Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21579). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p034 RIGHT — 35 lignes

page vol_II_p034 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 51 page_number
via heuristic_pagenum
3 pañcama and șadja. In the complete state there is the sparseness of șadja, main
via surya_layout
4 madhyama, pañcama and dhaivata. In the ṣāḍava state, there is the sparseness main
via surya_layout
5 of şadja, madhyama and dhaivata. In the auduvita form there is the sparseness main
via surya_layout
6 of madhyama and dhaivata. The tāra extends upto five svaras. The mandra is main
via surya_layout
7 upto the nyāsa or upto the svara next to it. main
via surya_layout
8 [Anu. 153] section_header
via surya_layout
9 The mūrchanā beginning with gāndhāra obtains. Caccatpuṭa is the tāla. main
via surya_layout
10 There are thirty-two kalās in the dakṣiṇa (mārga), sixteen in vārtika (mārga), main
via surya_layout
11 eight in citra (mārga). It is ten-fold. There are ten amśas. Šuddhā (is one). main
via surya_layout
12 There are three vikṛtās in the complete state, three in the ṣāḍava state and main
via surya_layout
13 three in the auduva state. Karuna is the rasa. Its application (viniyoga) 68 is main
via surya_layout
14 prescribed in the singing of dhruvās in the first scene (or act). main
via surya_layout
15 [5. Şadjakaisiki] section_header
via surya_layout
16 [Anu. 154] section_header
via surya_layout
17 Ṣaḍja, gāndhāra and pañcama are the grahas and amsas of ṣaḍjakaisikī. The main
via surya_layout
18 tāra extends upto five svaras. The mandra is upto the nyāsa or upto the svara main
via surya_layout
19 next to it. It is always complete. There is the sparseness of dhaivata, niṣāda main
via surya_layout
20 and madhyama. Rṣabha is even more sparse, there is abundance of the main
via surya_layout
21 remaining ones. Gāndhāra is the nyāsa. And şadja, niṣāda, pañcama are main
via surya_layout
22 apanyāsas. main
via surya_layout
23 [Anu. 155] section_header
via surya_layout
24 It has no śuddhā state, there are three amśas in the complete state. main
via surya_layout
25 Caccatpuța is the tāla. În ekakala (tāla), in the citra (mārga), there is māgadhī main
via surya_layout
26 gīti. In dvikala (tāla), in the vārtika (mārga), there is sambhāvitā (gīti). In main
via surya_layout
27 catușkala (tāla), in the dakșiņa (mārga), there is pṛthulā (gīti) and the rasa is main
via surya_layout
28 karuṇa. Its application (viniyoga) is (prescribed) in the first song associated main
via surya_layout
29 with entry in the second scene (or act). main
via surya_layout
30 [6. Şadjodicyava] section_header
via surya_layout
31 [Apu. 156] section_header
via surya_layout
32 Şadja, madhyama, dhaivata and nişāda are the grahas and amsas of şadjodīcyavā. main
via surya_layout
33 The tara extends up to five svaras. The mandra is upto the nyasa or the svara main
via surya_layout
34 next to it. The şādava formation is devoid of rṣabha, the auduvita formation main
via surya_layout
35 is devoid of ṛṣabha-pañcama. In the complete state there is the sparseness of main
via surya_layout

