Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21648). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p138 LEFT — 41 lignes

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1 1. ***** annotation_inline
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2 258 page_number
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3 BRHADDEŚĨ page_header
via surya_layout
4 38. Reconstuction based on the reading found in all subsequent list_item
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5 rāgas. list_item
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6 39. P.t. breaks here. Ākṣiptikā is thus defined in SR list_item
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7 चच्चत्पुटादितालेन मार्गत्रयविभूपिता। list_item
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8 आक्षिप्तिका स्वरपदग्रथिता कथिता बुधै: ॥ list_item
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9 SR II.2.25 cd, 26 ab. main
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10 स्वरपदग्रधिता, पड्जादिस्वरोपेतै: पदै: पदार्थवाचकै: शब्दैग्रंथिता रचिता main
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11 पदतालाद्याक्षिप्तत्वादाक्षिप्तिकेत्यर्था । वुधैर्मतङ्गादिभि: कथिता । main
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12 Kalā on ibid, p. 22. main
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13 40. P.t. breaks here. The following extracts would be pertinent - main
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14 मध्यमापञ्चमीजात्यो: सम्भूत: शुद्धपञ्चम: । main
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15 अंशोऽस्य पञ्चमो न्यास: स्वल्पद्विश्रुतिकस्वर:॥ main
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16 BhaKo, p. 666, ascribed to Kaśyapa. main
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17 यदि पञ्चमो विरमते गान्धारधान्तरस्वरो भवति । main
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18 ऋपभो निपादसहितस्तं पञ्चममीदृशं विद्यात् ॥ main
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19 Nā Śi 1.4.6. annotation_inline
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20 मध्यमापञ्चमीजातः काकल्यन्तरसंयुतः ॥ main
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21 पञ्चमांशग्रहन्यासो मध्यसप्तकपञ्चम:। main
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22 <b>इ</b>ष्यकामूर्च्छनोपेतो ज्ञेय: कामादिदैवत: ॥ main
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23 चारुसञ्चारिवर्णश्च ग्रीप्मेऽहः प्रहरेऽग्रिमे । main
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24 शृङ्गारहास्ययो: सन्धाववमर्शे प्रयुज्यते ॥ main
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25 SR.II.2. 148c-150. main
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26 41. Reconstruction based on the succeeding prose portion, where list_item
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27 the omission of rṣabha and pañcama is prescribed. list_item
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28 42. The 'jātyoḥ' of p.t. could be taken to be the dual number of the list_item
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29 genitive or locative case, though locative would be more appropriate list_item
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30 according to the context. We have changed it to the dual number of the list_item
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31 ablative case which was felt to be more idiomatic, but the locative case is not list_item
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32 misplaced. list_item
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33 43. This sentence has been cited by Kallinātha in Kalā on SR II. 2.30- list_item
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34 32, p. 29 for refuting the opinion that the rāga śuddhakaiśikamadhyama list_item
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35 belongs to two grāmas. list_item
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36 पड्जांशो मध्यमन्यासः कैशिकीजातिसम्भवः। list_item
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37 44. cf. list_item
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38 तथा कार्मारवीजात: सम्पूर्ण इति कैशिक: ॥ list_item
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39 BhaKo p. 149, ascribed to Matanga. main
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40 45. ' Pañcamo nyāsaḥ 'of p.t. has been changed to pañcamanyāsaḥ in main
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41 order to make a compound matching ' ṣadjāmśaḥ '. main
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vol_II_p040 LEFT — 47 lignes

