Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21684). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p113 RIGHT — 30 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 209 page_number
via heuristic_pagenum
3 prabandha svarārtha. Karaņa<sup>5</sup> has been said to be the fortieth, combined with main
via surya_layout
4 five (forty-five). annotation_inline
parent ligne 3
via heuristic_short
5 <math>(377-378)</math> main
via surya_layout
6 This varņasvara is known to be (numbered) forty combined with six main
via surya_layout
7 (forty-sixth); that which is muktāvalī should be known to be (numbered) main
via surya_layout
8 forty, combined with seven (forty-seven). main
via surya_layout
9 (379) annotation_inline
parent ligne 8
via heuristic_short
10 Pratāpavardhana is said to be the forty-eighth. Eight combined with main
via surya_layout
11 forty(forty-eight) are (the prabandhas) spoken of by the muni. main
via surya_layout
12 (380) annotation_inline
parent ligne 11
via heuristic_short
13 I shall speak of their characteristics in brief for the sake of scholars. They main
via surya_layout
14 should be sung by those adept in music in accordance with the rules related main
via surya_layout
15 to <i>svara-tāla</i> and the like as well as <math>r\bar{a}gas^6</math>. main
via surya_layout
16 (381) main
via surya_layout
17 [The description of Prabandhas] section_header
via surya_layout
18 [1. <i>Kanda</i>] section_header
via surya_layout
19 That which is bereft of <i>tāla</i> and is combined with <i>pāṭas</i> and <i>birudas</i>, that main
via surya_layout
20 is kanda, mixed with the pada (text) of the Karpāṭa<sup>7</sup> language and the like. main
via surya_layout
21 (382) annotation_inline
parent ligne 20
via heuristic_short
22 Prabandhas like kanda are verily well-known in practice. main
via surya_layout
23 [2. <i>Vṛtta</i>] section_header
via surya_layout
24 There is never a regulation (or specification of tāla in) vṛtta (composed main
via surya_layout
25 in) āryā, dvipatha, vṛtta, gāthā, dodhaka and similarly toṭaka. The prominence main
via surya_layout
26 of metre has been clearly specified in them, by the munis. In the end the main
via surya_layout
27 placing of svaras<sup>9</sup> is (prescribed), others hold it to be devoid of svara. Others main
via surya_layout
28 say that it is (formed) in the vitta metre; that is also acceptable. main
via surya_layout
29 (383-384) main
via surya_layout
30 - --- annotation_inline
parent ligne 29
via heuristic_height

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 237 page_number
via heuristic_pagenum
3 [5. Drāvidailā] section_header
via surya_layout
4 The <i>elā</i> born in the <i>draviḍa</i> region is adorned with <i>bhāva</i>, <i>abhinaya</i> and <i>tāla</i>, main
via surya_layout
5 coloured with variegated sounds, devoid <math>^{85}</math> of prāsa and established in rasa. main
via surya_layout
6 (472) annotation_inline
parent ligne 5
via heuristic_short
7 Thus end the five <i>clās</i> bearing regional names. main
via surya_layout
8 [The number of <i>Elās</i>] section_header
via surya_layout
9 Ganailā has been said to be fourfold, the fifth is of the nature of sankara main
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10 (mixture); mātrailā has been spoken of with four varieties, by the experts in main
via surya_layout
11 music. annotation_inline
