Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21626). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p078 LEFT — 34 lignes

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1 : -- 10gd annotation_inline
parent ligne 4
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2 BRHADDEŚĪ page_header
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3 138 page_number
via heuristic_pagenum
4 परस्परं तु गमनं दृश्यतेऽत्र पुन: पुन: । main
via surya_layout
5 स्यादियं षाडवा ज्ञेया मूलाख्या त्रवणा<sup>२१</sup> भवेत् ॥३९॥ main
via surya_layout
6 धानिसामा annotation_inline
parent ligne 5
via heuristic_short
7 उदाहरणम् – मासासासा सानिधानिधानी 📉 धागासासा । main
via surya_layout
8 गागागामा annotation_inline
parent ligne 7
via heuristic_height
9 सानिधासासासा गामाधानीधाधामारी गारीरीमरिगासासानिधासासा । main
via surya_layout
10 नीधगासासा annotation_inline
parent ligne 9
via heuristic_short
11 निधनिमामानिधासासा निधासगमागासा नीधनीसा। त्रवणा । [१] editorial_bracket
parent ligne 9
via heuristic_brackets
12 त्रिपणा annotation_inline
parent ligne 9
via heuristic_height
13 षड्जा[-]ता मध्यमांशा या गान्धारबहुला सदा । editorial_bracket
parent ligne 9
via heuristic_brackets
14 पञ्चमेन विहीना तु <sup>२२</sup>बहुलौ धैवतर्षभौ ॥ main
via surya_layout
15 मुहरी पड्जधैवत: annotation_inline
parent ligne 14
via heuristic_short
16 सङ्कीर्णेयं सदा ज्ञेया षाडवा त्रवणोद्भवा ॥४०॥ main
via surya_layout
17 उदाहरणम् -मानीनीनीसास[1] । सारीरी रीगागागमामा मामारी । गरिनिनिधा धाधामामगारि editorial_bracket
parent ligne 16
via heuristic_brackets
18 गा । सामागारी । सनिनिगागा निनिधासरिगारीमा । गामामानी नीससा । त्रवणोद्भवा । [२] editorial_bracket
parent ligne 16
via heuristic_brackets
19 त्रपणो॰ annotation_inline
parent ligne 16
via heuristic_markers
20 वेरञ्जिका तु विज्ञेया २३गान्धारांशाल्पपञ्चमा । main
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21 (ये?वे) annotation_inline
parent ligne 20
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22 षड्जन्यासा तु कर्तव्या, २४षड्जधैवतयोस्तथा ॥४१॥ main
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23 गमनं सम्प्रयुज्य तु गान्धारर्षभयोस्तथा । main
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24 तु(?)गान्धारर्ष(भ) annotation_inline
parent ligne 23
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25 एवं भाषा तु विज्ञेया षाडवा तु निगद्यते ॥४२॥ main
via surya_layout
26 उदाहरणम् -गानिगागा धरिमामागा मामागारीगाससासा निगारीनिनिधाधाधनिगारीमागारि - main
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27 सनीधनी । सासागमामाधासा सगनिगानिगानिग धरीगरीरिगारिरीग मममधमममधरीगसासासा main
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28 ৽বি৽ annotation_inline
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29 सनीगारीगा निनिधामाधानिधासनीगा रीममरिसा निधानिसासा । वेरञ्जिका । [३] editorial_bracket
parent ligne 27
via heuristic_brackets
30 षड्जाद्यन्तसमायुक्ता सम्पूर्णा मध्यमोज्वला । main
via surya_layout
31 षड्जमध्यमसंवादो द्विश्रुतीनां परस्परम् ॥ main
via surya_layout
32 मूलभाषा तु विज्ञेया छेवाटी गेयवेदिभि: २५॥४३॥ main
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33 मृक्र annotation_inline
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34 छोहारी annotation_inline
parent ligne 32
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1 179 page_number
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2 VIMARŚA page_header
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3 20. Rāga, in general, as colour or delightfulness could increase due to list_item
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4 mūrchanā because the latter gives rise to variety of scalar forms that would in list_item
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5 turn, bring into existence variety in melodic structures. list_item
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6 21, 22. Both ascent and descent and unimpaired original order of svaras as list_item
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7 well as use of seven svaras without any omission are the three conditions for list_item
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8 mūrchanā. The omission of svaras gives rise to tāna. list_item
via surya_layout
9 23. BṛD is the first known text to speak of 12-svara-mūrchanā. Kumbhā has list_item
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10 vehemently criticised this type of mūrchanā (vide S Raj II, 1.1.352-364). list_item
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11 24. When hexatonic and pentatonic scales are accepted as murchana, the list_item
via surya_layout
12 condition of using all the seven svaras is violated. ( see glossary ) list_item
via surya_layout
13 25. Svarasamyutāh of the text has been translated as 'filled' with svaras. list_item
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14 26. It is notable that the starting points of murchanas follow the descending list_item
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15 order i.e. after the murchana beginning with sadja comes the one beginning list_item
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16 with niṣāda, and not ṛṣabha. list_item
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17 27. The beginning svara of each mūrchanā has been put in the locative case, list_item
