Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21696). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p077 RIGHT — 34 lignes

page vol_II_p077 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 137 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 Sauvīrī should be known as the first one, vega-madhyamā the second, main
via surya_layout
4 sādhāritā is the third one and gāndhārī the fourth. Thus should be known the main
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5 four <i>bhāṣās</i> born of <i>sauvīraka</i>. main
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6 <math>(30c-31)</math> main
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7 Suddhabhinnā, vārāṭī, similarly dhaivatabhūṣitā and then viśālā are said main
via surya_layout
8 to be born of <i>bhinnapañcama</i>. main
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9 (32) annotation_inline
parent ligne 8
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10 The bhāṣā called māṅgalī is born of boṭṭa-rāga. In mālavapañcama is born main
via surya_layout
11 bhāvinī, the one that is beautiful for the people. main
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12 (33) annotation_inline
parent ligne 11
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13 Mālavā (and) bhinnavālikā should be known to be born of ṭakkakaiśika, main
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14 and drāvidī is the third bhāṣā there that is described with characteristics main
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15 (lakṣaṇas). annotation_inline
parent ligne 14
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16 (34) main
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17 The two known as bāhyaṣāḍavā and nādākhyā are born in vesaraṣāḍava. main
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18 Tānodbhavā should be known as being assigned to bhinnatāna. main
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19 (35) annotation_inline
parent ligne 18
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20 In gāndhārapañcama, gāndhārikā is the one bhāṣā that is accepted. main
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21 Gāndhārī is with profuse gāndhāra and is delightful to the people in main
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22 pañcama (gāndhārapañcama). In revagupta<sup>13</sup> (?) śakākhyā is the one main
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23 spoken of in <i>pañcamaṣāḍav</i>a. main
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24 (36) annotation_inline
parent ligne 23
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25 Thus are obvious the bhāṣās that are born in manifold ways. Now listen main
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26 to their description alongwith illustration for each one. main
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27 (37) main
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28 [The description of bhāṣās] section_header
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29 [1. Bhāṣās in ṭakka-rāga] section_header
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30 It has madhyama as its amśa, şadja as its concluding note, is devoid of main
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31 pañcama and there is to be seen here again and again the mutual main
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32 movement<sup>14</sup> of dhaivata-niṣāda and similarly ṣadja - dhaivata. This should main
via surya_layout
33 be known as hexatonic. Travaņā should bear the name mūlā. main
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34 (38-39) annotation_inline
parent ligne 33
via heuristic_height

vol_II_p092 RIGHT — 29 lignes

page vol_II_p092 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 167 page_number
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3 Kaiśikī has pañcama as nyāsa, madhyama as amśa, is weak in ni(niṣāda), main
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4 there is (mutual) movement between madhyama-dhaivata and abundance of main
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5 pancama. This bhāṣā is born of pancama (rāga) and is always sankīrṇā main
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6 (mixed). annotation_inline
parent ligne 5
via heuristic_short
7 (102) main
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8 Illustration-Pรับหลัdhลับidhลัpลีpลิpลิdhลับidhaัdhaัdhลับหลับกลับกลัdhลับกลัdhลัdhลับโรรั- main
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9 sārirīpāpā mādhāmādhamadhadhamāmādhā. Niripāpā. Kaišikī [x] editorial_bracket
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10 These are the ten <i>bhāṣās</i> in <i>pancama</i> (<i>rāga</i>) described by Yāṣṭika. main
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11 (103) main
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12 [6. Bhāṣāsin bhinnaṣaḍja] section_header
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13 After this, I shall speak of the <i>bhāṣās</i> in <i>bhinnaṣaḍja</i>. main
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14 (104) annotation_inline
parent ligne 13
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15 Having dhaivata as amsa and the same as concluding note, being devoid main
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16 of pañcama and ṛṣabha,45 having to and fro movement between ṣaḍja- main
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17 gāndhāra, this śuddhā (bhāṣā) should be known by the performers to subsist main
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18 in bhinnaṣadja and it becomes pentatonic when devoid of ṣadja.46 main
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19 (105) annotation_inline
parent ligne 18
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20 lllustration-Dhādhāmāgāmāmāgagasanisanisanidhanidhādhāmānimāmāg main
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21 ลังกลัฐจรรับก่ฝาลฝาลัปกลับก่รรัปกลเกล้ฐริธาก่าก่าเปกลีปกลิปกลัฐริธาลปกลากลัฐริธาฐริธาลี main
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22 gamadhamadhasigāsisimādhāmāmadhamagāgamasisisigāsinininismidhādhā main
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23 dhānidhāmanadhamadhamasīgāmadhāmāsā. Sānidhānidhānīgāsānidhānidhā main
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24 Suddhā [i] editorial_bracket
parent ligne 23
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25 Having dhaivata as amsa, dhaivata as the concluding note, the concert main
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26 between sadja-dhaivata, there being (mutual) movement between sadja- main
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27 dhaivata and ṛṣabha-madhyama, the vibhāṣā dākṣiṇātyā bears the name of deśa main
via surya_layout
28 (region)<sup>47</sup> and is born of (bhinna) şadja. main
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29 (106) main
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vol_I_p046 LEFT — 34 lignes