parent ligne 10
via heuristic_short
12 (473) main
via surya_layout
13 Varņailā has been described as having fourteen varieties, deśailās have main
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14 been said to be five-fold according to the distinction of region. main
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15 (474) annotation_inline
parent ligne 14
via heuristic_short
16 Altogether these are known to be twenty-eight in number by the experts main
via surya_layout
17 in the science of music, they are combined with their respective characteristics. main
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18 (475) annotation_inline
parent ligne 17
via heuristic_short
19 [Thus end the varieties of <i>elā</i>] editorial_bracket
parent ligne 17
via heuristic_brackets
20 [36. Jhombada] section_header
via surya_layout
21 Where half of the (first) foot is sung in repetition and then the second half main
via surya_layout
22 of the same is sung and there is alliteration between the two, similarly is sung main
via surya_layout
23 its second foot, in the same way the third foot and where the foot that is the main
via surya_layout
24 fourth one is sung at the end of each of all the feet, that is called <i>jhombada</i> main
via surya_layout
25 by the experts in music. main
via surya_layout
26 <math>(476-478)</math> main
via surya_layout
27 The tāla named kankāla never obtains in jhombadaka. All other tālas main
via surya_layout
28 related to desi obtain here. There are varieties of jhombada, adorned with main
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29 tenaka. annotation_inline
parent ligne 28
via heuristic_short
30 (479) main
via surya_layout

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L#Texte OCRRole autoCorriger si incorrect
1 BŖHADDEŚĪ page_header
via surya_layout
2 52 page_number
via heuristic_pagenum
3 पञ्चमयोरत्पत्वम् । <sup>१५३</sup>गान्धारस्यांशत्वे[ऽ]प्राप्ते[ऽपि] बाहुत्यम् । षाडवे पञ्चमस्यात्पत्वम् editorial_bracket
parent ligne 4
via heuristic_brackets
4 पद्जागान्धारपञ्चमयोरलपत्वम् , main
via surya_layout
5 औडुविते न कस्याप्यल्पत्वमशेषाणां बहुत्वम् । मध्यमो न्यासः । ऋषभधैवतावपन्यासौ । अंशानां main
via surya_layout
6 परस्परगमनम् । main
via surya_layout
7 [अनु॰ १५७] section_header
via surya_layout
8 १५४एकादशविधत्वमस्या:। एकादशांशका: -पूर्णाश्चत्वार:, षाडवास्त्रयो धैवतांशे तदपवादाद् main
via surya_layout
9 औडुविताश्चत्वार:।शुद्धस्तु नास्ति।गान्धार[ादि]मूर्छना।ताल:पञ्चपाणि:।एककलेन चित्रेण editorial_bracket
parent ligne 8
via heuristic_brackets
10 मागधी, द्विकलेन वार्तिकेन सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला । रसौ शृङ्गारहास्यौ । main
via surya_layout
11 ध्रवागाने द्वितीयप्रेक्षणके विनियोग:। main
via surya_layout
12 [७. पड्जमध्यमा] section_header
via surya_layout
13 [अनु॰ १५८] section_header
via surya_layout
14 षड्जमध्यमाया ग्रहा अंशाश्च सप्तैव स्वरा:। पञ्चस्वरपरस्तार:। न्यासपरस्तत्परो वा मन्द्र: main
via surya_layout
15 ॰हा: annotation_inline
parent ligne 14
via heuristic_markers
16 निषादहीना षाडवा । निषादगान्धारहीना औडुविता । ग्रामाविरोधेन यथेष्टं सञ्चार: । पूर्णावस्थायां main
via surya_layout
17 निषादगान्धारयोरल्पत्वम् । षड्जमध्यमौ न्यासौ । सप्तस्वरा अपन्यासा: । main
via surya_layout
18 <b>क्खरापन्या</b> (स: ? सा) annotation_inline
parent ligne 17
via heuristic_height
19 [अनु॰ १५९] section_header
via surya_layout
