Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21534). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p079 LEFT — 43 lignes

page vol_II_p079 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 <b>网络克里斯</b>亚斯斯斯 unknown
via fallback
2 <b>京都的基本的工作</b> unknown
via fallback
3 140 page_number
via heuristic_pagenum
4 BRHADDEŚĪ page_header
via surya_layout
5 142 page_number
via heuristic_pagenum
6 उदाहरणम् – सागागपा । पामपामगामामा रीगसासा सासमागपापा । पाधनीधा । मपापामा- main
via surya_layout
7 बीठ बीठ annotation_inline
parent ligne 6
via heuristic_height
8 पामामामगास सारिधानिसासा सधानीगारीगामापागनिसा नीगारीनिसासा । main
via surya_layout
9 निधापामागा - main
via surya_layout
10 ०धी० annotation_inline
parent ligne 9
via heuristic_height
11 रीगासा । मानीधनीधासा । छेवाटी । [४] editorial_bracket
parent ligne 9
via heuristic_brackets
12 षड्जन्यासा निषादांशा दुर्बला<sup>२६</sup> पञ्चमेन तु । main
via surya_layout
13 षड्जगान्धारसंवाद: षड्जमध्यमयोस्तथा ॥ main
via surya_layout
14 ॰(मध्यमं?)मध्यमयोस्तथा annotation_inline
parent ligne 13
via heuristic_markers
15 •गमारः annotation_inline
parent ligne 13
via heuristic_height
16 उदाहरण main
via surya_layout
17 भाषेयं षाडवा ज्ञेया मूलाख्या मालवेसरी ॥४४॥ unknown
via fallback
18 <sup>२७</sup>मालववेसरी main
via surya_layout
19 (飞) annotation_inline
parent ligne 18
via heuristic_height
20 मामा ग main
via surya_layout
21 उदाहरणम् – निधानिनी सरिसासागामागाधारिसमामासा गासारिसासागधरिसा । गामाधामा मागाधागा । main
via surya_layout
22 रीगामाम unknown
via fallback
23 सासासा । माल[व]वेसरी । [५] editorial_bracket
parent ligne 21
via heuristic_brackets
24 निषादांशा च षड्जान्ता सम्पूर्णा षड्जमध्ययो: । main
via surya_layout
25 निपादर्यभषङ्जान्ता व्मध्यमा main
via surya_layout
26 <sup>२८</sup>सङ्ग[तिस्]तत्र विज्ञेया पञ्चमर्षभयोस्तथा । editorial_bracket
parent ligne 25
via heuristic_brackets
27 उदाहरष main
via surya_layout
28 <sup>२९</sup>देशभाषात्र विख्याता गूर्जरी परमोज्ज्वला ॥४५॥ main
via surya_layout
29 वेसरिक unknown
via fallback
30 उदाहरणम् - निसासानिपापानीधानीनी सानीसासा । सारिसारिरि । सामागा । रि़रि । नीनीनी । main
via surya_layout
31 पापापा । निधानि । नीगासा । गूर्जरी । [६] editorial_bracket
parent ligne 30
via heuristic_brackets
32 धाधाधा annotation_inline
parent ligne 30
via heuristic_height
33 निषादांशा तु षड्जान्ता सम्पूर्णा नित्यमेव हि । main
via surya_layout
34 उदाहरण annotation_inline
parent ligne 33
via heuristic_short
35 (पा;) main
via surya_layout
36 सौराष्ट्रिका तु भाषेयं देश्याख्या गीयते जनै:३०॥४६॥ main
via surya_layout
37 रिरीगगि annotation_inline
parent ligne 36
via heuristic_short
38 उदाहरणम् - निनिधानिनिसासा निरिगासासा main
via surya_layout
39 सागागासा annotation_inline
parent ligne 38
via heuristic_short
40 धनिनिनि main
via surya_layout
41 धामामानान unknown
via fallback
42 क्षी main
via surya_layout
43 निनिधासासागासासागासासधानिधानिधामामामारिगासासा गासनीसासासा । सौराष्ट्री । [७] editorial_bracket
parent ligne 42
via heuristic_brackets