vol_II_p101 LEFT — 38 lignes

page vol_II_p101 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 -- 1 annotation_inline
parent ligne 4
via heuristic_height
2 History of the State of the State of the State of the State of the State of the State of the State of the State of the S annotation_inline
parent ligne 4
via heuristic_height
3 184 page_number
via heuristic_pagenum
4 BRHADDEŚĪ section_header
via surya_layout
5 [१. अथ टके] section_header
via surya_layout
6 पञ्चमांशा तु षड्जान्ता रभाषा टक्के प्रयोजयेत्। main
via surya_layout
7 ..(ता? न्ता) annotation_inline
parent ligne 6
via heuristic_height
8 भाषे annotation_inline
parent ligne 6
via heuristic_height
9 <sup>३</sup>देवालवर्धनी पूर्णा भाषा चासामनुक्रमात् ॥ १॥ main
via surya_layout
10 चैषा ॰ annotation_inline
parent ligne 9
via heuristic_markers
11 उदाहरणम् - पापानीसासा । नीसारीरीघापापामामा मामाधासासासनिसरिरिरि रीनिधमागापा main
via surya_layout
12 धासासानीधानीधा[सा सा]। देवालवर्धनी । [१] editorial_bracket
parent ligne 11
via heuristic_brackets
13 मध्यमांशा तु षड्जान्ता पौराली देशसम्भवा । main
via surya_layout
14 सम्पूर्णा गीयते नित्यं भाषा वै टक्करागजा ॥ २॥ main
via surya_layout
15 उदाहरणम् - मामामामा गारीरीरी सारिमारि गागारिगरिग सासा निधामा धामामाधा धनि- main
via surya_layout
16 सानिगागागागानिधानिसा सामानी गमापधानी निधापधानि धापाममामा मामागामागारिरिगा- main
via surya_layout
17 सानिसा। पौराली । [२] editorial_bracket
parent ligne 16
via heuristic_brackets
18 धैवतांशा तु षड्जान्ता पञ्चमर्षभवर्जिता । main
via surya_layout
19 (वैध ? धैव) annotation_inline
parent ligne 18
via heuristic_height
20 टक्कभाषा त्वौडुविता त्रावणी कामिनीषु च ॥ ३॥ main
via surya_layout
21 शकभाषा annotation_inline
parent ligne 20
via heuristic_height
22 उदाहरणम् – धामगाधा मागमामाग धानिसासा । गागामधामागसासा । मागा सागा । गामा- main
via surya_layout
23 माधमागसासासा । त्रावणी । [३] editorial_bracket
parent ligne 22
via heuristic_brackets
24 मध्यमांशा तु षड्जान्ता तानवलितिकाऽपि वा । main
via surya_layout
25 विपा annotation_inline
parent ligne 24
via heuristic_height
26 मान annotation_inline
parent ligne 24
via heuristic_height
27 विभाषा टक्करागस्य गीयते ४मध्यमाश्रिता ॥ ४॥ main
via surya_layout
28 ॰रागस्यैपा annotation_inline
parent ligne 27
via heuristic_markers
29 मूढलालिता annotation_inline
parent ligne 27
via heuristic_height
30 उदाहरणम् – मापाधापामासा पधानीधापापामामागरिसा धामाधाधामाधामाधानीसासा । main
via surya_layout
31 रिरिधारिरिमागामारीसासा । साधाधनिसासा । तानवलितिका । [४] editorial_bracket
parent ligne 30
via heuristic_brackets
32 तानल॰ annotation_inline
parent ligne 30
via heuristic_markers
33 भगान्धारांशा तु षड्जान्ता दोह्या पञ्चस्वरा शृभा । main
via surya_layout
34 साधारणा तु पङ्जांशान्ता main
via surya_layout
35 पञ्चमर्षभहीना तु देशाख्या टक्करागजा ॥ ५॥ main
via surya_layout
36 <b>ल्होनं</b> annotation_inline
parent ligne 35
via heuristic_height
37 স্ত(?) annotation_inline
parent ligne 35
via heuristic_height
38 1 A STATE OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE annotation_inline
parent ligne 35
via heuristic_height

