Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21594). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p013 LEFT — 29 lignes

page vol_II_p013 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 F unknown
via fallback
2 8 page_number
via heuristic_pagenum
3 BRHADDEŚĪ page_header
via surya_layout
4 षाड्ज्यान्ध्री नन्दयन्ती च गान्धारोदीच्यवा तथा। main
via surya_layout
5 पह्(ज्य ? जा) annotation_inline
parent ligne 4
via heuristic_height
6 चतेस्रः षट्स्वरा होता ज्ञेयाः पञ्चस्वराः पराः ॥ २०१ ॥ main
via surya_layout
7 निषादवत्यार्षभी च धैवती षड्जमध्यमा । main
via surya_layout
8 षड्जोदीच्यवती चैव पञ्च षड्जाश्रिता: स्मृता: ॥ २०२ ॥ main
via surya_layout
9 त्रिधा annotation_inline
parent ligne 8
via heuristic_height
10 गान्धारी रक्तगान्धारी मध्यमा पञ्चमी तथा । main
via surya_layout
11 कैशिकी चेति विज्ञेया: पञ्जैता मध्यमाश्रिता: ॥ २०३ ॥ main
via surya_layout
12 षड्जग्रामे तु विज्ञेया १४[ सम्पूर्णा षड्जकैशिकी । editorial_bracket
parent ligne 11
via heuristic_brackets
13 षट्स्वरा चैव विज्ञेया षाड्जी गान्धारयोगत: ॥ २०४॥ main
via surya_layout
14 सम्पूर्णा मध्यमग्रामे ज्ञेया कार्मारवी तथा। main
via surya_layout
15 गान्धारपञ्चमी चैव मध्यमोदीच्यवा तथा ॥ २०५ ॥ main
via surya_layout
16 पुनश्च षट्स्वरा ज्ञेया] गान्धारोदीच्यवा बुधै:। editorial_bracket
parent ligne 15
via heuristic_brackets
17 आन्ध्री च नन्दयन्ती च मध्यमग्रामसंश्रया: ॥ २०६ ॥ main
via surya_layout
18 (:) annotation_inline
parent ligne 17
via heuristic_height
19 एवमेता बुधैर्ज्ञेया द्वैग्रामिक्यो विभागत: ॥ २०७ ॥ main
via surya_layout
20 द्वी ग्रामीकौ(?)<sup>१५</sup>ऽपिजातय: main
via surya_layout
21 यास्ता: सप्तस्वरा ज्ञेया याश्चेता: षट्स्वरा: स्मृता: । main
via surya_layout
22 क्वचित् षाडवितास्तास्तु पक्षे चौडुवितीकृताः ॥ २०८ ॥ main
via surya_layout
23 ॥ इति शुद्धाः, विकृताः, संसर्गजा विकृताश्च ॥ editorial_bracket
parent ligne 22
via heuristic_brackets
24 [३. सामान्यलक्षणम् ] section_header
via surya_layout
25 [ अनु ॰ ११८ ] section_header
via surya_layout
26 इदानीं [ सामान्य-] लक्षणमाह - editorial_bracket
parent ligne 25
via heuristic_brackets
27 <sup>१६</sup>श्रुतिग्रहस्वरादिसमूहाज्जायन्त अतो जातय इत्युच्यन्ते। <sup>१७</sup>यस्माज्जायते रसप्रतीतिरारभ्यते main
via surya_layout
28 <b>न्ते जातय:</b> annotation_inline
parent ligne 27
via heuristic_height
29 न्त annotation_inline
parent ligne 27
via heuristic_height

