Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21561). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p036 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	55	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	The heptad of svaras (that functions) through ascent and descent<sup>21</sup> in	main via surya_layout
4	respective order,22 should be known by the adept ones as being spoken of by the	main via surya_layout
5	(91)	annotation_inline parent ligne 4 via heuristic_height
6	word mürchanā.	annotation_inline parent ligne 4 via heuristic_height
7	[ Anu. 36 ]	editorial_bracket parent ligne 4 via heuristic_brackets
8	That murchanā again is twofold — one composed of seven svaras and the	main via surya_layout
9	other of twelve svaras.25 Out of these the murchana of seven svaras is fourfold24	main via surya_layout
10	__ pūrņā (lit. complete, here with all the seven svaras), ṣāḍavā (hexatonic),	main via surya_layout
11	auduvitā (pentatonic) and sādhāraņā (with sādhāraņa svaras). Out of them	main via surya_layout
12	pūrņā is that which is sung with seven svaras, that which is sung with six svaras is	main via surya_layout
13	ṣāḍavā, that which is sung with five svaras is auduvitā, that which is sung with	main via surya_layout
14	kākalī and antara svaras, is sādhāraņā.	main via surya_layout
15	(Anu. 37)	annotation_inline parent ligne 14 via heuristic_height
16	Now the mūrchanā-maṇḍala is being spoken of. In this (maṇḍala) for	main via surya_layout
17	mūrchanās of seven svaras in each grāma there are forty-nine svaras and (the	main via surya_layout
18	same number of) squares (kosthakas), on account of the process that follows a	main via surya_layout
19	set path or order.	annotation_inline parent ligne 18 via heuristic_short
20	That is thus—	annotation_inline parent ligne 18 via heuristic_height
21	Forty-nine squares filled25 with svaras, have, indeed, to be made with eight	main via surya_layout
22	(92)	annotation_inline parent ligne 21 via heuristic_height
23	horizontal and vertical lines.	main via surya_layout
24	(Anu. 38)	annotation_inline parent ligne 23 via heuristic_height
25	There (in the maṇḍala) are seven (mūrchanās) beginning with 26 sa - ni - dha	main via surya_layout
26	- pa - ma - ga - ri in sadjagrāma and seven beginning with ma - ga - ri - sa - ni -	main via surya_layout
27	dha - pa in madhyama-grāma. Svaras have to be 'made' (filled) (in the squares) in	main via surya_layout
28	the horizontal and vertical (order). That is thus - ni - dha - pa - ma - ga - ni -	main via surya_layout
29	į	annotation_inline parent ligne 28 via heuristic_height
30	sa is (the order) in şadja-grāma. Ga - ni - sa - ni - dha - pa - ma is (the	main via surya_layout
31	order) in madhyama-grāma.	main via surya_layout
32	Thus there are the fourteen sampūrņā (complete) mūrchanās of the two	main via surya_layout
33	grāmas.	annotation_inline parent ligne 32 via heuristic_height
34	sa - ri - ga - ma - pa - dha - ni<br>ni - sa - ri - ga - ma - pa - dha	main via surya_layout

