Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21629). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p091 LEFT — 43 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚI	page_header via surya_layout
2	164	page_number via heuristic_pagenum
3	52. Abhivyañjakatā means the process of manifestation of something that is	list_item via surya_layout
4	already in existence. In Grammar Philosophy śabda is eternal and its subtle and	list_item via surya_layout
5	imperceptible element called sphota (lit. 'bursting' or flash on the mind) is	list_item via surya_layout
6	vyangya (object of vyanjanā). Matanga seems to be influenced by this line of	list_item via surya_layout
7	thought which later culminated in the dhvani theory in literature.	list_item via surya_layout
8	53. The visista dharma (specific quality or nature) i.e. the differentia of a	list_item via surya_layout
9	thing is svalakṣaṇa. This is understood at two levels, one is the specific nature of	list_item via surya_layout
10	a thing i.e. it is related to the <i>vyakti</i> or particular or individual, the other is the	list_item via surya_layout
11	dharma or nature that is common to many i.e. the generic nature or jāti. The	list_item via surya_layout
12	first one is according to the Bauddha system and the second one is according to	list_item via surya_layout
13	all those systems that accept jāti, e.g. Mīmāṃsā. Bauddha logic has given	list_item via surya_layout
14	elaborate treatment and discussion of svalakşana in the context of pratyakşa	list_item via surya_layout
15	(perception ). It does not seem probable that Matanga was influenced by this	list_item via surya_layout
16	system, because non-existence of a common quality or attribute or nature of a	list_item via surya_layout
17	thing accepted in majority of the schools of Bauddha logic could not perhaps be	list_item via surya_layout
18	congenial to the explanation of the perception of sruti and svara which would	list_item via surya_layout
19	require a 'continuity' of their common features.	list_item via surya_layout
20	54. Nabhaḥpuṣpa i.e. a flower grown in the sky is a classic example of an	list_item via surya_layout
21	absurdity or impossibility just like vandhyāputra, the son of a sterile woman.	list_item via surya_layout
22	55. Arthāpatti is one of the pramāņas i.e. means of valid knowledge	list_item via surya_layout
23	propounded specially by the mimāmsā system and accepted by Advaita Vedānta.	list_item via surya_layout
24	Nyāya includes it under anumāna. It has been defined as -	list_item via surya_layout
25	अर्थापतिरपि दृष्टः श्रुतो वाऽर्थः अन्यथा नोपपद्यते इत्यर्थकल्पना ।	main via surya_layout
26	( Śabarabhāṣya on Mīm Sū I, 1.5 )	main via surya_layout
27	When a seen or heard thing is not proved right in another way, then the	main via surya_layout
28	imagination of something is known as arthāpatti.	main via surya_layout
29	For example, if Devadatta is alive and is not at home, it is imagined that he	main via surya_layout
30	is outside, or, the classic example is that if Devadatta is fat, but does not eat	main via surya_layout
31	during the day, then it is imagined that he eats at night, because his fatness that	main via surya_layout
32	is seen could not be explained or proved through non-consumption of food.	main via surya_layout
33	Hence arthāpatti is translated as negative inference.	main via surya_layout
34	56. All the systems of Indian philosophy except the Carvaka system, accept	main via surya_layout
35	anumāna as a pramāņa. The Nyāya system has given its elaborate treatment. It	main via surya_layout
36	has to be preceded by perception ( pratyaksa ). One who has not seen the	main via surya_layout
37	concomitance of smoke and fire, could not infer fire on the basis of the	main via surya_layout
38	perception of smoke. The classic example of anumana is —	main via surya_layout
39	पर्वतोऽयं विश्वमान् धूमवत्त्वात् ।	main via surya_layout
40	This hill is fiery because of there being smoke. This inference presumes or	main via surya_layout
41	is preceded by vyāpti-graha (apprehension of universal concomitance) which is	main via surya_layout
42	thus expressed -	main via surya_layout
43	यत्र यत्र धूमस्तत्र तत्र बह्निः ।	unknown via fallback