vol_II_p054 LEFT — 28 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BŖHADDEŚĪ page_header
via surya_layout
2 90 page_number
via heuristic_pagenum
3 [अन्॰ १६७] editorial_bracket
parent ligne 4
via heuristic_brackets
4 अस्यार्थ: -शुद्धसाधारितो राग: षड्जग्रामसम्बन्ध: षड्जमध्यमाजातेरुत्पत्रत्वात्। तारषड्जो main
via surya_layout
5 ग्रहोंऽशश्च । मध्यमो न्यासश्च । निषादगान्धारयोरल्पत्वम् । पूर्णश्चायम् । गर्भसन्धौ विनियोगः । वीररौद्रादिको main
via surya_layout
6 रसः । षड्जादिमूर्छना । अवरोही वर्णः । प्रसन्नान्तोऽलङ्कारः । दक्षिणे कला । वृत्तौ कला , चित्रे कला main
via surya_layout
7 (ति ? दि) annotation_inline
parent ligne 6
via heuristic_height
8 स्वरपदगीते चच्चत्पुटादिताल:। main
via surya_layout
9 [४. शुद्धकैशिकमध्यम:] section_header
via surya_layout
10 कैशिकीषड्जमध्याभ्यां शुद्धकैशिकमध्यमः। main
via surya_layout
11 ॰शुद्ध॰ annotation_inline
parent ligne 10
via heuristic_markers
12 षड्जांशो मध्यमन्यासस्त्यक्तावृषभपञ्चमौ४१ ॥ ३०२॥ main
via surya_layout
13 ॰क (स्त्रि ? त्रि) त्रुतिपञ्चम: annotation_inline
parent ligne 12
via heuristic_markers
14 [अनु॰ १६८] editorial_bracket
parent ligne 12
via heuristic_brackets
15 अस्यार्थ: - शुद्धकैशिकमध्यमो राग: षड्जग्रामसम्बन्ध: कैशिकीषड्जमध्याजातिभ्यां<sup>४२</sup> main
via surya_layout
16 ॰ जात्यो: annotation_inline
parent ligne 15
via heuristic_markers
17 समुत्पन्नत्वात् । ननु कैशिको मध्यमग्रामसम्बद्धा , षड्जमध्यमा षड्जग्रामसम्बन्धा, अत main
via surya_layout
18 (ननु ?) annotation_inline
parent ligne 17
via heuristic_height
19 उभयग्रामता[ऽ]स्तीति भाव:।[ऋषभपञ्चमहीनत्वात् षड्जग्रामसम्बद्ध एवायम् , मध्यमग्रामे editorial_bracket
parent ligne 17
via heuristic_brackets
20 ऋषभपञ्चमयोर्लोपो नास्तीति भाव: ।]<sup>४३</sup> तारषड्जोऽस्य ग्रहोंऽशश्च । मध्यमो न्यास: । editorial_bracket
parent ligne 17
via heuristic_brackets
21 निषादगान्धारयोरल्पत्वम् । पञ्चमर्षभयोर्लोप: । निषादोऽत्र काकली, औडुवश्च । निर्वहणे चास्य main
via surya_layout
22 काकलिपाडवश annotation_inline
parent ligne 21
via heuristic_height
23 प्रयोग: । षड्जादिमूर्छना । रौद्रवीरादिको रस: । प्रसन्नान्तोऽलङ्कार: । ..... main
via surya_layout
24 [५. शुद्धकैशिक: ] section_header
via surya_layout
25 ४४षड्जांश: ४५पञ्चमन्यास: कैशिकीजातिसम्भव:। main
via surya_layout
26 पड्जांशै: annotation_inline
parent ligne 25
via heuristic_height
27 पञ्चमो annotation_inline
parent ligne 25
via heuristic_height
28 तथा कार्मारवीजाते: स्वरै: पूर्णेश्च कैशिक: ॥३०३॥ main
via surya_layout

