Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21604). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p125 LEFT — 28 lignes

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1 L annotation_inline
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2 · - 1 1 1 annotation_inline
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3 232 page_number
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4 BRHADDESĪ page_header
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5 [घ. पुनर्वर्णेला-सप्तकम्] section_header
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6 रमणी चन्द्रिका लक्ष्मी: पद्मिनी रञ्जिनी तथा। main
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7 मालती मोहिनी चेति वर्णेलासप्तकं तथा ॥ ४५९॥ main
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8 [१. रमणी] section_header
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9 समा यत्र यति: पादे प्रथमे च द्वितीयके । main
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10 द्विगिद्वितीयके(?) annotation_inline
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11 पादे पादे च नादाढ्या षट्पदी रमणीति सा ॥४६०॥ main
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12 ॰द्यो॰ annotation_inline
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13 [२.चन्द्रिका] section_header
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14 स्रोतोगता समा चैव यत्र पादद्वये भवेत्। main
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15 बिन्दुभिर्गमकैर्युक्ता चन्द्रिणीति प्रकीर्तिता ॥४६१॥ main
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16 [३.लक्ष्मी] section_header
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17 गोपुच्छा च समा स्रोता यत्र पादत्रयेऽपि च । main
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18 मूर्छना नादसहिता सैला लक्ष्मीरिति स्मृता ॥४६२॥ main
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19 [४.पद्मिनी] section_header
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20 आद्ये पादे द्वितीये च तृतीये च चतुर्थके । main
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21 वर्णध्वनिसमायुक्ता पद्मिन्येला निगद्यते ॥ ४६३॥ main
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22 [५.रञ्जिनी] section_header
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23 प्रथमे च समा प्रोक्ता द्वितीये च तृतीयके । main
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24 स्रोता annotation_inline
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25 गोपुच्छा गमकाढ्या च रञ्जिनी नाम सा भवेत् ॥४६४॥ main
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26 [६. मालती] section_header
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27 लघुभिर्गुरुभिर्वर्णैयां तु प्रासैर्विनिर्मिता । main
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28 यथेष्टका चतुष्पादा सा चैला मालती मता ॥ ४६५॥ main
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vol_II_p056 RIGHT — 39 lignes

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1 95 page_number
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2 TRANSLATION page_header
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3 prescribed; ṣāḍava is in pūrvaranga, but in the citra (pūrvaranga?)comprised of main
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4 eighteen aigas (components), kaišikamadhyama (is performed) in the end. main
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5 This is the application of śuddha rāgas prescribed by Brahmā." main
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6 [NS as quoted in Kalā on SR II.2.30-32] editorial_bracket
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7 [B. Bhinna rāgas] section_header
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8 Now he (the author) has spoken of the description of bhinna rāgas. main
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9 Bhinna (modified) 45 on account of śruti, bhinna on account of jāti, bhinna main
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10 on account of śuddha (rāga) similarly having (bhinna) svara, it (this category main
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11 of rāgas) is called bhinnaka because it is modified in respect of (the above) main
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12 four. annotation_inline
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13 (304) annotation_inline
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14 [Anu. 172] editorial_bracket
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15 (Contention) Whatisstated by the word 'bhinna?' Does the word bhinnamean main
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16 that which is split or does it mean 'this is distinct from that'? This should not be main
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17 said. 'Bhinna' here is said to be vikṛta (modified). The state of being vikṛta is main
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18 according to the prescription given before in terms of śruti-bhinna and the like. main
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19 [Svarabhinna] section_header
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20 [Anu. 173] editorial_bracket
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21 Now for the sake of elucidating the aforesaid description of bhinna (rāgas), main
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22 the definition of svarabhinna (out of the four) is being spoken of in the main
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23 beginning - annotation_inline
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24 When the <math>v\bar{a}din^{46}</math> is upheld (as the initial note) and the <math>sainv\bar{a}din</math> or <math>anu main
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25 or vivādin is released (as the finale), that is called svara-bhinna. main
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26 (305) annotation_inline
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27 [Anu. 174] editorial_bracket
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28 This means – the madhyama that is the graha and amsa of suddha-sādava main
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29 (rāga) that belongs to madhyamagrāma, is replaced with dhaivata that is taken main
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30 up as being vivādin or anuvādin. When the samvādin of the svara madhyama main
