Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21586). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p057 RIGHT — 37 lignes

page vol_II_p057 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 97 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [1.Bhinna-şadja] section_header
via surya_layout
4 Bhinna-ṣadja is known by the wise to have dhaivata as its amśa, madhyama as its main
via surya_layout
5 conclusion, to be devoid of pañcama and ṛṣabha and having been born of main
via surya_layout
6 ṣadjodicyavati (jāti). main
via surya_layout
7 (306) main
via surya_layout
8 [Anu. 175] section_header
via surya_layout
9 This means – bhinna – şadja is related to şadjagrāma on account of being born main
via surya_layout
10 of ṣadjodicyavatī jāti. Dhaivata is the graha and aniśa, madhyama is the nyāsa; it is main
via surya_layout
11 pentatonic with the omission of <i>ṛṣabha</i> and <i>pañcama. Niṣāda</i> and <i>gāndhāra</i> are main
via surya_layout
12 kākalī and antara. Its application is prescribed in prāvešikī (dhruvās) related to the main
via surya_layout
13 entry of the hero in a situation where he is inclined towards the use of all main
via surya_layout
14 implements or tools (upakaraṇa), has an aversion to fighting which does not main
via surya_layout
15 match his disposition (vijātīya) and proceeds for hunting. main
via surya_layout
16 Bībhatsaand bhayānakaare the rasas. The mūrchanā beginning with dhaivata main
via surya_layout
17 obtains. Sañcārin is the varņa. Prasannādi is the alankāra. The kalā is formed in main
via surya_layout
18 the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in main
via surya_layout
19 the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara main
via surya_layout
20 and <i>pada</i>. main
via surya_layout
21 [2.Bhinna-pañcama] section_header
via surya_layout
22 [Anu. 176] section_header
via surya_layout
23 ......This bhinna-pañcama is said to be svarabhinna. Its description is thus- main
via surya_layout
24 The knowledgeable ones in svara have spoken of bhinna-pañcama being main
via surya_layout
25 similar48 to śuddha-pañcama. It has dhaivata as its ainśa, pañcama as its main
via surya_layout
26 concluding note and is (applied) in the entry of the sūtradhāra. main
via surya_layout
27 (307) main
via surya_layout
28 [Anu. 177] section_header
via surya_layout
29 This means-bhinna-pañcama is related to madhyamagrāma on account of main
via surya_layout
30 being born of madhyamā and pañcamī jātis. Dhaivata is the graha and amśa, main
via surya_layout
31 pañcama is the <i>nyāsa</i>, <i>niṣāda</i> is <i>kākalī</i> here. Sometimes <i>niṣāda</i><sup>49</sup> is also used main
via surya_layout
32 and this (rāga) is complete. It is applied in the entry of the sūtradhāra. main
via surya_layout
33 Bībhatsaand bhayānakaare the rasas. The mūrchanā beginning with dhaivata main
via surya_layout
34 obtains. Sañcārīn is the varņa. Prasannādi is the alankāra. The kalā is formed main
via surya_layout
35 in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā main
via surya_layout
36 prevails in the citra (mārga). A tāla like caccatpuța obtains in the songs main
via surya_layout
37 comprised of svara and pada. main
via surya_layout

vol_II_p116 LEFT — 26 lignes

page vol_II_p116 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESĪ page_header
via surya_layout
2 214 page_number
via heuristic_pagenum
3 [१५. हयलीला] section_header
via surya_layout
4 अर्धं यत्र स्वरैगींत्वा यस्यास्तुरगलीलया । main
via surya_layout
5 अ(र्थ ?र्ध) annotation_inline
parent ligne 4
via heuristic_height
6 (নু) annotation_inline
parent ligne 4
via heuristic_height
7 गीयते बिरुदैरर्धं हयलीलेति सा स्मृता<sup>र७</sup> ॥३९७॥ main
via surya_layout
8 नीर (थं ?धं) main
via surya_layout
9 [१६. गजलीला] section_header
via surya_layout
10 हयलीलाकृतं सर्वं तालस्तु गजलीलक:। main
via surya_layout
11 तालोऽपि annotation_inline
parent ligne 10
via heuristic_height
12 गज्ञ annotation_inline
parent ligne 10
via heuristic_height
13 क्रियते यत्र सा ज्ञेया गजलीलेति नामतः १८॥३९८॥ main
via surya_layout
14 [१७. सिंहलील:] section_header
via surya_layout
15 छन्दसा सिंहलीलेन स्वरतेनकसंयुत:। main
via surya_layout
16 ॰लीलेत स्थ(र?रा)न्तेनतसंयुत: annotation_inline
parent ligne 15
via heuristic_markers
17 गीयते यस्तु बिरुदै: स भवेत् सिंहलीलक: १९॥३९९॥ main
via surya_layout
18 न्तै: annotation_inline
parent ligne 17
via heuristic_height
19 [१८. शरभलील:] section_header
via surya_layout
20 स्वरपाटैर्निबद्धं च भवेद्यत्र पदाष्टकम् । main
via surya_layout
21 मतः शरभलीलोऽसौ रागतालाष्ट्रकान्वितः २०॥४००॥ main
via surya_layout
22 [१९. शुकचञ्चु:] section_header
via surya_layout
23 आदौ राग: सगमकस्तालेन तु समन्वित:। main
via surya_layout
24 स(ग)मक annotation_inline
parent ligne 23
via heuristic_height
25 स्वरपाटै: प्रगीतस्तु नानादेशादिभाषया ॥ main
via surya_layout
26 गीयते यः स उद्दिष्टः शुकचञ्जूर्जनप्रियः ॥ ४०१॥ main
via surya_layout