20 सप्तदशांशका: – तत्र सप्त पूर्णा:, पञ्च षाडवा:, पञ्च औडवाश्चेति main
via surya_layout
21 <sup>१५५</sup>सप्तदशविधत्वमस्याः । main
via surya_layout
22 एतदंशकाश्रत्वार: पाडवा:। तथैव थैवतेंऽशे पाडवानाम् औदुविताश main
via surya_layout
23 <sup>१५६</sup>दशिंधत्वमस्या annotation_inline
parent ligne 22
via heuristic_height
24 शुद्धत्वं नास्ति । मध्यमादिमूर्छना । ताल: पञ्चपाणि: । एककलेन चित्रेण मागधी, द्विकलेन main
via surya_layout
25 (F) annotation_inline
parent ligne 24
via heuristic_height
26 वार्तिकेन सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला । सर्वरसात्मिका, ध्रुवागाने द्वितीये प्रेक्षणके main
via surya_layout
27 विनियोग: । annotation_inline
parent ligne 26
via heuristic_short
28 ॥ [इति] एता: षड्जग्रामसम्बन्धा: सप्त जातय: ॥ editorial_bracket
parent ligne 26
via heuristic_brackets
29 [अनु॰ १६०] section_header
via surya_layout
30 इदानीं मध्य[म] ग्रामसम्बन्धा जातय उच्यन्ते - editorial_bracket
parent ligne 29
via heuristic_brackets
31 --- annotation_inline
parent ligne 29
via heuristic_height

vol_II_p066 LEFT — 31 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 114 page_number
via heuristic_pagenum
3 [अनु॰ १९८] section_header
via surya_layout
4 षड्जोऽस्य ग्रहोंऽशो न्यासश्च । निषादोऽत्र काकली । धैवतर्षभहीनमौडुवितम् । main
via surya_layout
5 धैवत ऋषभहीन( ध ?)मौडवितम् annotation_inline
parent ligne 4
via heuristic_height
6 <sup>८२</sup>सम्भोगशृङ्गारेऽस्य विनियोग:। वीरादिरस:। मूर्छना षड्जादि:। वर्ण आरोही। main
via surya_layout
7 ॰ना(दि) annotation_inline
parent ligne 6
via heuristic_markers
8 प्रसन्नादिरलङ्कारः । दक्षिणे कला, वार्तिके कला, चित्रे कला। स्वरपदगीते चच्चत्पुटादिताल । main
via surya_layout
9 [७. टक्ककेशिक:] section_header
via surya_layout
10 धैवतांशस्तदन्तश्च स्वल्पद्विश्रुतिकस्वर: । main
via surya_layout
11 धैवतीमध्यमाजात्यो: सञ्जातष्टक्ककैशिक: ॥३२६॥ main
via surya_layout
12 ॰एक annotation_inline
parent ligne 11
via heuristic_markers
13 [अनु॰ १९९] section_header
via surya_layout
14 धैवतीमध्यमाजात्योर्जातत्वाट्टक्ककेशिक: षड्जग्रामसम्बन्ध:। <sup>८३</sup>ननु उभयग्रामसम्बन्धिन्यो- main
via surya_layout
15 (यस्याज? ठमय) annotation_inline
parent ligne 14
via heuristic_height
16 र्जात्योः समुत्पन्नोऽयं गगः षड्जग्रामसम्बन्ध इति कथं वक्तुं युक्तम् ? अस्य प्रयोगे चतुःश्रुतिसम्बन्धः main
via surya_layout
17 र्जा(न्यो?त्यो) annotation_inline
parent ligne 16
via heuristic_height
18 (कथं) annotation_inline
parent ligne 16
via heuristic_height
19 पञ्चम उपलभ्यते। पञ्चमधैवतौ द्विग्रामयोर्भेदकारिणौ अत: पञ्चमस्य चतु:श्रुतिकत्वात् । षङ्जग्रामसम्बन्ध main
via surya_layout
20 (पञ्चमे पैवतेन भिग्रामयोर्भेदकारिणौ ?) annotation_inline
parent ligne 19
via heuristic_height
21 एवायं राग:। ग्रहोंऽशो न्यासश्च धैवत:। निषादगान्धारौ चात्र काकल्यन्तरौ। पूर्णस्वरश्चायम्। main
via surya_layout
22 <sup>८४</sup>कश्यपमते निषादगान्धारयोर्लोपादयमौडुवित: । उद्भटनाट्ये कामग्रस्ततत्कञ्चकिप्रवेशे चास्य main
via surya_layout
23 विनियोग:। बीभत्सादिरस: । धैवतादिमूर्छना। आरोही वर्ण:। दक्षिणे कला, वार्तिके कला, चित्रे main
via surya_layout
24 मध्यमादिधैवता(?) annotation_inline
parent ligne 23
via heuristic_height
25 कला । स्वरपदगीते चच्चत्पुटादिताल: । main
via surya_layout
26 [८. मालवकैशिक:] section_header
via surya_layout
27 ८५कैशिकीजातिसम्भूतः षड्जांशन्याससंयुतः । main
via surya_layout
28 दुर्बलो धैवतेन स्याद् रागो मालवकैशिक: ॥ ३२७॥ main
via surya_layout
29 <sup>८६</sup>पञ्चमं केचिदिच्छन्ति चास्य वै न्यासकर्मणि । main
via surya_layout
30 हात्याद्याः + कर्मणि annotation_inline
