Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21544). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p061 RIGHT — 33 lignes

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1 1 page_number
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2 TRANSLATION page_header
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3 105 page_number
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4 [C. Gauda rāgas] section_header
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5 [Anu. 186] section_header
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6 (Contention) Why are they known as gaudas? It is being answered, on main
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7 account of being related to gaudigiti. What is its description? It is being main
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8 answered. That is thus - annotation_inline
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9 Oḥāṭi<sup>61</sup> born in the mandra (low svaras) is employed. In performance with main
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10 shaken sounds, without pause, in the three registers, gaudī gīti is said to main
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11 prevail. *(First line of the verse reconstructed vide c.r. in Sudhā on SR II. 1.2-5). main
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12 (315) annotation_inline
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13 [1. Gaudapañcama] section_header
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14 The description of gaudapañcama - main
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15 Dhaivatī and ṣadjamadhyamā operate in the formation of gauḍapañcama. It main
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16 has dhaivata as its amśa and madhyama as its concluding note; it is devoid of main
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17 pañcama. annotation_inline
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18 (316) annotation_inline
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19 [Anu. 187] section_header
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20 This means - gaudapañcama is related to sadjagrāma on account of being main
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21 born of dhaivatī and şadjamadhyamā jātis. Dhaivata is the aniśa and graha. main
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22 Madhyama is the nyāsa. Niṣāda and gāndhāra are kākalī and antara. It is main
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23 hexatonic, being devoid of pañcama. Its application is prescribed in main
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24 passionate acting (or dance) and in vipralambha śringāra (love in separation). main
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25 Bībhatsa62 and bhayānaka are the rasas. The mūrchanā beginning with main
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26 dhaivata obtains. Ārohin is the varņa. Prasannamadhya is the alankāra. The main
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27 kalāis formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and main
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28 the kalā prevails in the citra (mārga). A tāla like caccatpuța obtains in the songs main
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29 comprised of svara and pada. main
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30 [2. Gaudakaisika] section_header
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31 Gauḍakaiśika is known to be born of kaiśikī and ṣaḍjamadhyamā jātis. It is main
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32 said to have şadja as the amśa and pañcama as the nyāsa. main
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33 (317) annotation_inline
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1 grantening to the property of the annotation_inline
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2 262 page_number
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3 260 page_number
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4 BRHADDEŚĪ page_header
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5 शुद्धपङ् main
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6 line of verse 305 also appears in p. t. within this portion, but it has been main
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7 omitted in order to avoid unnecessary repetition. Reconstruction based on main
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8 Kalā on SR. II.2.23-26, p.25. main
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9 54. c.r. in ibid. annotation_inline
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10 55. cf.c.r. in ibid. विवादी चानुवादी च गृहीत: स्यादित्यनुपङ्ग: । शुद्धपाडवापेक्षया main
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11 भित्रपड्जभित्रपञ्चमयोः स्वरप्रयोगभेदात् स्वरभित्रम् । main
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12 C. r. in ibid. annotation_inline
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13 56. P.t. repeats ' şadjaḥ (?) '. main
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14 57. Reconstruction attempted in the closest possible approximation main
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15 to the confused reading of p.t. main
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16 भित्रपड्जो मानदैन्ये चैकान्ताजीवितस्य च । main
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17 58. cf. main
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18 मन्यन्ते र unknown
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19 C.r. in Abhi. Bhā .XXIX. 9, p. 69. main
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20 ग्राममूर्छन unknown
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21 59. cf. main
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22 प्रसन्नान्तविभूषित: । main
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23 SR 11.2.80b. annotation_inline
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24 60. cf.(i) main
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25 चतुःश्रुतिस्वरं यत्र भिनक्ति (ति)त्रिश्रुतिस्वराः (रः)। main
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26 तथाहि तैः annotation_inline
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27 अधिष्ठानं स एव स्याच्छुतिभिन्न: स मन्यते ॥ main
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28 SamSi Bhā Ka, p. 33. main
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29 एवायामार annotation_inline
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30 चतुःश्रुतिः स्वरो यत्र भिन्नो द्विश्रुतिको भवेत् । main
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31 (ii) annotation_inline
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32 <b>द्विश्रुति</b>प्यां main
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33 गान्धारो द्विश्वतिश्चैव श्रुतिभिन्न: स उच्यते ॥ main