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18 implying, perhaps that a mūrchanā subsists there. list_item
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19 28. Here the instrumental case has been used in order to meet the requirement of list_item
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20 metre. list_item
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21 29. Tārakādi is a gaņa of Pāņini (V.2.36, Gaņaratnamahodadhi, 388-391, vide list_item
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22 Monier Williams). list_item
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23 30. Itac is a suffix. list_item
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24 31. This derivation occurs for the first time in BrD. list_item
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25 32. This is the total number of hexatonic tanas in both the gramas. list_item
via surya_layout
26 33. This is the total number of pentatonic tānas in both the grāmas. list_item
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27 34,35. All the omitted pairs are samvādins except ri-dha in madhyamagrāma list_item
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28 which is anuvādin. list_item
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29 36. Prastāra literally means elaboration; here it means notational presentation. list_item
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30 37. If the author is referring to a recapitulatory verse in Viśākhila's work we list_item
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31 have no way of verification because that work is lost. It is not improbable that he list_item
via surya_layout
32 is referring to NS XXVIII, 32 where mūrchanās have been said to be made of all list_item
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33 the seven svaras and tanas have been said to be hexatonic and pentatonic. list_item
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34 38. This distinction between murchana and tana as the former being with list_item
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35 ascent and descent and the latter being only with ascent is a new point made in list_item
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36 BrD which does not seem to be valid. ( see glossary ) list_item
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37 39. BrD is the first text to assign yajña names to tānas. Some later texts have list_item
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38 reproduced these names (cf. SR I,4.72 cd 90 ab and SRāj II,1.1.453-474). list_item
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39 S Rāj also attempts to justify this assignment of Yajña-names (vide ibid. 476-493. list_item
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40 ab). ( see glossary ) list_item
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41 40. This statement of BrD to the effect that sādhāraņa mūrchanās begin with antara list_item
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42 and kākalī is in contradiction of the postulation of NS XXVIII, p. 82 that kākalī (and list_item
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43 by implication antara also ) is anamsa ( non-amsa i.e. is not the progenitor of a list_item
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1 r annotation_inline
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2 ### ### 100 mg 2 annotation_inline
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3 262 page_number
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4 BRHADDEŚĪ page_header
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5 शुद्धपङ्जाया एव विवक्षितत्वेन तत्प्रयुक्तमन्द्रव्याप्तपङ्जग्रामसम्बन्धोऽनुमेय इति । main
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6 Kalā on SR II.2.30-32, p.30. main
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7 78. P.t. repeats (śruti?) main
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8 79. cf. मान्तोऽल्पगः main
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9 SR II.2.51a, where gāndhāra is said to be sparse. main
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10 80. cf. annotation_inline
parent ligne 9
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11 केचिद् ऋषभलोपेन हिन्दोलं षड्जसंश्रितम्। main
via surya_layout
12 वदन्ति, तन्मतं नाहं मतङ्गादिविरोधत:। main
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13 धैवतस्याविलोपेन द्विग्रामत्वेऽपि मध्यगम् ॥ main
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14 मध्यमग्रामजात्युत्थं शुद्धमध्याख्यमूर्च्छनम् । main
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15 S.Rāj II.2.1.502c-504b. main
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16 81. ८. यथाह मतङ्ग: - ‘‘भरतकोहलादिभिराचार्यैधैवतलोपस्यानिष्टत्वात् केचित् पङ्जग्रामाश्रित एवायमिति main
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17 मन्यन्ते चतुःश्रुतिकस्य पञ्चमस्यात्रोपलम्भाद् धैवतस्यास्तित्वं वा नास्तित्वं वा न विशेषप्रदर्शकं सर्वत्र । एवं च सित main
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18 ग्राममूर्छनाभेदो वा धैवतेन न स्यादिति भाव:।" main
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19 C.r. in Kalā on SR II.2.30-32, p. 31. main