vol_II_p159 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	301	page_number via heuristic_pagenum
2	VIMARŚA	page_header via surya_layout
3	52. The word 'yatah' in this verse seems to imply that because the	main via surya_layout
4	svaras have to match the angahāras performed in the order of āsārita, the	main via surya_layout
5	formation or variation of amsas should be done in the text of the	main via surya_layout
6	vardhamāna. Āsārita and vardhamāna have identical temporal dimensions	main via surya_layout
7	with slight variation in splitting (shown below). These are the two gītakas	main via surya_layout
8	alongwith which the performance of dance is prescribed in NS XXXI -	main via surya_layout
9	<math>16 + 17 + 32 = 65 \text{ Kalās}</math>	annotation_inline parent ligne 8 via heuristic_height
10	Asārita	annotation_inline parent ligne 8 via heuristic_height
11	<math>9 + 8 + 16 + 32 = 65 \text{ Kalās}</math>	annotation_inline parent ligne 8 via heuristic_height
12	Vardhamāna	annotation_inline parent ligne 8 via heuristic_height
13	53. 'Not exceptional' means those svaras, the operation of which	main via surya_layout
14	in the formation of pentatonic varieties is not hindered by the rule of	main via surya_layout
15	samvāda.	annotation_inline parent ligne 14 via heuristic_height
16	54. The strict prohibition of the omission of madhyama seems to	main via surya_layout
17	be based on the fact that this svara is the link between gandharva and	main via surya_layout
18	sāman, it being the tonic in sāman and the connecting point between the	main via surya_layout
19	two triads of the heptad.	main via surya_layout
20	55,56.The words utsarga and apavada are borrowed from	main via surya_layout
21	Pūrvamimāmsā. The former stands for the general rule and the latter for	main via surya_layout
22	the exception to the same.	main via surya_layout
23	57. The import is not clear from here to the end of the Anu.	main via surya_layout
24	58. 'Sangati' stands for to and fro movement between two svaras in a	main via surya_layout
25	jāti. NŚ uses 'paraspara-sañcāra' (mutual to and fro movement) and 'paras-	main via surya_layout
26	paragamana '(mutual movement i.e. each of the two given svaras reaching	main via surya_layout
27	out to the other) for this melodic phenomenon (cf.NŚ XXVIII. 96, 107). The	main via surya_layout
28	word sangati is used even to-day in the oral tradition in the same meaning.	main via surya_layout
29	It is notable that this relationship between any two svaras is purely melodic	main via surya_layout
30	phenomenon; it does not depend on the acoustic relationship of samvāda.	main via surya_layout
31	It is interesting to note that the word samvada has been used in our text in	main via surya_layout
32	the place of sangati several times in the section on ragas.	main via surya_layout
33	59. Omission, in ancient thought, is not something absolute, rather	main via surya_layout
34	it is the extreme state of sparseness. The svara that is omissible in a jāti is	main via surya_layout
35	sparse in its complete state.	main via surya_layout
36	60. NŚ does not mention the mūrchanās of jātis. Matanga does this	main via surya_layout
37	the first time. This innovation seems to be necessitated by the	main via surya_layout
38	for	annotation_inline parent ligne 37 via heuristic_height
39	introduction of fretted viņās (see Glossary).	main via surya_layout
40	61. Pañcapāṇi is another name of the tāla called ṣaṭpitāputraka, the	main via surya_layout
41	third name being uttara.	main via surya_layout