vol_I_p034 RIGHT — 35 lignes

page vol_I_p034 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 51 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 V (the Section on Grāma-mūrchanā) section_header
via surya_layout
4 [The treatment of grama] section_header
via surya_layout
5 (Anu. 30) annotation_inline
parent ligne 4
via heuristic_height
6 Then, what is spoken of by the word grāma? How many grāmas are there? main
via surya_layout
7 From where is grāma born? And what is its objective? main
via surya_layout
8 (84) annotation_inline
parent ligne 7
via heuristic_height
9 It is being answered. annotation_inline
parent ligne 7
via heuristic_height
10 The two grāmas stand for a group! composed of svara, śruti and the like. main
via surya_layout
11 (85) annotation_inline
parent ligne 10
via heuristic_height
12 Just as all members of families live together, (similarly) grāma? is known as main
via surya_layout
13 (86) annotation_inline
parent ligne 12
via heuristic_height
14 that by all the people where there is an abiding settlement. main
via surya_layout
15 Two grāmas named şadja and madhyama are definitely well-known. Nārada main
via surya_layout
16 speaks of gandhara (grama)3, but that is not 'sung' (used) by the mortals. main
via surya_layout
17 (87) annotation_inline
parent ligne 16
via heuristic_height
18 ٠ page_number
via heuristic_pagenum
19 Şvaras are born of Sāmaveda, grāma is born of svaras, and these (grāmas) are main
via surya_layout
20 known to be two5 characterised by (the names) şadja and madhyama. main
via surya_layout
21 (88) annotation_inline
parent ligne 20
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22 (Anu. 31) annotation_inline
parent ligne 20
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23 The objective is thus - the systematisation<sup>6</sup> of svara, śruti, mūrchanā, tāna, jāti main
via surya_layout
24 (and) rāga is indeed the objective. main
via surya_layout
25 (Anu. 32) annotation_inline
parent ligne 24
via heuristic_height
26 But why are the gramas named after the svaras sadja and madhyama? It is main
via surya_layout
27 being answered. Because of (their) uncommonness the grāmas are named after main
via surya_layout
28 them. And the uncommonness is on account of their being born of devakula? main
via surya_layout
29 (the community of gods). main
via surya_layout
30 The same has been said by Nārada - main
via surya_layout
31 "Ṣadja, gāndhāra" and madhyama are born of devakula. Brahmā, Viṣṇu and main
via surya_layout
32 Maheśvara should be known as their presiding deities." main
via surya_layout
33 Out of the two grāmas which one is known to be prominent? From the main
via surya_layout
34 statement by the muni (Bharata?), the prominence of şadja-(grāma)9 is known. main
via surya_layout
35 (89) annotation_inline
parent ligne 34
via heuristic_height

vol_II_p025 RIGHT — 34 lignes

page vol_II_p025 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 33 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Kaiśikī is (the only one) with six aniśa svaras - sa, ga, ma, pa, dha, ni. main
via surya_layout
4 Ṣaḍja - madhyamā is (the only one) with seven amśa svaras - sa, ri, ga, ma, main
via surya_layout
5 pa, dha, ni. main
via surya_layout
6 1 page_number
via heuristic_pagenum
7 Thus sixty-three amsas have been explained. main
via surya_layout
8 Madhyamodīcyavā and similarly gāndhārapañcamī and nandayantī, these main
via surya_layout
9 three are known to be with one anisa viz. pancama. main
via surya_layout
10 (241) annotation_inline
parent ligne 9
via heuristic_short
11 Dhaivatī and pañcamī, these two should be known with two amśa (svaras) main
via surya_layout
12 each viz. dhari and ripa. Gāndhārodīcyavā is with two (amśa svaras) viz. main
via surya_layout
13 madhyama and şadja. annotation_inline
parent ligne 12
via heuristic_short
14 (242) main
via surya_layout
15 In ārṣabhī niridha, in naiṣādī the three niriga (and) in ṣaḍjakaiśikī sagapa are main
via surya_layout
16 amsa (svaras); (these) three are said to be with three amsas each. main
via surya_layout
17 (243) annotation_inline
parent ligne 16
via heuristic_short
18 Şadjodīcyavatī is known to be with four amśasviz. samanidha, kārmāravī is main
via surya_layout
19 with ripanidha, andhrī also with garinipa. main
via surya_layout
20 (244) annotation_inline
parent ligne 19
via heuristic_short
21 Ṣāḍjī is with sagamapadha (as amśas), madhyamā is also with five amśas viz. main
via surya_layout
22 sarimapadha, gāndhārī is with sagamanipa and similarly is raktagāndhārī with main
via surya_layout
23 the same five amśas. Kaiśikī is the one (jāti) that is known to have six amśas main
via surya_layout
24 viz. sagamapanidha. annotation_inline
parent ligne 23
via heuristic_short
25 <math>(245-246)</math> main
via surya_layout
26 Ṣadjamadhyā is with seven amsas and thus those amsas are sixty-three (in main
via surya_layout
27 total). main
via surya_layout
28 [7. Prescription regarding the performance of jātis] section_header
via surya_layout
29 Jātis are those that give rise to grāma-rāgas through their amśas.43 main
via surya_layout
30 (247) annotation_inline
parent ligne 29
via heuristic_short
31 During their performance the prescription (regarding temporal main
via surya_layout
32 organisation) is based on yugma<sup>44</sup> (lit.even) and ayugma<sup>45</sup> (lit.odd). They main
via surya_layout
33 are to be performed with three 46 mārgas viz. citra, vārtika and dakṣiṇa. main
via surya_layout
34 (248) main
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vol_II_p123 LEFT — 31 lignes

