Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21609). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p108 LEFT — 17 lignes

page vol_II_p108 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 198 page_number
via heuristic_pagenum
3 उदाहरणम् - .....शुद्धा । [१४] page_header
via surya_layout
4 [.....]<sub>&o</sub> page_header
via surya_layout
5 उदाहरणम् – धापा निनिसा निधानिगामा पापारिपापा धानिनि । धानीगारी गासागासा सा - page_header
via surya_layout
6 सासापा पामापापा । गमसानिगागमसा गासाधामागामामा । मध्यमा [१५] page_header
via surya_layout
7 पञ्चमांशा पार्वती[स्याद्]धैवतान्ता च देशजा । editorial_bracket
parent ligne 9
via heuristic_brackets
8 तु पार्धत्या annotation_inline
parent ligne 9
via heuristic_height
9 ४१क्षत्रपरिषदि गीता पूर्णा षड्जसमुद्भवा ॥३३॥ main
via surya_layout
10 हृष्टा क्षत्रपरिषदि गीयते पूर्ण क्सु (?) main
via surya_layout
11 उदाहरणम् - पापापागा मारिरिनिरिमधा पापापा सारिमा । पागारिरिसनि धापापाधा । पार्वती । [१६] editorial_bracket
parent ligne 10
via heuristic_brackets
12 ॥ इति शार्दूलमते [भित्रषड्जस्य] भाषा: षोडश समाप्ता: ॥ editorial_bracket
parent ligne 10
via heuristic_brackets
13 लक्ष्यलक्षणसंयुक्ताः प्रस्तारेण समन्विताः । main
via surya_layout
14 उक्ता भाषा: समीचीना विभाषाभिर्विभूषिता: ॥३४॥ main
via surya_layout
15 •(पि? भि)॰ annotation_inline
parent ligne 14
via heuristic_markers
16 ॥ इति भाषालक्षणं समाप्तम् ॥ editorial_bracket
parent ligne 14
via heuristic_brackets
17 [॥ इति चतुर्थोऽध्याय:॥] editorial_bracket
parent ligne 14
via heuristic_brackets

vol_II_p127 RIGHT — 30 lignes

page vol_II_p127 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 237 page_number
via heuristic_pagenum
3 [5. Drāvidailā] section_header
via surya_layout
4 The <i>elā</i> born in the <i>draviḍa</i> region is adorned with <i>bhāva</i>, <i>abhinaya</i> and <i>tāla</i>, main
via surya_layout
5 coloured with variegated sounds, devoid <math>^{85}</math> of prāsa and established in rasa. main
via surya_layout
6 (472) annotation_inline
parent ligne 5
via heuristic_short
7 Thus end the five <i>clās</i> bearing regional names. main
via surya_layout
8 [The number of <i>Elās</i>] section_header
via surya_layout
9 Ganailā has been said to be fourfold, the fifth is of the nature of sankara main
via surya_layout
10 (mixture); mātrailā has been spoken of with four varieties, by the experts in main
via surya_layout
11 music. annotation_inline
parent ligne 10
via heuristic_short
12 (473) main
via surya_layout
13 Varņailā has been described as having fourteen varieties, deśailās have main
via surya_layout
14 been said to be five-fold according to the distinction of region. main
via surya_layout
15 (474) annotation_inline
parent ligne 14
via heuristic_short
16 Altogether these are known to be twenty-eight in number by the experts main
via surya_layout
17 in the science of music, they are combined with their respective characteristics. main
via surya_layout
18 (475) annotation_inline
parent ligne 17
via heuristic_short
19 [Thus end the varieties of <i>elā</i>] editorial_bracket
parent ligne 17
via heuristic_brackets
20 [36. Jhombada] section_header
via surya_layout
21 Where half of the (first) foot is sung in repetition and then the second half main
via surya_layout
22 of the same is sung and there is alliteration between the two, similarly is sung main
via surya_layout
23 its second foot, in the same way the third foot and where the foot that is the main
via surya_layout
24 fourth one is sung at the end of each of all the feet, that is called <i>jhombada</i> main
via surya_layout
25 by the experts in music. main
via surya_layout
26 <math>(476-478)</math> main
via surya_layout
27 The tāla named kankāla never obtains in jhombadaka. All other tālas main
via surya_layout
28 related to desi obtain here. There are varieties of jhombada, adorned with main
via surya_layout
29 tenaka. annotation_inline
parent ligne 28
via heuristic_short
30 (479) main
via surya_layout

