Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21660). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p059 LEFT — 34 lignes

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1 BŖHADDEŚĪ page_header
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2 100 page_number
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3 [अनु॰ १८०] editorial_bracket
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4 अस्यार्थः - अन्यां जातिं परिहरन् स्वजातिकुलभूषितं स्वमूलं तु संगृह्णिति । main
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5 [४. भिन्नकैशिकः] section_header
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6 [अनुः १८१] editorial_bracket
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7 शुद्धस्य लक्षणं समग्रं भिन्नकैशिकस्यापि विद्यते । तर्हि को भेदः । गीतिकृतो भेदः main
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8 (कटी?गी) annotation_inline
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9 शुद्धकैशिको हि शुद्धगीत्या गीयते, भिन्नकैशिकस्तु भिन्नगीत्या गीयते। एतदुक्तं भवति - येन main
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10 स्वस्थानेन रागीयते शुद्धकैशिके न तेन स्वस्थानेन भित्रकैशिके रागीयत इति। लक्षणं चास्य यथा- main
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11 <b>(?)</b> annotation_inline
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12 (स्थं ?)संस्थानेन main
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13 •केन annotation_inline
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14 <b>ण्य</b>ने annotation_inline
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15 संस्थानेन annotation_inline
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16 शुद्धकैशिकवदूप[:] स्वरज्ञैर्धित्रकैशिक:। editorial_bracket
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17 षड्जांशः पञ्चमन्यासः सम्पूर्णः सप्तभिः स्वरैः ॥३११॥ main
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18 [अन्॰ १८२] editorial_bracket
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19 अस्यार्थ: - भित्रकैशिको मध्यमग्रामसम्बन्ध: कैशिकीकार्मारवीजात्युत्पत्रत्वात् । main
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20 ग्रहोंऽशश्च षड्जः । पञ्चमो न्यासः । निषादोऽत्र काकली । पूर्णश्चायम् । शुद्धैकेशिकवदयं यद्यपि रागः main
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21 उदयं(?) annotation_inline
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22 तथापि भेदोऽस्ति । मन्द्रबहुलोऽयम् । येन स्वस्थानेन शुद्धकैशिके स्वरालापः क्रियते, तत्स्वस्थानं main
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23 संस्थाने(न) annotation_inline
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24 विहाय तैरेव स्वरैरालाप: कर्तव्य:। शुद्धकैशिके हि तारस्वरैरालाप: कर्तव्य इति रूपान्यत्वेनायं main
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25 विभिन्नकैशिके annotation_inline
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26 (य) annotation_inline
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27 भिद्यते । दानवीरे चास्य विनियोगः । वीररौद्रादिको रसः । षड्जादिमूर्छना । वर्णः सञ्चारी । main
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28 प्रसन्नादिरलङ्कार:। दक्षिणे कला, वार्तिके कला,चित्रे कला। स्वरपदगीते चच्चत्पुटादिताल:। main
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29 [श्रुतिभिन्नः] section_header
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30 साम्प्रतं श्रुतिभिन्नस्य लक्षणमाह - main
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31 भिन्नतानस्य annotation_inline
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32 ६०चतु:श्रुतिस्वरो यत्र भिन्नो द्विश्रुतिकेन तु । main
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33 गान्धारो द्विश्रुतिश्चैव श्रुतिभिन्न: स उच्यते ॥ ३१२॥ main
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34 (आधा ? गान्या)रो annotation_inline
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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚÏ page_header
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2 112 page_number
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3 [५. बोट्टरागः] section_header
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4 स्यात् षड्जमध्यमाजाते: पञ्चम्याश्च विनिर्गत: । main
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5 बोट्टरागश्च विज्ञेय: पञ्चमांशोऽन्तमध्यम: ॥३२४॥ main
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6 पञ्चमोंऽशो( ऽन्त)मध्यमः annotation_inline
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7 [अनुः १९६] section_header
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8 [अस्यार्थ:-]बोट्टराग: षड्जग्रामसम्बन्ध:<sup>७७</sup>षड्जमध्यमापञ्चमीजात्योर्जातत्वात्। editorial_bracket
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9 यद्यप्युभयग्रामसम्भूतजातिद्वयसमुत्पन्नः,तथापि पञ्चमस्य<sup>७८</sup>चतुंःश्रुतिकत्वात् षड्जग्रामसम्बन्धः। main
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10 पञ्चमो ग्रहोंऽशश्च । मध्यमो न्यास: । निषादगान्धारयोरल्पत्वम्<sup>७९</sup>। निषादोऽत्र काकली । main
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11 पूर्णस्वरश्चायम्। उत्सवे चास्य विनियोगः। शान्तादिको रसः। पञ्चमादिमूर्छना । आरोही वर्णः । main
