Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21624). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p071 RIGHT — 36 lignes

page vol_II_p071 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 125 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [Anu. 210] editorial_bracket
parent ligne 4
via heuristic_brackets
4 Its meaning is thus – pañcamaṣāḍavais related to ṣaḍjagrāma. Ŗṣabhais its graha main
via surya_layout
5 and anisa. Madhyama is the nyāsa and with relevance to the performer 88 it main
via surya_layout
6 sometimes becomes amśa also. Niṣāda is kākalī here and this (rāga) is complete. main
via surya_layout
7 Its application is prescribed in the passionate performance of cārīs, maṇḍalas and main
via surya_layout
8 (situations of ) combat. Vīra and the like is the rasa89. The mūrchanā beginning main
via surya_layout
9 with ṛṣabha obtains. Prasannādyanta is the alankāra. The kalā is formed in the main
via surya_layout
10 dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga) and the kalā prevails in main
via surya_layout
11 the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara and main
via surya_layout
12 pada annotation_inline
parent ligne 11
via heuristic_height
13 [9. Revagupta] section_header
via surya_layout
14 Revagupta is said to be born of ārṣabhī and madhyamā jātis, has ṛṣabha as main
via surya_layout
15 its amsa and madhyama as its concluding note and is with complete svaras. main
via surya_layout
16 (340) annotation_inline
parent ligne 15
via heuristic_height
17 [Anu. 211] editorial_bracket
parent ligne 15
via heuristic_brackets
18 Its meaning is thus - Revagupta is related to sadjagrāma. Although it is born main
via surya_layout
19 of ārṣabhī and madhyamā jātis, it is related to ṣaḍjagrāma alone because of main
via surya_layout
20 pañcama being comprised of four śrutis. Rṣabha is its graha and amśa, main
via surya_layout
21 <math>madhyama</math> alone is <math>ny\bar{a}sa</math>, <math>nis\bar{a}da</math> is <math>k\bar{a}kal\bar{t}</math> he main
via surya_layout
22 svaras. Its application is prescribed in the passionate performance of cārīs, main
via surya_layout
23 mandalas and (situations of) combat. Vira and the like is the rasa. The main
via surya_layout
24 mūrchanā beginning with ṛṣabha obtains. Ārohin is the varṇa. Prasannānta is main
via surya_layout
25 the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in main
via surya_layout
26 the vārtika (mārga) and the kalā prevails in the citra (mārga). A tāla like main
via surya_layout
27 caccatputa obtains in the songs comprised of svara and pada. main
via surya_layout
28 [10. Takkasaindhava] section_header
via surya_layout
29 The rāga takka qualified by saindhava is born of ṣāḍjī and dhaivatī jātis, is main
via surya_layout
30 combined with sadja as amsa and nyāsa and is weak in pancama. main
via surya_layout
31 (341) annotation_inline
parent ligne 30
via heuristic_height
32 [Anu. 212] editorial_bracket
parent ligne 30
via heuristic_brackets
33 Its meaning is thus - takkasaindhava rāga is related to şadjagrāma on main
via surya_layout
34 account of being born of ṣāḍjī and dhaivatī (jātis). Ṣaḍja is its graha, amśa and main
via surya_layout
35 nyāsa. Niṣāda and gāndhāra are kākalī and antara. There is the sparseness of main
via surya_layout
36 pañcama and this (rāga) is complete in svaras. Its application is prescribed main
via surya_layout

