Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21556). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p102 RIGHT — 28 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 187 page_number
via heuristic_pagenum
3 Illustration - Gāsānīdhadhānīsā nīsādhādhāmāmādhānīsā main
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4 māgāmā annotation_inline
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5 dhādhāmāgāmānisāsā. Dohyā [v] editorial_bracket
parent ligne 3
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6 Having niṣāda as amśa, ṣadja as the concluding note, being devoid of main
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7 pañcama svara, śārdūlī<sup>4</sup> bhāṣā in ṭakkarāga is weak in ṛṣabha. main
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8 (6) annotation_inline
parent ligne 7
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9 Illustration-<i>Nīninis</i>ā rīrīmārīrīpānidhāpānisāririmadhāmāridhānirisā.Sārdūlī [vi] editorial_bracket
parent ligne 7
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10 Combined with ṣadja as the initial and concluding note, alaghvī is born of main
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11 a deśa (region), is complete (and) comes into being from takkarāga, which main
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12 is sung in one's own abode. main
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13 (7) annotation_inline
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14 Illustration - Sasasas Dhasasasas เกิดเลือนที่เกิดเลือนที่สายสายสายสายสายสายสายสายสายสายสายสายสายส main
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15 sādhāgā risārisā nidhānisāsā. Alaghvī [vii] editorial_bracket
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16 Thus end the <i>bhāṣās</i> in <i>ṭakkarāga</i> in the opinion of Sārdūla. main
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17 [2. Now in hindola] section_header
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18 Bhinnavalitikā, ravicandrā, bhinnapaurālī, drāviḍī, piūjarī (and) pārvatī- main
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19 these are the bhāṣās in hindolaka. main
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20 Having gāndhāra as ainsa, sadja as the concluding note, being hexatonic, main
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21 bereft of dhaivata, bhinnavalitā is sung in hindola by people in lonely places.<sup>6</sup> main
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22 (8) annotation_inline
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23 Illustration - Gāgārī saninipā sanīpāpā panīsāsā . Gāsāni sāsāpānī sāgāmāpā main
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24 pลักโอลิเทลิรสิทิรนิ. Ninininīnī māgāgāsānīnī nīnīsīmāgāsā nisāsī. Bhinnavalitikā [i] editorial_bracket
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25 Having niṣāda as amśa ,ṣadja as the concluding note, being hexatonic, main
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26 omitting dhaivata, the bhāṣā ravicandrā is sung in hindola in due order.<sup>7</sup> main
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27 (9) annotation_inline
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28 Illustration - Ninipāsā māgārīsāgārīsā sāsāmāmā gānininisāsāni sāsāni pāpā main
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vol_II_p059 LEFT — 34 lignes

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1 BŖHADDEŚĪ page_header
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2 100 page_number
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3 [अनु॰ १८०] editorial_bracket
parent ligne 4
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4 अस्यार्थः - अन्यां जातिं परिहरन् स्वजातिकुलभूषितं स्वमूलं तु संगृह्णिति । main
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5 [४. भिन्नकैशिकः] section_header
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6 [अनुः १८१] editorial_bracket
parent ligne 5
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7 शुद्धस्य लक्षणं समग्रं भिन्नकैशिकस्यापि विद्यते । तर्हि को भेदः । गीतिकृतो भेदः main
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8 (कटी?गी) annotation_inline
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9 शुद्धकैशिको हि शुद्धगीत्या गीयते, भिन्नकैशिकस्तु भिन्नगीत्या गीयते। एतदुक्तं भवति - येन main
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10 स्वस्थानेन रागीयते शुद्धकैशिके न तेन स्वस्थानेन भित्रकैशिके रागीयत इति। लक्षणं चास्य यथा- main