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12 प्रसन्नान्तोऽलङ्कारः। दक्षिणे कला, वार्तिक कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादितालः । main
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13 [६. हिन्दोल:] section_header
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14 षड्जांशन्याससंयुक्तो धैवतर्षभवर्जित:। main
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15 धैवत्यार्षभिकात्यक्तो हिन्दोल: प्रेक्षणे भवेत् ॥ ३२५॥ main
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16 र्व्य(भी?भिका)॰ annotation_inline
parent ligne 15
via heuristic_markers
17 [अनु॰ १९७] section_header
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18 [अस्यार्थ: -] हिन्दोलको मध्यमग्रामसम्बन्ध: । <sup>८</sup>°[ननु] धैवत्यार्षभीरहितोभय- editorial_bracket
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19 रहित:।उभय annotation_inline
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20 ग्रामसम्बन्ध्यशेषस्वराख्यजातिसमुत्पत्रत्वादुभयग्रामिकत्वमेव युक्तम् ,कथं मध्यमग्रामाश्रित इति? main
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21 ग्रामसम्बन्धः annotation_inline
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22 धैवतर्षभहीनत्वान्मध्यमग्रामसम्बन्ध एव, ८१भरतकोहलादिभिराचार्यै: main
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23 षड्जग्रामे annotation_inline
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24 ॰भी(ही)क annotation_inline
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25 धैवतर्षभलोपस्यानिष्टत्वात् । केचित् षड्जग्रामाश्रित एवायमिति मन्यन्ते चतुः-श्रुतिकस्य main
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26 पञ्चमस्यात्रोपलम्भात् । धैवतस्य चानाशित्वं तानविषयमेव द्रष्टव्यं न सर्वत्रेति । एतच्चायुक्तम् । एवं main
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27 हि सित ग्राममूर्छनाभेदो न स्यादिति । main
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28 (छ) annotation_inline
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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
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2 140 page_number
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3 72,73 C.r. in S R I Kalā, p. 104. main
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4 74. P.t; our reconstruction is nearer P.t. main
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5 75. cf. (i) मध्यमस्वरेण तु वैणेन मूर्छनानिर्देशो भवत्यनाशित्वात् मध्यमस्वरस्य निग्रहः प्रवेशो वा। main
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6 ( NS Chau, p. 321 ) annotation_inline
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7 (ii) मध्यमस्वरेणेव तु मूर्छनानिर्देशः कार्यो भवति अनाशित्वान्मध्यमस्य निग्रहे पर्यग्रहे वा। main
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8 ( NŚ XXVIII, p. 27) annotation_inline
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9 76. Reconstruction based on Abhi Bhā on NS XXVIII, p. 28, reading as - main
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10 चतुर्थस्वर एव कण्ठ्यो मध्यमा ( मोऽ ) त्रेत्यपरे। main
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11 Brahaspati has interpreted 'karnye' as the 'fundamental note' that is main
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12 constantly heard in the drone. But 'kanthya' seems to be more appropriate, main
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13 because kantha (lit. throat) is the location of the middle register in the human main
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14 body. annotation_inline
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15 77. Reconstruction based on the reading of Dattilam 37. main
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16 78. cf. (i) नन् प्रथमाया सप्तम्या च मूर्छनाया षड्जलुप्ते रिगमपधनिरूप भवतीति तत्र को विशेषः। सत्यं main
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17 भेदो नास्ति, परन्तु मन्द्रतारकृतो भेदो विद्यत एव। main
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18 (C.r. in S R I Sudhā, p. 117) main
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19 (ii) ननु प्रथमाया सप्तम्या च मूर्छनाया पहजे न्तुप्ते रिगमपधनिरूप भवतीति दुर्जातो विशेषः। सत्य main
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20 लेख्यभेदो नास्ति। annotation_inline
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21 ( Abhi Bhā on XXVIII, p. 28 ) main
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22 79. cf. (i) इद च प्रयोक्त्श्रोतृसुसार्य च मूर्धनानानात्वम्। मूर्धनातानप्रयोजनमपि स्थानप्राप्त्यर्थम्। main
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23 ( NŠ XXVIII, p. 27 ) main
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24 (ii) प्रयोक्तुश्रोतृसुक्षार्थं तानमूर्छनातत्त्वम् । प्रयोजनमपि स्थानप्राप्तः । main
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25 ( NŠ Chau, p. 321 ) annotation_inline
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26 'Nānātvam' (variety) is associated with mūrchanā in NS, but in BrD the main
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27 reading mūrchanā-tānānyatvam suggests a distinction between mūrchanā and main
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28 tāna and it is in consonance with the preceding discussion in Anu. 45. main
