Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21686). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p096 RIGHT — 30 lignes

L#	Texte OCR	Role auto
1	175	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Illustration-.....Sādhāritā [iii]	editorial_bracket parent ligne 4 via heuristic_brackets
4	Gāndhārī has niṣāda as amśa, ṣadja as the concluding note, (and) is	main via surya_layout
5	complete in svaras. This is a bhāṣā in sauvīraka (rāga) and is always sung in	main via surya_layout
6	karuna (rasa).<sup>57</sup>	main via surya_layout
7	(123)	annotation_inline parent ligne 6 via heuristic_height
8	Illustration - Ninigāgāpāmāmānisāmāgānī dhāsāsāsā. Gāndhārī [iv]	editorial_bracket parent ligne 6 via heuristic_brackets
9	Thus end the <i>bhāṣās</i> of <i>sauvīraka</i>.	main via surya_layout
10	[8. After this are being described the bhāṣās in bhinna-paācama]	section_header via surya_layout
11	Śuddhabhinnakā has dhaivata as amśa and the same as the concluding note,	main via surya_layout
12	is complete, there is concert between dhaivata-ṛṣabha and similarly between	main via surya_layout
13	șadja-madhyama. This śuddhabhinnā is said to be born of bhinnapañcama. It	main via surya_layout
14	is always sung by the Kinnaras<sup>58</sup> in view of its being delightful to the people.	main via surya_layout
15	(124-125)	annotation_inline parent ligne 14 via heuristic_height
16	Illustration - Dhānidhānisasadhā nīdhānisāgāsanigānidhā	main via surya_layout
17	pāpāninimapāmāpāpamādhā dhāpādhāpādhādhā. Śuddhabhinnā [i]	editorial_bracket parent ligne 16 via heuristic_brackets
18	Having madhyama as amśa, dhaivata as the concluding note, weak in ṛṣabha,	main via surya_layout
19	this bhāṣā is hexatonic with profuse dhaivata and madhyama. There is concert	main via surya_layout
20	between şadja-dhaivata and the svaras comprised of two śrutis each alongwith	main via surya_layout
21	dhaivata. It is well-known as varāṭī and is verily sung by the vidyādharas. 59	main via surya_layout
22	<math>(126-127)</math>	annotation_inline parent ligne 21 via heuristic_height
23	Illustration - Mādhāsadhānidhā pānimāmāgāsāsāgāmāgā sādhānīdhā.	main via surya_layout
24	Dhādhā dhādhāsādhānī pāpāmāgāsāsāgāmā [dhādhā]. Varāṭī [ii]	editorial_bracket parent ligne 23 via heuristic_brackets
25	Lower (mandra) ṛṣabha should be used and so also dhaivata again and	main via surya_layout
26	again. (The gamaka) sphurita60 should be used there as fast, medium and	main via surya_layout
27	One should bring about movement in high and low and similarly	main via surya_layout
28	slow.<sup>61</sup>	annotation_inline parent ligne 27 via heuristic_short
29	ascentand descent. Eshould be known as a vibhāṣā born of bhinnapañcama.	main via surya_layout
30	<math>(128-129)</math>	main via surya_layout

