Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21572). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p116 RIGHT — 23 lignes

page vol_II_p116 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 215 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 [15. Hayalīlā] section_header
via surya_layout
4 Where the (first) half is sung with svaras, in turagalīla (tāla), (and the main
via surya_layout
5 latter) half is sung with birudas, that is known as hayalīlā. main
via surya_layout
6 (397) main
via surya_layout
7 [16. <i>Gajalīlā</i>] section_header
via surya_layout
8 That which is completely composed according to gajalīlā but where the tāla main
via surya_layout
9 is gajalīla, that should be known by the name gajalīlā. main
via surya_layout
10 (398) main
via surya_layout
11 [17. Simhalīlā] section_header
via surya_layout
12 Composed in simhalilā metre, combined with svara and tena, that which is main
via surya_layout
13 sung with birudas is sinihalīlaka. main
via surya_layout
14 (399) main
via surya_layout
15 [18. Śarabhalila] section_header
via surya_layout
16 Where eight feet are composed with svaras and pāṭas, that is held to be main
via surya_layout
17 śarabhalīla, having eight rāgas and tālas. main
via surya_layout
18 (400) main
via surya_layout
19 [19. Śukacańcu] section_header
via surya_layout
20 In the beginning there is <math>r\bar{s}ga^{20}</math> with <math>gamaka</math>, that which is endowed with main
via surya_layout
21 <math>t\bar{a}la</math>, is sung with svaras and <math>p\bar{a}t</math>as (and) is sung in the languages of various main
via surya_layout
22 regions, is named śukacańcu, that is dear to the people. main
via surya_layout
23 (401) main
via surya_layout

vol_I_p031 LEFT — 30 lignes

page vol_I_p031 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 44 page_number
via heuristic_pagenum
2 <b>BRHADDESI</b> page_header
via surya_layout
3 प्राप्नोति हृदयं शीघ्रमन्यस्मादृषभः स्मृतः। main
via surya_layout
4 स्त्रीगवीषु यथा तिष्ठन् विभाति ऋषभो महान्।। main
via surya_layout
5 स्वरग्रामे समुत्पन्नः स्वरोऽयमृषभस्तथा ॥५६॥ main
via surya_layout
6 वाचं गानात्मिकां धत्त इति गान्धारसंज्ञकः। main
via surya_layout
7 स्वराणां मध्यमत्वाच्च मध्यमः स्वर इष्यते।।५७॥ main
via surya_layout
8 स्वरान्तराणां विस्तारं यो मिमीते स पञ्चमः। main
via surya_layout
9 पाठक्रमेण गणने संख्यया पञ्चमोऽथवा।।५८।। main
via surya_layout
10 धीरस्यास्तीति धीमांस्तत्सम्बन्धी धैवतः स्मृतः । main
via surya_layout
11 यद्वा annotation_inline
parent ligne 10
via heuristic_short
12 २१षष्ठस्थाने धृतो यस्मात्तेनासौ धैवतो मतः॥५९॥ main
via surya_layout
13 पञ्चमेन annotation_inline
parent ligne 12
via heuristic_height
14 <sup>30</sup>•त्ततोऽसी annotation_inline
parent ligne 12
via heuristic_height
15 ललाटे धैवत इत्यर्थः। main
via surya_layout
16 निषीदन्ति स्वराः सर्वे निषादस्तेन कथ्यते।।६०॥ main
via surya_layout
17 [ स्वराणां सप्तसंख्यानियमः ] section_header
via surya_layout
18 [ अनु. २९ ] editorial_bracket
parent ligne 17
via heuristic_brackets
19 31 ननु कथं सप्त स्वरा इति नियमः ? उच्यते— main
via surya_layout
20 यथा सप्तधात्वाश्रितत्वेन सप्तैव धातवो main
via surya_layout
21 रसादयो जेयाः । तथा चाह सुश्रुतः — main
via surya_layout
22 'त्वगसृङ्मांसमेदोऽस्थिमज्जाशुक्राणि धातवः' । main
via surya_layout
23 इति। तथा सप्तचक्राश्रितत्वेन सप्तद्वीपाश्रितत्वेन वा सप्तैव स्वरा इति। main
via surya_layout
24 स्वरजातयः ] section_header
via surya_layout
25 चतुःश्रुतिस्वरा विप्रास्त्रिश्रुती क्षत्रियौ मतौ। main
via surya_layout
26 वैश्यौ द्विश्वतिकौ ज्ञेयौ शूद्रौ चान्तरकौ स्वरौ ३२।।६१।। main
via surya_layout
27 [ आगमस्थः स्वरोद्धारः ] editorial_bracket
parent ligne 26
via heuristic_brackets
28 वर्गाष्टकं तु सम्प्राप्य अकारादियशान्तकम्। main
via surya_layout
29 वर्णमात्राः अन्समायुक्तमुद्धरेत् स्वरसप्तकम् ॥६२॥ main
via surya_layout
30 স page_footer
via surya_layout

