Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21645). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p044 RIGHT — 46 lignes

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1 TRANSLATION page_header
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2 71 page_number
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3 gā pā mā pā nī nī nī nī table
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4 (11) table
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5 mă pă mă pariga gā gā gā gā table
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6 (12) table
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7 ni ni pā dhā ni gā gā gā table
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8 (13) table
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9 nî nî nî nî nî nî nî nî table
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10 (14) table
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11 mã mã dhã nĩ sani dhã pã pã table
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12 (15) table
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13 mā pā mā pariga gā gā gā gā table
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14 (16) table
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15 Thusends gāndhārapancami. section_header
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16 [8. Āndhrī] section_header
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17 In <i>āndhrī, niṣāda, ṛṣabha, gāndhāra</i> and <i>pañcama</i> are the <i>aniśas</i>. There is main
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18 concert between ṛṣabha-gāndhāra and niṣāda-dhaivata. One should proceed main
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19 upto the nyāsa according to the order of the respective amsas. main
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20 (21) annotation_inline
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21 The hexatonic form comes into being with the omission of sadja. The main
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22 mūrchanā beginning with madhyama obtains. The kalās, tāla and viniyoga main
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23 (application) are said to be as in the previous one (gāndhārapañcamī). main
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24 (22) annotation_inline
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25 Gāndhāra is the nyāsa in this āndhrī. The amsas themselves are apanyāsas. main
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26 The <i>prastāra</i> is thus – main
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27 gārirīrīrīrīrīrī table
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28 (1) table
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29 rī gā rī gā rī rī rī rī table
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30 (2) table
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31 rī rī gā gā rī rī mā mā table
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32 (3) table
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33 rī gā sā dhani nī nī nī nī table
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34 (4) table
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35 ni ri ni ri dhani dhani pā pā table
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36 (5) table
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37 mā pā mā riga gā gā gā gā table
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38 (6) table
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39 rī rī gā sa ma mā mā pā pā table
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40 <b>(7)</b> table
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41 mā pā mā riga gā gā gā gā table
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42 (8) table
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43 dhā nī gā gā gā gā gā gā table
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44 (9) table
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45 pā pā mā riga gā gā gā gā table
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46 (10) table
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1 BRHADDEŚĨ page_header
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2 228 page_number
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3 [२. कामलेखा] section_header
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4 द्विगुणितरुद्रा प्रथमे, मात्रा युजि सम्भवन्ति ता एव । main
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5 विंशतिश्चासमे चरणे, यस्या: सा कामलेखेति ३६॥४४५॥ main
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6 विंशति विषमे annotation_inline
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7 (?)चरमे annotation_inline
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8 [३. बाणलेखा] section_header
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9 द्विगुणितकला यदि स्युर्मात्रा: पादत्रयेऽप्यविशिष्टा: । main
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10 (電?) annotation_inline
parent ligne 9
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11 ऽपि+(विशिष्टम्) annotation_inline
parent ligne 9
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12 [ता]बाणगणोपेता यस्यां सा बाणलेखेति ३७॥ ४४६॥ editorial_bracket
parent ligne 9
