Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21700). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p056 LEFT — 33 lignes

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1 BŖHADDEŚĪ page_header
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2 94 page_number
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3 संहारे कैशिक: प्रोक्त: पूर्वरङ्गे तु षाडव: । main
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4 चित्रस्याष्टादशाङ्गस्य त्वन्ते कैशिकमध्यमः॥ main
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5 शुद्धानां विनियोगोऽयं ब्रह्मणा समुदाहतः ।'"५० main
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6 [NŚ as quoted in Kalā on SR. II p.32] editorial_bracket
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7 [ख. भिन्नरागाः] section_header
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8 इदानीं भिन्नानां लक्षणमाह - main
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9 श्रुतिभिन्नो जातिभिन्नः शुद्धभिन्नः ५१स्वरस्तथा । main
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10 स्वरै॰ annotation_inline
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11 चतुर्धिर्भिद्यते यस्मात् तस्माद् भित्रक उच्यते ॥३०४॥ main
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12 [अनुः १७२] editorial_bracket
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13 ५२ननु भित्रशब्देन किमभिधीयते ? किं विदारितोऽर्थः, एतदस्मादयं व्यतिरिक्त इत्यर्थो वा main
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14 भित्रशब्दस्य। एतत्र वाच्यम्। भित्रोऽत्र विकृत उच्यते। विकृतत्वं च पूर्वोक्तश्रुतिभित्रेत्यादिलक्षणात्। main
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15 ५३[स्वरभिन्न:] section_header
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16 [अनु॰ १७३] editorial_bracket
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17 इदानीं भिन्नानां प्रागुक्तलक्षणप्रकटनार्थं तत्रादौ स्वरभिन्नस्य लक्षणमुच्यते - main
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18 यदा वादी गृहीत: स्यात् संवादी च विमोक्ष्यते । main
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19 विवादी वानुवादी वा स्वरिभन्न: स उच्यते ॥ ३०५॥ main
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20 ५४चानुवादी च annotation_inline
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21 [अन्॰ १७४] editorial_bracket
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22 अस्यार्थ:-मध्यमग्रामाश्रितस्य शुद्धषाडवस्य योऽसौ मध्यमो ग्रहांश: तत्स्थाने धैवतो main
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23 धैवतोऽपि annotation_inline
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24 योऽसा annotation_inline
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25 ५५विवादित्वेन वा[ऽ]नुवादित्वेन वा गृहीतो भवति। मध्यमस्वरस्य संवादी त्यज्यते न्यस्यते editorial_bracket
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26 नानुवादित्वेन annotation_inline
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27 विवादित्वे (न?) annotation_inline
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28 वा तदासौ स्वरिभन्न उच्यते । भिन्नषड्जेऽत्र वदनाद् वादी धैवतः, पुनर्बहुप्रयोगो भवति [तस्य]। editorial_bracket
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29 व्यह्ज: अत्र annotation_inline
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30 ननु पश्चसु रागेषु मध्ये भित्रषड्जस्य लक्षणमुच्यते इत्यादावेवाभिधानं कृत:? main
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31 सत्यमुक्तम् annotation_inline
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32 मुख्यत्वादस्य । मुख्यत्वं च यथा शुद्धगीतिषु शुद्धषाडवस्य एवं भिन्नगीतिषु भिन्नषड्जस्येति main
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33 तद्भेद[त्व]ादस्येति । editorial_bracket
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vol_I_p032 RIGHT — 46 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 47 page_number
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2 TRANSLATION page_header
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3 The third (letter) of the eighth (group viz. 's') combined with the Hari-bija main
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4 <math>(a)^{71}</math> is the initial svara that the knowledgeable one in svara should draw out main
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5 with all effort. annotation_inline
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6 (63) main
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7 The second (letter) of the seventh (group viz. 'r'), combined with kāmabīja main
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8 (viz. 'a'),72 know (that) as the second svara arising out of the brahmasthāna main
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9 (64) annotation_inline
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10 (brahmagranthi). main
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11 The third (letter) of the second group (viz. 'g') combined with Viṣṇu - bīja, main
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12 (viz. 'a'), one should always draw out (this) svara which is attractive among the main
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13 (65) annotation_inline
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14 various svaras. main
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15 The last (letter) of the sixth group, (viz. 'm') combined with the initial one main
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16 (viz. 'a') know it as madhyama, the indestructible (and)<sup>73</sup> best among svaras. main
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17 (66) annotation_inline
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18 The first one of the same (sixth group, viz. 'p') combined with the first one main
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19 (viz. 'a'), know that as the beautiful svara, associated with the number (five) of main
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20 (67) annotation_inline
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21 vyoma (space)<sup>74</sup> and born of the ostha (lip)<sup>75</sup> sthāna.<sup>76</sup> main
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22 The fourth (letter) of the fifth group (viz. 'dh') combined with the initial main
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23 one (viz. 'a'), one should draw out that excellent svara born of two bows.<sup>77</sup> (68) main
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24 The last (letter) of the fifth group (viz. 'n') differentiated by the end that is main
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25 other than akāra (viz. 'i') arising out of the brahma-sthāna78 (cerebral aperture) main