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31 is treated as a point of release (tyāga) or placement (nyāsa), then it is called main
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32 svara-bhinna. In bhinna-ṣaḍja, dhaivata is vādin on account of 'speaking out' main
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33 (vadana) and it is again of abundant usage. main
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34 (Contention) Out of the five (bhinna) rāgas, why is bhinna -ṣaḍja being main
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35 described in the beginning itself? Truly has it been said, on account of its main
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36 prominence. Its prominence is thus-just as in the (rāgas of) śuddhagīti, there is main
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37 the prominence of śuddha ṣāḍava, similar is the case of bhinna ṣaḍjain the (rāgas main
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38 of) bhinna gīti, on account of this (bhinna-ṣadja) being a variety of that (śuddha main
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39 sādava).<sup>47</sup> main
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vol_II_p150 RIGHT — 44 lignes

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1 71/ unknown
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2 PÄTHAVIMARŚA page_header
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3 283 page_number
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4 सापन्यासा मन्द्रसगधा शुद्धा दीर्घपञ्चमा ॥ main
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5 Kalā(appendix) on SR II. p.121. main
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6 (ii) annotation_inline
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7 शुद्धा भाषा भित्रषड्जे ग्रहांशन्यासधैवता । main
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8 गापन्यासा धभूयिष्ठा रिहीना मृदुषड्जिका ॥ main
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9 धतारा पश्चमेनापि रहिता याष्ट्रिके मते ॥ main
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10 S Rāj II.2.1.1038. annotation_inline
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11 40. Since verse 32 is identified by us as pertaining to śuddhā and not main
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12 to madhyamā, the description of madhyamā seems to be lost in the MSS. main
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13 मध्यमा भित्रपड्जस्य भाषा मान्ता ग्रहांशधा । main
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14 cſ. annotation_inline
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15 Kalā (appendix) on SR II.140. main
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16 ग्रहांशधैवता पड्जप्रान्ता पूर्णा च मध्यमा ॥ main
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17 S Rāj II.2.1.1033. annotation_inline
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18 41. Reconstruction based on the demands of metre. main
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19 Chapter V (Desī rāgas) section_header
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20 1. The portion within[] has been added here from the citation in list_item
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21 Sudhā on SR II.2.9-19 and Kalā on SR II.2.1,2. list_item
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22 2. C.r. in Kalā (ibid) reads - list_item
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23 ग्रामोक्तानां तु रागाणां छायामात्रं भवेदिति । main
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24 3. C.r. in ibid. list_item
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25 4. C.r. in Sudhā on SR II.2.9 -19,p.19 - list_item
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26 शोकोत्साहकरुणादिदीपकात्मक्रियाऽऽदितः । main
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27 जायन्ते च यतो नाम कियाङ्गास्तेन हेतुना ॥ main
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28 5. This verse is found only in c.r. in Kalā (ibid). list_item
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29 6. Reconstruction based on 'ga - dha - hīnā 'in (i) below (note 7). list_item
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30 7.cf. (i) list_item
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31 पड्जग्रहांशा मन्यासा कूटतानसमाश्रया । list_item
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32 गधहोना भित्रपड्जे कच्छेलीं तां विदु: परे ॥ list_item
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33 मग्रहांशा मन्द्रतारर्षभा च गनिवर्जिता ॥ list_item
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34 Kalā (appendix) on SR II. p.121. main
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35 (ii) annotation_inline
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36 मध्यमांशग्रहन्यासा निगाभ्यां स (प)रिवर्जिता । main
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37 प्रसन्नपिंड्जका यो(सा)रि-भूयसी शासने स्मृता ॥ main
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38 कछेली भाषिका भिन्नपङ्जे मध्यमगानयुक् ॥ main
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39 S Rāj II. 2.1.1027. annotation_inline
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40 8. cf. (i) main
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41 भित्रपड्जेऽस्ति बाङ्गाली ग्रहांशन्यासधैवता । main
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42 मध्यमान्दोलिता गापन्यासा धैवतमन्द्रिका ॥ main
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43 उद्दीपने नियोक्तव्या .....॥ main
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44 S Rāj II.2.1.1050. main
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1 169 page_number
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2 TRANSLATION page_header
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3 Illustration-Dhādhāsāsāgadharigārisāganirīsāsādhāsānīnīnīnī. Dhādhādhā- main
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4 nidhāpāpāmādhāsādhā ninidhādhāpāgāgādhāridhāmāmādhā ninidhādhā. main
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5 Dākşiņātyā [ii] editorial_bracket
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6 Combined with dhaivata as the initial and concluding note, embellished main
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7 with thesvara gāndhāra, this bhāṣā gāndhārī has been said to be sankīrṇā. main