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13 न्त annotation_inline
parent ligne 9
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14 [४. चन्द्रलेखा] section_header
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15 चत्वारिशत् त्र्यधिका मात्रासंख्याऽङ्घ्रियुग्मेषु main
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16 एकोना सा विषमे यस्यां सा चन्द्रलेखेति ३८॥ ४४७॥ main
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17 ॥ इति मात्रैलाचतुष्टयम् ॥ editorial_bracket
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18 [ग. वर्णेलाप्रकारा:] section_header
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19 नैवात्र तालनियमो रसनियमो रागनियमस्तु । main
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20 भवति[खल्]वर्णनियमो वर्णेला कथ्यते तस्मात् ॥४४८॥ editorial_bracket
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21 ++ annotation_inline
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22 मदनवती शशिलेखा प्रभावती मालती तथा[ललिता] । editorial_bracket
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23 (च)तथा annotation_inline
parent ligne 19
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24 हेमवती ३९कुसुमवती वर्णनिबन्धा भवन्ति सप्तैला:॥४४९॥ main
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25 एकादशादिवर्णै: सप्तदशान्तै: क्रमेण सप्तैता: । main
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26 गीयन्ते गन्धर्वैर्लिलतपदैर्जगित सन्नादै: ॥ ४५०॥ main
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27 [१. मदनवती २. शशिलेखा ३. प्रभावती] editorial_bracket
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28 ४० अलघुगणोपेता [सा] मदनवती लघुगणेन शशिलेखा । editorial_bracket
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29 अलिलतनामोपेता annotation_inline
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30 गुरुगणबहुला [नित्यं]प्रभावती <sup>४१</sup>मालती तथा ललिता ॥ ४५१॥ editorial_bracket
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31 ....भवति रम्यतरा annotation_inline
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1 185 page_number
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2 <b>VIMARŠA</b> page_header
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3 45. In the absence of any notational sign, all the three viz. kampita, kuharita main
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4 and recita are identically illustrated. main
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5 46. Here kalā stands not only for a phrase, but for a component unit of a main
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6 phrase, if sani risa these two are taken to complete a phrase. main
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7 47. The word 'amsa' means the initial note of a phrase and this is a limited list_item
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8 meaning because amsa stands for the fundamental svara of a jāti or rāga which list_item
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9 is a much bigger and much more complex structure. list_item
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10 48. The name tāra-mandra-prasanna is interesting because it uses both mandra list_item
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11 and prasanna which individually stand for 'low'. unknown
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12 49. The sa belongs to the tāra-sthāna. list_item
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13 50. The second sa here belongs to the tāra-sthāna. list_item
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14 51. The sthāyin varņa spoken of here could be understood only in the sense list_item
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15 that the phrase begins and ends at the same svara all throughout. list_item
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16 52. The sa at the end of the preceding phrase and at the beginning of the list_item
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17 succeeding one belongs to tāra-sthāna. list_item
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18 53. The ascent operates upto nisa and descent starts with sani. list_item
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19 54. Identical with note 52 above. list_item
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20 55. The word sthāyin is used here as a synonym of amsa. BrD is the first list_item
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21 extant text to introduce this word. S R (III, 191, 193) uses it in the decription list_item
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22 of Rāgālapti. list_item
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23 56. Different names for identical forms are also found in abundance in desi list_item
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24 tālas. (cf. deśī-tāla section of SRV) list_item
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25 57. Identical with note 52 above. list_item
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26 58. The word kalā is used here both as a time-unit and a phrase-unit. list_item
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27 59. sa in the beginning of the three phrase-units belongs to tāra-sthāna. list_item
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28 60. If kalā is taken here to stand for a two-mātrā-unit, then half a kalā would list_item