vol_II_p011 RIGHT — 38 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	5	page_number via heuristic_pagenum
3	and andhri and nandayanti and karmaravi and then kaisiki, thus should be	main via surya_layout
4	known the eleven (jātis) based on madhyamagrāma.	main via surya_layout
5	<math>(189 - 190)</math>	main via surya_layout
6	[Thus end the eleven jātis based on madhyamagrāma]	editorial_bracket parent ligne 5 via heuristic_brackets
7	[ sādhāraņakṛtā jātis ]	section_header via surya_layout
8	Three jatis should be known by the wise to be sadharanakṛtā (those in	main via surya_layout
9	which the use of sādhāraṇa svaras is prescribed) viz., madhyamā, pañcamī and	main via surya_layout
10	similarly <i>şadjamadhyamā</i>.	main via surya_layout
11	(191)	annotation_inline parent ligne 10 via heuristic_short
12	Thus ends the number and nomenclature of jātis.	main via surya_layout
13	[2. The śuddhā, vikṛtā and samsargajā vikṛtā jātis]	section_header via surya_layout
14	[Anu. 115]	section_header via surya_layout
15	Out of these eighteen jātis the seven bearing the names of (seven) svaras	main via surya_layout
16	are spoken of as being twofold - suddhās and vikṛtās. The suddhās are devoid	main via surya_layout
17	of the omission of notes and have their anisa, graha, nyāsa and apanyāsa on	main via surya_layout
18	their own svara, i.e. the svara from which each of them derives its respective	main via surya_layout
19	name. They assume the name vikṛtā on account of the alteration obtaining	main via surya_layout
20	in them through an alteration in respect of one, two or many lakṣaṇas	main via surya_layout
21	(characteristics) out of the above lakṣaṇas(characteristics of their śuddha	main via surya_layout
22	1002 472 7	unknown via fallback
23	form), excepting nyāsa4 (which is not altered).	main via surya_layout
24	[Anu. 116]	section_header via surya_layout
25	Out of these (lakṣaṇas) he (the author) spoke (speaks) about the	main via surya_layout
26	日本が一次の後の日の行人の行うのできるというますが、まるは、大利の大利の人の自己となりから	unknown via fallback
27	prescription of nyāsa. There in the prescription of nyāsa, the nyāsa which is	main via surya_layout
28	the svara from which the respective jāti derives its name, is, as a rule, low	main via surya_layout
29	(mandra) in the jātis that are śuddhā (unaltered). In the vikṛtā (jātis) the	main via surya_layout
30	nyāsa on the note from which the respective jāti derives its name, is either	main via surya_layout
31	tāra (high) or mandra (low); thus there is no rule.	main via surya_layout
32	[Anu. 117]	section_header via surya_layout
33	Thus the śuddhā jātis have a twofold<sup>5</sup> form, viz., the original (unaltered)	main via surya_layout
34	and the altered state. The eleven jātis have only an altered state because they	main via surya_layout
35	are born of the vikṛtā varieties (of śuddhā jātis); they do not have an	main via surya_layout
36	unaltered state. Why is that so? They are born of mutual blending.	main via surya_layout
37	Similarly has said Bharata -	main via surya_layout
38	ر<br>د د د د د د د د د د د د د د د د د د د	unknown via fallback

vol_I_p057 LEFT — 49 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚI	page_header via surya_layout
2	96	page_number via heuristic_pagenum
3	निधधनि २२धपपध पममप	page_header via surya_layout
4	मगगम गरिरिंग रिसंसरि [ इति ]	page_header via surya_layout
5	सनिनिस	page_header via surya_layout
6	अथवा—	page_header via surya_layout
7	१६ \|	page_header via surya_layout
8	प्रसादः ।	page_header via surya_layout
9	\| अन्₀ ८६ \|	page_header via surya_layout
10	द्वौ द्वौ स्वरौ द्विकलौ २३सञ्चरन्तावारोहक्रमेणावरोहाच्चोद्वाहितः । [ यथा— ]	page_header via surya_layout
11	वि॰	page_header via surya_layout
12	∙डु	page_header via surya_layout
13	<sup>21</sup>सरि रिंग गम मप पध धनि निस सनि निध धप पम मग गरि रिस [ इति ]	page_header via surya_layout
14	उद्वाहितः।	page_header via surya_layout
15	\| १७ \|	page_header via surya_layout
16	अनु₀ ८७	page_header via surya_layout
17	द्विरभ्यस्तैरुपलोलकः। यथा—सरिसरि रिगरिग	page_header via surya_layout
18	अयमेव	page_header via surya_layout
19	गमगम	page_header via surya_layout
20	मपमप	page_header via surya_layout
21	पधपध	page_header via surya_layout
22	धनिधनि निसनिस सनिसनि निधनिध धपधप पमपम मगमग गरिगरि रिसरिस	page_header via surya_layout
23	[ १८ ]	page_header via surya_layout
24	<b>इति । उपलोलकः।</b>	page_header via surya_layout
25	। अनु₀ ८८ ।	page_header via surya_layout
26	एकादिक्रमेणान्तरस्वरेष्वारुह्य	page_header via surya_layout
27	पुनरवरोहणक्रमण	page_header via surya_layout
28	स्थायिन	page_header via surya_layout
29	स्वर	page_header via surya_layout
30	गत्वा	page_header via surya_layout
31	प्रस्तारक्रमेणैव एकैकाभिवृद्ध्या यत्र स्वरा उच्चार्यन्ते तत्र स क्रमः। अयमेकरूपत्वात्	page_header via surya_layout
32	परिवा	page_header via surya_layout
33	प्रस्तारेण [न] भिद्यते। [ यथा ] सरिरिस सरिगगरिस सरिगममगरिस सरिगमपपमगरिस	page_header via surya_layout
34	्रगा	page_header via surya_layout
35	॰मा॰	page_header via surya_layout
36	ुपा	page_header via surya_layout
37	सरिगमपधधपमगरिस सरिगमपधनिनिधपमगरिस सरिगमपधनिस-सनिधपमगरिस	page_header via surya_layout
38	्नीनी,	page_header via surya_layout
39	धा	page_header via surya_layout
40	क्रमः। अथवान्तरस्वरमारुह्य काकलीं गत्वा तेनैव क्रमेणावरुह्य स्थायिन्यागम्यते स	page_header via surya_layout
41	<sub>व</sub>के	page_header via surya_layout
42	क्रमः [ यथा - ] सगनिनिगस [ इति ] क्रमः।	page_header via surya_layout
43	[ १९ ]	page_header via surya_layout
44	[ अनु。 ८९ ]	editorial_bracket via heuristic_brackets
45	अाद्यं तृतीयं ततो द्वितीयं ततश्च चतुर्थमनेनैव क्रमेणान्यानप्यारुह्य मन्द्राव्निष्कृजितः।	unknown via fallback
46	₀रो₀	annotation_inline via heuristic_markers
47	कोहलमते च एकान्तरस्वरारोहान्निष्कूजितः । [ यथा - ] सग रिम गप मध पनि धस	editorial_bracket via heuristic_brackets
48	[ इति निष्कृजितः ]	editorial_bracket via heuristic_brackets
49	[ २० ]	editorial_bracket via heuristic_brackets