via surya_layout
20 82.cf. अत्र टीकाकार: शङ्कते । योऽयं जात्यंशकानां विनियोग उक्त: स कश्यपमुनिमतङ्गादिभिविंरुध्यते । main
via surya_layout
21 तथाहि तैरुक्तम् -सम्भोगे चैव शृङ्गारे प्रेङ्खोलितकमेव च । main
via surya_layout
22 Abhi Bhā on NŚ XXIX. 8, p.69 main
via surya_layout
23 83. cf. यद्यपि सम्पूर्णस्वरस्यास्य प्रयोगे च चतुःश्रुतिकस्य पञ्चमस्योपलम्भात् पूर्वोक्तन्यायेन पड्जग्रामसम्बद्ध main
via surya_layout
24 एवायमिति मतङ्गमतम्, तथापि कश्यपमतेन निषादगान्धारयोर्लोपादयमौडुवित इति मतङ्गेनोक्तत्वात् तदा “रिधाभ्यां main
via surya_layout
25 द्विश्रुतिभ्यां च मध्यमग्रामगास्तु ते । हीनाश्चतुर्दशैव स्युः'' इत्यौडुवशुद्धतानलक्षणं मध्यमग्रामेऽपि साक्षादवगम्यत main
via surya_layout
26 इत्याचार्यद्वयमतानुसारिणा नि:शङ्कसूरिणा 'द्विग्रामष्टककैशिक:' इति सुष्ट्रदिष्टम् । main
via surya_layout
27 Kalā on SR II.2.30-32, p.30. main
via surya_layout
28 84.cf. annotation_inline
parent ligne 27
via heuristic_height
29 थैवतांश(स्तदन्तश्च)स्वल्पद्विश्रुतिकस्वर:। main
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30 मध्यमाधैवतीजात्योर्जायते टक्ककेशिक:॥ main
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31 Cited in the name of Kasyapa on Bha Bhā Vol. II, VI. 102. main
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32 85. cf. annotation_inline
parent ligne 31
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33 पङ्जांशकग्रहन्यासमन्द्रतारोपशोभित: । main
via surya_layout
34 ----- तदा मालवकैशिक:॥ unknown
via fallback
35 C.r. in Bha Bhā Vol . VII MS folio no. 203. main
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36 86. cf. annotation_inline
parent ligne 35
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37 केचित् पञ्चमविश्रामं मन्यन्ते केचन त्विमम् । main
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38 गान्धारकृतसम्पूर्तिमेतन्नादरमहीत । main
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39 गान्धारस्य विवादित्वात्र्यासस्तत्र न युज्यते ॥ main
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40 S Rāj II.2.1.467c-468. main
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41 87. cf. अत्र टीकाकार: शङ्कते । योऽयं जात्यंशकानां विनियोग उक्त: स कश्यपमुनिमतङ्गादिभिर्विरुध्यते । main
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42 तथाहि तैरुक्तम् - कामभूतेषु सर्वेषु कुर्यान् मालवकैशिकम् । main
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43 Abhi Bhā on NŚ XXIX. 8, p. 69. main
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44 88. cf. annotation_inline
parent ligne 43
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45 कथिता यत्र तान् वक्ष्ये सप्त साधारणांस्तत: । main
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46 C.r. in Kalā on SR II.2.23-26,p.26. main
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47 89. cf. annotation_inline
parent ligne 46
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48 मतङ्गो रेवगुप्तं च टक्कसैन्धवमेव च। main
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49 साधारणेषु निक्षिप्य न तान(व) ब्रबीदथ ॥ main
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50 S Rāj II.2.1.62c,63b. main
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51 Terminate and the control of the control of the control of the control of the control of the control of the control of t annotation_inline
parent ligne 50
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1 59 page_number
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2 <b>TRANSLATION</b> page_header
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3 [ Anu . 39 ] editorial_bracket
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4 Thus have been spoken of the fourteen complete murchanas of both the main
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5 grāmas. Now their names are being mentioned. main
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6 In (i.e. beginning with) şadja is uttaramandrā, in niṣāda is known rajanī, 27 in main
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7 dhaivata is known uttarā (uttarāyatā) and śudhaşadjā is in pañcama. (93) main
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8 Matsari (matsarikṛtā) should be known in madhyama and aśvakrāntikā in main
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9 gāndhāra and with ṛṣabha should be known abhirudgatā,28 the seventh one. main
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10 (94) annotation_inline
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11 Thus are to be known the seven mūrchanās subsisting in şadja-grāma. main
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12 Hereafter I shall speak of the murchanas of madhyama-grama. main
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13 (95) annotation_inline
parent ligne 12
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14 Sauvīrī is with madhyama and hariņāśvikā (hariņāśvā) is in gāndhāra and main
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15 (96) annotation_inline
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16 kalopanatā would be the mūrchanā with ṛṣabha itself. main
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17 Suddhamadhyā, on the other hand, could be in şadja and in niṣāda itself (is) main
