Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21667). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p127 LEFT — 36 lignes

L#	Texte OCR	Role auto
1	236	page_number via heuristic_pagenum
2	BRHADDEŠĪ	page_header via surya_layout
3	[५. द्राविडैला]	section_header via surya_layout
4	भावाभिनयतालाढ्या विचित्रध्वनिरञ्जिता ।	main via surya_layout
5	प्रासहीना रसस्था च<sup>४७</sup> एला द्रविडदेशजा ॥ ४७२॥	main via surya_layout
6	॥ इति देशाख्यैलापञ्चकम् ॥	editorial_bracket parent ligne 5 via heuristic_brackets
7	[एलासङ्खया]	section_header via surya_layout
8	गणैला तु चतुर्धोक्ता पञ्चमी सङ्करात्मका ।	main via surya_layout
9	(यत?तु) चतु(थॉं?धॉं) का	annotation_inline parent ligne 8 via heuristic_height
10	मात्रैला तु चतुर्भेदै: कथिता गीतकोविदै: ॥ ४७३॥	main via surya_layout
11	चतुर्दशविभेदेन वर्णेला परिगीयते ।	main via surya_layout
12	पञ्चधा देशभेदेन देशैला: समुदीरिता: ॥ ४७४॥	main via surya_layout
13	(शैलरश?देशै)ला:	annotation_inline parent ligne 12 via heuristic_height
14	एकत्र मिलितास्त्वेता अष्टाविंशतिसंख्यया ।	main via surya_layout
15	विज्ञाता गीतशास्त्रज्ञै: स्वस्वलक्षणसंयुता: ॥ ४७५॥	main via surya_layout
16	(वि)ज्ञाता	annotation_inline parent ligne 15 via heuristic_height
17	<b>भी (:स्वस्व)</b>	main via surya_layout
18	[इत्येलाभेदा:]	editorial_bracket parent ligne 17 via heuristic_brackets
19	[३६. झोम्बड:]	section_header via surya_layout
20	आवृत्त्या यत्र पादार्धं गीत्वा तदनुगीयते ।	main via surya_layout
21	आ(वि?वृ)त्या (धं?धं)	main via surya_layout
22	अर्धं द्वितीयमस्यापि प्रासस्तु स्याद् द्वयोरिप ॥ ४७६॥	main via surya_layout
23	<b>पादस्य</b>	annotation_inline parent ligne 22 via heuristic_height
24	एवमेव द्वितीयोऽपि अस्य पाद: प्रगीयते ।	main via surya_layout
25	एवं तृतीयपादश्च पादो यश्च चतुर्थक: ॥ ४७७॥	main via surya_layout
26	(द्वि?तृ)	annotation_inline parent ligne 25 via heuristic_short
27	प्रत्येकं सर्वपादानामन्तेऽसौ यत्र गीयते ।	main via surya_layout
28	स तु झोम्बडको नाम गीतज्ञैरिभधीयते ॥ ४७८॥	main via surya_layout
29	कङ्कालो नाम तालश नैव झोम्बडके भवेत्।	main via surya_layout
30	तारश	annotation_inline parent ligne 29 via heuristic_height
31	॰को	annotation_inline parent ligne 29 via heuristic_markers
32	अन्ये तु देशिसम्बन्धास्तालाः सर्वे भवन्ति हि ॥	main via surya_layout
33	देशी॰	annotation_inline parent ligne 32 via heuristic_markers
34	तेनकालङ्कृता भेदा झोम्बडस्य भवन्ति हि ॥ ४७९॥	main via surya_layout
35	ताना +	annotation_inline parent ligne 34 via heuristic_height
36	•डेस्य	annotation_inline parent ligne 34 via heuristic_height