vol_II_p111 LEFT — 30 lignes

L#	Texte OCR	Role auto
1	[ षष्ठोऽध्याय: ]	section_header via surya_layout
2	[प्रबन्धाः]	section_header via surya_layout
3	[तत्र प्रबन्धानामुद्देश:]	section_header via surya_layout
4	देशिकारप्रबन्धा ये हरवक्त्राभिनिर्गता: ।	main via surya_layout
5	•प्रवन्धोऽयं(?)	annotation_inline parent ligne 4 via heuristic_height
6	असंख्यातास्तु कथिता न ज्ञायन्तेऽल्पबुद्धिभि: ॥ ३६०॥	main via surya_layout
7	तेषां मध्यात् समुद्धृत्य युक्तलक्षणलक्षितान् ।	main via surya_layout
8	श्रीमतङ्गमुनि: प्राह मुनीनुद्दिश्य तद्यथा ॥ ३६१॥	main via surya_layout
9	९आद्य: प्रबन्ध: कन्दाख्यो वृत्तो नाम द्वितीयक: ।	main via surya_layout
10	क(जा?न्दा) वृत्ता	annotation_inline parent ligne 9 via heuristic_height
11	गद्यरूपस्तृतीय: स्याद् दण्डक: स्याच्चतुर्थक: ॥ ३६२॥	main via surya_layout
12	पञ्चमो वर्णक: ख्यात: षष्ठ आर्याभिधानक:।	main via surya_layout
13	॰पिधायक:	annotation_inline parent ligne 12 via heuristic_markers
14	सप्तमी कथिता गाथा ततो द्विपथकोऽष्टमः ॥ ३६३॥	main via surya_layout
15	कर्शिता	annotation_inline parent ligne 14 via heuristic_height
16	<sup>२</sup>पद्धडीं नवमीं प्राहुरडिला दशमी भवेत् ।	main via surya_layout
17	क्धंटीं	annotation_inline parent ligne 16 via heuristic_height
18	एकादशमिते स्थाने गदिता सा चतुष्पदी ॥ ३६४॥	main via surya_layout
19	न्मये स्थाते	annotation_inline parent ligne 18 via heuristic_height
20	दोधको द्वादश: प्रोक्तस्तोटक: स्यात् त्रयोदश[:]।	editorial_bracket parent ligne 18 via heuristic_brackets
21	दोधको	annotation_inline parent ligne 18 via heuristic_height
22	ततश्चतुर्दशो ज्ञेयो वस्त्वाख्यस्तु प्रबन्धक: ॥ ३६५॥	main via surya_layout
23	॰र्द(शा?शो)	annotation_inline parent ligne 22 via heuristic_markers
24	ततः क्रौञ्चपदस्तूर्ध्वं हंसपात् षोडशः स्मृतः।	main via surya_layout
25	सप्तदश: प्रबन्धस्तु शुकसारिकसंज्ञक: ॥ ३६६॥	main via surya_layout
26	अष्टादशश्चाश्वलील एकोनो गजलीलक:।	main via surya_layout
27	॰श्मलीला	annotation_inline parent ligne 26 via heuristic_markers
28	दश ॰	annotation_inline parent ligne 26 via heuristic_markers
29	विंशश्च स्यात् सिंहलील: शरभलील एकोत्तर: ॥ ३६७॥	main via surya_layout
30	द्वाविंशतिम:	annotation_inline parent ligne 29 via heuristic_height