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11 <b>(?)</b> annotation_inline
parent ligne 10
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12 (स्थं ?)संस्थानेन main
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13 •केन annotation_inline
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14 <b>ण्य</b>ने annotation_inline
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15 संस्थानेन annotation_inline
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16 शुद्धकैशिकवदूप[:] स्वरज्ञैर्धित्रकैशिक:। editorial_bracket
parent ligne 12
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17 षड्जांशः पञ्चमन्यासः सम्पूर्णः सप्तभिः स्वरैः ॥३११॥ main
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18 [अन्॰ १८२] editorial_bracket
parent ligne 17
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19 अस्यार्थ: - भित्रकैशिको मध्यमग्रामसम्बन्ध: कैशिकीकार्मारवीजात्युत्पत्रत्वात् । main
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20 ग्रहोंऽशश्च षड्जः । पञ्चमो न्यासः । निषादोऽत्र काकली । पूर्णश्चायम् । शुद्धैकेशिकवदयं यद्यपि रागः main
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21 उदयं(?) annotation_inline
parent ligne 20
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22 तथापि भेदोऽस्ति । मन्द्रबहुलोऽयम् । येन स्वस्थानेन शुद्धकैशिके स्वरालापः क्रियते, तत्स्वस्थानं main
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23 संस्थाने(न) annotation_inline
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24 विहाय तैरेव स्वरैरालाप: कर्तव्य:। शुद्धकैशिके हि तारस्वरैरालाप: कर्तव्य इति रूपान्यत्वेनायं main
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25 विभिन्नकैशिके annotation_inline
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26 (य) annotation_inline
parent ligne 24
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27 भिद्यते । दानवीरे चास्य विनियोगः । वीररौद्रादिको रसः । षड्जादिमूर्छना । वर्णः सञ्चारी । main
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28 प्रसन्नादिरलङ्कार:। दक्षिणे कला, वार्तिके कला,चित्रे कला। स्वरपदगीते चच्चत्पुटादिताल:। main
via surya_layout
29 [श्रुतिभिन्नः] section_header
via surya_layout
30 साम्प्रतं श्रुतिभिन्नस्य लक्षणमाह - main
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31 भिन्नतानस्य annotation_inline
parent ligne 30
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32 ६०चतु:श्रुतिस्वरो यत्र भिन्नो द्विश्रुतिकेन तु । main
via surya_layout
33 गान्धारो द्विश्रुतिश्चैव श्रुतिभिन्न: स उच्यते ॥ ३१२॥ main
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34 (आधा ? गान्या)रो annotation_inline
parent ligne 33
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vol_II_p034 RIGHT — 35 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 51 page_number
via heuristic_pagenum
3 pañcama and șadja. In the complete state there is the sparseness of șadja, main
via surya_layout
4 madhyama, pañcama and dhaivata. In the ṣāḍava state, there is the sparseness main
via surya_layout
5 of şadja, madhyama and dhaivata. In the auduvita form there is the sparseness main
via surya_layout
6 of madhyama and dhaivata. The tāra extends upto five svaras. The mandra is main
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7 upto the nyāsa or upto the svara next to it. main
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8 [Anu. 153] section_header
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9 The mūrchanā beginning with gāndhāra obtains. Caccatpuṭa is the tāla. main
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10 There are thirty-two kalās in the dakṣiṇa (mārga), sixteen in vārtika (mārga), main
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11 eight in citra (mārga). It is ten-fold. There are ten amśas. Šuddhā (is one). main
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12 There are three vikṛtās in the complete state, three in the ṣāḍava state and main
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13 three in the auduva state. Karuna is the rasa. Its application (viniyoga) 68 is main
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14 prescribed in the singing of dhruvās in the first scene (or act). main
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15 [5. Şadjakaisiki] section_header
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16 [Anu. 154] section_header
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17 Ṣaḍja, gāndhāra and pañcama are the grahas and amsas of ṣaḍjakaisikī. The main
via surya_layout
18 tāra extends upto five svaras. The mandra is upto the nyāsa or upto the svara main
via surya_layout