vol_I_p105 RIGHT — 20 lignes

page vol_I_p105 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 VIMARŚA page_header
via surya_layout
2 193 page_number
via heuristic_pagenum
3 Mārga main
via surya_layout
4 Threefold duration of kalā represented by corresponding mārgas main
via surya_layout
5 Daksiņa annotation_inline
parent ligne 4
via heuristic_short
6 8, 4, 2 dakşina, vartika and citra main
via surya_layout
7 Vārtika or Vṛtti annotation_inline
parent ligne 6
via heuristic_short
8 4, 2, 1 vārtika, citrā and dhruva. main
via surya_layout
9 Citra annotation_inline
parent ligne 8
via heuristic_short
10 2, 1, 1/2 Citra, dhruva and śūnya. main
via surya_layout
11 The introduction of sunya paves the way for the unit druta (1/2 mātrā) in main
via surya_layout
12 desi tālas. It is notable that the notational sign for druta in later texts is 0 that main
via surya_layout
13 represents zero or śūnya. (cf. SRV, section on deśi tālas) main
via surya_layout
14 • annotation_inline
parent ligne 13
via heuristic_height
15 - annotation_inline
parent ligne 13
via heuristic_height
16 . annotation_inline
parent ligne 13
via heuristic_height
17 • annotation_inline
parent ligne 13
via heuristic_height
18 • unknown
via fallback
19 • annotation_inline
parent ligne 13
via heuristic_height
20 • annotation_inline
parent ligne 13
via heuristic_height

vol_I_p023 LEFT — 31 lignes

page vol_I_p023 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 28 page_number
via heuristic_pagenum
2 BRHADDESI page_header
via surya_layout
3 किमत्र कारणम् ? उच्यते - ग्रामद्वयेऽप्यन्तरमूर्छना-प्रतिपादनार्थम्, यद्वा main
via surya_layout
4 ग्रामद्वयेऽपि षड्जमध्यमस्वरौ ग्रामण्यौ भवतः। अन्यस्वरास्तदग्रेसरा main
via surya_layout
5 ₀मध्यपरौ annotation_inline
parent ligne 4
via heuristic_markers
6 इति॥ main
via surya_layout
7 इति तावन्भया प्रोक्ताः श्रुतयो ग्रामसंश्रिताः ॥५२॥ main
via surya_layout
8 ॥ इति श्रुतिप्रकरणम् ॥ editorial_bracket
parent ligne 7
via heuristic_brackets
9 IV [स्वर-प्रकरणम् ] section_header
via surya_layout
10 [ तत्र स्वरलक्षणम् ] section_header
via surya_layout
11 इदानी सम्प्रवक्ष्यामि स्वराणां च विनिश्चयम्। main
via surya_layout
12 तत्रादौ स्वरशब्दस्य व्युत्पत्तिरिह कथ्यते।।५३॥ main
via surya_layout
13 राजृ दीप्ताविति धातोः स्वशब्दपूर्वकस्य च। main
via surya_layout
14 •वस्प<sup>1</sup> annotation_inline
parent ligne 13
via heuristic_height
15 स्वयं यो राजते यस्मात् तस्मादेष स्वरः स्मृतः॥५४॥ main
via surya_layout
16 <del>2हि</del> annotation_inline
parent ligne 15
via heuristic_short
17 ेतस्मात् स्वर इति main
via surya_layout
18 । अनु. १५ । section_header
via surya_layout
19 ननु स्वर इति किम् ? उच्यते - रागजनको ध्वनिः स्वर इति। main
via surya_layout
20 तथा चाह कोहलः - annotation_inline
parent ligne 19
via heuristic_short
21 "आत्मेच्छया महीतलाद् वायुरुद्यविधार्यते। main
via surya_layout
22 ∘च्या₊⁴ annotation_inline
parent ligne 21
via heuristic_height
23 हि unknown
via fallback
24 ⁵नाभि₃ annotation_inline
parent ligne 21
via heuristic_height
25 नाडीभित्तौ तथाऽऽकाशे ध्वनी॰ रक्तः स्वरः स्मृतः॥" annotation_inline
parent ligne 21
via heuristic_markers
26 नि annotation_inline
parent ligne 21
via heuristic_height
27 [ अनु. १६ ] section_header
via surya_layout
28 ननु स्वर एवं स्यादेकोऽनेको वा, व्यापकोऽव्यापको main
via surya_layout
29 वा, नित्योऽनित्यो वा स्यात् । अत्रोच्यते - एकोऽनेको main
via surya_layout
30 व्यापको नित्यश्चेति। तत्र निष्कलरूपेणैकः स्वरः main
via surya_layout
31 षइजादिरूपेणानेकः स्वरः। main
via surya_layout

