Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21596). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p061 LEFT — 32 lignes

L#	Texte OCR	Role auto
1	. 4	unknown via fallback
2	2 a -	annotation_inline parent ligne 5 via heuristic_height
3	104	page_number via heuristic_pagenum
4	BRHADDEŚĪ	page_header via surya_layout
5	[ग. गौडरागाः]	section_header via surya_layout
6	[अनु॰ १८६]	editorial_bracket parent ligne 5 via heuristic_brackets
7	नन् गौडाः कथम् ? उच्यते, गौडगीतिसम्बन्धत्वात् ।	main via surya_layout
8	किं लक्षणम् ? उच्यते । तद्यथा -	main via surya_layout
9	ओहाटी मन्द्रजोपात्ता प्रयोगे ध्वनिकम्पितै:। *	main via surya_layout
10	ओहाडी मन्त्रजा(?)+तु प्रयोगै (दूं?र्हू)तकम्पितै:।	main via surya_layout
11	अविश्रामेण त्रिस्थाने गौडी गीतिरुदाहृता ॥३१५॥	main via surya_layout
12	गौह॰	annotation_inline parent ligne 11 via heuristic_markers
13	[१.गौडपञ्चम:]	section_header via surya_layout
14	गौडपञ्चमस्य लक्षणम् -	main via surya_layout
15	गौडपञ्चमनिष्पत्तौ धैवतीषड्जमध्यमे ।	main via surya_layout
16	धैवतांशो मध्यमान्तो रहित: पञ्चमेन तु ६३॥३१६॥	main via surya_layout
17	(वि? र)हित:	annotation_inline parent ligne 16 via heuristic_height
18	[अन्॰ १८७]	editorial_bracket parent ligne 16 via heuristic_brackets
19	अस्यार्थ: -गौडपञ्चम: षड्जग्रामसम्बन्ध:,धैवतीषड्जमध्यमाजात्यो: समुत्पन्नत्वात्।	main via surya_layout
20	धैवतोंऽशो ग्रहश्च। मध्यमो न्यासः। निषादगान्धारौ काकल्यन्तरौ । पञ्चमरहितोऽयं षट्स्वरः ।	main via surya_layout
21	प्र(ह)स	annotation_inline parent ligne 20 via heuristic_height
22	उद्भटनाट्ये विप्रलम्भशृङ्गारे चास्य विनियोग:।बीभत्सभयानकरसौ।धैवतादिमूर्छना।आरोही	main via surya_layout
23	(क)रसो रसः	annotation_inline parent ligne 22 via heuristic_height
24	प्रसन्नमध्योऽलङ्कार: । दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते	main via surya_layout
25	वर्णः।	annotation_inline parent ligne 24 via heuristic_short
26	चच्चत्पुटादिताल:।	main via surya_layout
27	चचत्पुटताल:	annotation_inline parent ligne 26 via heuristic_height
28	[२.गौडकैशिक:]	section_header via surya_layout
29	उत्पन्नः कैशिकीषड्जमध्यमाजातितो मतः।	main via surya_layout
30	षड्जांशः पञ्चमन्यासः सम्प्रोक्तो गौडकैशिकः ॥३१७॥	main via surya_layout
31	(स:)	annotation_inline parent ligne 30 via heuristic_height
32	(vide)	annotation_inline parent ligne 30 via heuristic_height