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34 इत्याचार्यद्व unknown
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35 इति भित्रतानरागे हि पङ्जस्य श्रुतिद्वयं गृह्मति निषादः । श्रुतिपूर्वन्यायेन पङ्जोऽपि चतुःश्रुतिरित्युच्यते, गान्धारस्तु main
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36 श्रुतिभिन्नत्वम् । annotation_inline
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37 8 page_number
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38 C.r. in Kalā on SR II.2.23-26, p.26. main
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39 61. cf. (i) annotation_inline
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40 मध्यमापञ्चमीजातः पञ्चमांशग्रहोऽल्परिः॥ main
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41 8 page_number
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42 रिहीनो वा मध्यमान्तो मध्यमाल्प: सकाकली । main
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43 SR II. 2.35 c-36 b. annotation_inline
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44 विहीन ऋषभेणाधो ऋषभाल्पतया युत:। main
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45 (ii) annotation_inline
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46 मध्यमस्वरविश्राम: स्वल्पमध्यमकोऽथवा ॥ main
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47 निषाददुर्वल: प्रोक्तो भवानीपतिदैवत: ॥ main
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48 अत्र यद्गदितं तज्ज्ञैर्दुर्वलत्वं निषादिन: । main
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49 तद्धेतुजातिजं चिन्त्यं रिदीर्बस्यं पुनर्व्धै:॥ main
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50 तथाहि तैरा annotation_inline
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51 S Rāj II.2.I.280, 282 cd, 283. main
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52 62. Verse 313 in our text mentions rṣabha and niṣāda as sparse, main
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53 whereas here in the prose portion madhyama and niṣāda are so mentioned. main
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54 SR mentions ṛṣabha and madhyama and S.Rāj mentions ṛṣabha, madhyama and main
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55 1 page_number
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56 niṣāda. (See extracts in note 60). main
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57 63. cf. annotation_inline
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58 धैवतीपड्जमध्याभूः स्वल्पपञ्चमसप्तमः । main
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59 (vide) annotation_inline
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vol_II_p150 RIGHT — 44 lignes

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1 71/ unknown
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2 PÄTHAVIMARŚA page_header
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3 283 page_number
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4 सापन्यासा मन्द्रसगधा शुद्धा दीर्घपञ्चमा ॥ main
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5 Kalā(appendix) on SR II. p.121. main
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6 (ii) annotation_inline
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7 शुद्धा भाषा भित्रषड्जे ग्रहांशन्यासधैवता । main
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8 गापन्यासा धभूयिष्ठा रिहीना मृदुषड्जिका ॥ main
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9 धतारा पश्चमेनापि रहिता याष्ट्रिके मते ॥ main
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10 S Rāj II.2.1.1038. annotation_inline
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11 40. Since verse 32 is identified by us as pertaining to śuddhā and not main
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12 to madhyamā, the description of madhyamā seems to be lost in the MSS. main
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13 मध्यमा भित्रपड्जस्य भाषा मान्ता ग्रहांशधा । main
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14 cſ. annotation_inline
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15 Kalā (appendix) on SR II.140. main
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16 ग्रहांशधैवता पड्जप्रान्ता पूर्णा च मध्यमा ॥ main
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17 S Rāj II.2.1.1033. annotation_inline
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18 41. Reconstruction based on the demands of metre. main
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19 Chapter V (Desī rāgas) section_header
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20 1. The portion within[] has been added here from the citation in list_item
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21 Sudhā on SR II.2.9-19 and Kalā on SR II.2.1,2. list_item
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22 2. C.r. in Kalā (ibid) reads - list_item
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23 ग्रामोक्तानां तु रागाणां छायामात्रं भवेदिति । main
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24 3. C.r. in ibid. list_item
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25 4. C.r. in Sudhā on SR II.2.9 -19,p.19 - list_item
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26 शोकोत्साहकरुणादिदीपकात्मक्रियाऽऽदितः । main
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27 जायन्ते च यतो नाम कियाङ्गास्तेन हेतुना ॥ main
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28 5. This verse is found only in c.r. in Kalā (ibid). list_item
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29 6. Reconstruction based on 'ga - dha - hīnā 'in (i) below (note 7). list_item
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30 7.cf. (i) list_item
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31 पड्जग्रहांशा मन्यासा कूटतानसमाश्रया । list_item
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32 गधहोना भित्रपड्जे कच्छेलीं तां विदु: परे ॥ list_item
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33 मग्रहांशा मन्द्रतारर्षभा च गनिवर्जिता ॥ list_item
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34 Kalā (appendix) on SR II. p.121. main
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35 (ii) annotation_inline
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36 मध्यमांशग्रहन्यासा निगाभ्यां स (प)रिवर्जिता । main
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37 प्रसन्नपिंड्जका यो(सा)रि-भूयसी शासने स्मृता ॥ main
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38 कछेली भाषिका भिन्नपङ्जे मध्यमगानयुक् ॥ main
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39 S Rāj II. 2.1.1027. annotation_inline
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40 8. cf. (i) main
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41 भित्रपड्जेऽस्ति बाङ्गाली ग्रहांशन्यासधैवता । main
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42 मध्यमान्दोलिता गापन्यासा धैवतमन्द्रिका ॥ main