vol_II_p104 LEFT — 34 lignes

page vol_II_p104 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 5
via heuristic_height
2 後継続(国際)できます。 annotation_inline
parent ligne 5
via heuristic_height
3 190 page_number
via heuristic_pagenum
4 BRHADDEŠĪ page_header
via surya_layout
5 [३. अथ मालवपञ्चमे] section_header
via surya_layout
6 विभाविनी तु १४पौराली वेगवन्ती तु पञ्चमी । main
via surya_layout
7 पो पा पा annotation_inline
parent ligne 6
via heuristic_height
8 आन्ध्री गान्धारिका चैव षट् स्युर्मालवपञ्चमे ॥ १४॥ main
via surya_layout
9 37 page_number
via heuristic_pagenum
10 पञ्चमाद्यन्तसम्पूर्णा स्याद् देशजा विभाविनी । main
via surya_layout
11 + देशं भा (?) annotation_inline
parent ligne 10
via heuristic_height
12 गीयते केशरचनाकामिनीमितसङ्गमे १५॥ १५॥ main
via surya_layout
13 ॰िमति॰(?) annotation_inline
parent ligne 12
via heuristic_markers
14 <sup>१६</sup>[उदाहरणम्] – पनिनिमागारि सानिरिनिसारिगामापापामागारिसानिनिधानीनीधामापापा । editorial_bracket
parent ligne 12
via heuristic_brackets
15 υo annotation_inline
parent ligne 12
via heuristic_height
16 विभाविनी।[१] editorial_bracket
parent ligne 12
via heuristic_brackets
17 ..पौराली । [२] editorial_bracket
parent ligne 12
via heuristic_brackets
18 पञ्चमांशा तु सम्पूर्णा [ज्ञेया वेगवती शुभा] । editorial_bracket
parent ligne 12
via heuristic_brackets
19 विभाषा १७करुणे दैन्यभूयिष्ठे चैव गीयते १८ ॥ १६॥ main
via surya_layout
20 + भाषाकरणे annotation_inline
parent ligne 19
via heuristic_height
21 चैवमुद्धारे annotation_inline
parent ligne 19
via heuristic_height
22 उदाहरणम् - पापानिधाधानि धागासासासानि धाधानिनिपा धामा । गागाधामा मापापाधा main
via surya_layout
23 नीसासारीगारी । सनिधापापा । वेगवती । [३] editorial_bracket
parent ligne 22
via heuristic_brackets
24 पञ्चमांशान्तसम्पूर्णा मूलभाषा तु पञ्चमी । main
via surya_layout
25 पञ्चमार्ध तु annotation_inline
parent ligne 24
via heuristic_short
26 प्रगल्भमनसे गीते चैषा मालवपञ्चमे ॥ १७॥ main
via surya_layout
27 उदाहरणम् – पापापामासा रिरिगानिनिधाधा धाधारिनिगारिमागरिनीधा पापापाधा पामामापा माधानिरिमा main
via surya_layout
28 गामागारी सासानिसानि धापापा । पञ्चमी । [४] editorial_bracket
parent ligne 27
via heuristic_brackets
29 ॰मा annotation_inline
parent ligne 27
via heuristic_markers
30 मध्यमांशा पञ्चमान्ता भाषा स्यादान्ध्रदेशजा । main
via surya_layout
31 भावनास्था घ्रुवेशजा annotation_inline
parent ligne 30
via heuristic_height
32 आन्ध्री तु विश्रुता लोके <sup>१९</sup>व्याधिदुष्टेषु गीयते ॥ १८॥ main
via surya_layout
33 370 page_number
via heuristic_pagenum
34 व्याधाः (?) annotation_inline
parent ligne 32
via heuristic_height
132 lignes a valider — change uniquement les roles incorrects.