Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21541). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p019 LEFT — 35 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 化二溴磺基基 医动物 annotation_inline
parent ligne 4
via heuristic_height
2 20 page_number
via heuristic_pagenum
3 BRHADDEŚĪ page_header
via surya_layout
4 [७. अल्पत्व-लक्षणम्] section_header
via surya_layout
5 [अनु॰ १२८] editorial_bracket
parent ligne 4
via heuristic_brackets
6 इदानीमल्पत्वबहुत्वे ब्रवीमि । तत्र स्वराणामल्पशः प्रयोगादल्पत्वम्, बहुशः प्रयोगाद् main
via surya_layout
7 (ते?त्वे) annotation_inline
parent ligne 6
via heuristic_short
8 बहुत्वम् । तथाल्पत्वं बहुत्वं च द्विविधं भवेत् , संन्यासादिगतं तथान्तरमार्गेणेति । main
via surya_layout
9 <sup>५५</sup>अन्तरमार्गस्य main
via surya_layout
10 संन्यासादिगतो भवेत् annotation_inline
parent ligne 9
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11 ৽হা৽ annotation_inline
parent ligne 9
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12 लक्षणं यथा जातिषु क्वचिद्वाऽनंशोऽपि नाल्पः।तथा च कार्मारव्यां गान्धारस्य सर्वस्वरसंगत्या main
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13 अनंशो annotation_inline
parent ligne 12
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14 विनास्प: annotation_inline
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15 बहुत्वेनान्तरमार्गे प्रयोग इति वक्ष्यते- main
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16 ‘‘गान्धारस्य विशेषेण सर्वतो गमनं भवेत् ।’’ इति main
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17 [ना॰ शा॰ २८.१३६] editorial_bracket
parent ligne 16
via heuristic_brackets
18 [८. बहुत्वलक्षणम्] section_header
via surya_layout
19 [अनु॰ १२९] editorial_bracket
parent ligne 18
via heuristic_brackets
20 <sup>५६</sup>अथ बहुत्वमाह - अल्प[त्व]वदत्र बहुत्विमिति लक्षयेदिति विशेष:। कथमित्याह editorial_bracket
parent ligne 18
via heuristic_brackets
21 बलवदबलवतोर्विपर्यासोऽबलमल्पं तद्विपर्यये बलवदिति बलवक्ष्यणं गम्यत एव । अत एवाह- main
via surya_layout
22 न्ते annotation_inline
parent ligne 21
via heuristic_height
23 ५७ जातिस्वरैस्तु नित्यं [स्याज्] जात्यल्पत्वं द्विधा च तत्॥ editorial_bracket
parent ligne 21
via heuristic_brackets
24 (स्यात्) annotation_inline
parent ligne 21
via heuristic_height
25 जात्यस्प(स्व?त्वं)द्वि(विधं?धा) annotation_inline
parent ligne 21
via heuristic_height
26 सञ्चारोंऽशबलस्थानामल्पत्वं दुर्बलासु च। main
via surya_layout
27 संचा(रस्य/रोंऽश) annotation_inline
parent ligne 26
via heuristic_height
28 न्यासश्चान्तरमार्गस्तु जातीनां व्यक्तिकारक:॥'' main
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29 द्विविधान्तर • annotation_inline
parent ligne 28
via heuristic_short
30 • कार(कम्?कः) main
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31 [तुल॰ ना॰ शा॰ २८.७४ गघ, ७५] editorial_bracket
parent ligne 30
via heuristic_brackets
32 [९. न्यासलक्षणम्] section_header
via surya_layout
33 [अनु॰१३०] editorial_bracket
parent ligne 32
via heuristic_brackets
34 इदानीं न्यासमाह - न्यस्यतें त्यज्यते यस्मिन् येन वा गीतं तत्र्यास इति । स न्यास main
via surya_layout
35 ॰ स: स annotation_inline
parent ligne 34
via heuristic_markers

vol_II_p033 RIGHT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 1400 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 49 page_number
via heuristic_pagenum
4 citra (mārga) there is māgadhī (gīti), with the dvikala (tāla) in the vārtika main
via surya_layout
5 (mārga) there is sambhāvitā (gīti), with the catuṣkala (tāla) in the dakṣiṇa main
via surya_layout
6 (mārga) there is pṛthulā (gīti). Vīra, raudra, adbhuta are the rasas. Its main
via surya_layout
7 application (viniyoga) is (prescribed) in the singing of the naiskrāmiki<sup>65</sup> main
via surya_layout
8 (associated with exit) dhruvā in the first scene (or act). main
via surya_layout
9 [3. Dhaivati] section_header
via surya_layout