vol_II_p109 LEFT — 30 lignes

page vol_II_p109 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 10 page_number
via heuristic_pagenum
2 [ पञ्चमोऽध्याय: ] section_header
via surya_layout
3 [देशीरागाः] section_header
via surya_layout
4 [मङ्गलाचरणम् ] section_header
via surya_layout
5 बन्धूकाभां त्रिनेत्राममृतकरकलाशेखरां रक्तवस्त्रां main
via surya_layout
6 पीनोत्तुङ्गप्रवृत्तस्तनभरनिमतां यौवनारम्भरूढाम् । main
via surya_layout
7 सर्वालङ्कारभूषां सरसिजनिलयां बीजसङ्क्रान्तमूर्ति main
via surya_layout
8 देवीं पाशाङ्कशाढ्यामभयवरकरां विश्वयोनिं नमामि ॥ ३४५॥ main
via surya_layout
9 अत:परं प्रवक्ष्यामि देशीरागकदम्बकम् ॥ ३४६॥ main
via surya_layout
10 [त्रिविधदेशीरागा:] section_header
via surya_layout
11 ै[लक्ष्यलक्षणसंयुक्तं त्रिविधं वाऽपि संयुतम् । editorial_bracket
parent ligne 10
via heuristic_brackets
12 रागाङ्गं चैव भाषाङ्गं क्रियाङ्गं च तृतीयकम् ॥ ३४७॥ main
via surya_layout
13 प्रत्येकं लक्षणं चैषां प्रवक्ष्याम्यनुपूर्वश: ॥ ३४८॥ main
via surya_layout
14 रेउक्तानां ग्रामरागाणां छायामात्रं भजन्ति हि । main
via surya_layout
15 गीतज्ञै: कथिता: सर्वे रागाङ्गास्तेन हेतुना ॥ ३४९॥ main
via surya_layout
16 भाषाछायाश्रिता येन जायन्ते सदृशा: किल । main
via surya_layout
17 भाषाङ्गास्तेन कथ्यन्ते गायकै: स्तुतितत्परै: ॥ ३५०॥ main
via surya_layout
18 <sup>३</sup>स्तौतिकादिभि: annotation_inline
parent ligne 17
via heuristic_height
19 <sup>४</sup>करुणोत्साहशोकादिप्रभवा या क्रिया तत: । main
via surya_layout
20 जायन्ते च यतो नाम क्रियाङ्गाः कारणात्ततः ॥ ३५१॥ main
via surya_layout
21 ५तदत्र मार्गरागेषु नियमो य: पुरोदित: । main
via surya_layout
22 स देशीरागभाषादावन्यथाऽपि क्वचिद् भवेत् ॥ ३५२॥] editorial_bracket
parent ligne 21
via heuristic_brackets
23 [भाषाङ्गरागा: ?] editorial_bracket
parent ligne 21
via heuristic_brackets
24 [१. कच्छेल्ली] section_header
via surya_layout
25 मध्यमांशग्रहन्यासा रिमन्द्रा तारतत्परा । main
via surya_layout
26 कच्छेल्ली <sup>६</sup>गधहीना च विज्ञेया परिभूरिगा<sup>७</sup> ॥ ३५३॥ main
via surya_layout
27 गतिसीना annotation_inline
parent ligne 26
via heuristic_height
28 (या) annotation_inline
parent ligne 26
via heuristic_height
29 ॰जा annotation_inline
parent ligne 26
via heuristic_markers
30 مروره هم و العرب العرب العربي و العرب العرب العرب العرب العرب العرب العرب العرب العرب العرب العرب العرب العرب ا annotation_inline
parent ligne 26
via heuristic_height

