Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21575). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p053 LEFT — 36 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
via surya_layout
2 88 page_number
via heuristic_pagenum
3 पापापापापापाधानीमापागागागागागा । [ - - - -] editorial_bracket
parent ligne 5
via heuristic_brackets
4 दारव्यां भवन्ति [ - - - - ] यदर्थमुक्तं यथा एवमेते प्रवर्तन्ते तथा editorial_bracket
parent ligne 5
via heuristic_brackets
5 ुषति (?) main
via surya_layout
6 •प्पर्व annotation_inline
parent ligne 5
via heuristic_height
7 प्रवर्तयन्तीत्यर्थः शारीरस्वरे। तदुक्तम् ] editorial_bracket
parent ligne 5
via heuristic_brackets
8 एते वर्णास्तु विज्ञेयाश्चत्वारो गीतयोजकाः ॥ main
via surya_layout
9 [ ना. मा. २९. १९ कख ] editorial_bracket
parent ligne 8
via heuristic_brackets
10 वीणा unknown
via fallback
11 [ इति वर्णाः ] editorial_bracket
parent ligne 8
via heuristic_brackets
12 [ अथालङ्काराः ] editorial_bracket
parent ligne 8
via heuristic_brackets
13 अनु₀ ६८ ] section_header
via surya_layout
14 इदानीं सुप्रसिद्धास्त्रयस्त्रिशदलङ्कारा नामतः प्रयोगतश्च कथ्यन्ते— main
via surya_layout
15 पादेनाततः annotation_inline
parent ligne 14
via heuristic_short
16 तत्रालङ्कारणब्देन किमुच्यते ? [ ग्व्युत्पत्तिर्वा तस्य कीदृशी ? उच्यते- ] editorial_bracket
parent ligne 14
via heuristic_brackets
17 <b>ध्नन्व</b>० annotation_inline
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via heuristic_height
18 अलङ्कारशब्देन ध्मण्डनमुच्यते। यथा कटककेयूरादिनालङ्कारेण नारी पुरुषो वा main
via surya_layout
19 ৹ল৹ annotation_inline
parent ligne 18
via heuristic_height
20 मण्डितः शोभामावहेत्, तथा एतैरलङ्कारैः श्रप्तम्नाद्यादिभिरलङ्कृता वर्णाश्रया main
via surya_layout
21 ( द्या ) annotation_inline
parent ligne 20
via heuristic_height
22 गीतिर्गातृश्रोतृणां सुखावहा भवतीति। व्युत्पत्तिश्च यथा—‘डुकृञ् करणे’ main
via surya_layout
23 <sup>10</sup>धातुरलंशब्दपूर्वोऽलङ्करोतीत्यलङ्कारः। घञन्तोऽयमलङ्कारशब्द इति। main
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24 •विः अलङ्कृतमल • main
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25 [ अनु₀ ६९ ] section_header
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26 ं तत्रालङ्काराणां नामानि कथ्यन्ते— (१) प्रसन्नादिः (२) प्रसन्नान्तः (३) प्रसन्नाद्यन्तः main
via surya_layout
27 (४) प्रसन्नमध्यः (५) समः (६) बिन्दुः (७) निवृत्तप्रवृत्तः (८) वेणुः (९) कम्पितः main
via surya_layout
28 (तः) annotation_inline
parent ligne 27
via heuristic_height
29 (१०) कुहरितः (११) रेचितः (१२) प्रेङ्घोलितः (१३) तारमन्द्रप्र [ list_item
via surya_layout
30 सन्नः । list_item
via surya_layout
31 (१४) मन्द्रतारप्रसन्नः (१५) प्रस्तारः (१६) प्रसादः (१७) उद्वाहितः list_item
via surya_layout
32 ्रः ,व्रनिसनः list_item
via surya_layout
33 ह्रस्वार list_item
via surya_layout
34 (?) list_item
via surya_layout
35 (१८) उपलोलकः (१९) क्रमः (२०) निष्कृजितः (२१) ह्रादमानः (२२) रिञ्जतः list_item
via surya_layout
36 (प्रा?ह्रा) list_item
via surya_layout

vol_II_p124 LEFT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 (vide) unknown
via fallback
2 BRHADDEŚĪ page_header
via surya_layout
3 230 page_number
via heuristic_pagenum
4 [४.मालती] section_header
via surya_layout
5 एला गुरुलघुरचिता मधुरध्वनिशोभिता तथा सरला । main
via surya_layout
6 (वि)रचिता annotation_inline
parent ligne 5
via heuristic_height
7 बहुगमकालङ्कारा रमणीया मालती भवति ॥४५२॥ main
via surya_layout
8 <sup>४२</sup>बहुग(य?)म(का) main
via surya_layout
9 [५. ललिता] section_header
via surya_layout
10 गातव्या गन्धर्वैर्ललिता ललितेन वर्णनियमेन । main
via surya_layout
11 प्रथमिव चरणयुगलं <sup>४३</sup>सगमकमथ बिन्दुमूर्छनायुक्तम् ॥ ४५३॥ main
via surya_layout
12 सयमकमथ annotation_inline
parent ligne 11
via heuristic_height
13 1 page_number
via heuristic_pagenum
14 [६.हेमवती ?] section_header