10 [Anu. 150] section_header
via surya_layout
11 In dhaivati, dhaivata and ṛṣabha are the two grahas and aṁśas. In the śuddhā main
via surya_layout
12 state, dhaivataitself is the apanyāsa and in the vikrtā state, dhaivata, ṛṣabha and main
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13 madhyama are the apanyāsas, dhaivata is the nyāsa. The ṣāḍava formation is main
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14 devoid of pañcama and the auduva formation is devoid of pañcama, șadja. main
via surya_layout
15 The same two svaras, viz. şadja and pañcama should be made weak and should main
via surya_layout
16 sometimes be leapt over. The tara is upto five svaras. The mandra is upto the main
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17 nyāsa<sup>66</sup> or upto the svara next to nyāsa. main
via surya_layout
18 [Anu. 151] section_header
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19 It (dhaivatī) is seven-fold. There are seven amśas. Śuddhā (is one), vikṛtās main
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20 in the complete state are two and ṣāḍava-auḍuva are two each. The mūrchanā main
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21 beginning with ṛṣabha obtains (in it). Pañcapāṇi is the tāla. Ekakala (tāla), main
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22 citra mārga and māgadhī gīti (go together). Dvikala (tāla), vārtika (mārga) and main
via surya_layout
23 sambhāvitā (gīti) (go together). Catuṣkala (tāla), dakṣiṇa (mārga) and pṛthulā main
via surya_layout
24 (gīti) (go together). The kalās are twelve in the citra (mārga), twenty-four in main
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25 the vārtika (mārga) and forty-eight in dakṣiṇa (mārga). Vīra, bībhatsa, main
via surya_layout
26 bhayānaka are the rasas. Its application is (prescribed) in the singing of main
via surya_layout
27 dhruvā in the first scene (or act). main
via surya_layout
28 [4. Naisādī] section_header
via surya_layout
29 [Anu. 152] section_header
via surya_layout
30 In niṣādavatī,67 niṣāda, ṛṣabha and gāndhāra are the grahas and aniśas. main
via surya_layout
31 Niṣāda, gāndhāra and ṛṣabha are apanyāsas. Niṣāda alone is nyāsa. The ṣāḍava main
via surya_layout
32 formation is devoid of pañcama and the auduvita formation is devoid of main
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vol_II_p118 RIGHT — 31 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 219 page_number
via heuristic_pagenum
3 [26. Kalahaṁsa] section_header
via surya_layout
4 Where, having sung one foot first, then svaras are sung, that is kalahamsa, main
via surya_layout
5 combined with tālas like jhampā. main
via surya_layout
6 (407) main
via surya_layout
7 [27. <i>Ghața</i>] section_header
via surya_layout
8 Where one-half is full of tenaka, that is ghata, like dvipadī. main
via surya_layout
9 (408) main
via surya_layout
10 [28. Cakravāla] section_header
via surya_layout
11 That which is sung with repetition, taking the last pada (textual-cum- main
via surya_layout
12 melodic unit of the preceding sub-section), being bedecked with the state main
via surya_layout
13 of yamaka, is said to be cakravāla.25 main
via surya_layout
14 (409) main
via surya_layout
15 [29. Tripadī or Şaţpadī] section_header
via surya_layout
16 Performed with any of the tālas and (rendered) exclusively with birudas, main
via surya_layout
17 that which is sung in a two-fold way....? main
via surya_layout
18 (410) main
via surya_layout
19 [30. Bandhakarana] section_header
via surya_layout
20 That which is sung by the gandharvas <math>^{26}</math> in karana tāla, with svaras coupled with main
via surya_layout
21 the akṣaras (syllables) of muraja (drum-variety), isagain, known as bandhakarana?7 main
via surya_layout
22 (411) unknown
via fallback