vol_II_p147 LEFT — 47 lignes

L#	Texte OCR	Role auto
1	276	page_number via heuristic_pagenum
2	BRHADDEŚĪ	page_header via surya_layout
3	appears to be incomplete.	main via surya_layout
4	115. In spite of the description of this bhāṣā as its being complete, the	main via surya_layout
5	illustration omits <i>ṛṣabha</i>.	main via surya_layout
6	ì	annotation_inline parent ligne 5 via heuristic_height
7	116. cf. (i)	main via surya_layout
8	्विभाषा रागराजस्य पञ्चमस्य वराटिका ।	main via surya_layout
9	अंश: षड्जग्रहन्यास: नितारा मन्द्रमध्यमा ॥	main via surya_layout
10	समशेषस्वरा पूर्णा शृङ्गारे याष्टिकोदिता ॥	main via surya_layout
11	Jagadekamalla cited in BhaKo p. 584.	main via surya_layout
12	विभाषा रागराजस्य पञ्चमस्य वराटिका ।	list_item via surya_layout
13	(ii)	list_item via surya_layout
14	समशेषस्वरा पूर्णा शृङ्गारे याष्ट्रिकोदिता ॥	list_item via surya_layout
15	117. cf. (i) तथैव पञ्चमे भिन्ने मध्यमग्रामगानयुक्।	list_item via surya_layout
16	मध्यमांशग्रहा धान्ता मन्द्रर्षभविभूषिता ॥	list_item via surya_layout
17	मध्यमर्पभसंवादा ऋषभस्वरदुर्बला ।	list_item via surya_layout
18	द्रुतमध्यलया तारपङ्जा स्फुरितधैवता ॥	list_item via surya_layout
19	पूर्णारोह्मवरोहिभ्यां वर्णाभ्यामुपशोभिता ।	list_item via surya_layout
20	लिलतेर्गमकैर्युक्ता भाषा धैवतभूषिता ॥	list_item via surya_layout
21	S Rāj II.2.I.898-900	main via surya_layout
22	(ii) पूर्णा धांशग्रहन्यासा सधयो रिधयोर्युता ।	main via surya_layout
23	भित्रपञ्चमसंभूता भाषा धैवतभूषिता ॥	main via surya_layout
24	Kalā (appendix) on SR II, p.136.	main via surya_layout
25	118. Reconstruction based on Kalā (appendix) on SR II, p. 137	list_item via surya_layout
26	ŀ	annotation_inline parent ligne 25 via heuristic_height
27	reading 'sadhasañcārini' and 'dhabhūṣitā' and S Rāj II.2.I.902 reading 'ṣadja-	list_item via surya_layout
28	dhaivatasangatā'.	list_item via surya_layout
29	119. S Rāj II.2.1.956 ab describes a samvāda (to and fro movement)	list_item via surya_layout
30	between niṣada-dhaivata, but Kalā (appendix) on SR II, p. 138 reads 'ridha-	list_item via surya_layout
31	sañcārā'; it appears that 'ni' has been replaced here with 'ri' on account of	list_item via surya_layout
32	error in deciphering or copying at some stage.	list_item via surya_layout
33	वाहुल्यं दृश्यते त्वस्या: सर्वस्वरगतं वृधै: ।	main via surya_layout
34	120. cf.	annotation_inline parent ligne 33 via heuristic_short
35	S Rāj II.2.1.956 cd.	main via surya_layout
36	121. P. t. does not contain the description of bhāvinī, the bhāṣā of	main via surya_layout
37	mālavapanīcama, although it is included in the initial enumeration (uddeša)	main via surya_layout
38	in verse 33 cd of this chapter. Kalā (appendix) on SR II, p. 142 describes two	main via surya_layout
39	vibhāṣās named bhāvanī and vibhāvanī under mālavapañcama as-	main via surya_layout
40	भावनी पञ्चमांशान्तग्रहा मालवपञ्चमात् ।	main via surya_layout
41	जाता विभाषा षड्जापन्यासा ऋषभवर्जिता ॥	main via surya_layout
42	विभावनी विभाषा स्यात् पूर्णा मालवपञ्चमे ।	main via surya_layout
43	पञ्चमांशग्रहन्यासा मगधाल्पा पमन्द्रभाक् ॥	main via surya_layout
44	S Rāj II.2.1.1084 describes vibhāvanī according to Yāṣṭika, but bhāvanī is not	main via surya_layout
45	ł	annotation_inline parent ligne 44 via heuristic_height
46	mentioned there.	main via surya_layout
47	Districted the fire	annotation_inline parent ligne 46 via heuristic_height