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29 80. C.r. in S R I Sudhā, p. 117. main
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30 81. cf. ननु च मूर्धनास्तावत् जाञ्जति ( 0 ज्जाति ) ग्रह ( राग ) भाषावत्र प्रयोगोपयोगिन्यः, तानाश्च main
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31 कुतप ( कुत्र ) उपयुज्यन्ते, तानोक्तस्वरातिरिक्तानामपि जातिषु लोपा ( प्य ) भावाद् दृष्टत्वात्। main
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32 (Abhi Bhā XXVIII, p. 29) main
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33 ( Readings suggested in paranthesis ours ). main
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34 82. cf. ग्रामद्वयेऽपि तानाना पाडवीडवसजिनाम् । main
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35 नष्टोदिष्टविधानाय तत्सस्यामभिदध्यहे ॥ main
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36 (S. Rāj II, 1.1.424) main
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37 83. Reconstruction in the whole verse based on the reading in <i>Dattilam</i> 39. list_item
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38 84. ibid., <i>Dattilam</i> 40. list_item
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39 85. Reading suggested by the ed. list_item
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40 86. P.t. is utterly confused here. list_item
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41 87. cf. प्रयोजनमपि स्थानप्राप्तिः। स्थान तु त्रिविध पूर्वोक्तलक्षण काकुविधाने। list_item
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42 ( NŠ Chau, p. 321 ) main
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43 88. 'Sthāna' added on the basis of NS XXVIII, p. 27. main
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1 , annotation_inline
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2 TRANSLATION page_header
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3 239 page_number
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4 [37. Dhvanikuṭṭanī] section_header
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5 Here there are <i>mātr</i>ās of even number and there is <i>dhvuni</i>, sometimes there is main
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6 a pause after that. If there are two tālas in this, then that is dhvanikuṭṭanī. main
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7 (480) main
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8 [38.<i>Dheńki</i>] section_header
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9 Where <math>n\bar{a}da_{*}^{86}</math> synthesised with syllable is taken up at will without <math>t\bar{a}la</math> and main
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10 then there is tāla, that is said to be <i>dhenkikā</i>. main
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11 (481) main
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12 [39. Ekatālī] section_header
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13 Where there is alliteration without break <math>^{87}</math> (and) where yati is formed in each main
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14 druta<sup>88</sup>(?), that is known to be ekatālikā by those knowledgeable in the essence main
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15 of music. annotation_inline
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16 (482) main
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17 [40. <i>Mātṛkā</i>] section_header
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18 Where the letters of the alphabet are taken up one by one and are sung main
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19 in combination with the desired meaning, that is called mātṛkā.89 main
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20 (483) main
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21 [41. Svarārtha] section_header
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22 Where the song is properly accomplished with the svaras (solfa syllables) main
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23 yielding the desired meaning, that is known as svarārtha among the songs made main
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24 of vastu. annotation_inline
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25 (484) main
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26 [42. <i>Karana</i>] section_header
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27 Where two sections are composed of svaras alone without any break, that has main
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28 been said here to be karaṇa, being (endowed) with the yati named karaṇa (?).91 main
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29 (485) main
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L#Texte OCRRole autoCorriger si incorrect
1 <b>VIMARŚA</b> annotation_inline
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2 307 page_number
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3 52. The word gamaka seems to stand for shake here. list_item