via surya_layout
15 लिलतपदं बिरुदान्तं तथा च यतिसंस्थितगमकम्। main
via surya_layout
16 बिरुतां कथं(?) annotation_inline
parent ligne 15
via heuristic_height
17 oतं annotation_inline
parent ligne 15
via heuristic_height
18 चरणयुगक्रममेवं नाम ततो भवति वर्णनीयस्य ॥ ४५४॥ main
via surya_layout
19 °त्रयः annotation_inline
parent ligne 18
via heuristic_markers
20 [७.कुसुमवती ?] section_header
via surya_layout
21 लघुवर्णपदनिबद्धं तत् पुनरिप गीयते, गीत्वा । main
via surya_layout
22 गातृजननामधेयं वीरविलासादिवर्णनापूर्वम् ॥४५५॥ main
via surya_layout
23 यस्यां वर्णेला सा कथिता क्रमतो मतङ्गेन । main
via surya_layout
24 प्रतापोत्साहधैर्यादिवर्णनागुणगौरवम् ॥ ४५६॥ main
via surya_layout
25 क्रमशो दृश्यते यस्यां वर्णेला सा प्रकीर्तिता । main
via surya_layout
26 मण्ठद्वितीयकङ्कालै: प्रतितालेन गीयते ॥४५७॥ main
via surya_layout
27 मद्रद्वितीयं(कं)काल॰ annotation_inline
parent ligne 26
via heuristic_markers
28 प्रकारेणैकेन कथिता येनाधुना स्फुटम् । main
via surya_layout
29 कथ्यते तु समरसेन वर्णेलासप्तकं पुन: ॥४५८॥ main
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vol_II_p137 LEFT — 43 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 1, 1 unknown
via fallback
2 <b>(4) 90 公司的第三人</b> annotation_inline
parent ligne 5
via heuristic_height
3 256 page_number
via heuristic_pagenum
4 BRHADDEŚĨ page_header
via surya_layout
5 Note: Şadjamadhyamā and raktagāndhārī have been repeated in the interpo- main
via surya_layout
6 lated portion. main
via surya_layout
7 Chapter III (Rāgalakṣana) section_header
via surya_layout
8 कश्यपप्रमुखैरत्र यथास्वमति वर्णितम् । main
via surya_layout
9 l.cf. annotation_inline
parent ligne 8
via heuristic_height
10 स्वरूपं रागशब्दस्य यथावत्तदिहोच्यते ॥ main
via surya_layout
11 स्वरवर्णविशिष्टेन ध्वनिभेदेन यत्परम् । main
via surya_layout
12 रज्यते येन सततं (सच्चित्तं) स राग: सम्मत: सताम् ॥ main
via surya_layout
13 योऽसौ ध्वनिविशेषस्तु स्वरवर्णविभूषित:। main
via surya_layout
14 रञ्जको जनचित्तानां स राग: कथितो बुधै: ॥ main
via surya_layout
15 S Rāj II. 2.I.10-12. main
via surya_layout
16 2. Reading in Sam Sa Sā, I. 58 and c.r. in Kalā. on SR. II.1.1, p.2. list_item
via surya_layout
17 3. Reconstruction based on ibid. (Kalā) list_item
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18 4. Reading in BhaKo p. 921. list_item
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19 5. C.r. in Kalā on SR. II .1.1, p. 2, Sudhā on the same, p. 3 and Rā Vi, list_item
via surya_layout
20 p. 101. list_item
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21 6. Reading in Sam Sa Sā, IV.76. list_item
via surya_layout
22 7. P.t.; neuter gender has been preferred by us in deference to the list_item
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23 gender of the noun being qualified, viz. lakṣaṇam. list_item
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24 8, 9,10. Reading in Sam Sa Sā, IV. 76. list_item
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25 11. The two lines of this verse are transposed in p.t. list_item
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26 12. Reconstruction based on c.r. in Sudhā on SR.II.I.I., p. 3; c.r. in list_item
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27 Kalā on ibid, p.2 reads 'vāpi manthavat' and so does c.r. in Rā Vi, p. 101. list_item
via surya_layout
28 13. C.r. in Rā Vi, p.101. list_item
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29 14. Reconstruction based on consideration of grammar and metre. list_item
via surya_layout
30 15. Reconstruction based on c.r. in Sudhā on SR.II.I.2-5, p.5 and list_item
via surya_layout
31 S.Rāj II.2.1.28d, 29c. list_item
via surya_layout
32 16. P.t. adds- 'teşam lakşanamucyate'- after 'iti', which is redundant. list_item
via surya_layout