vol_I_p036 LEFT — 29 lignes

L#	Texte OCR	Role auto
1	<b>BRHADDES!</b>	page_header via surya_layout
2	54	page_number via heuristic_pagenum
3	आरोहणावरोहणक्रमेण स्वरसप्तकम्।	main via surya_layout
4	मूर्छनाशब्दवाच्यं हि विज्ञेयं तद् विचक्षणैः ॥ ९१ ॥	main via surya_layout
5	अनु. ३६	section_header via surya_layout
6	सा च मूर्छना द्विविधा-सप्तस्वरमूर्छना द्वादशस्वरमूर्छना चेति। तत्र	main via surya_layout
7	सप्तस्वरमूर्छना चतुर्विधा- पूर्णा, षाडवा, औडुविता, साधारणा चेति।	main via surya_layout
8	तत्र सप्तभिः स्वरैर्या गीयते सा पूर्णा। षड्भिः स्वरैर्या गीयते सा	main via surya_layout
9	षाडवा। पञ्चिभः स्वरैर्या गीयते सा औडुविता। काकल्यन्तरस्वरैर्या	main via surya_layout
10	13:56	annotation_inline parent ligne 9 via heuristic_short
11	गीयते सा साधारणा।	main via surya_layout
12	,पी14	main via surya_layout
13	[ अनु. ३७ ]	section_header via surya_layout
14	ii<br>L	unknown via fallback
15	इदानीं मूर्छनामण्डलमुच्यते। तत्र परिपाट्याहितत्वेन प्रवृत्तत्वात्	main via surya_layout
16	सप्तस्वराणां मूर्छनानां प्रतिग्राममेकोनपञ्चाशत् स्वराः कोष्ठाश्च भवन्ति।	main via surya_layout
17	तद्यथा—	section_header via surya_layout
18	एकोनाः खलु पञ्चाशत् कर्तव्याः स्वरसंयुताः।	main via surya_layout
19	₀ण्डू ( ? )	annotation_inline parent ligne 18 via heuristic_markers
20	तिर्यगृध्वं च रेखाभिरष्टभिश्चैव कोष्ठकाः ॥९२॥	main via surya_layout
21	[ अनु. ३८ ]	section_header via surya_layout
22	तत्र स-नि-ध-प-म-ग-रीत्याद्याः सप्त षड्जग्रामे।	main via surya_layout
23	म-ग-रि-स-नि-ध-पाद्याः सप्त मध्यमग्रामे।	main via surya_layout
24	तिर्यगृर्ध्वगा अपि स्वरा:15 कार्या:1 तद्यथा—	main via surya_layout
25	नि-ध-प-म-ग-रि-सा इति षड्जग्रामे।	main via surya_layout
26	ग-रि-सं-नि-ध-प-मा16 इति 17मध्यमग्रामे॥	main via surya_layout
27	एवं तावदुभयग्रामिक्यश्चतुर्दश मूर्छनाः संपूर्णाः।	main via surya_layout
28	स-रि-ग-म-प-ध-नि	annotation_inline parent ligne 27 via heuristic_short
29	नि-स-रि-ग-म-प-ध	main via surya_layout

vol_II_p132 RIGHT — 39 lignes

L#	Texte OCR	Role auto
1	PĀŢHAVIMARŚA	page_header via surya_layout
2	247	page_number via heuristic_pagenum
3	24. Reconstruction based on Datti. 56.	list_item via surya_layout
4	25. Reconstruction based on c.r. in Kalā on SR I.7. 29-34, p. 182.	list_item via surya_layout
5	cf. स त्रिपष्टिभेदभित्रोऽष्टादशजातिषु ।	list_item via surya_layout
6	BhaKo p. 3.	main via surya_layout
7	26. Reading in BhaKo p. 3.	list_item via surya_layout
8	27. cf. कासु च जातिषु नन्दयन्त्यादिषु ग्रहांशयोर्विवादित्वेन ग्रहस्याप्रधानत्वं सम्भवति ।	list_item via surya_layout
9	BhaKo p. 188.	main via surya_layout
10	28. P.t. adds here the following confused portion	list_item via surya_layout
11	तथापि प्रथमचतुर्थपष्टगीतेषु मन्द्रप्रकृतो (मन्द्रकृतो)विशेषः नियमः प्रथमे संवादित्वात् कथं भेदप्रयोगः । षङ्जोदीच्यवा-	list_item via surya_layout
12	मध्यमोदीच्यवा-रक्तगान्धारी-गान्धारी-पञ्चमीनां तु ग्रहाविवादि द्वेन ( ग्रहाविवादित्वेन) ग्रहस्तु आर्षभी धैवती निपादवत्यन्	list_item via surya_layout
13	पड्जकैशिकी पड्जमध्यमा चेति । एवं नन्दयन्त्यामिति ग्रहविधि:।	list_item via surya_layout
14	29. NŠ reads this verse as -	list_item via surya_layout
15	ग्रहस्तु सर्वजातीनामंशवत् परिकीर्तित:।	main via surya_layout
16	यत्प्रवृत्तं भवेदु गेयमंशो ग्रहविकल्पित:॥	main via surya_layout
17	NŠ XXVIII. 67.	annotation_inline parent ligne 16 via heuristic_short
18	ग्रहस्तु सर्वजातीनामंश एव हि कीर्तित: ।	main via surya_layout
19	यत्प्रवृत्तं भवेद् गानं सोंऽशो ग्रहविकल्पित:॥	main via surya_layout
20	NŠ Chau. XXVIII. 71.	main via surya_layout
21	The reading of our text is better than the G.O.S. ed. specially in the fourth	main via surya_layout
22	foot.	main via surya_layout
23	30. 'Amśa' here has been replaced with 'anga' because it does not fit	list_item via surya_layout
24	into the context.	list_item via surya_layout
25	31. Reconstruction based on BhaKo p. 3; p.t. reading 'yasminnamśe'	list_item via surya_layout
26	involves a repetition of 'amśa' in the sentence, which is redundant.	list_item via surya_layout
27	32. 'Yasrā' is the reading of MS B recorded by the ed.	list_item via surya_layout
28	33. Reading of MS B as recorded by the ed.	list_item via surya_layout
29	34. 'Mandrāinsa' does not seem to fit into the context.	list_item via surya_layout
30	'Pañcamāmśā' has been conjectured here, because accordingly the last	main via surya_layout
31	svara dha will be the seventh below the amśa.	main via surya_layout
32	35. MSB. reading is recorded by ed. as 'sasthāne'. Neither 'sainsthāne' nor	list_item via surya_layout
33	'sasthāne' appear to fit into the context. We have, therefore, reconstructed as	list_item via surya_layout
34	<i>'svasthāne'. 'Svasthāna'</i> is a word occurring in later texts (cf. SR III.191, 192)	list_item via surya_layout
35	for sections of 'alapa' or melodic elaboration. It could not be said definitely	list_item via surya_layout
36	whether or not this word was current in the times of our text; all the same, this	list_item via surya_layout
37	seems to be the only plausible alternative in view of the available readings.	list_item via surya_layout
38	36. This portion has been added on the basis of the following	list_item via surya_layout
39	verse of NS -	list_item via surya_layout