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4 53. Dānavīra is one of the four varieties of vīra, the other three being list_item
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5 dharmavīra, yuddhavīra and dayāvīra. list_item
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6 54. The import seems to be that śuddha-bhinna has an independent list_item
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7 form and that it is not the modified form of a suddharaga. list_item
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8 55. Here the distinction of a bhinna raga is established only on the list_item
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9 basis of giti or distinctive tonal rendering. list_item
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10 56. Syasthāna is a word used in SR III.140 and III.191-192 in the list_item
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11 context of sthāya and ālapti respectively; it stands for the sections of rāgālapti list_item
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12 formed on the basis of the units of tonal range within an octave, the first unit list_item
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13 being formed in the range from the tonic and from below it upto the svara list_item
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14 preceding the fourth, the second unit touching the fourth, the third list_item
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15 reaching below the octave and the fourth touching the octave. list_item
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16 57. 'Leaving the svasthana' seems to imply that the lower register will list_item
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17 be used in this rāga, as distinct from śuddhakaiśika which is performed with list_item
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18 tāra svaras. Here svasthāna does not seem to signify the units of tonal range list_item
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19 described in note 56 above, rather it appears to mean ' the own sthana or list_item
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20 register' of a raga. list_item
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21 58. "Niṣāda taking up the two śrutis of pañcama" is a prima facie list_item
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22 fallacious statement because pañcama is not adjacent to niṣāda. But there list_item
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23 could be a hidden meaning, taking the two grāmas together, as follows - list_item
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24 Şadjagrāma sa - ri- antaraga - ma - pa - dha - ni. main
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25 Madhyamagrāma ma - pa - dha - ni - sa - ri - ga. main
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26 Niṣāda of madhyamagrāma is adjacent to pañcama of ṣadjagrāma. The main
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27 above statement could be valid in terms of the two grāmas taken together. main
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28 59. The 'omission' of pancama comprised of three śrutis in list_item
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29 ṣaḍjagrāma actually means that this pañcama is not admissible in ṣaḍjagrāma. list_item
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30 60. 'Mature' karuṇa rasa is a notable expression. list_item
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31 61. Our text mentions ohāṭī for the second time here. SR (II.1.4,5) list_item
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32 also mentions it while describing the gaudi gita and defines it as the list_item
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33 "Sound combining 'ha' and 'o' produced b, placing the chin on the chest." list_item
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34 62. There is a striking contradiction between the viniyoga or list_item
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35 application in terms of śringāra and the rasas mentioned separately, viz. list_item
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36 bībhatsa and bhayānaka that are incompatible to śṛṅgāra. list_item
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37 63. Here again the viniyoga is given in terms of karuņa and the rasa list_item
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38 is mentioned as vīra in accordance with the amśa that is ṣaḍja. list_item
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39 64. 'Rāga' is another name for vesarā gīti; this alternative name is also list_item
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40 mentioned in later texts like SR II.1.6. The basis of this alternative name as list_item
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41 cited in the name of Kasyapa seems to be that the ragas that are not list_item
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175 lignes a valider — change uniquement les roles incorrects.