vol_II_p026 LEFT — 30 lignes

page vol_II_p026 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŠĪ page_header
via surya_layout
2 34 page_number
via heuristic_pagenum
3 पूर्वरङ्गे कृते शुद्धा[:] कर्तव्या गीतयोक्तृभि:। editorial_bracket
parent ligne 4
via heuristic_brackets
4 आसारितपाणिकादौ ततो जात्यंशकल्पनम् ॥२४९॥ main
via surya_layout
5 र्गद annotation_inline
parent ligne 4
via heuristic_height
6 <b>ल्कं</b> वा॰ annotation_inline
parent ligne 4
via heuristic_markers
7 स्वराणामङ्गहारैर्यत एवासारितक्रमै:। main
via surya_layout
8 वर्धमानपदे तासां कार्या स्यादंशकल्पना ॥२५०॥ main
via surya_layout
9 [८. जातीनां षाडवौडुवविधि:] section_header
via surya_layout
10 ८९इति त्रिषष्टिरंशा ये तेषामेकैकशोंऽशताम् । main
via surya_layout
11 प्रकल्प्यापोह्यते प्राप्तं षाडवौडुवितं क्वचित् ॥२५१॥ main
via surya_layout
12 (॰वो?वौ) annotation_inline
parent ligne 11
via heuristic_markers
13 ॰पोद्यते annotation_inline
parent ligne 11
via heuristic_markers
14 [अनु॰ १३४] editorial_bracket
parent ligne 11
via heuristic_brackets
15 त्रिषष्टिरंशा ये उक्तास्तेषां मध्ये <sup>९०</sup>प्रत्येकमंशानाम् [अंशतां] editorial_bracket
parent ligne 11
via heuristic_brackets
16 परिकल्प्य annotation_inline
parent ligne 11
via heuristic_height
17 षाडवितत्वमौडुवितत्वं प्राप्तं क्वचिदिति जातिविषय: अपोह्यते । एतदेव स्फुटयति - main
via surya_layout
18 न्छते annotation_inline
parent ligne 17
via heuristic_height
19 अषाडवा निषादें ऽशे सित स्यात् षड्जमध्यमा । main
via surya_layout
20 गान्धारे च यतो लोपो नांशसंवादिनो मत: ॥२५२॥ main
via surya_layout
21 (तं?त:) annotation_inline
parent ligne 20
via heuristic_height
22 [अनु॰ १३५] editorial_bracket
parent ligne 20
via heuristic_brackets
23 अस्यार्थ: - निषादेंऽशे षड्जमध्या जातिरषाडवा कथम् ? षड्जग्रामे षाडविवधौ main
via surya_layout
24 गान्धारस्य लोपो नास्ति । गान्धारेंऽशे निषादेन अषाडवा बोद्धव्या अंशसंवादिनो main
via surya_layout
25 (संचा?संवा) annotation_inline
parent ligne 24
via heuristic_short
26 ...याः annotation_inline
parent ligne 24
via heuristic_height
27 लोपाभावात्। section_header
via surya_layout
28 कैशिकी रक्तगान्धारी गान्धारी चैव पञ्चमे । main
via surya_layout
29 तथा षाड्जी तु गान्धारे धैवते तदुदीच्यवा ॥ २५३॥ main
via surya_layout
30 ॰ता तदा॰ annotation_inline
parent ligne 29
via heuristic_markers