23 [31. Pāṭakaraṇa] section_header
via surya_layout
24 ٠ page_number
via heuristic_pagenum
25 The karaṇa (prabandha) named pāṭa is composed of pāṭas (syllables) of the main
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26 hands<sup>28</sup> (on a drum) main
via surya_layout
27 (412) main
via surya_layout
28 [32. <i>Kaivāţa</i>] section_header
via surya_layout
29 That which is sung properly with <i>pāṭas</i> alone, should be known by the main
via surya_layout
30 gandharvas as kaivāṭa, combined with tāla. main
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31 (413) main
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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 5 page_number
via heuristic_pagenum
3 and andhri and nandayanti and karmaravi and then kaisiki, thus should be main
via surya_layout
4 known the eleven (jātis) based on madhyamagrāma. main
via surya_layout
5 <math>(189 - 190)</math> main
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6 [Thus end the eleven jātis based on madhyamagrāma] editorial_bracket
parent ligne 5
via heuristic_brackets
7 [ sādhāraņakṛtā jātis ] section_header
via surya_layout
8 Three jatis should be known by the wise to be sadharanakṛtā (those in main
via surya_layout
9 which the use of sādhāraṇa svaras is prescribed) viz., madhyamā, pañcamī and main
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10 similarly <i>şadjamadhyamā</i>. main
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11 (191) annotation_inline
parent ligne 10
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12 Thus ends the number and nomenclature of jātis. main
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13 [2. The śuddhā, vikṛtā and samsargajā vikṛtā jātis] section_header
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14 [Anu. 115] section_header
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15 Out of these eighteen jātis the seven bearing the names of (seven) svaras main
via surya_layout
16 are spoken of as being twofold - suddhās and vikṛtās. The suddhās are devoid main
via surya_layout
17 of the omission of notes and have their anisa, graha, nyāsa and apanyāsa on main
via surya_layout
18 their own svara, i.e. the svara from which each of them derives its respective main
via surya_layout
19 name. They assume the name vikṛtā on account of the alteration obtaining main
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20 in them through an alteration in respect of one, two or many lakṣaṇas main
via surya_layout
21 (characteristics) out of the above lakṣaṇas(characteristics of their śuddha main
via surya_layout
22 1002 472 7 unknown
via fallback
23 form), excepting nyāsa4 (which is not altered). main
via surya_layout
24 [Anu. 116] section_header
via surya_layout
25 Out of these (lakṣaṇas) he (the author) spoke (speaks) about the main
via surya_layout
26 日本が一次の後の日の行人の行うのできるというますが、まるは、大利の大利の人の自己となりから unknown
via fallback
27 prescription of nyāsa. There in the prescription of nyāsa, the nyāsa which is main
via surya_layout
28 the svara from which the respective jāti derives its name, is, as a rule, low main
via surya_layout
29 (mandra) in the jātis that are śuddhā (unaltered). In the vikṛtā (jātis) the main
via surya_layout
30 nyāsa on the note from which the respective jāti derives its name, is either main
via surya_layout
31 tāra (high) or mandra (low); thus there is no rule. main
via surya_layout
32 [Anu. 117] section_header
via surya_layout
33 Thus the śuddhā jātis have a twofold<sup>5</sup> form, viz., the original (unaltered) main
via surya_layout
34 and the altered state. The eleven jātis have only an altered state because they main
via surya_layout
35 are born of the vikṛtā varieties (of śuddhā jātis); they do not have an main
via surya_layout