19 next to it. It is always complete. There is the sparseness of dhaivata, niṣāda main
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20 and madhyama. Rṣabha is even more sparse, there is abundance of the main
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21 remaining ones. Gāndhāra is the nyāsa. And şadja, niṣāda, pañcama are main
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22 apanyāsas. main
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23 [Anu. 155] section_header
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24 It has no śuddhā state, there are three amśas in the complete state. main
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25 Caccatpuța is the tāla. În ekakala (tāla), in the citra (mārga), there is māgadhī main
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26 gīti. In dvikala (tāla), in the vārtika (mārga), there is sambhāvitā (gīti). In main
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27 catușkala (tāla), in the dakșiņa (mārga), there is pṛthulā (gīti) and the rasa is main
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28 karuṇa. Its application (viniyoga) is (prescribed) in the first song associated main
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29 with entry in the second scene (or act). main
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30 [6. Şadjodicyava] section_header
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31 [Apu. 156] section_header
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32 Şadja, madhyama, dhaivata and nişāda are the grahas and amsas of şadjodīcyavā. main
via surya_layout
33 The tara extends up to five svaras. The mandra is upto the nyasa or the svara main
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34 next to it. The şādava formation is devoid of rṣabha, the auduvita formation main
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35 is devoid of ṛṣabha-pañcama. In the complete state there is the sparseness of main
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vol_I_p072 LEFT — 46 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDESI</b> page_header
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2 126 page_number
via heuristic_pagenum
3 कलां द्वतलयेन देवं शर्वीमिति पदद्वयेन2० वन्दे इति पदान्तरसहितेन main
via surya_layout
4 .ला .वरदेन देवशर्व annotation_inline
parent ligne 3
via heuristic_short
5 ्रदये− main
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6 निर्वाहयतीति कलात्रयव्यापनम् २१। यथा - main
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7 .वयव्यापातनाद् (?) annotation_inline
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8 .हा. main
via surya_layout
9 मा मा सा सा annotation_inline
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via heuristic_short
10 [देवं] editorial_bracket
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11 मा सा सा मा main
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12 [देवंश र्व] editorial_bracket
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13 <b>22सस मस मम रिरि</b> main
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14 [देवं भर्व वं दे] editorial_bracket
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15 [ अनु० ११२ ] editorial_bracket
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16 मगधदेशोद्भवत्वान्मागधी। अन्ये तु द्विर्निवृत्तां मागधीं प्ठन्ति। main
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17 •सा annotation_inline
parent ligne 16
via heuristic_height
18 अर्धमिति पदसम्बन्ध्यर्धपदत्वेनार्धमागधी। न च पदार्द्यनिवृत्तावर्थः main
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19 . El. annotation_inline
parent ligne 18
via heuristic_short
20 .पा. main
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21 .য₀ annotation_inline
parent ligne 20
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22 प्रवृत्तिनिवृत्तिगो हेतुर्मन्तव्यः । यतः सामवेदे२ गीतप्रधाने आवृत्तिष्वर्थो main
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23 यादेव annotation_inline
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24 ,व्या main
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25 ,द annotation_inline
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26 .र्ष main
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27 ग: annotation_inline
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28 नाद्रियत इति । तदुक्तं—य आवृत्त्यात्मा जातवेदसमिति [ २४शब्दः] । editorial_bracket
parent ligne 26
via heuristic_brackets
29 गा, main
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30 ਚ, annotation_inline