page vol_I_p046 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 74 page_number
via heuristic_pagenum
3 इति विप्रकर्षेण प्रवेशनम् ७५। main
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4 -धेन annotation_inline
parent ligne 3
via heuristic_height
5 मार्ववेन यथा- तस्यैव षड्जस्य निषादापेक्षया उत्तरीभूतस्य मार्दवं main
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6 66नाय annotation_inline
parent ligne 5
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7 शिथिलीकरणं निषादापादनम् इति द्विविधं प्रवेशनम्। main
via surya_layout
8 ्द ब्दाः <sup>67</sup>यावत्। इति द्विविधः प्रवेशः main
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9 [ अनु॰ ४९ ] editorial_bracket
parent ligne 8
via heuristic_brackets
10 <b>७</b> निग्रहस्त्वनन्तरस्वरपरित्यागोऽसंस्पर्शनम्। main
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11 ०रः स्वपरित्यागास्पदं दर्शनम् main
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12 प्रयोगस्तु यथा—सा सा ग रि, पा पा मा रि। main
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13 तथा चाह भरतः - annotation_inline
parent ligne 12
via heuristic_short
14 69 द्विविधा तानक्रिया तन्त्र्यां प्रवेशनं निग्रहस्तथा। तत्र प्रवेशनमधर- main
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15 .याः annotation_inline
parent ligne 14
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16 स्वरप्रकर्षादुत्तरस्वरमार्दवाद्वा। निग्रहश्चासंस्पर्शः।" main
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17 •श्चाह ∙स annotation_inline
parent ligne 16
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18 दत्तिलेनाप्युक्तम् - main
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19 "तानक्रिया द्विधा तन्त्र्या प्रवेशान्निग्रहात्तथा। main
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20 प्रवेशो ध्वनिसादृश्यमसंस्पर्शस्तु निग्रहः।" main
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21 70तत्र प्रध्यन्येक्यमः [दत्तिलम् ३६] editorial_bracket
parent ligne 20
via heuristic_brackets
22 [ अनु₀ ५0 ] editorial_bracket
parent ligne 20
via heuristic_brackets
23 ननु त्रिषु स्थानेषु स्वरप्रयोग इत्युक्तं काकुविधाने। तत्र कतमं स्वर— main
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24 71。代 保。 annotation_inline
parent ligne 23
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25 सप्तकमवलम्ब्य मूर्छना कार्येति ये संशेरते तान् प्रत्याह - मध्यम- main
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26 72。红石。 annotation_inline
parent ligne 25
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27 सप्तकेन मूर्जनानिर्देशो भवति मन्द्रतारसंसिद्ध्यर्थम्। कुतः ? मध्यम- main
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28 ∘शः <sup>73</sup>कार्यो annotation_inline
parent ligne 27
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29 74साव ( ? ) annotation_inline
parent ligne 27
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30 सप्तकस्याविनाशित्वादित्यर्थः। भरतेनाप्युक्तम् - main
via surya_layout
31 75"मध्यमस्वरेण [ वैणेन ] मूर्छना-निर्देशो भवत्यविनाशित्वान्मध्यमस्य editorial_bracket
parent ligne 30
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32 CANADA STREET, STREET, STREET, STREET, STREET, STREET, STREET, STREET, STREET, STREET, STREET, STREET, STREET, STREET, S unknown
via fallback
33 निग्रहे पर्यग्रहे वा।" main
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34 ंदि annotation_inline
parent ligne 33
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vol_I_p069 RIGHT — 32 lignes