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1 BRHADDEŚĪ page_header
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2 62 page_number
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3 मा मा मा मा मा मा मा मा table
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4 (8) table
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5 धां नी पां मंपं धां नी पां पां table
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6 (4) table
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7 मां पां मां धंनिं पां पां पां पां table
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8 (ξ) table
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9 री गा मा पा पा पा मा पा table
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10 (৩) table
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11 री गा मा पा पा पा मा पा table
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12 (८) table
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13 पा पा पा पा पा पा पा table
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14 (९) table
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15 री गासासारी गागागा table
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16 (१०) table
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17 मा गा पा धंम धा निध पा पा table
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18 (११) table
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19 मों पी मी पेरिने भी भी भी गी table
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20 (१२) table
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21 ॥ [इति] रक्तगान्धारी॥ table
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22 1 411 annotation_inline
parent ligne 23
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23 [४. कैशिकी] section_header
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24 कैशिक्यामृषभान्येंऽशा, निधावंशौ यदा तदा । main
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25 ॰न्यां(न्येंऽ) annotation_inline
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26 (प?य) main
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27 न्यासः पञ्चम एव स्यादन्यदा द्विश्रुती मतौ ॥ main
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28 (वि ? द्वि) annotation_inline
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29 अन्ये तु निगपन्यासान्निधयोरंशयोर्विदु: ॥ ११॥ main
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30 ॰न्यासा(न्) निधयो ॰ annotation_inline
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31 रिलोपरिधलोपेन षाडवौडुवितं मतम्। main
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32 रिरल्पो निपबाहुल्यमंशानां सङ्गतिर्मिथ: ॥ १२॥ main
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33 षाडवौडुविते द्विष्ट: क्रमात् पञ्चमधैवतौ । main
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34 (दृ ? हि) annotation_inline
parent ligne 33
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35 षाङ्जीवत् पञ्चपाण्यादि गान्धारादिस्तु मूर्छना ॥ main
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36 पञ्चमप्रेक्षणगतं ध्रुवायां विनियोजनम् ॥ १३॥ main
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37 (प्रो?प्रे) annotation_inline
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38 <sup>१७४</sup>अस्यां गान्धारपञ्चमनिषादा न्यासा:। रिवर्ज्या: षट् सप्त वा स्वरा अपन्यासा:। <sup>१७५</sup>प्रस्तार:- main
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39 (गान्धा) annotation_inline
parent ligne 38
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40 पा धनि पा धनि गा गा गा गा main
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41 (१) unknown
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42 पा पा मा निध निध पा पा पा unknown
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43 (२) unknown
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44 (vide) annotation_inline
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45 . . . annotation_inline
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46 . . . . . . . . . . . . . . . . . . . . annotation_inline
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47 the control of the control of the control of the control of the control of the control of the control of the control of annotation_inline
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vol_II_p079 RIGHT — 24 lignes

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1 TRANSLATION page_header
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2 141 page_number
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3 Illustration - Sāgāgapā. Pāmapāmagāmāmā rīgasāsā sāsamāgapāpā. main
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4 Pādhanidhā. Mapāpāmapāmāmāmagāsa sīvidhānisīsī sadhānīgāvīgāmāpāganisā main
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5 nīgārīnisāsā-. Nidhāpāmāgārīgāsā . Mānīdhanīdhāsā. Chevāţī [iv] editorial_bracket
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6 Having ṣadja as its nyāsa, niṣāda as its amsa, being weak in pancama, there main
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7 being the concert of ṣadja-gāndhāra and similarly ṣadja-madhyama, this bhāṣā main
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8 should be known as hexatonic. Mālavesarī bears the name mūlā. main
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9 (44) annotation_inline
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10 Illustration - Nīdhāninī sarisāsāgāmāgādhārisamāmāsā gāsārisāsāgadharisā. main
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11 Gāmādhāmā māgādhāgā. Sāsāsā. Mālavesarī [v] editorial_bracket
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12 Gūrjarī is well- known as a deśa-bhāṣā (regional melodic variety); it is main
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13 immensely lustrous, has niṣāda as amśa , ṛṣabha and ṣaḍja as its concluding main
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14 notes, and is complete. The concert<sup>17</sup> of sadja-madhyama and similarly main
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15 pañcama-ṛṣabha should be known there. annotation_inline
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16 (45) annotation_inline
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17 Illustration - Nisāsānipāpānīdhānīnī sānīsāsā. Sārīsāriri. Sāmāgā. Riri. main
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18 Nīnīnī. Pāpāpā. Nidhāni. Nigāsā. Gūrjarī [vi] editorial_bracket
parent ligne 17
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19 This bhāṣā, saurāṣṭrī bearing the name deśī (regional) has niṣāda as its main
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20 amsa, sadja as its concluding note, is always complete and is sung by people. main
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21 (46) annotation_inline
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22 Illustration - Ninidhāninisāsā nirigāsāsā sāgāgāsā dhaninini dhāmāmānini main
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23 ninidhāsāsā gāsāsāgāsāsadhāni dhānidhāmāmāmārigāsāsā gāsanīsāsāsā. main
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24 Saurāstrī [vii] editorial_bracket
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vol_II_p014 RIGHT — 38 lignes