parent ligne 29
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31 अत्र वेदशब्दपर्यवसिता सम्भाविता, लघुप्रायत्वे 25 च पृथुला, main
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32 .प्रभाव (?) annotation_inline
parent ligne 31
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33 भूयस्त्वात् पदग्रामस्य पृथुलेत्युक्ता। main
via surya_layout
34 .स्त्वा annotation_inline
parent ligne 33
via heuristic_short
35 2611 इति मार्गलया [:] 11 editorial_bracket
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36 [ अनु० ११३ ] editorial_bracket
parent ligne 33
via heuristic_brackets
37 मार्गत्रये गीतिविधौ लयप्रयोगो नवधा द्रष्टव्यः। main
via surya_layout
38 •यो annotation_inline
parent ligne 37
via heuristic_short
39 .क्याः annotation_inline
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via heuristic_height
40 लयसम्प्रयोगं दर्शयति— दक्षिणो मार्गो, वार्तिको मार्गिश्चत्रमार्ग main
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41 इति annotation_inline
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42 दक्षिण— [ मार्ग - ] प्रवृत्तौ लयत्रयम् । वार्तिकमार्गश्चित्रमार्गो ध्वमार्गश्चेति । editorial_bracket
parent ligne 40
via heuristic_brackets
43 दक्षिणावृत्ती main
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44 वृत्तिमार्गप्रवृत्तौ लयत्रयम्। चित्रमार्गो ध्रुवमार्गः main
via surya_layout
45 शून्यमार्गप्रचेति चित्र - [ मार्गप्रवृत्तौ ] लयत्रयम्। editorial_bracket
parent ligne 44
via heuristic_brackets
46 चित्रे main
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vol_I_p063 LEFT — 39 lignes

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1 <b>BRHADDESI</b> page_header
via surya_layout
2 108 page_number
via heuristic_pagenum
3 क्रमशो दीप्यते यस्तु प्रसन्नादिः स कथ्यते। main
via surya_layout
4 व्यस्तोच्चारित एवैष प्रसन्नान्तोऽभिधीयते ॥ १३८ ॥ main
via surya_layout
5 (मे?ए) annotation_inline
parent ligne 4
via heuristic_short
6 आद्यन्तयोः प्रसन्नत्वात् प्रसन्नाद्यन्त इष्यते। main
via surya_layout
7 (मि?इ) annotation_inline
parent ligne 6
via heuristic_short
8 प्रसन्नमध्यो मध्ये तु प्रसन्नत्वादुदाहृतः॥१३९॥ main
via surya_layout
9 सर्वसाम्यात् समो ज्ञेयः स्थितश्चैकस्वरेऽपि हि। main
via surya_layout
10 ,₀मा ७या annotation_inline
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11 oमाo annotation_inline
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12 बिन्दुरेककलं तारं स्पृष्ट्वा तु पुनरागतः॥१४०॥ main
via surya_layout
13 स्याद्रिवृत्तप्रवृत्तश्च मन्द्रं गत्वा समागतः। main
via surya_layout
14 ৽ন্ম annotation_inline
parent ligne 13
via heuristic_height
15 ₀त्तः annotation_inline
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16 आक्रीडितलयो यस्तु स च वेणुः प्रकीर्तितः॥१४१॥ main
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17 <b>.इनी.</b> (?) annotation_inline
parent ligne 16
via heuristic_short
18 उरोगतः कम्पितः स्यात् कम्पनाच्च कलात्रयम्। main
via surya_layout
19 ₀यः annotation_inline
parent ligne 18
via heuristic_markers
20 कण्ठे निरुद्धपवनः कुहरो नाम जायते॥१४२॥ main
via surya_layout
21 ्दः ₀नो रु annotation_inline
parent ligne 20
via heuristic_markers
22 त्रिकला [त्] कम्पना [त्] तद्वद्रेचिताख्यः शिरोगतः। editorial_bracket
parent ligne 20
via heuristic_brackets
23 ( ? ) হৈ ৹বা৹ main
via surya_layout
24 गतागतप्रवृत्तो यः स प्रेङ्क्षोलित उच्यते॥१४३॥ main
via surya_layout
25 ( मु?उ ) annotation_inline
parent ligne 24
via heuristic_short
26 48 यस्तु कण्ठस्वरोऽधस्तात् स तु तारः प्रकीर्तितः। main
via surya_layout
27 उरोगतस्तथा मन्द्रो मूर्ध्नि तारतरः स्मृतः॥१४४॥] editorial_bracket
parent ligne 26
via heuristic_brackets
28 क्रमागतस्तु यस्तारश्चतुर्थः पञ्चमोऽपि वा। main
via surya_layout
29 श्चेत् ततः पञ्चतु₀ annotation_inline
parent ligne 28
via heuristic_markers
30 तारमन्द्रप्रसन्नस्तु ज्ञेयो मन्द्रगतो बुधैः ॥१४५॥ main
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31 ৹রা৯ annotation_inline
parent ligne 30
via heuristic_height
32 लङ्घयित्वा परान् मन्द्रात् क्रमात् तारगति गतः। main
via surya_layout
33 ॳ (द?द)) annotation_inline
parent ligne 32
via heuristic_short
34 मन्द्रतारप्रसन्नस्तु ज्ञेयो ह्यारोहणाद् बुधैः ॥१४६॥ main
via surya_layout
35 विज्ञेयारोहणा annotation_inline
parent ligne 34
via heuristic_short
36 एकस्वराधिरूढः क्रमशः प्रस्तारसंज्ञको ज्ञेयः। main
via surya_layout
37 ( जि? ज ) annotation_inline
parent ligne 36
via heuristic_short
38 49[ प्रस्तारस्तु निवृत्तः शनैः प्रसन्नः प्रसादः स्यात्।।१४७॥] editorial_bracket
parent ligne 36
via heuristic_brackets
39 <b>०स्वा</b>७ annotation_inline
parent ligne 36
via heuristic_height
182 lignes a valider — change uniquement les roles incorrects.