33 17. Actually the gîtis spoken of by Bharata are 'modes' of textual list_item
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34 rendering, i.e., are related to pada, but they have been cited here in the list_item
via surya_layout
35 context of rāga. list_item
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36 One minor reading variant in this verse is -NS reads 'tu' in the place of 'ca' in main
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37 the third foot. annotation_inline
parent ligne 36
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38 18. 'Matanga' of p.t. has been replaced with 'Kasyapa' because - list_item
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39 (i) the opinion of Matanga has been given in verses 268-270, list_item
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40 (ii) S.Rāj II.2.1.30 d, 31b ascribes these two gītis to Kasyapa, and list_item
via surya_layout
41 (iii) citation in Abhi Bhā on NŚ XXVIII. 141 also purports to do list_item
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42 the same. list_item
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43 and the second second annotation_inline
parent ligne 42
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vol_I_p068 LEFT — 34 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 118 page_number
via heuristic_pagenum
3 सरिमपपमरिस । रिगपधधपगरि । गमधनिनिधमग । main
via surya_layout
4 मपनिससनिपम। सनिपममपनिस। निधमगगमधनि। main
via surya_layout
5 धपगरिरिगपध। पमरिससरिमप। उद्घट्टितः [ २५ ] editorial_bracket
parent ligne 4
via heuristic_brackets
6 सिरिग्। रिग्म। गमप्। मप्ध। पधनि। धनिस। सनिध। निधप। धपम। main
via surya_layout
7 पमग्। मगरि। गरिस। आक्षिप्तकः [ २६ ] editorial_bracket
parent ligne 6
via heuristic_brackets
8 सगमा मरिसा। रिमपा पगरी। गपधा धमगा। main
via surya_layout
9 मधनी निपमा। पनिसा सधपा। धनिसा। सधपा पनिसा। main
via surya_layout
10 निपमा मधनी। धमगा गपधा। पगरी रिमपा। main
via surya_layout
11 मरिसा सगमा। गरिसा। सम्प्रदानमः [ २७ ] editorial_bracket
parent ligne 10
via heuristic_brackets
12 。नम् annotation_inline
parent ligne 10
via heuristic_height
13 सगम मरिस। रिमप पगरि-- - - - - - - unknown
via fallback
14 VII [ पदगीतिप्रकरणम् ] section_header
via surya_layout
15 अलङ्कारा मया प्रोक्ता यथावन्मुनिसत्तम main
via surya_layout
16 1अथ गीतिं प्रवक्ष्यामि छन्दोऽक्षर- [ समन्विताम् ] ॥१७०॥ editorial_bracket
parent ligne 15
via heuristic_brackets
17 प्रथमा मागधी जेया द्वितीया चार्धमागधी । main
via surya_layout
18 सम्भाविता तृतीया च चतुर्थी पृथुला स्मृता ॥१७१॥ main
via surya_layout
19 थित्रिर्निवृत्ता च या गीतिः सा गीतिर्मागधी स्मृता । main
via surya_layout
20 अर्धकालनिवृत्ता च विज्ञेया त्वर्धमागधी ॥१७२॥ main
via surya_layout
21 सम्भाविता च विज्ञेया गुर्वक्षरसमन्विता । main
via surya_layout
22 पृथुलास्या च विज्ञेया लघ्वक्षरसमन्विता ॥१७३॥ main
via surya_layout
23 [ अनु₀ १०४ ] editorial_bracket
parent ligne 22
via heuristic_brackets
24 दक्षिणे मार्गे पृथुला गीति [:], वार्तिक मार्गे सम्भाविता, चित्रे मार्गे editorial_bracket
parent ligne 22
via heuristic_brackets
25 र्मा. annotation_inline
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via heuristic_height
26 <b>,</b>† annotation_inline
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27 र्गा annotation_inline
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28 मागधी । अष्टौ ३ मात्रा [ दक्षिणमार्गे, चतस्रो मात्रा editorial_bracket
parent ligne 22
via heuristic_brackets
29 .धिः annotation_inline
parent ligne 22
via heuristic_height
30 वार्तिकमार्गे, द्वे मात्रे चित्रमार्गे ] कलाप्रयोगक्रमेण । editorial_bracket
parent ligne 22
via heuristic_brackets
31 ⁴ताल. annotation_inline
parent ligne 22
via heuristic_height
32 चित्रे चैककले ताले विज्ञेया गीतिर्मागधी । main
via surya_layout
33 वार्तिक द्विकले ज्ञेया गीतिः सम्भाविता बुधैः ॥१७४॥ unknown
