ni-sa-ri-ga-ma-pa-dha-ni-sa-ri-ga-ma main
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39 Uttarāyatā (3) annotation_inline
parent ligne 38
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40 sa-ri-ga-ma-pa-dha-ni-sa-ri-ga-ma-pa main
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41 Śuddhasadjā (4) annotation_inline
parent ligne 40
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42 ri-ga-ma-pa-dha-ni-sa-ri-ga-ma-pa-dha annotation_inline
parent ligne 40
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43 Matsarikṛtā (5) annotation_inline
parent ligne 40
via heuristic_height
44 ga-ma-pa-dha-ni-sa-ri-ga-ma-pa-dha-ni main
via surya_layout

vol_II_p067 RIGHT — 34 lignes

page vol_II_p067 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 117 page_number
via heuristic_pagenum
2 TRANSLATION page_header
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3 [Anu. 200] editorial_bracket
parent ligne 4
via heuristic_brackets
4 This means - Mālavakaišika is related to madhyamagrāma on account of main
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5 being born of kaiśikī jāti. Ṣadja is the graha, aniśa and nyāsa. There is the main
via surya_layout
6 sparseness of dhaivata here. In usage, niṣāda is kākalī here and this (rāga) is main
via surya_layout
7 complete in svaras. Its application is prescribed in vipralambha-śṛṅgāra (love in separation). Vīra<sup>74</sup> and the main
via surya_layout
8 with sadja obtains. Ārohin is the varņa. Prasannamadhyama is the alankāra. main
via surya_layout
9 The kalāis formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) main
via surya_layout
10 and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in main
via surya_layout
11 songs comprised of svara and pada. main
via surya_layout
12 [The assignment of gramas to vesararagas] section_header
via surya_layout
13 Now the particular grāma of each one of the vesara (rāgas) is being shown - main
via surya_layout
14 Ţakkarāga, similarly sauvīra, ṭakkakaišika, boṭṭarāga and vesara-ṣāḍava are in the main
via surya_layout
15 one (grāma) called sadja. annotation_inline
parent ligne 14
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16 (329) annotation_inline
parent ligne 14
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17 Hindolaka, mālavapancama and mālavakaišika should be known to be born main
via surya_layout
18 of madhyamagrāma. annotation_inline
parent ligne 17
via heuristic_height
19 (330) annotation_inline
parent ligne 17
via heuristic_height
20 Thus have all the vesara(rāgas) been spoken of with their definitive main
via surya_layout
21 descriptions. They are known as vega-svaras 75 because the speed of svaras is main
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22 seen in them. annotation_inline
parent ligne 21
via heuristic_height
23 (331) annotation_inline
parent ligne 21
via heuristic_height
24 [ E. Sādhāraņa rāgas] section_header
via surya_layout
25 The śuddha, bhinna, gauḍa and similarly vegasvara (rāgas) have been spoken main
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26 of. Now I will speak of the seven sādhāraņa ones. main
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27 (332) annotation_inline
parent ligne 26
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28 [Anu. 201] editorial_bracket
parent ligne 26
via heuristic_brackets
29 (Contention) Howdoes the sidhāraṇatva (commonness) of sādhāraṇa (rāgas) main
via surya_layout
30 come about? It is being answered. On account of being born of the gitis main
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31 pertaining to all the ragas that have been spoken of heretofore, there is their main
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32 sādhāraņatva (commonness); this comes about on account of their being sung in main
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33 the sādhāraṇa-giti. Similarly has said Kasyapa- main
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34 "Seven sādhāraņa (rāgas) have been said to be based in all the gitis." main
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vol_I_p024 LEFT — 28 lignes

page vol_I_p024 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDEŚ</b>I page_header
via surya_layout
2 30 page_number
via heuristic_pagenum
3 तथा चाह कोहलः — main
via surya_layout
4 <b>"जातिभाषादिसंयोगादनन्तः कीर्तितः स्वरः।</b> main
via surya_layout
5 <b>॰पदैर्युक्तस्त्वलमिति कृतौ योज्यो रसेष्वपि</b>"।। इति। annotation_inline
parent ligne 4
via heuristic_markers
6 。स्ता。 annotation_inline
parent ligne 4
via heuristic_height
7 ना annotation_inline
parent ligne 4
via heuristic_height
8 नित्योऽविनाशी। व्यापकः सर्वगतः। main
via surya_layout
9 तथा चाह कोहलः — annotation_inline
parent ligne 8
via heuristic_short
10 "ऊर्ध्वनाडीप्रयत्नेन सर्वीभत्तिनिघट्टनात्। main
via surya_layout
11 मुर्छितो ध्वनिरामुर्ध्नः स्वरोऽसौ व्यापकः परः"।। main
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12 [ अनु. १७ ] editorial_bracket
parent ligne 11
via heuristic_brackets
13 ननु षड्जादीनां कथं स्वरत्वम् ? व्यञ्जनत्वात्। यदि व्यञ्जनानां main
via surya_layout
14 स्वरत्वमभिधीयते, तदानीं कादीनामेवास्तु स्वरत्वम्। main
via surya_layout
15 अत्रोच्यते — असाधारणत्वात् षड्जादीनामेव स्वरत्वं न कादीनामिति। main
via surya_layout
16 ननु षड्जादीनामसाधारणत्वं कथम् ? आप्तोपदेशात् षड्जादीनामसाधारणत्वम्। main
via surya_layout
17 तथा चाह कोहले महेश्वरः- main
via surya_layout
18 ｡लः annotation_inline
parent ligne 17
via heuristic_height
19 "षड्जं वदति मयूर ऋषभं चातको वदेत्। main
via surya_layout
20 अजा वदित गान्धारं क्रौञ्चो वदित मध्यमम्।। main
via surya_layout
21 ्नित annotation_inline
parent ligne 20
via heuristic_height
22 पुष्पसाधारणे काले कोकिलः पञ्चमं वदेत्। main
via surya_layout
23 प्रावृद्काले तु सम्प्राप्ते धैवतं दर्दुरो वदेत्।। main
via surya_layout
24 सर्वदा च तथा देवि। निषादं वदते गजः॥" main
via surya_layout
25 यद्वा ऊर्ध्वध्वनिगामित्वेन षड्जादीनामेवासाधारणत्वमिति, अथवा main
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26 ₄व annotation_inline
parent ligne 25
via heuristic_height
27 षड्जादयः स्वरा न भवन्ति, आकारादय एव स्वराः। षड्जादयस्तु main
via surya_layout
28 तेषामाकारादीनामुच्चारणार्थमिति। main
via surya_layout
166 lignes a valider — change uniquement les roles incorrects.