vol_II_p104 LEFT — 34 lignes

page vol_II_p104 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 5
via heuristic_height
2 後継続(国際)できます。 annotation_inline
parent ligne 5
via heuristic_height
3 190 page_number
via heuristic_pagenum
4 BRHADDEŠĪ page_header
via surya_layout
5 [३. अथ मालवपञ्चमे] section_header
via surya_layout
6 विभाविनी तु १४पौराली वेगवन्ती तु पञ्चमी । main
via surya_layout
7 पो पा पा annotation_inline
parent ligne 6
via heuristic_height
8 आन्ध्री गान्धारिका चैव षट् स्युर्मालवपञ्चमे ॥ १४॥ main
via surya_layout
9 37 page_number
via heuristic_pagenum
10 पञ्चमाद्यन्तसम्पूर्णा स्याद् देशजा विभाविनी । main
via surya_layout
11 + देशं भा (?) annotation_inline
parent ligne 10
via heuristic_height
12 गीयते केशरचनाकामिनीमितसङ्गमे १५॥ १५॥ main
via surya_layout
13 ॰िमति॰(?) annotation_inline
parent ligne 12
via heuristic_markers
14 <sup>१६</sup>[उदाहरणम्] – पनिनिमागारि सानिरिनिसारिगामापापामागारिसानिनिधानीनीधामापापा । editorial_bracket
parent ligne 12
via heuristic_brackets
15 υo annotation_inline
parent ligne 12
via heuristic_height
16 विभाविनी।[१] editorial_bracket
parent ligne 12
via heuristic_brackets
17 ..पौराली । [२] editorial_bracket
parent ligne 12
via heuristic_brackets
18 पञ्चमांशा तु सम्पूर्णा [ज्ञेया वेगवती शुभा] । editorial_bracket
parent ligne 12
via heuristic_brackets
19 विभाषा १७करुणे दैन्यभूयिष्ठे चैव गीयते १८ ॥ १६॥ main
via surya_layout
20 + भाषाकरणे annotation_inline
parent ligne 19
via heuristic_height
21 चैवमुद्धारे annotation_inline
parent ligne 19
via heuristic_height
22 उदाहरणम् - पापानिधाधानि धागासासासानि धाधानिनिपा धामा । गागाधामा मापापाधा main
via surya_layout
23 नीसासारीगारी । सनिधापापा । वेगवती । [३] editorial_bracket
parent ligne 22
via heuristic_brackets
24 पञ्चमांशान्तसम्पूर्णा मूलभाषा तु पञ्चमी । main
via surya_layout
25 पञ्चमार्ध तु annotation_inline
parent ligne 24
via heuristic_short
26 प्रगल्भमनसे गीते चैषा मालवपञ्चमे ॥ १७॥ main
via surya_layout
27 उदाहरणम् – पापापामासा रिरिगानिनिधाधा धाधारिनिगारिमागरिनीधा पापापाधा पामामापा माधानिरिमा main
via surya_layout
28 गामागारी सासानिसानि धापापा । पञ्चमी । [४] editorial_bracket
parent ligne 27
via heuristic_brackets
29 ॰मा annotation_inline
parent ligne 27
via heuristic_markers
30 मध्यमांशा पञ्चमान्ता भाषा स्यादान्ध्रदेशजा । main
via surya_layout
31 भावनास्था घ्रुवेशजा annotation_inline
parent ligne 30
via heuristic_height
32 आन्ध्री तु विश्रुता लोके <sup>१९</sup>व्याधिदुष्टेषु गीयते ॥ १८॥ main
via surya_layout
33 370 page_number
via heuristic_pagenum
34 व्याधाः (?) annotation_inline
parent ligne 32
via heuristic_height

vol_II_p055 LEFT — 26 lignes

page vol_II_p055 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 92 page_number
via heuristic_pagenum
3 [अनुः १६९] editorial_bracket
parent ligne 5
via heuristic_brackets
4 अस्यार्थ: - शुद्धकैशिको नाम[रागो] मध्यमग्रामसम्बन्धः, कैशिकोकार्मारवीजातिभ्यां editorial_bracket
parent ligne 5
via heuristic_brackets
5 समुत्पन्नत्वात्। तारषड्जोऽस्य ग्रहोंऽशश्च। पञ्चमो न्यासः। निषादीऽत्र काकली। पूर्णस्वरश्चायम् , main
via surya_layout
6 ग्रह: अंश(स्व?ध) annotation_inline
parent ligne 5
via heuristic_height
7 चित्रस्याष्ट्रादशाङ्गस्य [?]निर्वहणे विनियोगः। वीररौद्रादिको रसः।षङ्जादिमूर्छना। आरोही वर्णः। editorial_bracket
parent ligne 5
via heuristic_brackets
8 <sup>४६</sup>प्रसन्नादिरलङ्कार:। दक्षिणे कला,वृत्तौ कला,चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल:। main
via surya_layout
9 [शुद्धरागाणां ग्रामविभागः] section_header
via surya_layout
10 [अनु॰ १७०] editorial_bracket
parent ligne 9
via heuristic_brackets
11 ननु एते ग्रामविशेषसम्बन्धाः, कुतोऽयं विशेषलाभः ? उच्यते, भरतवचनादेवासौ विशेषो main
via surya_layout
12 कु(तो ऽ)यं annotation_inline
parent ligne 11
via heuristic_height
13 लभ्यते । तथा चाह भरतमुनि: - ''जातिसम्भूतत्वाद् ग्रामरागाणाम्''४० इति , ''यत्किञ्चिद् main
via surya_layout
14 गीयते लोके तत्सर्वं जातिषु स्थितम् ' '४८ इति वचनात् । तथा काश्यपेनाप्युक्तम् - main
via surya_layout
15 तत्सर्व annotation_inline
parent ligne 14
via heuristic_height
16 ''षाडवो मध्यमग्रामे पञ्चम: कैशिकस्तथा । main
via surya_layout
17 पाडवे ककुभ् annotation_inline
parent ligne 16
via heuristic_height
18 षड्जे साधारितश्चैव तथा कैशिकमध्यम:॥'' main
via surya_layout
19 [शुद्धरागाणां विनियोगः] section_header
via surya_layout
20 [अनु॰ १७१] editorial_bracket
parent ligne 19
via heuristic_brackets
21 ननु अमी विनियोग-विशेषा: कस्माल्लभ्यन्ते ? [मुनि-] वचनादेव लभ्यन्ते। तथा editorial_bracket
parent ligne 19
via heuristic_brackets
22 अ(यं ?मी) annotation_inline
parent ligne 19
via heuristic_height
23 चाह भरत:- annotation_inline
parent ligne 19
via heuristic_height
24 ‘‘मुखे तु मध्यमग्राम: षड्ज: प्रतिमुखे भवेत् । main
via surya_layout
25 गर्भे साधारितश्चैव <sup>४९</sup>ह्मवमर्शे तु पञ्चम: ॥ main
via surya_layout
26 ...वावमर्शे • तु annotation_inline
parent ligne 25
via heuristic_height