vol_II_p071 RIGHT — 36 lignes

page vol_II_p071 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 125 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [Anu. 210] editorial_bracket
parent ligne 4
via heuristic_brackets
4 Its meaning is thus – pañcamaṣāḍavais related to ṣaḍjagrāma. Ŗṣabhais its graha main
via surya_layout
5 and anisa. Madhyama is the nyāsa and with relevance to the performer 88 it main
via surya_layout
6 sometimes becomes amśa also. Niṣāda is kākalī here and this (rāga) is complete. main
via surya_layout
7 Its application is prescribed in the passionate performance of cārīs, maṇḍalas and main
via surya_layout
8 (situations of ) combat. Vīra and the like is the rasa89. The mūrchanā beginning main
via surya_layout
9 with ṛṣabha obtains. Prasannādyanta is the alankāra. The kalā is formed in the main
via surya_layout
10 dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga) and the kalā prevails in main
via surya_layout
11 the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara and main
via surya_layout
12 pada annotation_inline
parent ligne 11
via heuristic_height
13 [9. Revagupta] section_header
via surya_layout
14 Revagupta is said to be born of ārṣabhī and madhyamā jātis, has ṛṣabha as main
via surya_layout
15 its amsa and madhyama as its concluding note and is with complete svaras. main
via surya_layout
16 (340) annotation_inline
parent ligne 15
via heuristic_height
17 [Anu. 211] editorial_bracket
parent ligne 15
via heuristic_brackets
18 Its meaning is thus - Revagupta is related to sadjagrāma. Although it is born main
via surya_layout
19 of ārṣabhī and madhyamā jātis, it is related to ṣaḍjagrāma alone because of main
via surya_layout
20 pañcama being comprised of four śrutis. Rṣabha is its graha and amśa, main
via surya_layout
21 <math>madhyama</math> alone is <math>ny\bar{a}sa</math>, <math>nis\bar{a}da</math> is <math>k\bar{a}kal\bar{t}</math> he main
via surya_layout
22 svaras. Its application is prescribed in the passionate performance of cārīs, main
via surya_layout
23 mandalas and (situations of) combat. Vira and the like is the rasa. The main
via surya_layout
24 mūrchanā beginning with ṛṣabha obtains. Ārohin is the varṇa. Prasannānta is main
via surya_layout
25 the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in main
via surya_layout
26 the vārtika (mārga) and the kalā prevails in the citra (mārga). A tāla like main
via surya_layout
27 caccatputa obtains in the songs comprised of svara and pada. main
via surya_layout
28 [10. Takkasaindhava] section_header
via surya_layout
29 The rāga takka qualified by saindhava is born of ṣāḍjī and dhaivatī jātis, is main
via surya_layout
30 combined with sadja as amsa and nyāsa and is weak in pancama. main
via surya_layout
31 (341) annotation_inline
parent ligne 30
via heuristic_height
32 [Anu. 212] editorial_bracket
parent ligne 30
via heuristic_brackets
33 Its meaning is thus - takkasaindhava rāga is related to şadjagrāma on main
via surya_layout
34 account of being born of ṣāḍjī and dhaivatī (jātis). Ṣaḍja is its graha, amśa and main
via surya_layout
35 nyāsa. Niṣāda and gāndhāra are kākalī and antara. There is the sparseness of main
via surya_layout
36 pañcama and this (rāga) is complete in svaras. Its application is prescribed main
via surya_layout