vol_II_p164 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	311	page_number via heuristic_pagenum
2	VIMARŠA	page_header via surya_layout
3	22,23. Nāga and kinnara are names of ethnic groups. Our text is the	list_item via surya_layout
4	first one to mention ethnic names in the context of music.	list_item via surya_layout
5	24. Paurāla is not a known geographical name. One approximate	list_item via surya_layout
6	name is paurava, "a country on the eastern bank of the jhelam including the	list_item via surya_layout
7	Gujrat district, the original seat of the Purus, the kingdom of Porus who	list_item via surya_layout
8	fought with Alexander " (Nando Lal De). Purālī was an ancient name of	list_item via surya_layout
9	Travancore (ibid).	list_item via surya_layout
10	25. Harşapūra is not known as a geographical name.	list_item via surya_layout
11	26. <math>\bar{A}bh\bar{i}ra</math> is both a geographical and ethnic name. It is identified as	list_item via surya_layout
12	"the south-eastern portion of Gujrat about the mouths of the Narmada"	list_item via surya_layout
13	(Nando Lal De).	list_item via surya_layout
14	27. 'Samyoga' is another expression for sancara or sangati.	list_item via surya_layout
15	28. Kāmboja is identified as Afghanistan (Nando Lal De).	list_item via surya_layout
16	29. Sātavāhana or Sātavāha is "the name of a king fabled to have been	list_item via surya_layout
17	discovered, when a child, riding a Gandharva called Sāta, who, according to	list_item via surya_layout
18	one legend, was changed into a lion" (Monier Williams). Also known as	list_item via surya_layout
19	Sālivāhana, the Śaka ruler who founded the Śaka era i.e samvat.	list_item via surya_layout
20	30. Gāndhāra and niṣāda are implied.	list_item via surya_layout
21	31. Chāyā is used while describing the resemblance of one rāga with	list_item via surya_layout
22	another at a given point.	list_item via surya_layout
23	32. Kākalī is prescribed to be always sparse in the grāma system. The	list_item via surya_layout
24	prescription here of kākalī being frequent is a notable departure.	list_item via surya_layout
25	33. Again the ethnic name kinnara appears here. See notes 22,23.	list_item via surya_layout
26	34. The basic name is hindola or hindolaka meaning a swing; its	list_item via surya_layout
27	synonym is sometimes used to meet the exigency of metre.	list_item via surya_layout
28	35. See note 26.	list_item via surya_layout
29	36. Gāndharva is a rigorously guarded tradition. The inclusion of	list_item via surya_layout
30	bhāṣā in this corpus is incongruous, unless gāndharva is taken to stand for	list_item via surya_layout
31	music in general.	list_item via surya_layout
32	37. "Mangala - called also Mangali or Mangalapura, the capital of	list_item via surya_layout
33	Udyāna, identified by Wilford with Mangora or Manglora. Cunningham	list_item via surya_layout
34	thought it could be identified with Minglaur (Mangalore) " (Nando Lal	list_item via surya_layout
35	De).	list_item via surya_layout
36	38. The word samvāda has been used here again for sancara or sangati.	list_item via surya_layout
37	39. The origin of this vibhāṣā is traced directly to pañcama rāga, where	list_item via surya_layout
38	as it should really be related to a bhāṣā of that rāga. It is treated as a bhāṣā	list_item via surya_layout
39	in SR and S Rāj.	list_item via surya_layout
40	40. Gändhärapañcama has been mentioned here under pañcama.	list_item via surya_layout
41	41. "Dākṣiṇātya is identified with Deccan; that part of India that lies	list_item via surya_layout