vol_II_p039 RIGHT — 48 lignes

page vol_II_p039 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 1 page_number
via heuristic_pagenum
2 61 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 gā gama pā padha mā dhani pā pā table
via surya_layout
5 <b>(7)</b> table
via surya_layout
6 rī gā sā sadha nī nī dhā dhā table
via surya_layout
7 (8) table
via surya_layout
8 gā riga sā sani gā riga sā sā table
via surya_layout
9 (9) table
via surya_layout
10 sã sã sã mã mani dhani nĩ nĩ table
via surya_layout
11 (10) table
via surya_layout
12 (11) table
via surya_layout
13 mā pā mā pariga gā gā sā sā table
via surya_layout
14 gã sã gã sã mã pã mã pariga table
via surya_layout
15 (12) table
via surya_layout
16 gã gã gã gã gã gã sã table
via surya_layout
17 (13) table
via surya_layout
18 ni ni pā dhā ni gā gā gā table
via surya_layout
19 (14) table
via surya_layout
20 ni ni dhā pā dhā pā mā pā table
via surya_layout
21 (15) table
via surya_layout
22 (16) table
via surya_layout
23 dhã pã mã mã mã mã mã mã table
via surya_layout
24 Thus ends gändhärodīcyavatī. section_header
via surya_layout
25 [3. Raktagāndhārī] section_header
via surya_layout
26 Five svaras excepting dhaivata and ṛṣabha are amśas in raktagāndhārī. The main
via surya_layout
27 proximity and combination of șadja and gāndhāra is brought about by main
via surya_layout
28 leaping over rşabha. main
via surya_layout
29 (7) annotation_inline
parent ligne 28
via heuristic_short
30 The hexatonic and pentatonic forms are said to come into being with the main
via surya_layout
31 omission of rşabha and rşabha-dhaivata respectively. There is the abundance main
via surya_layout
32 of niṣada and dhaivata. Pañcama as amsa is averse to the hexatonic form. main
via surya_layout
33 (8) annotation_inline
parent ligne 32
via heuristic_short
34 Ṣaḍja, niṣāda, madhyama and pañcama are averse to the pentatonic form. main
via surya_layout
35 Ṣaḍja and gāndhāra are in concert. (The tāla) paūcapāṇi and the like are as main
via surya_layout
36 in şādjī. The mūrchanā beginning with rṣabha obtains. main
via surya_layout
37 (9) annotation_inline
parent ligne 36
via heuristic_short
38 The application is (prescribed) in the dhruvā pertaining to the third main
via surya_layout
39 act. annotation_inline
parent ligne 38
via heuristic_height
40 (10) main
via surya_layout
41 Gāndhāra is the nyāsa in this (jāti). Madhyama is the apanyāsa. The prastāra main
via surya_layout
42 is thus – main
via surya_layout
43 pā nī sā sā gā sā pā nī table
via surya_layout
44 (1) table
via surya_layout
45 sã sã pã pã mã mã gã gã table
via surya_layout
46 (2) table
via surya_layout
47 mã pã dhã pã mã pã dhapa maga table
via surya_layout
48 (3) table
via surya_layout
174 lignes a valider — change uniquement les roles incorrects.