vol_I_p096 RIGHT — 61 lignes

page vol_I_p096 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 VIMARŚA main
via surya_layout
2 175 page_number
via heuristic_pagenum
3 61. Like Suśruta, Bh Prak VII, 27 also mentions tvak (skin) as the first dhātu, main
via surya_layout
4 instead of rasa (chyle) of our text. Monier Williams also enumerates seven main
via surya_layout
5 dhātus as chyle ( rasa ), blood, flush, fat, bone, marrow, semen; replacing tuak main
via surya_layout
6 with rasa. main
via surya_layout
7 62. The seven minerals are not clear. list_item
via surya_layout
8 63. The number of cakras (psychophysical centres in the human body list_item
via surya_layout
9 visualised as circles, cakras or lotuses, padmas) is generally accepted as six, eight list_item
via surya_layout
10 or ten (as in SRI, 2. 120-145 ab). ByD has talked of seven sthanas elsewhere list_item
via surya_layout
11 ( in the confused reading in the section on Varṇālankāra towards the end of list_item
via surya_layout
12 Anu. 84, see textual note no. 20 in that section ); viz. ādhāra, svādhişṭhāna, list_item
via surya_layout
13 anāhata, maņipūra, višuddhi, ājñā and brahmarandhra. Out of these, the last list_item
via surya_layout
14 one viz. brahma-randhra (cerebral aperture) is not the name of a cakra, rather it list_item
via surya_layout
15 is the location of the sahasrāra cakra. These seven names do form part of the list_item
via surya_layout
16 ten cakras spoken of in SR in the following locations - list_item
via surya_layout
17 Name of Cakra table
via surya_layout
18 Location table
via surya_layout
19 1. Ādhāra table
via surya_layout
20 In-between the anus and the genitals table
via surya_layout
21 2. Svādhişthāna table
via surya_layout
22 Root of the genitals table
via surya_layout
23 Around the navel table
via surya_layout
24 3. Manipūra table
via surya_layout
25 4. Anāhata table
via surya_layout
26 Heart table
via surya_layout
27 5. Visuddhi table
via surya_layout
28 Throat table
via surya_layout
29 6. Ājāā table
via surya_layout
30 In-between the two eye-brows table
via surya_layout
31 7. Sahasrāra table
via surya_layout
32 Cerebral aperture table
via surya_layout
33 It is notable that SR associates the production of musical notes with the main
via surya_layout
34 anāhata, višuddhi and lalanā-( situated in the back of the neck ) cakras alone main
via surya_layout
35 and not with all the seven listed above. The treatment of cakras in BrD could main
via surya_layout
36 not be assessed from this stray reference. It is only the number seven that main
via surya_layout
37 corresponds with the connection of seven cakras with the svaras that the author main
via surya_layout
38 is trying to establish here. In note 59 above, we have said that the connection of main
via surya_layout
39 dhaivata with the forehead is not clear. If the seven svaras are connected with main
via surya_layout
40 the seven sthanas listed above, one by one, then dhaivata being the sixth one main
via surya_layout
41 could be connected with the viśuddhi cakra located in-between the eye brows. main
via surya_layout
42 But the location of seven svaras in the seven cakras is not corroborated by any main
via surya_layout
43 other known text. annotation_inline
parent ligne 42
via heuristic_short
44 64. S R I, 3.55 cd, 56 ab speaks of the origin of svaras in the seven islands as main
via surya_layout
45 follows- main
via surya_layout
46 Name of Svara table
via surya_layout
47 Name of Duipa table
via surya_layout
48 Sadja table
via surya_layout
49 Jambū table
via surya_layout
50 Rsabha table
via surya_layout
51 Šāka table
via surya_layout
52 Gändhära table
via surya_layout
53 Kuśa table
via surya_layout
54 Madhyama table
via surya_layout
55 Krauñca table
via surya_layout
56 Sālmalī table
via surya_layout
57 Pañcama table
via surya_layout
58 Dhaivata table
via surya_layout
59 Sveta table
via surya_layout
60 Nisāda table
via surya_layout
61 Puşkara table
via surya_layout