vol_II_p057 LEFT — 27 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	96	page_number via heuristic_pagenum
3	[१. भिन्नषड्जः]	section_header via surya_layout
4	धैवतांशो मध्यमान्तः पञ्चमर्षभवर्जितः ।	main via surya_layout
5	षड्जोदीच्यवतीजातो भिन्नषड्ज: स्मृतो बुधै: ॥३०६॥	main via surya_layout
6	(जमा?जातो)	annotation_inline parent ligne 5 via heuristic_height
7	[अनुः १७५]	editorial_bracket parent ligne 5 via heuristic_brackets
8	[अस्यार्थ:-]भित्रषड्जः पड्जग्रामसम्बन्धः षड्जोदीच्यवतीजातेर्जातत्वात्। धैवतो	editorial_bracket parent ligne 5 via heuristic_brackets
9	ग्रहोंऽशश्च। मध्यमो न्यासः। ऋषभपञ्चमहीन औडुवितः। निषादगान्धारौ काकल्यन्तरौ।	main via surya_layout
10	सर्वोपकरणप्रवृत्तस्य ५७विजातीयाद्रणान्निवृत्तस्य मृगयायां प्रवृत्तस्य नायकस्य प्रावेशिकीषु अस्य	main via surya_layout
11	विजातीयो निरणानियृत्तस्य (?)	annotation_inline parent ligne 10 via heuristic_height
12	विनियोगः। <sup>५८</sup>बीभत्सभयानकौ रसौ । धैवतादिमूर्छना । सञ्चारी वर्णः । <sup>५९</sup>प्रसन्नादिरलङ्कारः ।	main via surya_layout
13	दक्षिणे कला, वृत्तौ कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: ।	main via surya_layout
14	[२.भिन्नपञ्चमः]	section_header via surya_layout
15	[अन्॰ १७६]	editorial_bracket parent ligne 14 via heuristic_brackets
16	.असौ भिन्नपञ्चम: स्वरभिन्नोऽभिधीयते । लक्षणं च तद्यथा -	main via surya_layout
17	शुद्धपञ्चमवत् प्रोक्तः स्वरज्ञैर्भित्रपञ्चमः।	main via surya_layout
18	स्वर(न्ग्रे?ई)	annotation_inline parent ligne 17 via heuristic_short
19	धैवतांशः पञ्चमान्तः सूत्रधारप्रवेशने ॥ ३०७॥	main via surya_layout
20	[अन्॰ १७७]	editorial_bracket parent ligne 19 via heuristic_brackets
21	अस्यार्थः - भित्रपञ्चमो मध्यमग्रामसम्बन्धः, मध्यमापञ्चमीजात्योर्जातत्वात्	main via surya_layout
22	पङ्जोदीच्यवतीजाते: मध्यमा(पञ्चमी) जात्यो॰	annotation_inline parent ligne 21 via heuristic_markers
23	ण्या(म)	annotation_inline parent ligne 21 via heuristic_height
24	भिन्न(सं?)पञ्चमो	annotation_inline parent ligne 21 via heuristic_height
25	ग्रहोंऽशश्च धैवतः। पञ्चमो न्यासः। निषादोऽत्र काकली। क्वचित्रिषादस्यापि प्रयोगः । सम्पूर्ण-	main via surya_layout
26	श्चायम् । सूत्रधारप्रवेशेऽस्य विनियोगः । बीभत्सभयानकौ रसौ । धैवतादिमूर्छना । सञ्चारी वर्णः ।	main via surya_layout
27	प्रसन्नादिख्लङ्कारः । दक्षिणे कला, वृत्तौ कला, चित्रे कला, स्वरपदगीते चच्चत्पुटादितालः ।	main via surya_layout

172 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p127 LEFT — 36 lignes

vol_I_p036 LEFT — 29 lignes

vol_II_p132 RIGHT — 39 lignes

vol_II_p164 RIGHT — 41 lignes

vol_II_p057 LEFT — 27 lignes