vol_II_p124 RIGHT — 29 lignes

page vol_II_p124 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 231 page_number
via heuristic_pagenum
3 [4. Mālatī] section_header
via surya_layout
4 The elā composed with long and short (syllables), 64 adorned with sweet main
via surya_layout
5 sounds, similarly straight, having profuse gamakas and alankāras (and) beautiful, main
via surya_layout
6 is mālatī. annotation_inline
parent ligne 5
via heuristic_short
7 (452) main
via surya_layout
8 [5. Lalitā] section_header
via surya_layout
9 This <i>lalitā</i> (<i>elā</i>) should be sung by the <i>gandharvas</i> with graceful regulation main
via surya_layout
10 of syllables. (Its) two feet are like the first one, combined with gamakas and main
via surya_layout
11 hindu-mūrchanā.65 annotation_inline
parent ligne 10
via heuristic_short
12 (453) main
via surya_layout
13 [6. Hemavatī] section_header
via surya_layout
14 (It) is with graceful pada, ends in biruda and similarly there is gamaka main
via surya_layout
15 placed on the yati. 66 This is the order of the (first) two feet, then there is the main
via surya_layout
16 name of the object of description. main
via surya_layout
17 (454) main
via surya_layout
18 [7. Kusumavatī?] section_header
via surya_layout
19 Where that (third foot) composed with textual units comprised of short main
via surya_layout
20 syllables, is sung again after having sung the name of the singer (composer) main
via surya_layout
21 'preceded' (accompanied) by the description of the play of valour and the like, main
via surya_layout
22 that has been said to be <i>varṇailā</i> by Matanga<sup>67</sup> according to the accepted order. main
via surya_layout
23 Where the respectability brought about by the description of glory, enthusiasm, main
via surya_layout
24 steadfastness and the like is seen in a definite order, that is said to be varyailā. It main
via surya_layout
25 is sung in tālas like maņļha, dvitīya, kankāla (and) įmatitāla. main
via surya_layout
26 <math>(455-457)</math> main
via surya_layout
27 This is one manner in which (varnaila) has been described clearly, now the main
via surya_layout
28 seven varnailās are being described in a way similar (samarasa) to the same. main
via surya_layout
29 (458) main
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vol_II_p012 LEFT — 32 lignes

page vol_II_p012 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 6 page_number
via heuristic_pagenum
3 ‘‘शुद्धा विकृताश्चैव हि समवायाज्जातयस्तु जायन्ते । main
via surya_layout
4 <sup>८</sup>पुनरेवाशुद्धकृता भवन्त्यथैकादश परास्तु ॥’’ main
via surya_layout
5 [ना॰ शा॰ २८.४६] editorial_bracket
parent ligne 4
via heuristic_brackets
6 <sup>९</sup>तासां यास्तु निर्वृत्ता: स्वरेष्वथांशेषु <sup>१</sup>°हानिषु च । annotation_inline
parent ligne 4
via heuristic_markers
7 जातिषु annotation_inline
parent ligne 4
via heuristic_height
8 • व • annotation_inline
parent ligne 4
via heuristic_height
9 जातीस्ता वक्ष्याम: सङ्क्षेपेण क्रमेण चैवात्र ॥ १९२ ॥ main
via surya_layout
10 <sup>११</sup>षड्जाया मध्यमायाश्च संसर्गात् षड्जमध्यमा । main
via surya_layout
11 षड्जायाश्चैव गान्धार्या जायते षड्जकैशिकी॥ १९३ ॥ main
via surya_layout
12 तयोरेव सधैवत्यो: षड्जोदीच्यवती भवेत्। main
via surya_layout
13 आसां समध्यमानां तु गान्धारोदीच्यवा भवेत् ॥ १९४ ॥ main
via surya_layout
14 गान्धार्या मध्यमायाश्च पञ्चम्याश्चेव सङ्करात् । unknown
via fallback
15 (मी?म्या) annotation_inline
parent ligne 13
via heuristic_height
16 सधैवतीनामासां तु मध्यमोदीच्यवा भवेत् ॥ १९५ ॥ main
via surya_layout
17 आसां स्याद् रक्तगान्धारी नैषादी चेच्चतुर्थिका । main
via surya_layout
18 आर्षभ्यास्तु भवेदान्ध्री गान्धार्याश्चैव सङ्करात् ॥ १९६ ॥ main
via surya_layout
19 •द्यन्धी annotation_inline
parent ligne 18
via heuristic_height
20 अनयोस्त् सपञ्चम्योर्नन्दयन्ती प्रजायते । main
via surya_layout
21 सनिषादास्त्वगान्धार्याः कुर्युः कार्मारवीमिमाः ॥ १९७ ॥ main
via surya_layout
22 ग्माम् annotation_inline
parent ligne 21
via heuristic_height
23 गान्धारी पञ्चमी चैव ताभ्यां गान्धारपञ्चमी । main
via surya_layout
24 १२तथा annotation_inline
parent ligne 23
via heuristic_short
25 आर्षभी-धैवती-वर्ज्याः कैशिकीमिति सङ्कराः ॥ १९८॥ main
via surya_layout
26 इदानीं विभागमाहु: - section_header
via surya_layout
27 <sup>१३</sup>चतस्रो जातयो नित्यं ज्ञेया: सप्तस्वरा बुधै:। main
via surya_layout
28 चतस्र: षट्स्वराश्चान्या दश पञ्चस्वरा: स्मृता: ॥ १९९ ॥ main
via surya_layout
29 न्द्या annotation_inline
parent ligne 28
via heuristic_height
30 एतदेव स्फुटं भवति - main
via surya_layout
31 मध्यमोदीच्यवा चैव तथा वै षड्जकैशिकी । main
via surya_layout
32 कार्मारवी च सम्पूर्णा तथा गान्धारपञ्चमी ॥ २०० ॥ main
via surya_layout