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29 mean one mātrā. If kalā is taken as one mātrā, then half a kalā would be half a list_item
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30 mālrā. list_item
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31 61. The sa belongs to tāra-sthāna. list_item
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32 62. Here kalā stands both for a time-unit and phrase because there are eight list_item
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33 phrases and each phrase is of the duration of one kalā (two-mātrā-unit). list_item
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34 63. Identical with note 52 above. list_item
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35 64. SR (III, 1.4,5) speaks about ohāţī in the description of the gaudī gîti of list_item
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36 rāga. That is a kind of gamaka, but here in the description of the alankāra there list_item
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37 is no mention of any shake or any similar thing. Suddenly, the mention of ohāḍī list_item
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38 comes in which is hard to comprehend; at the most it could be understood to list_item
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39 ¥ unknown
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40 indicate special voice-production similar to ohāţī, which could be identified with list_item
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41 1 page_number
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42 the hudaka of present-day oral tradition of dhrupad which also is associated with list_item
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43 the 'ha' sound (cf. DA I, p. 46). list_item
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44 (vide) unknown
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45 65,66. Identical with note 52 above. list_item
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46 7 page_number
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47 67. There are twelve phrases in this alankara. From the way they are notated, list_item
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48 the duration of each of them could be taken to be either a kalā composed of list_item
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49 two mātrās or four mātrās, as follows- list_item
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vol_II_p151 LEFT — 47 lignes

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1 Page 1000 unknown
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2 284 page_number
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3 BRHADDEŚĪ section_header
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4 (ii) main
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5 बाङ्गाली भित्रपड्जे या मतङ्गस्य मते स्थिता । main
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6 तस्या भाषाङ्गतामाह सर्वाङ्गपरिपृरित:॥ main
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7 Ibid.3.119. annotation_inline
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8 9. cf. main
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9 (i) annotation_inline
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10 ममन्द्रा पड्ज-तारा च ग्रहन्यासांशपञ्चमा । main
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11 स्वल्प-धैवत-गान्धारा भम्माणी ऋषभेऽक्रिया[?]॥ editorial_bracket
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12 C.r. in Bha Bhā VII.231. main
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13 (ii) annotation_inline
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14 त्रिपा सतारा मृदुमस्वरा च, हीना निगाभ्यां धगताल्पता च । main
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15 भम्माणिका याष्ट्रिकसम्मतेन भाषाङ्गमुक्ता वसुधाधिपेन ॥ main
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16 S Rāj 11.2.3.112. annotation_inline
parent ligne 15
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17 10. cf. (i) main
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18 सान्ता धांशा हीनगपा पुलिन्दी भिन्नपङ्जजा । main
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19 सधयोः समयोर्युक्ता पुलिन्दजनबङ्गभा ॥ main
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20 Kalā (appendix) on SR II. p.140. main
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21 (ii) annotation_inline
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22 पुलिन्दिका भिन्नपङ्जे पूर्वमेवोदिता तु या । main
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23 सैव भाषाङ्गमित्युक्ता सर्वभाषाङ्गवेदिना ॥ main
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24 S Rāj II.2.3.77. annotation_inline
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25 11. The description (lakṣaṇa) is lost due to a break in the text. In S Rāj main
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26 II.2.2.17a gāndhārasindhu is mentioned as a bhāṣānga, but its definition is not main
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27 given even in that text, on the plea that it is not 'seen in current practice'. main
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28 न लक्षितात्र गान्धारसिन्धुर्लक्ष्येप्वदर्शनात् । main