page vol_I_p069 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 121 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 In the dakṣiṇa (mārga) and catuṣkala tāla pṛthulā giti should be known. main
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4 With this prescription itself the gitis should be sung by the wise. main
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5 (175) annotation_inline
parent ligne 4
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6 (Anu. 105) annotation_inline
parent ligne 4
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7 In the citra (mārga) the tāla is ekakala 12 itself, on account of the use of two- main
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8 mātrā (units). In the vārtika (mārga) the tāla is dvikala 13 itself, on account of main
via surya_layout
9 the use of four-mātrā (units). In the dakṣiṇa (mārga) the tāla is catuṣkala 14 itself main
via surya_layout
10 on account of the use of eight-mātrā (units). main
via surya_layout
11 In citra (mārga) māgadhi gīti (operates), it is with two gurus and is (also) main
via surya_layout
12 composed of laghu (one short) and (one) pluta 15 (three mātrā-unit); (it is) main
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13 twice retreated;16 ardhamāgadhī is (completed) in half of that.17 main
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14 (176) annotation_inline
parent ligne 13
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15 Sambhāvitā is guru 18 in vṛtti (mārga) and pṛthulā is laghu 19 in dakṣiṇa main
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16 (177) annotation_inline
parent ligne 15
via heuristic_height
17 (mārga). main
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18 As - table
via surya_layout
19 Māgadhī [-----] table
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20 Ardhamāgadhī [-----] table
via surya_layout
21 Sambhāvitā [-----] table
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22 Pythulā [-----] table
via surya_layout
23 (Anu. 106) annotation_inline
parent ligne 17
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24 In Vārtika (mārga) there is samagraha,20 in dakṣiṇa (mārga), there is atīta 21 main
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25 (lit. past) graha, in citra mārga there is anāgata<sup>22</sup> (lit. future) graha. main
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26 (Anu. 107) annotation_inline
parent ligne 25
via heuristic_height
27 In the mārgas the use of mātrās 23 has been said. As - dakṣiṇā, vṛtti and citrā main
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28 (are the margas). annotation_inline
parent ligne 27
via heuristic_short
29 The mātrās (to be used in them) are eight, four and two (respectively). As main
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30 — dhruvakā, sarpiņī, kṛṣṇā, vartinī and then visarjitā, vikṣiptā and patākā and main
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31 (178) annotation_inline
parent ligne 30
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32 patitā is known to be the eighth one. main
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vol_I_p026 RIGHT — 24 lignes

page vol_I_p026 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 35 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 sa annotation_inline
parent ligne 12
via heuristic_height
4 n annotation_inline
parent ligne 12
via heuristic_height
5 ni annotation_inline
parent ligne 12
via heuristic_height
6 ga annotation_inline
parent ligne 12
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7 dha annotation_inline
parent ligne 12
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8 ma annotation_inline
parent ligne 12
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9 pa annotation_inline
parent ligne 12
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10 Thus ends the Samvādi-mandala. caption
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11 (Anu. 22) annotation_inline
parent ligne 12
via heuristic_height
12 The use of samvadin is thus- main
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13 The sadja that is accepted as amsa (fundamental note) in a gita (melodic main
via surya_layout
14 structure), in the place of that (if) madhyama (is used) it does not destroy the main
via surya_layout
15 rāga (melodic matrix). The location on which madhyama is used in accordance main
via surya_layout
16 with the mūrchanā,40 on the same location (if) şadja is used, it does not destroy main
via surya_layout
17 the jāti or rāga. In the place of şadja and pañcama (if) pañcama-şadja are used, main
via surya_layout
18 they do not destroy the jāti and rāga. Similarly dhaivata-rṣabha being used in the main
via surya_layout
19 place of rabha-dhaivata do not become the destroyers of jāti and rāga. Similarly main
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20 niṣāda-gāndhāra being used in the place of gāndhāra-niṣāda do not bring about a main
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21 loss of jāti and rāga. Kakubha being with dhaivata amśa, and revagupta being with main
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22 ṛṣabha aṃśa and ārṣabhī jāti, the mother of both of them, having taken up ṛṣabha main
via surya_layout
23 as amía, these two (dhaivata and rṣabha) when used as being mutually related, main
via surya_layout
24 do not become the destroyers of jāti or rāga. main
via surya_layout
153 lignes a valider — change uniquement les roles incorrects.