page vol_II_p123 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĨ page_header
via surya_layout
2 228 page_number
via heuristic_pagenum
3 [२. कामलेखा] section_header
via surya_layout
4 द्विगुणितरुद्रा प्रथमे, मात्रा युजि सम्भवन्ति ता एव । main
via surya_layout
5 विंशतिश्चासमे चरणे, यस्या: सा कामलेखेति ३६॥४४५॥ main
via surya_layout
6 विंशति विषमे annotation_inline
parent ligne 5
via heuristic_height
7 (?)चरमे annotation_inline
parent ligne 5
via heuristic_height
8 [३. बाणलेखा] section_header
via surya_layout
9 द्विगुणितकला यदि स्युर्मात्रा: पादत्रयेऽप्यविशिष्टा: । main
via surya_layout
10 (電?) annotation_inline
parent ligne 9
via heuristic_height
11 ऽपि+(विशिष्टम्) annotation_inline
parent ligne 9
via heuristic_height
12 [ता]बाणगणोपेता यस्यां सा बाणलेखेति ३७॥ ४४६॥ editorial_bracket
parent ligne 9
via heuristic_brackets
13 न्त annotation_inline
parent ligne 9
via heuristic_height
14 [४. चन्द्रलेखा] section_header
via surya_layout
15 चत्वारिशत् त्र्यधिका मात्रासंख्याऽङ्घ्रियुग्मेषु main
via surya_layout
16 एकोना सा विषमे यस्यां सा चन्द्रलेखेति ३८॥ ४४७॥ main
via surya_layout
17 ॥ इति मात्रैलाचतुष्टयम् ॥ editorial_bracket
parent ligne 16
via heuristic_brackets
18 [ग. वर्णेलाप्रकारा:] section_header
via surya_layout
19 नैवात्र तालनियमो रसनियमो रागनियमस्तु । main
via surya_layout
20 भवति[खल्]वर्णनियमो वर्णेला कथ्यते तस्मात् ॥४४८॥ editorial_bracket
parent ligne 19
via heuristic_brackets
21 ++ annotation_inline
parent ligne 19
via heuristic_height
22 मदनवती शशिलेखा प्रभावती मालती तथा[ललिता] । editorial_bracket
parent ligne 19
via heuristic_brackets
23 (च)तथा annotation_inline
parent ligne 19
via heuristic_height
24 हेमवती ३९कुसुमवती वर्णनिबन्धा भवन्ति सप्तैला:॥४४९॥ main
via surya_layout
25 एकादशादिवर्णै: सप्तदशान्तै: क्रमेण सप्तैता: । main
via surya_layout
26 गीयन्ते गन्धर्वैर्लिलतपदैर्जगित सन्नादै: ॥ ४५०॥ main
via surya_layout
27 [१. मदनवती २. शशिलेखा ३. प्रभावती] editorial_bracket
parent ligne 26
via heuristic_brackets
28 ४० अलघुगणोपेता [सा] मदनवती लघुगणेन शशिलेखा । editorial_bracket
parent ligne 26
via heuristic_brackets
29 अलिलतनामोपेता annotation_inline
parent ligne 26
via heuristic_height
30 गुरुगणबहुला [नित्यं]प्रभावती <sup>४१</sup>मालती तथा ललिता ॥ ४५१॥ editorial_bracket
parent ligne 26
via heuristic_brackets
31 ....भवति रम्यतरा annotation_inline
parent ligne 26
via heuristic_height
157 lignes a valider — change uniquement les roles incorrects.