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43 उद्दीपने नियोक्तव्या .....॥ main
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44 S Rāj II.2.1.1050. main
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1 ॥ श्री: ॥ annotation_inline
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2 श्रीमतङ्गमुनिप्रणीता section_header
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3 बृहद्देशी section_header
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4 [द्वितीयोऽध्यायः] editorial_bracket
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5 [ जातयः] editorial_bracket
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6 [१. तासां सङ्ख्या, उद्देश:, भेदाश्च] editorial_bracket
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7 [तत्र सङ्ख्या उद्देशश्च] editorial_bracket
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8 [अनु ॰ ११४] editorial_bracket
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9 इदानीमवसरप्राप्तानां जातीनामुद्देशमाह-तत्र जातयोऽष्टादशैव। एता: सर्वांशभेदेन main
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10 (:) समांश्र annotation_inline
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11 शतं चत्वारिशदधिकं सङ्ख्यया भवन्ति। main
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12 <sup>१</sup> तत्र स्वरे annotation_inline
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13 र[ जातयोऽष्टादशेत्येवं ब्रह्मणाभिहितं पुरा। editorial_bracket
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14 तास्त्वहं वर्तयिष्यामि ग्रहांशादिविभागत: ॥१८५॥ main
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15 [षड्जग्रामाश्रिता जातय:] section_header
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16 षाड्जी चैवार्षभी चैव धैवत्यथ निषादिनी। main
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17 षड्जोदीच्यवती चैव तथा वै षड्जकैशिकी ॥१८६॥ main
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18 षड्जमध्या तथा चैव षड्जग्रामसमाश्रया: ॥१८७॥ main
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19 ॥ इति सप्त षड्जग्रामाश्रयाः॥ editorial_bracket
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20 [मध्यमग्रामाश्रिता जातय:] section_header
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21 अत ऊर्ध्वं प्रवक्ष्यामि मध्यमग्रामसंश्रिता: ॥ १८८॥] editorial_bracket
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22 गान्धारी मध्यमा चैव पञ्चमी च तथैव हि । main
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23 गान्धारोदीच्यवा चैव तथा गान्धारपञ्चमी ॥ १८९॥ main
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24 ततश्च रक्तगान्धारी मध्यमोदीच्यवा तथा। main
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25 ॰ दच्यि • annotation_inline
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1 33 page_number
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2 <b>TRANSLATION</b> page_header
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3 (Anu. 18) annotation_inline
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4 But why are (vowels) beginning with ākāra 21 accepted out of fourteen 22 main
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5 svaras? Truly has this been said. These have been accepted because of their main
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6 uncommonness. Their uncommonness is because of their movement in upward main
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7 sound.23 Or, the svaratva of vyanjanas beginning with şadja has been spoken of. main
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8 But .... this is said to be only a sign 24 (by convention), that is to say, (the names main
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9 of svaras) are the paribhāṣā 25 (list of abbreviations or signs) used by ācāryas main
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10 (teachers). annotation_inline
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11 [The fourfold-ness of svaras according to kinds beginning with vadin ] editorial_bracket
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12 (Anu. 19) section_header
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13 Now I show the fourfold-ness of svaras, that befits the occasion or context. main
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14 That is thus - annotation_inline
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15 Vādin 26 is so because of vadana 27 (speaking), like the master. The main
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16 saṃvādin<sup>28</sup> is so because of saṃvadana<sup>29</sup> (supportive speaking), like the minister. main
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17 The anuvādin<sup>50</sup> is so because of anuvadana<sup>51</sup> (following or obedient speaking) main
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18 like the attendants. Vivādin 52 is so because of vivadana 53 (opposite speaking), main
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19 like the enemy. annotation_inline
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20 (Anu. 20) section_header
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21 But vadana and the like are the nature (dharma) of living beings, how are they main
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22 possible in insentient svaras? Truly has this been said. Vadana is here intended to main
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23 mean the exposition of raga 34 (melody-matrix), not talking. What does it (vadana main
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24 and the like) expound? It produces the ragatva 35 of raga.36 Those vadin svaras main
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25 are only seven. That vādin should be understood as tenfold like the amśa.57 The main
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26 vādi-maņdala (cycle of vādins) is thus - sa, ri, ga, ma, pa, dha, ni. main
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27 (Anu. 21) section_header
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28 The samvadins should again be understood according to the interval of main
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29 thirteen and nine śrutis, when there is sama-śrutikatva 38 (equal interval of the main
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30 two svaras concerned, in terms of number of śrutis). What indeed is that main
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31 samuāditua? The carrying forward or accomplishment<sup>59</sup> of the rāgatua of rāga main
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32 1 page_number
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33 produced by the vādi-svara is indeed samvāditva (the nature of samvādin). The main
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34 samvādi-mandala is thus — main
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195 lignes a valider — change uniquement les roles incorrects.