vol_II_p072 LEFT — 31 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	126	page_number via heuristic_pagenum
3	युद्धवीरेऽस्य विनियोगः। वीरादिको रसः। षड्जादिमूर्छना। आरोही वर्णः। प्रसन्नान्तोऽलङ्कारः ।	main via surya_layout
4	॰(र्य?रे)	annotation_inline parent ligne 3 via heuristic_markers
5	दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: ।	main via surya_layout
6	[साधारणरागाणां ग्रामविभागः]	section_header via surya_layout
7	इदानीं साधारणानां ग्रामविभाग: प्रदर्श्यते -	main via surya_layout
8	भम्माणपञ्चमो ज्ञेयो मध्यमग्रामसम्भव:।	main via surya_layout
9	गान्धारपञ्चमो नर्त: षड्जकैशिक एव च ॥ ३४२॥	main via surya_layout
10	रूपसाधारितो रागः शकः ककुभ एव च।	main via surya_layout
11	रेवगुप्तस्तु षड्जाख्ये ज्ञेयः पञ्चमषाडवः ॥	main via surya_layout
12	(뭐)	annotation_inline parent ligne 11 via heuristic_height
13	सप्त[नव ?] साधारणाः प्रोक्ता ग्रामद्वयसमाश्रयाः ॥३४३॥	editorial_bracket parent ligne 11 via heuristic_brackets
14	(माश्र)	annotation_inline parent ligne 11 via heuristic_height
15	[ग्रामरागाणां मूर्छना-निर्देशस्य आधार:]	section_header via surya_layout
16	[अनु॰२१३]	editorial_bracket parent ligne 15 via heuristic_brackets
17	ननु पूर्वोक्तानां[ग्रामरागाणां]<sup>१११</sup> मूर्छनाविशेष-निर्देश: कस्माज्जायत इति [चेत्]<sup>११२</sup>	editorial_bracket parent ligne 15 via heuristic_brackets
18	उच्यते । आसवचनान्पूर्छनानिर्देशो ज्ञायते । तथा चाह काश्यप: -	main via surya_layout
19	११३कश्यप:	annotation_inline parent ligne 18 via heuristic_height
20	(आसवचनाद्)	annotation_inline parent ligne 18 via heuristic_height
21	९१४‘‘ज्ञात्वा जात्यंशबाहुल्यं निर्देश्या मूर्छना बुधै:।”	main via surya_layout
22	[गीतरागयोर्भेद:]	section_header via surya_layout
23	[अनु॰ २१४] .	editorial_bracket parent ligne 22 via heuristic_brackets
24	नन् गीतरागयो: को भेद:<sup>११५ ।</sup> उच्यते । दशलक्षणलिक्षतं गीतं रागशब्दाभिधेयम् ।	main via surya_layout
25	<sup>११६</sup> शब्देनाभिधीयते	annotation_inline parent ligne 24 via heuristic_height
26	॰(यो:को)	annotation_inline parent ligne 24 via heuristic_markers
27	गीतं चतुरङ्गेपेतम् , ध्रुवायोगात् पञ्चविधम् । कुत <sup>११७</sup>एतद् विज्ञायते ? आसवचनात् ।	main via surya_layout
28	तथा	annotation_inline parent ligne 27 via heuristic_height
29	एव	annotation_inline parent ligne 27 via heuristic_height
30	चाह काश्यप: -	annotation_inline parent ligne 27 via heuristic_height
31	११८कश्यप:	main via surya_layout

178 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p096 RIGHT — 30 lignes

vol_II_p011 RIGHT — 38 lignes

vol_I_p057 LEFT — 49 lignes

vol_II_p111 LEFT — 30 lignes

vol_II_p072 LEFT — 31 lignes