vol_I_p020 LEFT — 36 lignes

page vol_I_p020 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 22 page_number
via heuristic_pagenum
3 तदुक्तम्— main
via surya_layout
4 "कथं प्रतीतिश्च भवेदमुष्या main
via surya_layout
5 नादौ नभो व्याकुलितश्रुति स्यात् । main
via surya_layout
6 ुत्वा, । annotation_inline
parent ligne 5
via heuristic_height
7 रा annotation_inline
parent ligne 5
via heuristic_height
8 भवेदलक्ष्यावयवा श्रुतिस्तु main
via surya_layout
9 [ तेनैव ] नैवावयवा प्रतीता ।। editorial_bracket
parent ligne 8
via heuristic_brackets
10 ॰वी annotation_inline
parent ligne 8
via heuristic_markers
11 ताः सम्भवन्तीतस्ताः स्युः कियत्यो मातृकाः प्रति । main
via surya_layout
12 तासा भवतीताः annotation_inline
parent ligne 11
via heuristic_height
13 ती २ annotation_inline
parent ligne 11
via heuristic_height
14 यदि द्वाविंशतिस्तासां व्यापारः कः क्रमोत्क्रमात् ॥ main
via surya_layout
15 श्रुतीनां यद्यानन्त्यं च [ वाऽ ] निवार्यं प्रसज्यते। editorial_bracket
parent ligne 14
via heuristic_brackets
16 एकत्वं वा भवेत् तासां मातृकाणामसंशयम् ॥ main
via surya_layout
17 तस्या annotation_inline
parent ligne 16
via heuristic_height
18 ুস্ annotation_inline
parent ligne 16
via heuristic_height
19 मातृका एव नो सन्ति कथं तासां विकल्पनम् ॥ main
via surya_layout
20 ٥٣, annotation_inline
parent ligne 19
via heuristic_height
21 सित धर्मिणि धर्माणां सत्तेत्याहुर्मनीषिणः। main
via surya_layout
22 [ धर्मिष्वसत्सु ] धर्मा नो सन्तीत्याहुर्मनीषिणः ।। editorial_bracket
parent ligne 21
via heuristic_brackets
23 ₀णः ₀न्तोऽप्या₃ annotation_inline
parent ligne 21
via heuristic_markers
24 ++++ main
via surya_layout
25 सत्त्वासत्त्वे तदा गुणदोषाणां गुणिनां यदा । main
via surya_layout
26 ०णी तु annotation_inline
parent ligne 25
via heuristic_short
27 स annotation_inline
parent ligne 25
via heuristic_height
28 विनैव कारणं तास्ताः स्वराणां कारणं यदि ॥ main
via surya_layout
29 भवेयुः श्रुतयस्तासामादिर्नेष्येत कारणम् ॥ main
via surya_layout
30 किञ्च प्रमाणगम्यत्वे समेऽपि यदि मातृकाः । main
via surya_layout
31 निह्नोतव्यास्तदा रक्षा श्रुतीनामपि दुर्लभा ॥" main
via surya_layout
32 अत्रोच्यते- annotation_inline
parent ligne 31
via heuristic_short
33 अर्थापत्त्याऽनुमानेन प्रत्यक्षज्ञानतोऽपि वा। main
via surya_layout
34 ₀প্লাপ্রউন<sup>87</sup> annotation_inline
parent ligne 33
via heuristic_markers
35 गृह्यन्ते श्रुतयस्तावत् स्वराभिव्यक्तिहेतवः main
via surya_layout
36 118311 main
via surya_layout

vol_II_p100 RIGHT — 22 lignes

page vol_II_p100 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 183 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 15. Now the bhāṣās in pañcamaṣāḍava section_header
via surya_layout
4 Having ṛṣabha as amśa, madhyama as the concluding note, this śakabhāṣā is main
via surya_layout
5 said to be complete (and) having abundant gändhära-pañcama. The profusion main
via surya_layout
6 of dhaivata-ṛṣabha is seen again and again. (This) bhāṣā (subsists) in main
via surya_layout
7 pancamaṣāḍava, being born of śakarāga. 71 main
via surya_layout
8 (142-143) annotation_inline
parent ligne 7
via heuristic_height
9 Illustration - Ririsānini. Pānīririri [ . . . ma ]. Šakabhāṣā. editorial_bracket
parent ligne 7
via heuristic_brackets
10 [Thus in pañcamaṣāḍava] section_header
via surya_layout
11 Thus are the bhāṣās manifested in (this)world, that are known to be main
via surya_layout
12 accepted by many. That <math>(bh\bar{a}s\bar{a})</math> is so modified as it is performed by one.<sup>72</sup> main
via surya_layout
13 (144) annotation_inline
parent ligne 12
via heuristic_height
14 Similarly, (a bhāṣā) should be sung in accordance with its lakṣaṇas, with all main
via surya_layout
15 effort. It should always be listened to by the singers in the context of wit and main
via surya_layout
16 humour and whatever is seen in fighting or sacrifice (yajña), all that is shown main
via surya_layout
17 by that (bhāṣā). Bhāṣās are obtained everywhere in grāmarāgas. main
via surya_layout
18 <math>(145-146)</math> annotation_inline
parent ligne 17
via heuristic_height
19 Thus ends in sarvāgamasamhita the fourth chapter dealing with bhāṣā- main
via surya_layout
20 lakṣaṇa where Yāṣṭika is the leader. main
via surya_layout
21 [ B. Bhāṣās according to Śārdūla] section_header
via surya_layout
22 After this I shall speak of the description of bhāṣā according to Śārdūla. main
via surya_layout