vol_I_p083 RIGHT — 46 lignes

L#	Texte OCR	Role auto
1	149	page_number via heuristic_pagenum
2	VIMARŚA	page_header via surya_layout
3	As for the distinction between vowel and musical note, Abhinavagupta has	main via surya_layout
4	made a remarkable contribution in the conception of the autonomy of musical	main via surya_layout
5	note; this will be dealt with under the definition of svara in our text.	main via surya_layout
6	16. In language vyañjana, consonant ( lit. the act or instrument of mani-	list_item via surya_layout
7	festation ) is the phonetic unit that brings about specificity, but it can be	list_item via surya_layout
8	pronounced only with the help of vowel, otherwise it is impotent or ineffective.	list_item via surya_layout
9	Hence svara has been identified here with the śakti (supreme energy or power)	list_item via surya_layout
10	that lends the state of Siva to vyanjana (cf. Gandharva Tantra, IX. 17 and	list_item via surya_layout
11	Garland of Letters, p. 260). The underlying idea is that Siva obtains His state	list_item via surya_layout
12	only from the association with Sakti, otherwise it is like Sava (a dead body).	list_item via surya_layout
13	Sakti is identified with ikāra ( the vowel 'i' ). ( cf. citation from Saktikāgama in	list_item via surya_layout
14	Sabdakalpadruma Pt. V, p. 5)	list_item via surya_layout
15	17. Svarūpa (lit. own form) means the phonetic form of word and	list_item via surya_layout
16	sentence without reference to meaning. The whole world being a manifestation	list_item via surya_layout
17	of dhvani (sound), the very form of word and sentence without reference to	list_item via surya_layout
18	meaning, delineates or 'paints' the world because this form itself is a stage of	list_item via surya_layout
19	manifestation that in itself is the basis of further manifestation.	list_item via surya_layout
20	18. The sentence is the basic semantic unit, the 'word' becomes meaningful	list_item via surya_layout
21	when it forms part of a sentence. This is the point of view of grammar ( vyākaraņa )	list_item via surya_layout
22	which is mentioned here.	list_item via surya_layout
23	19. Pada is defined by Pāṇini (Aṣṭā I, 4.14) as that which combines the	list_item via surya_layout
24	suffix sup or tin (nominal or verbal suffixes), it is not just a combination of	list_item via surya_layout
25	syllables.	list_item via surya_layout
26	20, 21. Kāraka is not co-extensive with 'case'. It is instrumental in bringing	list_item via surya_layout
27	about the action denoted by verb (Monier Williams), Kāraka is the hetu or	list_item via surya_layout
28	nimitta (cause) of kriyā (action). There are six Kārakas according to Pāņini,	list_item via surya_layout
29	viz. kartṛ, karman, karaṇa, sampradāna, apādāna and adhikaraṇa. The sambandha	list_item via surya_layout
30	(genitive case) is not accepted to be a Kāraka, because 'it ordinarily expresses	list_item via surya_layout
31	the relation of two nouns to each other, but not the relation of a noun and a	list_item via surya_layout
32	verb.' ( Monier Williams )	list_item via surya_layout
33	The sentence is formed with padas that have sup or tin suffixes combined	main via surya_layout
34	with nouns and verbs respectively, standing, in turn, for kāraka and kriyā.	main via surya_layout
35	22. Mahāvākya has four primary connotations as follows -	list_item via surya_layout
36	(a) An aggregation of sentences where the apprehension of the meaning of	list_item via surya_layout
37	the individual components (sentences) leads to the apprehension of the total	list_item via surya_layout
38	meaning of the aggregate, just as in the aggregate of five components in the	list_item via surya_layout
39	nyāya-vākya used for inference. This is the view of nyāya.	list_item via surya_layout
40	(b) An aggregate of sentences where one sentence is primary and the others	list_item via surya_layout
41	are secondary. This is the view of Mimāmsā.	list_item via surya_layout
42	(c) A sentence that expresses deep philosophical meaning. This is the view	list_item via surya_layout
43	of Vedanta where sentences like tattvamasi (thou art That) aham brahmasmi (I	list_item via surya_layout
44	am brahman ) etc. are accepted as mahā-vākyas.	list_item via surya_layout
45	(d) A simple aggregate of sentences as in Rāmāyaņa, Mahābhārata or any	list_item via surya_layout
46	literary composition.	list_item via surya_layout

vol_II_p108 LEFT — 17 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	198	page_number via heuristic_pagenum
3	उदाहरणम् - .....शुद्धा । [१४]	page_header via surya_layout
4	[.....]<sub>&o</sub>	page_header via surya_layout
5	उदाहरणम् – धापा निनिसा निधानिगामा पापारिपापा धानिनि । धानीगारी गासागासा सा -	page_header via surya_layout
6	सासापा पामापापा । गमसानिगागमसा गासाधामागामामा । मध्यमा [१५]	page_header via surya_layout
7	पञ्चमांशा पार्वती[स्याद्]धैवतान्ता च देशजा ।	editorial_bracket parent ligne 9 via heuristic_brackets
8	तु पार्धत्या	annotation_inline parent ligne 9 via heuristic_height
9	४१क्षत्रपरिषदि गीता पूर्णा षड्जसमुद्भवा ॥३३॥	main via surya_layout
10	हृष्टा क्षत्रपरिषदि गीयते पूर्ण क्सु (?)	main via surya_layout
11	उदाहरणम् - पापापागा मारिरिनिरिमधा पापापा सारिमा । पागारिरिसनि धापापाधा । पार्वती । [१६]	editorial_bracket parent ligne 10 via heuristic_brackets
12	॥ इति शार्दूलमते [भित्रषड्जस्य] भाषा: षोडश समाप्ता: ॥	editorial_bracket parent ligne 10 via heuristic_brackets
13	लक्ष्यलक्षणसंयुक्ताः प्रस्तारेण समन्विताः ।	main via surya_layout
14	उक्ता भाषा: समीचीना विभाषाभिर्विभूषिता: ॥३४॥	main via surya_layout
15	•(पि? भि)॰	annotation_inline parent ligne 14 via heuristic_markers
16	॥ इति भाषालक्षणं समाप्तम् ॥	editorial_bracket parent ligne 14 via heuristic_brackets
17	[॥ इति चतुर्थोऽध्याय:॥]	editorial_bracket parent ligne 14 via heuristic_brackets