vol_I_p072 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	127	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	mā mā sā sā	annotation_inline parent ligne 10 via heuristic_height
4	de - vam -	annotation_inline parent ligne 10 via heuristic_height
5	mā sā sā mā	annotation_inline parent ligne 10 via heuristic_height
6	de vam sa rvam	annotation_inline parent ligne 10 via heuristic_height
7	sasa masa mama nn	annotation_inline parent ligne 10 via heuristic_height
8	devam sarvam vande	annotation_inline parent ligne 10 via heuristic_height
9	(Anu. 112)	annotation_inline parent ligne 10 via heuristic_height
10	Māgadhī is (known as such) because of its origin in the magadha deśa (south	main via surya_layout
11	Bihar). Others read māgadhī to be 'twice returned' (or 'twice repeated').	main via surya_layout
12	Ardhamāgadhi is (called so) because of there being the state of half 'pada',56	main via surya_layout
13	thus the 'ardha,' (half, forming part of the name ardhamāgadhī) is related to	main via surya_layout
14	'pada'. In the repetition of half a pada the verbal meaning should not be	main via surya_layout
15	construed as the determining factor (hetu) in 'moving forward' (pravṛtti),or	main via surya_layout
16	acceptance, and 'returning' (niviti) or rejection; because in Sāmaveda that is	main via surya_layout
17	predominantly musical, the verbal meaning is not cared for in the repetitions. It	main via surya_layout
18	has been said - the word jātavedasam (fire) that is repetitive, here (in the	main via surya_layout
19	context of this word), sambhāvitā (gītī) ends at the word veda, 57 the pṛthulā gītī,	main via surya_layout
20	on the other hand, is based on the predominance of laghu (short syllables);	main via surya_layout
21	on account of the profusion of the grouping (grāma) of padas (syllabic units) it	main via surya_layout
22	is called pṛthulā (lit. broad or large).	main via surya_layout
23	(Anu. 113)	annotation_inline parent ligne 22 via heuristic_height
24	In the three margas in the prescription about gitis, the use of laya should be	main via surya_layout
25	seen to be ninefold.	annotation_inline parent ligne 24 via heuristic_height
26	He (the author) shows the use of laya as - daksina marga, vartika marga and	main via surya_layout
27	citra mārga, thus are the three layas in the 'operation'58 (pravṛtti) of dakṣina	main via surya_layout
28	mārga. Vārtika mārga, citra mārga and dhruva mārga, thus are the three layas	main via surya_layout
29	in the operation of vrttimārga. Citra mārga, dhruvamārga and śūnyamārga, thus	main via surya_layout
30	are the three layas in the operation of citra-marga. Thus has been propounded	main via surya_layout
31	in the chapter on gitis. As - in the daksina marga there are four gurus (long	main via surya_layout
32	units) two gurus and one guru. In vārtika mārga there are two gurus, one guru	main via surya_layout
33	and one laghu. In citra (mārga) there is one guru, one laghu and one druta (half	main via surya_layout
34	- mātrā unit).	annotation_inline parent ligne 33 via heuristic_height

vol_II_p114 LEFT — 33 lignes

L#	Texte OCR	Role auto
1	• •	annotation_inline parent ligne 4 via heuristic_height
2	BRHADDEŚĪ	page_header via surya_layout
3	210	page_number via heuristic_pagenum
4	[३. गद्य:]	section_header via surya_layout
5	५प्रान्ते यस्य भवेत्तालो वर्णनीयस्य संज्ञया ।	main via surya_layout
6	म्रातो	annotation_inline parent ligne 5 via heuristic_height
7	गीयते यत् तदत्राहुर्गद्यं गीतविशारदा: ॥३८५॥	main via surya_layout
8	[४.दण्डक:]	section_header via surya_layout
9	तालयुक्तं स्वरोपेतं मध्ये- ६पाटविराजितम् ।	main via surya_layout
10	पुन: पदसमायुक्तं गानं तद् दण्डकं विदु: ॥३८६॥	main via surya_layout
11	दण्डको बुधैः	main via surya_layout
12	[५. वर्णः]	section_header via surya_layout
13	विभूतित्यागसौभाग्यबिरुदै: समलङ्कृत: ।	main via surya_layout
14	॰(तम् ? तः)	annotation_inline parent ligne 13 via heuristic_markers
15	•विस्तै:	main via surya_layout
16	विभृत्याग +	annotation_inline parent ligne 15 via heuristic_height
17	तालेनापि च युक्त: स्याद् वर्ण: कर्णाटभाषया ॥३८७॥	main via surya_layout
18	٦٧	page_number via heuristic_pagenum
19	[६.पद्धडी]	section_header via surya_layout
20	स्वरपाटसमायुक्ता तालेन च समन्विता ।	main via surya_layout
21	<sup>८</sup>कयापि भाषया युक्ता बिरुदै: सा तु पद्धडी ॥३८८॥	main via surya_layout
22	पाटली	annotation_inline parent ligne 21 via heuristic_height
23	<i>्</i>विभाषया	annotation_inline parent ligne 21 via heuristic_height
24	[७. अडिला]	section_header via surya_layout
25	यत्र स्यात् स्वरिवन्यासः प्रतिपादान्तमुज्ज्वलः ।	main via surya_layout
26	॰पादा (द्ध?मु)॰	annotation_inline parent ligne 25 via heuristic_markers
27	तालेन च समायुक्त: <sup>९</sup>अडिला नामतो भवेत् ॥३८९॥	main via surya_layout
28	अधिला नामशो (?)	main via surya_layout
29	[८.चतुष्पदी]	section_header via surya_layout
30	यत्र प्रतिपदार्थं तु गीतं तालयुतं भवेत्।	main via surya_layout
31	परूप्रतिः	annotation_inline parent ligne 30 via heuristic_short
32	<sup>१</sup>॰स्वरतेनकसंयुक्तैः सा चतुष्पदिका भवेत् ॥३९०॥	annotation_inline parent ligne 30 via heuristic_markers
33	तातेन्तकैस्वासंयुक्तैः स्वाचतुष्पीटिका भवेत् (?)	main via surya_layout