vol_I_p048 LEFT — 38 lignes

L#	Texte OCR	Role auto
1	<b>BRHADDES!</b>	page_header via surya_layout
2	78	page_number via heuristic_pagenum
3	[ अनु₀ ५६ ]	editorial_bracket parent ligne 4 via heuristic_brackets
4	कूटतानानां सहस्राणि पञ्च त्रयस्त्रिंशदधिकानि निष्पद्यन्ते।	main via surya_layout
5	<sub>०</sub>मस्त्रिः	main via surya_layout
6	दत्तिलेनाप्युक्तम्—	annotation_inline parent ligne 5 via heuristic_short
7	<sup>83</sup>"पूर्णाः पञ्च सहस्राणि त्रयस्त्रिशच्च संख्यया।	main via surya_layout
8	ुर्णः,	annotation_inline parent ligne 7 via heuristic_short
9	मसत्,	main via surya_layout
10	कथयन्ति प्रतिग्राममुपायो गणनेऽधुना।"	main via surya_layout
11	नेधुनः दत्तिलम् ३९ ]	editorial_bracket parent ligne 10 via heuristic_brackets
12	पयोगेन	main via surya_layout
13	गणनाऽत्र परेण तानप्रयोगेण पूर्वस्तानप्रयोगो हन्यते। तथा चाह	main via surya_layout
14	₀मा₃	annotation_inline parent ligne 13 via heuristic_markers
15	दत्तिलः —	main via surya_layout
16	"हन्यादनन्तरायेण पूर्वा यस्य क्रमोत्क्रमात्।	main via surya_layout
17	गुणकारसमास्तत्र क्रमाः ध्ये शेषाः स्युरुत्क्रमाः।"	main via surya_layout
18	दित्तलम् ४० \|	unknown via fallback
19	माच्छे.	annotation_inline parent ligne 17 via heuristic_height
20	[ अनु<sub>०</sub> ५७ ]	editorial_bracket parent ligne 17 via heuristic_brackets
21	इदानी गुणनोपायं कथयति— द्वाभ्यां पराभ्यामेकः पूर्वो बऽहन्येत	main via surya_layout
22	J.	annotation_inline parent ligne 21 via heuristic_height
23	द्वावेव भवतः। तौ च द्वौ त्रिभिर्हतौ षड् भवतः । ते [ च षट् ]	editorial_bracket parent ligne 21 via heuristic_brackets
24	्रित	annotation_inline parent ligne 21 via heuristic_height
25	्रत्वा	annotation_inline parent ligne 21 via heuristic_height
26	चतुर्हताश्चतुर्विंशतिर्भवन्ति। सा चतुर्विंशतिः पञ्चभिर्हता शतं विंशत्यधिकं	main via surya_layout
27	भवति। विंशत्यधिकं शतं षड्भिर्हतं शतानि सप्त-विंशत्यधिकानि भवति।	main via surya_layout
28	्रन्ति	main via surya_layout
29	तानि सप्तभिर्हतानि पञ्चसहस्राणि चत्चारिंशदधिकानि भवन्ति।	unknown via fallback
30	अनु₀ ५८	editorial_bracket parent ligne 28 via heuristic_brackets
31	तत्र क्रमकृतास्तान् स्फोटयित्वा ह्युत्क्रमकृतानि कूटतानानां सप्त-	main via surya_layout
32	स्वरप्रयोगात् पञ्चसहस्राणि त्रयस्त्रिशदधिकानि भवन्ति।	main via surya_layout
33	प्रस्तारो	annotation_inline parent ligne 32 via heuristic_short
34	यथा—	main via surya_layout
35	तत्र षड्जस्वरस्य स इत्येकः क्रमः। ऋषभस्य सरीत्येक एव क्रमः। रिस	main via surya_layout
36	इति च व्युक्तमो द्वितीयः। गान्धारस्य सरिगेत्येकः क्रमः। गरिसेत्यादयो	main via surya_layout
37	ुम	annotation_inline parent ligne 36 via heuristic_height
38	ुत्यतः	annotation_inline parent ligne 36 via heuristic_height