vol_II_p011 LEFT — 30 lignes

page vol_II_p011 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 4 page_number
via heuristic_pagenum
3 आन्ध्री च नन्दयन्ती च कार्मारव्यथ कैशिकी । main
via surya_layout
4 अङ्धी annotation_inline
parent ligne 3
via heuristic_height
5 ₹क annotation_inline
parent ligne 3
via heuristic_height
6 एवमेकादश ज्ञेया मध्यमग्रामसंश्रया: ॥ १९०॥ main
via surya_layout
7 [॥ इत्येकादशमध्यमग्रामाश्रया:॥] editorial_bracket
parent ligne 6
via heuristic_brackets
8 [साधारणकृता जातय:] section_header
via surya_layout
9 साधारणकृतास्तिस्रो विज्ञेया जातयो बुधै: । main
via surya_layout
10 मध्यमा पञ्चमी चैव तथा वै षड्जमध्यमा ॥१९१॥ main
via surya_layout
11 मत्सरी annotation_inline
parent ligne 10
via heuristic_height
12 ॥ इति सङ्ख्या, उद्देशश्च॥ editorial_bracket
parent ligne 10
via heuristic_brackets
13 [२. शुद्धाः, विकृताः, संसर्गजा विकृताश्च] section_header
via surya_layout
14 [ अनु ॰ ११५] section_header
via surya_layout
15 आभ्योऽष्टादशजातिभ्य: सप्तस्वराख्याश्चोक्ता द्विधा शुद्धा विकृताश्चेति । तत्र शुद्धा main
via surya_layout
16 अन्यूनस्वराः*स्वस्वरांशग्रहन्यासापन्यासाश्च । एभ्यो लक्षणेभ्योऽन्यतमेन द्वाभ्यां बहुभिर्वा main
via surya_layout
17 ्रा स्वरस्वरग्रहान्यासाध (?)<br>लक्षणैर्विकृतिमुपगता न्यासवर्ज विकृतसंज्ञा भवन्ति । main
via surya_layout
18 <sup>५</sup>व्यायापि तुष्टा(?) main
via surya_layout
19 <sup>६०</sup>वजा annotation_inline
parent ligne 18
via heuristic_short
20 [अनु०११६] editorial_bracket
parent ligne 18
via heuristic_brackets
21 तंत्रं न्यासविधिमाह-तत्र न्यासविधौ या जातय: शुद्धा:,तासु नामकारी यो न्यास: [स] editorial_bracket
parent ligne 18
via heuristic_brackets
22 ्बलः यवाः विकारित । विकृतासु च नामकारी [न्यास:] तारो वा मन्द्रो वा भवतीत्यनियम:। editorial_bracket
parent ligne 18
via heuristic_brackets
23 <sup>७</sup>कविकारी <b>या मन्द्रो भवतीत्य</b>नियम: । annotation_inline
parent ligne 18
via heuristic_height
24 [ अनु ११७ ] section_header
via surya_layout
25 तत्र शुद्धानां जातीनां शुद्धत्वं विकृतत्वं च रूपद्वयमस्ति । एकादशानां जातीनां विकृतोद्भवत्वादु main
via surya_layout
26 विकृतत्वमेव रूपं भवति न तु शुद्धत्विमिति कुत एतत् ? ता हि परस्परसंसर्गाज्ञायन्ते । तथा main
via surya_layout
27 वृ॰ annotation_inline
parent ligne 26
via heuristic_markers
28 (ते?न्ते) annotation_inline
parent ligne 26
via heuristic_height
29 । ननु annotation_inline
parent ligne 26
via heuristic_height
30 चाह भरत: - main
via surya_layout
167 lignes a valider — change uniquement les roles incorrects.