parent ligne 29
via heuristic_height
31 गान्धारं च तथा चान्ये तद्धि लक्ष्ये न दृश्यते ॥ ३२८॥ main
via surya_layout

vol_II_p057 RIGHT — 37 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 97 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [1.Bhinna-şadja] section_header
via surya_layout
4 Bhinna-ṣadja is known by the wise to have dhaivata as its amśa, madhyama as its main
via surya_layout
5 conclusion, to be devoid of pañcama and ṛṣabha and having been born of main
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6 ṣadjodicyavati (jāti). main
via surya_layout
7 (306) main
via surya_layout
8 [Anu. 175] section_header
via surya_layout
9 This means – bhinna – şadja is related to şadjagrāma on account of being born main
via surya_layout
10 of ṣadjodicyavatī jāti. Dhaivata is the graha and aniśa, madhyama is the nyāsa; it is main
via surya_layout
11 pentatonic with the omission of <i>ṛṣabha</i> and <i>pañcama. Niṣāda</i> and <i>gāndhāra</i> are main
via surya_layout
12 kākalī and antara. Its application is prescribed in prāvešikī (dhruvās) related to the main
via surya_layout
13 entry of the hero in a situation where he is inclined towards the use of all main
via surya_layout
14 implements or tools (upakaraṇa), has an aversion to fighting which does not main
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15 match his disposition (vijātīya) and proceeds for hunting. main
via surya_layout
16 Bībhatsaand bhayānakaare the rasas. The mūrchanā beginning with dhaivata main
via surya_layout
17 obtains. Sañcārin is the varņa. Prasannādi is the alankāra. The kalā is formed in main
via surya_layout
18 the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā prevails in main
via surya_layout
19 the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara main
via surya_layout
20 and <i>pada</i>. main
via surya_layout
21 [2.Bhinna-pañcama] section_header
via surya_layout
22 [Anu. 176] section_header
via surya_layout
23 ......This bhinna-pañcama is said to be svarabhinna. Its description is thus- main
via surya_layout
24 The knowledgeable ones in svara have spoken of bhinna-pañcama being main
via surya_layout
25 similar48 to śuddha-pañcama. It has dhaivata as its ainśa, pañcama as its main
via surya_layout
26 concluding note and is (applied) in the entry of the sūtradhāra. main
via surya_layout
27 (307) main
via surya_layout
28 [Anu. 177] section_header
via surya_layout
29 This means-bhinna-pañcama is related to madhyamagrāma on account of main
via surya_layout
30 being born of madhyamā and pañcamī jātis. Dhaivata is the graha and amśa, main
via surya_layout
31 pañcama is the <i>nyāsa</i>, <i>niṣāda</i> is <i>kākalī</i> here. Sometimes <i>niṣāda</i><sup>49</sup> is also used main
via surya_layout
32 and this (rāga) is complete. It is applied in the entry of the sūtradhāra. main
via surya_layout
33 Bībhatsaand bhayānakaare the rasas. The mūrchanā beginning with dhaivata main
via surya_layout
34 obtains. Sañcārīn is the varņa. Prasannādi is the alankāra. The kalā is formed main
via surya_layout
35 in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā main
via surya_layout
36 prevails in the citra (mārga). A tāla like caccatpuța obtains in the songs main
via surya_layout
37 comprised of svara and pada. main
via surya_layout
159 lignes a valider — change uniquement les roles incorrects.