vol_II_p014 RIGHT — 38 lignes

L#	Texte OCR	Role auto
1	n er	annotation_inline parent ligne 4 via heuristic_height
2	11	page_number via heuristic_pagenum
3	TRANSLATION	page_header via surya_layout
4	the jātis (castes). Just as in human beings there are castes such as brahmin	main via surya_layout
5	and the like, that are both pure and mixed (or altered), similarly these jātis	main via surya_layout
6	are also (twofold).	annotation_inline parent ligne 5 via heuristic_height
7	[Thus ends the general definition.]	editorial_bracket parent ligne 5 via heuristic_brackets
8	[4. The tenfold lakṣaṇas or characteristics]	section_header via surya_layout
9	Now he (the author) spoke (speaks) about the tenfold lakṣaṇa -	main via surya_layout
10	Graha (initial note), amśa (fundamental note), tāra (high), mandra (low)	main via surya_layout
11	and ṣāḍava (hexatonic) and similarly auḍuvita (pentatonic) and similarly	main via surya_layout
12	alpatva (sparseness), bahutva (profusion) and nyāsa and apanyāsa - these are	main via surya_layout
13	said to form the group of ten jāti-lakṣaṇas that operate in the respective jātis.	main via surya_layout
14	The definition of this group of ten is being given in brief.	main via surya_layout
15	<math>(209-210)</math>	annotation_inline parent ligne 14 via heuristic_height
16	[1. The definition of graha]	section_header via surya_layout
17	[Anu.119]	editorial_bracket parent ligne 16 via heuristic_brackets
18	Out of these (lakṣaṇas), graha is that with which the performance of jāti	main via surya_layout
19	and the like is begun (lit . held or caught). That ( graha ) should be known	main via surya_layout
20	to have sixty-three varieties just like aniśa.	main via surya_layout
21	(Objection) What is the difference between graha and anisa? It is being	main via surya_layout
22	answered - amśa is vādī alone i.e. only the vādī 10 is prescribed to be the	main via surya_layout
23	amsa,but graha is fourfold according to the distinction of vādī and the like	main via surya_layout
24	1	page_number via heuristic_pagenum
25	(samvādī, vivādī and anuvādī). Or there is the distinction of predominance	main via surya_layout
26	and subordination between the two. Graha is subordinate ( to amśa).	main via surya_layout
27	ŧ	annotation_inline parent ligne 26 via heuristic_height
28	(Objection) Why is the predominance of amsa alone being spoken of?	main via surya_layout
29	Because of its being the progenitor 11 of raga (delight or colour) and	main via surya_layout
30	because of its being pervasive, the predominance of anisa alone (is accepted).	main via surya_layout
31	Although graha and anisa are predominant in all the jatis and this is proved	main via surya_layout
32	by utsarga<sup>12</sup> (general rule), yet it is being prescribed through the vidhi<sup>13</sup>	main via surya_layout
33	(operation) of samvādī and anuvādī.	main via surya_layout
34	Similarly said Bharata –	annotation_inline parent ligne 33 via heuristic_height
35	"Graha is said to be like the amsa in all the jātis. The amsa that becomes the	main via surya_layout
36	starting point of geya (melodic organisation and performance) assumes an	main via surya_layout
37	alternative form as graha."	main via surya_layout
38	(NŚ XXVIII.67)	main via surya_layout