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29 S Rāj II.2.3.107. annotation_inline
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30 12. P.t. is confused as - main
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31 गान्धारसिन्धुपङ्जन्यासग्रहा धांशधारिता । main
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32 + + + + + + + + + + मन्द्रमध्यमा॥ main
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33 Reconstruction based on (ii) and (iii) below(note 13). main
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34 13. cf. (i) annotation_inline
parent ligne 33
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35 गान्धारतारा मृदुमा धैवतांशग्रहान्तिमा । main
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36 समशेपस्वरा पूर्णा कर्णाटी वर्णिता भये ॥ main
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37 S Rāj II.2.3.108. annotation_inline
parent ligne 36
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38 थान्ता (धांशा) षड्जग्रहन्यासा तारगा मन्द्रमध्यमा । main
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39 (ii) annotation_inline
parent ligne 38
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40 समशेपस्वरा पूर्णा कर्णाटी कर्णरक्तिदा ॥ main
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41 इमां भाषां समाचष्ट मतङ्गादिविदां गण:। main
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42 रागाङ्गमाह नि:शङ्को ग्रामरागानुसारत: ॥ main
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43 S Rāj II.2.2.113,114. main
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44 (iii) annotation_inline
parent ligne 43
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45 षड्जन्यासग्रहा धांशा स(ग)तारा मन्द्रमध्येमा । main
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46 समस्वरा च सङ्कीर्णा पूर्णा पूर्णाटका मता ॥ main
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47 Kalā (appendix) on SR II, p. 128. main
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1 BRHADDEŚĪ page_header
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2 114 page_number
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3 [अनु॰ १९८] section_header
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4 षड्जोऽस्य ग्रहोंऽशो न्यासश्च । निषादोऽत्र काकली । धैवतर्षभहीनमौडुवितम् । main
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5 धैवत ऋषभहीन( ध ?)मौडवितम् annotation_inline
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6 <sup>८२</sup>सम्भोगशृङ्गारेऽस्य विनियोग:। वीरादिरस:। मूर्छना षड्जादि:। वर्ण आरोही। main
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7 ॰ना(दि) annotation_inline
parent ligne 6
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8 प्रसन्नादिरलङ्कारः । दक्षिणे कला, वार्तिके कला, चित्रे कला। स्वरपदगीते चच्चत्पुटादिताल । main
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9 [७. टक्ककेशिक:] section_header
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10 धैवतांशस्तदन्तश्च स्वल्पद्विश्रुतिकस्वर: । main
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11 धैवतीमध्यमाजात्यो: सञ्जातष्टक्ककैशिक: ॥३२६॥ main
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12 ॰एक annotation_inline
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13 [अनु॰ १९९] section_header
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14 धैवतीमध्यमाजात्योर्जातत्वाट्टक्ककेशिक: षड्जग्रामसम्बन्ध:। <sup>८३</sup>ननु उभयग्रामसम्बन्धिन्यो- main
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15 (यस्याज? ठमय) annotation_inline
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16 र्जात्योः समुत्पन्नोऽयं गगः षड्जग्रामसम्बन्ध इति कथं वक्तुं युक्तम् ? अस्य प्रयोगे चतुःश्रुतिसम्बन्धः main
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17 र्जा(न्यो?त्यो) annotation_inline
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18 (कथं) annotation_inline
parent ligne 16
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19 पञ्चम उपलभ्यते। पञ्चमधैवतौ द्विग्रामयोर्भेदकारिणौ अत: पञ्चमस्य चतु:श्रुतिकत्वात् । षङ्जग्रामसम्बन्ध main
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20 (पञ्चमे पैवतेन भिग्रामयोर्भेदकारिणौ ?) annotation_inline
parent ligne 19
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21 एवायं राग:। ग्रहोंऽशो न्यासश्च धैवत:। निषादगान्धारौ चात्र काकल्यन्तरौ। पूर्णस्वरश्चायम्। main
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22 <sup>८४</sup>कश्यपमते निषादगान्धारयोर्लोपादयमौडुवित: । उद्भटनाट्ये कामग्रस्ततत्कञ्चकिप्रवेशे चास्य main
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23 विनियोग:। बीभत्सादिरस: । धैवतादिमूर्छना। आरोही वर्ण:। दक्षिणे कला, वार्तिके कला, चित्रे main
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24 मध्यमादिधैवता(?) annotation_inline
parent ligne 23
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25 कला । स्वरपदगीते चच्चत्पुटादिताल: । main
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26 [८. मालवकैशिक:] section_header
via surya_layout
27 ८५कैशिकीजातिसम्भूतः षड्जांशन्याससंयुतः । main
via surya_layout
28 दुर्बलो धैवतेन स्याद् रागो मालवकैशिक: ॥ ३२७॥ main
via surya_layout
29 <sup>८६</sup>पञ्चमं केचिदिच्छन्ति चास्य वै न्यासकर्मणि । main
via surya_layout
30 हात्याद्याः + कर्मणि annotation_inline
parent ligne 29
via heuristic_height
31 गान्धारं च तथा चान्ये तद्धि लक्ष्ये न दृश्यते ॥ ३२८॥ main
via surya_layout
204 lignes a valider — change uniquement les roles incorrects.