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8 (Mutual) movement between gändhära and dhaivata is seen here in a dense main
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9 manner. annotation_inline
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10 (107) annotation_inline
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11 Illustration - Dhādhāgāgāgāririgamagāmādhā ririririgāmāpāmā. main
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12 Māpāmāpāmāpāsagāririgāgāgādhā pādhagāgārīsāsāsā. Nisāsānigāmāpāsā main
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13 sānīgārīmāgamāgāmāmāmāmānininini. Madhādhādhādhā. Gāndhārī [iii] editorial_bracket
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14 Combined with dhaivata as the initial and concluding note, hexatonic, main
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15 devoid of pañcama, the vibhāṣā śrīkaṇṭhī, is performed in the panegyric of main
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16 Lalitā. 48 Concert between madhyama-ṛṣabha and the svaras comprised of two main
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17 śrutis each is sung. annotation_inline
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18 (108) annotation_inline
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19 Illustration-Dhānimāgāgādhā rimāgāgādhā rimāgarigāririgānināgārigādhā main
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20 ririrīnisāninidhādhā. Šrīkaņţhī [iv] editorial_bracket
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21 Having madhyama as amśa, dhaivata as the concluding note, weak in main
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22 ṛṣabha, this vibhāṣā, paurālī, is beautiful and very charming. It is sung by the main
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23 Nāga<sup>49</sup> people and is made of sweet svaras alongwith gamakas. (Mutual) main
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24 movementamong madhyama, ṛṣabha and pañcama is seen in a dense manner. main
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25 <math>(109-110)</math> annotation_inline
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26 Illustration - [Mā]pāpādhā ninisāsāmānidhā pādhādhādhādhā editorial_bracket
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27 nisāririmāgārisārimā gāsārisārimāmārigārimāsāsāsāsāninininīdhādhā main
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28 māpāmāpāpāpāniniririsānidhā pādhādhāninidhāniniririniririmāgārisā main
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29 nirisānisāsāninidhādhāgamāpādhāninisānisānidhādhā. Paurāli [v] editorial_bracket
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1 43 page_number
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2 TRANSLATION page_header
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3 The omission of all notes is prescribed in all <math>j\bar{a}tis</math>, but the omission of main
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4 madhyama should never be made. The svara madhyama is the chief among main
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5 all the svaras and is indispensable both in the kalpa (practice and precept) main
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6 of gāndharva and also in sāmans." main
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7 (NŚ XXVIII. 58-65) main
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8 [ Anu. 142 ] section_header
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9 Now the prescription of sadava and auduvita as well as the prescription main
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10 according to utsarga<sup>55</sup> (general view) and apavāda<sup>56</sup> (exception) should be main
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11 known only in vikṛtā jātis, not in the śuddhā jātis, because the śuddhās become main
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12 the root of the coming into existence of other jātis. These śuddhās themselves main
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13 become vikṛtās. How- main
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14 [9. A repeated definition of śuddhā jāti] section_header
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15 When a jāti has the same graha, the same apanyāsa and the same aniśa, has main
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16 nyāsa in the mandra (lower register) and is complete, then it is known as main
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17 śuddhā jāti. annotation_inline
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18 (259) annotation_inline
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19 Thus has been said the definition of śuddhā. main
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20 [10. The vikṛtā state of śuddhā jātis] section_header
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21 [Anu. 143] section_header
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22 Out of these characteristics, the jātis become vikṛtā (modified) by (the main
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23 violation of) one, two or many characteristics, excepting the nyāsa. The main
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24 statement 'excepting the nyāsa' means that there is no vikṛtā state that comes main
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25 about by (a change in) the nyāsa. main
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26 [ The illustration of sadji ] section_header
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27 [ Anu. 144 ] section_header
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28 Vikṛtā ṣādjī is two-fold – one that is always complete and the other that is main
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29 ṣāḍavā. Ṣāḍjī is śuddhā with the aṁśa that bestows its name (viz. ṣaḍja). Vikṛtā main
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30 ṣāḍjī is complete when gāndhāra is its aṁśa because of the non-omission of main
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31 ---- annotation_inline
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171 lignes a valider — change uniquement les roles incorrects.