via fallback
34 .ला annotation_inline
parent ligne 32
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vol_I_p011 RIGHT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 5 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 The state of being consonant (vyanjanatva) is common to all the (seven) main
via surya_layout
4 groups (of consonants) beginning with the group of 'k'. Vyanjana16 attains the main
via surya_layout
5 state of Siva simply on account of (its) manifestation through Sakti (svara). (8) main
via surya_layout
6 Varņas (letters and syllables) are known as such because they delineate the main
via surya_layout
7 whole world through the own form<sup>17</sup> (svarūpa) of pada (word) and vākya 18 main
via surya_layout
8 (sentence) and through the conveying of the meaning of sentence. (9) main
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9 This pada 19 is always known by the wise to be preceded by syllable (varna) main
via surya_layout
10 i.e. the former presupposes the latter. The sentence, on the other hand, is a main
via surya_layout
11 combination of kriyā 20 (action, verb) and Kāraka 21 (instrumental in bringing main
via surya_layout
12 about the action denoted by a verb) (and) is made up of words. (10) main
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13 From the vākya (sentence) (arises) the mahāvākya 22 (lit. big or great main
via surya_layout
14 sentence) and in succession (arise) the Vedas with their angas 23 (anciliary main
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15 disciplines); all those are manifested from dhvani. From there (Vedas) is the main
via surya_layout
16 origin of Gandharva<sup>24</sup> (music). (11) main
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17 Dhvani<sup>25</sup> is the ultimate origin (yoni, — lit. womb); dhvani is the cause of main
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18 everything. The whole world of immobile and mobile (beings) is encompassed main
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19 by dhvani. (12) annotation_inline
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20 Dhvani is said to be twofold according to (its) division into manifest and main
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21 unmanifest (states). Being manifest on account of the obtaining of varnas 26 it main
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22 (dhvani) has reached the countenance (beginning) of desi. (13) main
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23 Thus ends the origin of desi. main
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24 [The definition of dest and marga ] section_header
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25 That which is sung by women, children, cowherds and kings<sup>27</sup> out of their main
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26 own will with love (and pleasure) in their own (respective) regions is called desi main
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27 (music). (14) annotation_inline
parent ligne 26
via heuristic_height
28 This mārga 28 (course) (of deśi) is known to be twofold viz. that which is main
via surya_layout
29 nibaddha (structured, lit. bound) and that which is anibaddha (lit. unbound, main
via surya_layout
30 relatively less structured). That which is structured through ālāpa (melodic main
via surya_layout
31 elaboration) etc. is called mārga 29 (lit. path), but the one devoid of ālāpa etc. is main
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32 called desi. (15, 16ab). annotation_inline
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174 lignes a valider — change uniquement les roles incorrects.