vol_II_p019 RIGHT — 32 lignes

page vol_II_p019 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 21 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [7. The definition of alpatva] section_header
via surya_layout
4 [Anu. 128] editorial_bracket
parent ligne 3
via heuristic_brackets
5 Now I speak of alpatva (sparseness) and bahutva (abundance). Out of main
via surya_layout
6 these, alpatva comes into being on account of the sparse use of svaras and main
via surya_layout
7 bahutva is on account of (their) abundant use. Alpatva and bahutva are main
via surya_layout
8 twofold each, one operating in samnyāsa and the like and the other through main
via surya_layout
9 antaramārga. 38 The definition of antaramārga is thus—sometimes in jātis even main
via surya_layout
10 the svara that is not an amsa (anamsa) is not sparse (alpa). Similarly in main
via surya_layout
11 Kārmāravī, gāndhāra (which is not an amśa), is used in antaramārga with main
via surya_layout
12 abundance through concert (saigati) with all the other svaras; thus will be main
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13 said-39 annotation_inline
parent ligne 12
via heuristic_short
14 "Specially gāndhāra has movement towards all (svaras)." main
via surya_layout
15 (NŚ XXVIII.136) main
via surya_layout
16 [8. The definition of bahutva] section_header
via surya_layout
17 [ Anu. 129 ] editorial_bracket
parent ligne 16
via heuristic_brackets
18 After this he (the author) spoke (speaks) of bahutva. Bahutva is like main
via surya_layout
19 alpatva; it is to be perceived, thus is the special implication of the said main
via surya_layout
20 statement (about bahutva). How is that? Thus spoke (speaks) he (the main
via surya_layout
21 author), the inversion of strong and weak, i.e. the weak one is sparse (by main
via surya_layout
22 rule), in the case of inversion it becomes strong, thus is understood the main
via surya_layout
23 characteristic of strong (svara). Hence it has been said - main
via surya_layout
24 "The sparseness in jātis is always manifested through their svaras. There main
via surya_layout
25 is sañcāra (to and fro movement) among the amsas and the strong svaras. main
via surya_layout
26 Sparseness occurs in those jātis which have weak (svaras). Antaramārga main
via surya_layout
27 (inversion of strength and weakness) and nyāsa brings about the manifestation main
via surya_layout
28 of jātis." annotation_inline
parent ligne 27
via heuristic_height
29 (Cf. NŚ XXVIII 74cd, 75) main
via surya_layout
30 [9. The definition of nyasa] section_header
via surya_layout
31 [ Anu. 130 ] editorial_bracket
parent ligne 30
via heuristic_brackets
32 Now he (the author) spoke (speaks) of nyāsa - that (svara) on which or main
via surya_layout
146 lignes a valider — change uniquement les roles incorrects.