36 unaltered state. Why is that so? They are born of mutual blending. main
via surya_layout
37 Similarly has said Bharata - main
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38 ر<br>د د د د د د د د د د د د د د د د د د د unknown
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vol_I_p072 LEFT — 46 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDESI</b> page_header
via surya_layout
2 126 page_number
via heuristic_pagenum
3 कलां द्वतलयेन देवं शर्वीमिति पदद्वयेन2० वन्दे इति पदान्तरसहितेन main
via surya_layout
4 .ला .वरदेन देवशर्व annotation_inline
parent ligne 3
via heuristic_short
5 ्रदये− main
via surya_layout
6 निर्वाहयतीति कलात्रयव्यापनम् २१। यथा - main
via surya_layout
7 .वयव्यापातनाद् (?) annotation_inline
parent ligne 6
via heuristic_short
8 .हा. main
via surya_layout
9 मा मा सा सा annotation_inline
parent ligne 8
via heuristic_short
10 [देवं] editorial_bracket
parent ligne 8
via heuristic_brackets
11 मा सा सा मा main
via surya_layout
12 [देवंश र्व] editorial_bracket
parent ligne 11
via heuristic_brackets
13 <b>22सस मस मम रिरि</b> main
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14 [देवं भर्व वं दे] editorial_bracket
parent ligne 13
via heuristic_brackets
15 [ अनु० ११२ ] editorial_bracket
parent ligne 13
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16 मगधदेशोद्भवत्वान्मागधी। अन्ये तु द्विर्निवृत्तां मागधीं प्ठन्ति। main
via surya_layout
17 •सा annotation_inline
parent ligne 16
via heuristic_height
18 अर्धमिति पदसम्बन्ध्यर्धपदत्वेनार्धमागधी। न च पदार्द्यनिवृत्तावर्थः main
via surya_layout
19 . El. annotation_inline
parent ligne 18
via heuristic_short
20 .पा. main
via surya_layout
21 .য₀ annotation_inline
parent ligne 20
via heuristic_markers
22 प्रवृत्तिनिवृत्तिगो हेतुर्मन्तव्यः । यतः सामवेदे२ गीतप्रधाने आवृत्तिष्वर्थो main
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23 यादेव annotation_inline
parent ligne 22
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24 ,व्या main
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25 ,द annotation_inline
parent ligne 24
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26 .र्ष main
via surya_layout
27 ग: annotation_inline
parent ligne 26
via heuristic_short
28 नाद्रियत इति । तदुक्तं—य आवृत्त्यात्मा जातवेदसमिति [ २४शब्दः] । editorial_bracket
parent ligne 26
via heuristic_brackets
29 गा, main
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30 ਚ, annotation_inline
parent ligne 29
via heuristic_height
31 अत्र वेदशब्दपर्यवसिता सम्भाविता, लघुप्रायत्वे 25 च पृथुला, main
via surya_layout
32 .प्रभाव (?) annotation_inline
parent ligne 31
via heuristic_short
33 भूयस्त्वात् पदग्रामस्य पृथुलेत्युक्ता। main
via surya_layout
34 .स्त्वा annotation_inline
parent ligne 33
via heuristic_short
35 2611 इति मार्गलया [:] 11 editorial_bracket
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36 [ अनु० ११३ ] editorial_bracket
parent ligne 33
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37 मार्गत्रये गीतिविधौ लयप्रयोगो नवधा द्रष्टव्यः। main
via surya_layout
38 •यो annotation_inline
parent ligne 37
via heuristic_short
39 .क्याः annotation_inline
parent ligne 37
via heuristic_height
40 लयसम्प्रयोगं दर्शयति— दक्षिणो मार्गो, वार्तिको मार्गिश्चत्रमार्ग main
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41 इति annotation_inline
parent ligne 40
via heuristic_short
42 दक्षिण— [ मार्ग - ] प्रवृत्तौ लयत्रयम् । वार्तिकमार्गश्चित्रमार्गो ध्वमार्गश्चेति । editorial_bracket
parent ligne 40
via heuristic_brackets
43 दक्षिणावृत्ती main
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44 वृत्तिमार्गप्रवृत्तौ लयत्रयम्। चित्रमार्गो ध्रुवमार्गः main
via surya_layout
45 शून्यमार्गप्रचेति चित्र - [ मार्गप्रवृत्तौ ] लयत्रयम्। editorial_bracket
parent ligne 44
via heuristic_brackets
46 चित्रे main
via surya_layout
182 lignes a valider — change uniquement les roles incorrects.