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1 n er annotation_inline
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2 11 page_number
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3 TRANSLATION page_header
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4 the jātis (castes). Just as in human beings there are castes such as brahmin main
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5 and the like, that are both pure and mixed (or altered), similarly these jātis main
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6 are also (twofold). annotation_inline
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7 [Thus ends the general definition.] editorial_bracket
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8 [4. The tenfold lakṣaṇas or characteristics] section_header
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9 Now he (the author) spoke (speaks) about the tenfold lakṣaṇa - main
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10 Graha (initial note), amśa (fundamental note), tāra (high), mandra (low) main
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11 and ṣāḍava (hexatonic) and similarly auḍuvita (pentatonic) and similarly main
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12 alpatva (sparseness), bahutva (profusion) and nyāsa and apanyāsa - these are main
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13 said to form the group of ten jāti-lakṣaṇas that operate in the respective jātis. main
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14 The definition of this group of ten is being given in brief. main
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15 <math>(209-210)</math> annotation_inline
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16 [1. The definition of graha] section_header
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17 [Anu.119] editorial_bracket
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18 Out of these (lakṣaṇas), graha is that with which the performance of jāti main
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19 and the like is begun (lit . held or caught). That ( graha ) should be known main
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20 to have sixty-three varieties just like aniśa. main
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21 (Objection) What is the difference between graha and anisa? It is being main
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22 answered - amśa is vādī alone i.e. only the vādī 10 is prescribed to be the main
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23 amsa,but graha is fourfold according to the distinction of vādī and the like main
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24 1 page_number
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25 (samvādī, vivādī and anuvādī). Or there is the distinction of predominance main
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26 and subordination between the two. Graha is subordinate ( to amśa). main
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27 ŧ annotation_inline
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28 (Objection) Why is the predominance of amsa alone being spoken of? main
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29 Because of its being the progenitor 11 of raga (delight or colour) and main
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30 because of its being pervasive, the predominance of anisa alone (is accepted). main
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31 Although graha and anisa are predominant in all the jatis and this is proved main
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32 by utsarga<sup>12</sup> (general rule), yet it is being prescribed through the vidhi<sup>13</sup> main
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33 (operation) of samvādī and anuvādī. main
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34 Similarly said Bharata – annotation_inline
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35 "Graha is said to be like the amsa in all the jātis. The amsa that becomes the main
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36 starting point of geya (melodic organisation and performance) assumes an main
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37 alternative form as graha." main
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38 (NŚ XXVIII.67) main
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vol_II_p115 LEFT — 32 lignes

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1 212 page_number
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2 BRHADDESI page_header
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3 [९. दोधक:] editorial_bracket
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4 ररअर्धं गीत्वा परार्धं तु तस्योपरि ततस्वरम् ॥३९१॥ main
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5 परार्थ annotation_inline
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6 अर्थ annotation_inline
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7 ततापरि annotation_inline
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8 ॰स्वरा(?) annotation_inline
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9 [१०. तोटक:] editorial_bracket
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10 <sup>1</sup>/<sub>1</sub>[.....] editorial_bracket
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11 [११. वस्तु] editorial_bracket
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12 यत्र पाटाश्च तेत्राश्च शेषं भवेत् ततस्वरम् । main
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13 ततो परी annotation_inline
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14 . . . . annotation_inline
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15 देशीगीतेऽपि वस्तु स्यात्राटकेऽपि प्रयुज्यते<sup>१३</sup> ॥३९२॥ main
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16 [१२. क्रौञ्चपद:] section_header
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17 गीतस्तु प्रतितालेन पदस्वरसमायुत:। main
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18 ॰(ना?ता)॰ annotation_inline
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19 मतः क्रौञ्चपदो नाम स तु गान्धर्ववेदिनाम् १४॥३९३॥ main
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20 [१३.हंसपद:] section_header
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21 संस्कृतं पादमेकं तु द्वितीयं देशसंयुतम्। main
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22 सप्रासं गीयते यत्तद् गीतं हंसपदं विदुः १५॥३९४॥ main
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23 यम annotation_inline
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24 [१४.शुकसारिक:] section_header
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25 यस्तु तालपदोपेत[:] पदपाटविराजित:। editorial_bracket
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26 प्रश्नोत्तरसमायुक्तः स तूक्तः शुकसारिकः ॥३९५॥ main
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27 ॰यु(के:?क:) सदोक: annotation_inline
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28 न्तः annotation_inline
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29 [य: स्यात्] कर्णाटभाषायामथवा मिश्रितो यदि । editorial_bracket
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30 ٠ page_number
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31 + annotation_inline
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32 संवादकपदोपेत: स भवेच्छुकसारिक: १६॥ ३९६॥ main
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182 lignes a valider — change uniquement les roles incorrects.