vol_I_p071 LEFT — 45 lignes

L#	Texte OCR	Role auto
1	124	page_number via heuristic_pagenum
2	<b>BRHADDES!</b>	main via surya_layout
3	चित्रायामनागतो ग्रहः। [ वृत्तौ समग्रहः, दक्षिणायां चातीतग्रहः।	editorial_bracket parent ligne 2 via heuristic_brackets
4	.त्रे अना.	main via surya_layout
5	गीतप्रयोगस्यादौ कलाचतुष्टये वाद्यग्रहयोग उपरिपाणिरुच्यते।	main via surya_layout
6	गीतप्रयोगस्य सम- ] मभीक्ष्णं वा ] १९वाद्यग्रहयोगः [ समपाणिरुच्यते।	editorial_bracket parent ligne 5 via heuristic_brackets
7	अभिप्रवीं (?) ,प्रयोगः	main via surya_layout
8	गीतप्रयोगस्य ] पश्चात् कलाचतुष्टयेऽतीते सति वाद्यग्रहयोगः	editorial_bracket parent ligne 7 via heuristic_brackets
9	सोऽधःपाणिरुच्यते ।	main via surya_layout
10	तत्र [ दक्षिणायां ] मागधी नाम गीतिर्विपरीतयोजनया दृश्यते ।	editorial_bracket parent ligne 9 via heuristic_brackets
11	न्	main via surya_layout
12	तद्यथा—दक्षिणे मार्गे प्रवृत्ता गीतिर्यदा चित्रे प्रयुज्यते, तदा पृथुला	main via surya_layout
13	•पा	annotation_inline parent ligne 12 via heuristic_short
14	गीतिर्मागधीत्युच्यते। [ वृत्तौ ] वृत्तिमार्गे च [ प्रवृत्ता गीतिर्यदा] चित्रे	editorial_bracket parent ligne 12 via heuristic_brackets
15	(मना ? मा)	main via surya_layout
16	प्रयुज्यते, तदा सा सम्भाविता मागधी-शब्दवाच्या द्विःपरिवृत्त ।	main via surya_layout
17	मागधी सम्भाविताः	annotation_inline parent ligne 16 via heuristic_short
18	यवा	annotation_inline parent ligne 16 via heuristic_height
19	•पा	main via surya_layout
20	शब्दाः वादाव्या (?)	annotation_inline parent ligne 19 via heuristic_short
21	क्रमेण योज्यते। यावद् दक्षिणे [ वार्तिक ] च चित्रे	editorial_bracket parent ligne 19 via heuristic_brackets
22	.मो	main via surya_layout
23	•णा	annotation_inline parent ligne 22 via heuristic_height
24	मार्गे प्रयुज्यते। आवापादिक्रमेणाष्टधा चतुर्धा [ द्विधा ] चेति ।	editorial_bracket parent ligne 22 via heuristic_brackets
25	,र्गः	main via surya_layout
26	[ अनु॰ १११ ]	editorial_bracket parent ligne 25 via heuristic_brackets
27	एवमुक्तं भवति। चित्रे च द्विमात्रा कला। [तद्भता च मागधी, ]	editorial_bracket parent ligne 25 via heuristic_brackets
28	का.	annotation_inline parent ligne 25 via heuristic_height
29	सैव मागधी गीतिः [ यदा ] सम्भावितया गीत्या प्रयुज्यते तदा	editorial_bracket parent ligne 25 via heuristic_brackets
30	चतुर्मात्रिकवृत्ति— [ मार्ग - ] शब्देनोच्यते। यदा तु [ वृत्तिमार्गगता ]	editorial_bracket parent ligne 25 via heuristic_brackets
31	चिने	main via surya_layout
32	सम्भाविता-शब्दवाच्या मागधी गीतिः द्विगुणिता अष्टमात्रा [ भवित	editorial_bracket parent ligne 31 via heuristic_brackets
33	मागधी गीतिः सम्भाविताशब्दवाच्या	main via surya_layout
34	तदा ] पृथुलाशब्दवाच्या दक्षिणमार्गे भवति।	editorial_bracket parent ligne 33 via heuristic_brackets
35	त्रिस्त्रिनिवृत्तिस्त्रिरावृत्तिर्मागधी। यथा देवमिति पदं गीत्वा प्रथमां कलां	main via surya_layout
36	नीनीत्रि,	annotation_inline parent ligne 35 via heuristic_short
37	,मा,	main via surya_layout
38	∙मे	annotation_inline parent ligne 37 via heuristic_short
39	निर्वाह्य विलम्बितलयेन, यदा द्वितीयां कलां मध्यमलयेन	main via surya_layout
40	•वयेन (?)	unknown via fallback
41	,प्प,	main via surya_layout
42	.ला	unknown via fallback
43	या	annotation_inline parent ligne 41 via heuristic_height
44	देवमित्यनेन पदेन शर्वीमिति सहितेन गायति, तत्रापि च तृतीयां	unknown via fallback
45	<b>यरदेन</b>	unknown via fallback

182 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p061 LEFT — 32 lignes

vol_I_p072 RIGHT — 34 lignes

vol_II_p114 LEFT — 33 lignes

vol_II_p014 RIGHT — 38 lignes

vol_I_p071 LEFT — 45 lignes