vol_II_p062 LEFT — 29 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	106	page_number via heuristic_pagenum
3	[अनु॰ १८८]	editorial_bracket parent ligne 4 via heuristic_brackets
4	अस्यार्थ: - गौडकैशिको रागो मध्यमग्रामसम्बन्ध: कैशिकोषड्जमध्यमाभ्यां जात:	main via surya_layout
5	रा(मो?गो)	annotation_inline parent ligne 4 via heuristic_height
6	षड्जोऽस्य ग्रहोंऽशश्च। पञ्चमो न्यास:। निषादोऽत्र काकली। पूर्णश्चायम्। तथा प्रयोगोऽस्ति<sup>६४</sup>।	main via surya_layout
7	त्रिश्रुतिकत्वात् पञ्चमस्य,चतुःश्रुतिकत्वाद् धैवतस्य, मध्यमग्रामसम्बन्ध एवासौ रागः । यद्यपि	main via surya_layout
8	ग्रामद्वयजातौ जात:, तथापि मध्यमोऽस्य ग्राम:, न षड्ज:<sup>६५</sup> । तथा दर्शनात् । करुणे चास्य	main via surya_layout
9	पद्जी	annotation_inline parent ligne 8 via heuristic_height
10	मध्यम:	annotation_inline parent ligne 8 via heuristic_height
11	विनियोगः । वीरादिको रसः। षड्जादिमूर्छना। आरोही वर्णः। प्रसन्नादिरलङ्कारः। दक्षिणे कला,	main via surya_layout
12	वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: ।	main via surya_layout
13	[३.गौडकैशिकमध्यम:]	section_header via surya_layout
14	<sup>६६</sup>षड्जांशो मध्यमन्यास: षड्जमध्यमया कृत: ।	main via surya_layout
15	॰मध्यम(वा?या)	annotation_inline parent ligne 14 via heuristic_markers
16	परिपूर्णस्वर: प्रोक्तो गौडकैशिकमध्यम: ॥ ३१८॥	main via surya_layout
17	[अन्॰ १८९]	section_header via surya_layout
18	अस्यार्थ: - गौडकैशिकमध्यम: षड्जग्रामसम्बन्ध: षड्जमध्यमाजातेर्जातत्वात् । षड्जोऽस्य	main via surya_layout
19	प(इज)मध्यमाजाते(त?)र्जातत्वात्	main via surya_layout
20	ग्रहोंऽशश्च । मध्यमो न्यास: । निषादोऽत्र काकली । पूर्णश्चायम् । भयानके चास्य विनियोग: ।	main via surya_layout
21	वीरादिको रस:। षड्जादिमूर्छना। आरोही वर्ण:। प्रसन्नमध्योऽलङ्कार:। दक्षिणे कला, वार्तिके	main via surya_layout
22	कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: ।	unknown via fallback
23	[गौडरागाणां ग्रामविभाग:]	section_header via surya_layout
24	इदानीं गौडानां ग्रामविभागमाह -	main via surya_layout
25	गौडपञ्चमक: षड्जे गौडकैशिकमध्यम:।	main via surya_layout
26	॰पञ्चं(ग?क):	annotation_inline parent ligne 25 via heuristic_markers
27	गौडकैशिकरागस्तु मध्यमग्रामसंश्रय:॥	main via surya_layout
28	त्रयो गौडा: समाख्याता रागान् वक्ष्याम्यत: परम् ॥ ३१९॥	main via surya_layout
29	(vide)	annotation_inline parent ligne 28 via heuristic_height

173 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_I_p036 RIGHT — 34 lignes

vol_II_p147 LEFT — 47 lignes

vol_I_p083 RIGHT — 46 lignes

vol_II_p108 LEFT — 17 lignes

vol_II_p062 LEFT — 29 lignes