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18 mārgitā (mārgi). Pauravī is to be known in dhaivata and hṛṣyakā in pañcama. main
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19 ł annotation_inline
parent ligne 18
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20 (97) main
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21 Thus the mürchanās of madhyamagrāma have been spoken of by me. Now I main
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22 shall speak of the şāḍavā (hexatonic) and auḍavā (pentatonic) mūchanas. main
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23 (98) annotation_inline
parent ligne 22
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24 Şāḍava is to be known as having six svaras and auḍavā is to be known with main
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25 five svaras; and the etymology of sadavas and auduvitas is being spoken of. main
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26 (99) annotation_inline
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27 (Anu. 40) annotation_inline
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28 Those six svaras that protect (the performance) are (known as) sadava main
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29 svaras; their use (in performance) is (called) sādava. Falling under the tāraka main
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30 gaṇa,29 it (ṣāḍava) is (combined with) itac pratyaya 30 (suffix) (and thus ‘ṣāḍavitā’ main
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31 is formed). annotation_inline
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32 (Anu. 41) annotation_inline
parent ligne 30
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33 The ākāśa (space) in which the udus 31 (stars) move, that ākāśa is (known) as main
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34 auduva. By that (the word auduva) the number five is indicated. (<math>\bar{A}k\bar{a}\dot{s}a</math>) is the main
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35 fifth mahābhūta; auduvita is that in which the number (five) of that (ākāśa) main
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36 exists. annotation_inline
parent ligne 35
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37 Ṣāḍava is that which has six svaras, its lakṣaṇa (description) is sevenfold and main
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38 it is to be known as being numbered forty-nine,52 by the knowledgeable ones in main
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39 (100) annotation_inline
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40 gīta (lit. song i.e. music). main
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L#Texte OCRRole autoCorriger si incorrect
1 215 page_number
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2 <b>TRANSLATION</b> page_header
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3 [15. Hayalīlā] section_header
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4 Where the (first) half is sung with svaras, in turagalīla (tāla), (and the main
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5 latter) half is sung with birudas, that is known as hayalīlā. main
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6 (397) main
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7 [16. <i>Gajalīlā</i>] section_header
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8 That which is completely composed according to gajalīlā but where the tāla main
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9 is gajalīla, that should be known by the name gajalīlā. main
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10 (398) main
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11 [17. Simhalīlā] section_header
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12 Composed in simhalilā metre, combined with svara and tena, that which is main
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13 sung with birudas is sinihalīlaka. main
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14 (399) main
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15 [18. Śarabhalila] section_header
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16 Where eight feet are composed with svaras and pāṭas, that is held to be main
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17 śarabhalīla, having eight rāgas and tālas. main
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18 (400) main
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19 [19. Śukacańcu] section_header
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20 In the beginning there is <math>r\bar{s}ga^{20}</math> with <math>gamaka</math>, that which is endowed with main
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21 <math>t\bar{a}la</math>, is sung with svaras and <math>p\bar{a}t</math>as (and) is sung in the languages of various main
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22 regions, is named śukacańcu, that is dear to the people. main
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23 (401) main
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191 lignes a valider — change uniquement les roles incorrects.