vol_II_p004 RIGHT — 103 lignes

page vol_II_p004 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 General Section annotation_inline
via heuristic_height
2 <b>CONTENTS</b> table
via surya_layout
3 ix table
via surya_layout
4 . table
via surya_layout
5 83 page_number
via heuristic_pagenum
6 Sādhāraņīgīti table
via surya_layout
7 5. table
via surya_layout
8 85 page_number
via heuristic_pagenum
9 6. table
via surya_layout
10 Bhāṣāgīti table
via surya_layout
11 85 page_number
via heuristic_pagenum
12 Vibhāṣāgīti table
via surya_layout
13 7. table
via surya_layout
14 85 page_number
via heuristic_pagenum
15 The number and nomenclature of ragas table
via surya_layout
16 87 page_number
via heuristic_pagenum
17 The specific description of rāgas table
via surya_layout
18 87 page_number
via heuristic_pagenum
19 A. Out of them <i>śuddha rāgas</i> table
via surya_layout
20 87 page_number
via heuristic_pagenum
21 Suddhaşādava table
via surya_layout
22 1. table
via surya_layout
23 Śuddhapańcama table
via surya_layout
24 89 page_number
via heuristic_pagenum
25 2. table
via surya_layout
26 89 page_number
via heuristic_pagenum
27 Suddhasādhārita table
via surya_layout
28 3. table
via surya_layout
29 91 page_number
via heuristic_pagenum
30 Suddhakaisikamadhyama table
via surya_layout
31 4. table
via surya_layout
32 91 page_number
via heuristic_pagenum
33 Śuddhakaiśika table
via surya_layout
34 5. table
via surya_layout
35 93 page_number
via heuristic_pagenum
36 The assignment of grāmas to śuddha rāgas table
via surya_layout
37 93 page_number
via heuristic_pagenum
38 The application of <i>suddha rāgas</i> table
via surya_layout
39 95 page_number
via heuristic_pagenum
40 B. Bhinna rāgas table
via surya_layout
41 95 page_number
via heuristic_pagenum
42 Svara-bhinna table
via surya_layout
43 97 page_number
via heuristic_pagenum
44 Bhinna-şadja table
via surya_layout
45 l. table
via surya_layout
46 97 page_number
via heuristic_pagenum
47 Bhinna-pañcama table
via surya_layout
48 2. table
via surya_layout
49 99 page_number
via heuristic_pagenum
50 Jāti-bhinna table
via surya_layout
51 99 page_number
via heuristic_pagenum
52 3. table
via surya_layout
53 Bhinnakaisikamadhyama table
via surya_layout
54 99 page_number
via heuristic_pagenum
55 Suddhabhinna table
via surya_layout
56 101 page_number
via heuristic_pagenum
57 Bhinnakaisika table
via surya_layout
58 4. table
via surya_layout
59 101 page_number
via heuristic_pagenum
60 Śruti-bhinna table
via surya_layout
61 103 page_number
via heuristic_pagenum
62 Bhinnatāna table
via surya_layout
63 5. table
via surya_layout
64 103 page_number
via heuristic_pagenum
65 The assignment of bhinna-rāgas to grāmas table
via surya_layout
66 105 page_number
via heuristic_pagenum
67 C. Gauda rāgas table
via surya_layout
68 105 page_number
via heuristic_pagenum
69 1. Gaudapañcama table
via surya_layout
70 105 page_number
via heuristic_pagenum
71 Gaudakaisika table
via surya_layout
72 2. table
via surya_layout
73 107 page_number
via heuristic_pagenum
74 Gaudakaisikamadhyama table
via surya_layout
75 3. table
via surya_layout
76 107 page_number
via heuristic_pagenum
77 The assignment of gauda rāgas to grāmas table
via surya_layout
78 109 page_number
via heuristic_pagenum
79 D. The rāgas pertaining to rāga-gīti or vesarā-gīti table
via surya_layout
80 109 page_number
via heuristic_pagenum
81 1. Takkarāga table
via surya_layout
82 109 page_number
via heuristic_pagenum
83 Sauvīra table
via surya_layout
84 2. table
via surya_layout
85 111 page_number
via heuristic_pagenum
86 Mālavapancama table
via surya_layout
87 3. table
via surya_layout
88 111 page_number
via heuristic_pagenum
89 Vesarașādava table
via surya_layout
90 4. table
via surya_layout
91 113 page_number
via heuristic_pagenum
92 Botta-rāga table
via surya_layout
93 5. table
via surya_layout
94 113 page_number
via heuristic_pagenum
95 Hindola table
via surya_layout
96 6. table
via surya_layout
97 115 page_number
via heuristic_pagenum
98 Takkakaisika table
via surya_layout
99 7. table
via surya_layout
100 115 page_number
via heuristic_pagenum
101 Mālavakaišika unknown
via fallback
102 8. unknown
via fallback
103 . . unknown
via fallback