vol_I_p059 RIGHT — 34 lignes

page vol_I_p059 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 101 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 remaining svaras, udghațțita is composed of eighteen kalās (phrases). As - main
via surya_layout
4 sarimapa pamarisa, rigapadha dhapagari, gamadhani nidhamaga, mapanisu 66 main
via surya_layout
5 sanipama, padhanisa; sanipama mapanisa, nidhamaga gamadhani, dhapagari main
via surya_layout
6 rigamadha, pamarisa sarimapa, magarisa. Thus is (ends) udghattita. (25) main
via surya_layout
7 (Anu. 95) annotation_inline
parent ligne 6
via heuristic_height
8 Aksiptaka (is formed) with the measure of kalās (time-units) starting with main
via surya_layout
9 one-kalā-unit 67 (and extending) upto six-kalā - unit with three svaras in the main
via surya_layout
10 ascending order (in each phrase). As - sarigā nu, rigamā nu, gamapā nu, main
via surya_layout
11 mapadhā nu, padhani nu, dhanisā 68 nu, sanidhā nu, nidhapā nu, dhapamā nu, main
via surya_layout
12 pamagā nu, magarī nu, garisā nu. Thus is (ends) ākṣiptaka. main
via surya_layout
13 (26) annotation_inline
parent ligne 12
via heuristic_height
14 (Anu. 96) annotation_inline
parent ligne 12
via heuristic_height
15 Leaving the immediate (svara) after the first one and going (forward) in main
via surya_layout
16 two svaras and on account of descent in the same order in the ekakala 69 (one main
via surya_layout
17 time-unit form) (and) also (the same pattern) in ekakala in descent, thus is the main
via surya_layout
18 sampradāna in dvikala 70 (with two-unit phrases) that is composed of twenty-two main
via surya_layout
19 kalās (phrases). As - sagamā marisā, rimapā pagarī, gapadhā dhamagā, madhanī main
via surya_layout
20 nipamā, panisā sadhapā, dhanisā; sadhapā panisā, nipamā madhani, dhamagā main
via surya_layout
21 gapadhā, pagarī rimapā, marisā sagamā, garisā. Thus is (ends) sampradāna.71 main
via surya_layout
22 Or, sagamā magasā, rimapā pamarī, gapadhā dhapagā, madhanī nidhamā, main
via surya_layout
23 panisā sanipā, dhanisā; sadhapā padhasā, nipamā mapanī, dhamagā gamadhā, main
via surya_layout
24 pagarī rigapā, marisā sarimā, garisā. Thus is (ends) sampradāna. (27) main
via surya_layout
25 (Anu. 97) annotation_inline
parent ligne 24
via heuristic_height
26 Hasita is on account of 'laughter'72 (or sport) in the dvikala73 (composed of main
via surya_layout
27 dual units) combination. As - saga mama risa, rima papa gari, gapa dhadha main
via surya_layout
28 maga, madha nini pama, pani sasa dhapa, dhanisā;74 sadha papa nisa, nipa main
via surya_layout
29 mama dhani, dhama gaga padha, paga riri mapa, mari sasa gama, garisā. Thus main
via surya_layout
30 (28) annotation_inline
parent ligne 29
via heuristic_height
31 is (ends) hasita. annotation_inline
parent ligne 29
via heuristic_height
32 (Anu. 98) annotation_inline
parent ligne 29
via heuristic_height
33 Like hasita, through the ascent (and descent) of three svaras, or the ascent main
via surya_layout
34 (and descent) of four svaras, both ways hunkāra is ekakala 75 (with one-unit main
via surya_layout

vol_II_p126 LEFT — 24 lignes

page vol_II_p126 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 234 page_number
via heuristic_pagenum
2 BRHADDEŚĪ page_header
via surya_layout
3 [७. मोहिनी] section_header
via surya_layout
4 पञ्चपादसमायुक्ता मूर्छनागमकान्विता । main
via surya_layout
5 मोहिनी नाम सा ज्ञेया वर्णेला सप्तमी शुभा ॥ ४६६॥ main
via surya_layout
6 [॥ इति प्रकारान्तरेण वर्णेलासप्तकम् ४४॥] editorial_bracket
parent ligne 5
via heuristic_brackets
7 [ङ. देशैलाप्रकारा:] section_header
via surya_layout
8 लाटकर्णाटगौडान्ध्रद्रविडानां स्वभाषया । main
via surya_layout
9 पृथक् पृथग् भवन्त्येताः मार्गयुक्ता मनोहराः ॥ ४६७॥ main
via surya_layout
10 [१. लाटैला] section_header
via surya_layout
11 <sup>४५</sup>अन्त्यप्राससमायुक्ता मध्यादिप्रासवर्जिता । main
via surya_layout
12 अत: annotation_inline
parent ligne 11
via heuristic_height
13 रसैर्भावैश्च संयुक्ता लाटैला परिकीर्तिता ॥४६८॥ main
via surya_layout
14 [२. कणटैला] section_header
via surya_layout
15 प्रासैर्मनोहरैर्दिव्यैरादिमध्यान्तगोचरै:। main
via surya_layout
16 एला कर्णाटिका प्रोक्ता ललितध्वनिसंयुता ॥ ४६९॥ main
via surya_layout
17 [३. गौडेला] section_header
via surya_layout
18 सर्वत्र प्राससहिता गमकैश्च विवर्जिता । main
via surya_layout
19 नादबिन्द्रसोपेता एला सा गौडदेशजार्ध ॥४७०॥ main
via surya_layout
20 नदा० annotation_inline
parent ligne 19
via heuristic_height
21 [४. आन्ध्रैला] section_header
via surya_layout
22 अनेकगमकाकीर्णामनेकध्वनिमिश्रिताम् । main
via surya_layout
23 अनेकरागसङ्कीर्णामेलामान्ध्रीं विदुर्बुधाः ॥४७१॥ main
via surya_layout
24 (मन्द्रीं? मान्ध्रीं) annotation_inline
parent ligne 23
via heuristic_height
151 lignes a valider — change uniquement les roles incorrects.