vol_II_p053 RIGHT — 36 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	89	page_number via heuristic_pagenum
3	The first alternative does not hold good. Why? Because of this rāga being	main via surya_layout
4	complete (with seven svaras). Hence the second alternative alone is	main via surya_layout
5	stronger. Why is it said to be prominent among the six rāgas? Because of	main via surya_layout
6	the statement that śuddhaṣāḍava should be used in the pūrvaraiga. On	main via surya_layout
7	account of its abundant usage in pūrvaranga, this śuddhaṣāḍava has been	main via surya_layout
8	indicated in the beginning.	main via surya_layout
9	Suddhaṣāḍava is born of the modified madhyamā jāti.	main via surya_layout
10	Its <i>nyāsa</i> is	annotation_inline parent ligne 9 via heuristic_height
11	madhyama, which is also the amśa and gāndhāra is weak in it.	main via surya_layout
12	(300)	annotation_inline parent ligne 11 via heuristic_height
13	[ Anu. 165 ]	section_header via surya_layout
14	This means - suddhaṣāḍava is related to madhyamagrāma. Tāra (high)	main via surya_layout
15	madhyama is its graha. Madhyama is the amśa and nyāsa and there is the	main via surya_layout
16	sparseness of gāndhāra. Niṣāda and gāndhāra are kākalī and antara (here).33	main via surya_layout
17	It is endowed with all the svaras. It is used in the pūrvaranga. Madhyama is	main via surya_layout
18	the vādin and ṣaḍja is the samvādin. Ŗṣabha and pañcama are the anuvādins.	main via surya_layout
19	There is no vivādin. Śṛṅgāra and hāsya are the rasas. The mūrchanā	main via surya_layout
20	beginning with madhyama obtains here. The avarohin (descending) varņa,34	main via surya_layout
21	prevails. Prasannānta is the alankāra. It is sung in the three mārgas 36 of tāla	main via surya_layout
22	The kalā<sup>37</sup> (time-unit) comes about in the dakṣiṇa (mārga), the kalā obtains	main via surya_layout
23	in the vṛtti (mārga), the kalā prevails in the citra mārga. A tāla like caccatpuṭa 38	main via surya_layout
24	obtains in the svaras and padas (units of text).	main via surya_layout
25	Ākṣiptikā.....	table via surya_layout
26	[2. Suddhapañcama]	table via surya_layout
27	*********	table via surya_layout
28	[ Anu. 166 ]	table via surya_layout
29	Šuddhapancama is known to be born of şadjodicyavatī jāti.	table via surya_layout
30	---------------------------------------	table via surya_layout
31	[3. Šuddhasādhārita]	section_header via surya_layout
32	It is with sadja as amsa, madhyama as nyāsa, the svaras with two śrutis	main via surya_layout
33	(gāndhāra and niṣāda) are sparse and similarly, born of ṣaḍjamadhyamā jāti	main via surya_layout
34	is the śuddhasādhārita.	annotation_inline parent ligne 33 via heuristic_height
35	(301)	annotation_inline parent ligne 33 via heuristic_height
36	A Section of the second section of the section of the section of the section of the section of the section of the sectio	annotation_inline parent ligne 33 via heuristic_height

vol_II_p114 RIGHT — 27 lignes

L#	Texte OCR	Role auto
1	211	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[3. <i>Gadya</i>]	section_header via surya_layout
4	That in which <math>t\bar{a}la</math> comes at the end along with the name of the object of	main via surya_layout
5	description 10 (divine or human) and is sung as such, is said here to be gadya,	main via surya_layout
6	by the proficient ones in music.	main via surya_layout
7	(385)	annotation_inline parent ligne 6 via heuristic_height
8	[4. Daṇḍaka]	section_header via surya_layout
9	Combined with <math>t\bar{a}la</math>, endowed with svara, bedecked with <math>p\bar{a}ta^{11}</math> in the	main via surya_layout
10	middle (and) again combined with pada, that song is known as daṇḍaka.	main via surya_layout
11	(386)	main via surya_layout
12	[5. Varņa]	section_header via surya_layout
13	Bedecked with birudas12 (eulogistic phrases) related to plenty,	main via surya_layout
14	renunciation, well-being or prosperity and combined also with <math>t\bar{a}la</math>, is varya (composed) in the <math>	main via surya_layout
15	(387)	annotation_inline parent ligne 14 via heuristic_short
16	*******	annotation_inline parent ligne 14 via heuristic_height
17	[6. Paddhaḍi]	section_header via surya_layout
18	Combined with svara (and) pāṭa and endowed with tāla, composed in any	main via surya_layout
19	language and combined with birudas is that paddhaḍī.	main via surya_layout
20	(388)	main via surya_layout
21	[7. Adilā]	section_header via surya_layout
22	Where there is the brilliant arrangement of svaras at the end of every foot,	main via surya_layout
23	combined with <math>t\bar{a}la</math>, that is <math>a\dot{q}il\bar{a}^{14}</math> by name.	main via surya_layout
24	(389)	annotation_inline parent ligne 23 via heuristic_height
25	[8. Catușpadi]	section_header via surya_layout
26	Where the song is endowed with meaning in every unit of text (pada)	main via surya_layout
27	(and) is combined with <math>t\bar{a}la</math>, having svara and <math>tenaka</math>, that is <math>catuspadik\bar{a}</m	main via surya_layout

185 lignes a valider — change uniquement les roles incorrects.

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vol_I_p091 LEFT — 43 lignes

vol_II_p159 RIGHT — 41 lignes

vol_I_p048 LEFT — 38 lignes

vol_II_p053 RIGHT — 36 lignes

vol_II_p114 RIGHT — 27 lignes