vol_II_p078 RIGHT — 27 lignes

page vol_II_p078 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 139 page_number
via heuristic_pagenum
3 Illustration - Māsāsāsā sānidhāni dhānī dhāgāsāsā. Dhānisāmā gāgāgāmā main
via surya_layout
4 sānidhāsāsāsāsāgāmādhānīdhādhāmārīgārīrīmarigāsāsānidhāsāsā. Nidhagāsās- main
via surya_layout
5 ānidhanimāmānidhāsāsā nidhāsagamāgāsā nīdhanīsā. Travaņā [i] editorial_bracket
parent ligne 4
via heuristic_brackets
6 That which has sadja as its concluding note, madhyama as its amsa, is main
via surya_layout
7 always abundant in gāndhāra, is devoid of pañcama; dhaivata and ṛṣabha are main
via surya_layout
8 profuse, (and) is always sankīrņā (mixed), this travaņodbhavā is hexatonic. main
via surya_layout
9 (40) annotation_inline
parent ligne 8
via heuristic_short
10 Illustration - Mānīnīnīsāsā. Sārīrīrīgāgāgamāmā māmārī. Garininidhā. main
via surya_layout
11 Dhādhā-māmagārigā. Sāmāgarī. Saninigāgā ninidhāsarigārīmā, Gāmāmānī main
via surya_layout
12 nīsasā. Travaņodbhavā [ii] editorial_bracket
parent ligne 11
via heuristic_brackets
13 Verañjikā should be known to have gandhāra as its amśa and weak main
via surya_layout
14 pañcama. It should be performed with ṣaḍja as its nyāsa, bringing about the main
via surya_layout
15 mutual movement of şadja-dhaivata and similarly gāndhāra-ṛṣabha. Thus main
via surya_layout
16 should be known (this) bhāṣā; it is said to be hexatonic. main
via surya_layout
17 <math>(41-42)</math> main
via surya_layout
18 Illustration-Gānigāgā dharimāmāgā māmāgārigāsasāsā nigārīninidhādhādha- main
via surya_layout
19 nigārīmāgārisanīdhāni. Sāsāgamāmādhāsāsaganigānigāniga dharīgarīrigārirīga main
via surya_layout
20 ma-mamadhamamamadharīgasāsāsā sanīgārīgā ninidhāmādhānidhāsanigā main
via surya_layout
21 rīmamarisā- nidhānisāsā. Verañjika [iii] editorial_bracket
parent ligne 20
via heuristic_brackets
22 Combined with sadja as the initial and concluding one (graha-nyāsa), main
via surya_layout
23 complete, brilliant 15 with madhyama, there being the mutual concert main
via surya_layout
24 (samvāda<sup>16</sup>) between sadja-madhyama and the (two) svaras comprised of two main
via surya_layout
25 śrutis each (gāndhāra and niṣāda), chevāṭī should be known by the main
via surya_layout
26 knowledgeable ones in music as <i>mūlabhāṣā</i>. main
via surya_layout
27 (43) page_footer
via surya_layout
264 lignes a valider — change uniquement les roles incorrects.