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26 is combined with 'high' sound. main
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27 (69) annotation_inline
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28 Thus, this much has been shown as the svaroddhāra (analysis of svara-names) main
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29 (70 ab) annotation_inline
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30 contained in agama.79 main
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31 [ Assignment of community, colour and the like to svaras ] section_header
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32 Now I shall speak of the assignment of community, colour and the like (to main
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33 <math>(70 \text{ cd})</math> main
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34 svaras). main
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35 (i) Kula-Vamśa. section_header
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36 Şadja, gāndhāra and madhyama are born in the Kula 80 (community) of gods, main
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37 this svara pañcama is born in the lineage (vaṃśa)81 of manes (pitṛvaṃśa). main
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38 (71) unknown
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39 The two svaras ršabha and dhaivata are born in the lineage of rsis. The niṣāda main
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40 (72) annotation_inline
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41 born in the community of demons, is called 'ni'. main
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42 (ii) Colours. section_header
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43 Ṣadja is of the colour of the lotus-petal, ṛṣabha is of the colour of parrot, main
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44 gāndhāra is goldenhued, madhyama is (white) like kunda (jasminum multi- main
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45 (73) annotation_inline
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46 florum). main
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vol_II_p055 LEFT — 26 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
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2 92 page_number
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3 [अनुः १६९] editorial_bracket
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4 अस्यार्थ: - शुद्धकैशिको नाम[रागो] मध्यमग्रामसम्बन्धः, कैशिकोकार्मारवीजातिभ्यां editorial_bracket
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5 समुत्पन्नत्वात्। तारषड्जोऽस्य ग्रहोंऽशश्च। पञ्चमो न्यासः। निषादीऽत्र काकली। पूर्णस्वरश्चायम् , main
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6 ग्रह: अंश(स्व?ध) annotation_inline
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7 चित्रस्याष्ट्रादशाङ्गस्य [?]निर्वहणे विनियोगः। वीररौद्रादिको रसः।षङ्जादिमूर्छना। आरोही वर्णः। editorial_bracket
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8 <sup>४६</sup>प्रसन्नादिरलङ्कार:। दक्षिणे कला,वृत्तौ कला,चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल:। main
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9 [शुद्धरागाणां ग्रामविभागः] section_header
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10 [अनु॰ १७०] editorial_bracket
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11 ननु एते ग्रामविशेषसम्बन्धाः, कुतोऽयं विशेषलाभः ? उच्यते, भरतवचनादेवासौ विशेषो main
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12 कु(तो ऽ)यं annotation_inline
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13 लभ्यते । तथा चाह भरतमुनि: - ''जातिसम्भूतत्वाद् ग्रामरागाणाम्''४० इति , ''यत्किञ्चिद् main
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14 गीयते लोके तत्सर्वं जातिषु स्थितम् ' '४८ इति वचनात् । तथा काश्यपेनाप्युक्तम् - main
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15 तत्सर्व annotation_inline
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16 ''षाडवो मध्यमग्रामे पञ्चम: कैशिकस्तथा । main
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17 पाडवे ककुभ् annotation_inline
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18 षड्जे साधारितश्चैव तथा कैशिकमध्यम:॥'' main
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19 [शुद्धरागाणां विनियोगः] section_header
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20 [अनु॰ १७१] editorial_bracket
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21 ननु अमी विनियोग-विशेषा: कस्माल्लभ्यन्ते ? [मुनि-] वचनादेव लभ्यन्ते। तथा editorial_bracket
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22 अ(यं ?मी) annotation_inline
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23 चाह भरत:- annotation_inline
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24 ‘‘मुखे तु मध्यमग्राम: षड्ज: प्रतिमुखे भवेत् । main
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25 गर्भे साधारितश्चैव <sup>४९</sup>ह्मवमर्शे तु पञ्चम: ॥ main
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26 ...वावमर्शे • तु annotation_inline
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vol_II_p072 RIGHT — 31 lignes

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1 127 page_number
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2 TRANSLATION page_header
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3 in yuddha-vīra 92 (rasa). Vīra and the like is the rasa. The mūrchanā beginning main
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4 with ṣaḍjaobtains. Ārohin is the varṇa. Prasannāntais the alaṅkāra. The kalā main
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5 is formed in the dakṣiṇa(mārga), the kalā obtains in the vārtika(mārga) and main
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6 the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs main
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7 comprised of svara and pada. main
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8 [The assignment of grāma to sādhāraņa rāgas] section_header
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9 Now, the assignment of grāma to sādhāraņa (rāgas) is being shown. main
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10 Bhammāṇapañcama should be known to be born of madhyamagrāma and main
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11 so are gāndhārapañcama, narta and ṣaḍjakaiśika. main
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12 (342) annotation_inline
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13 The rāgas rūpasādhārita, śaka, kakubha, revagupta and pañcamaṣāḍava main
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14 should be known to be (related to ) the one known as sadja. The seven main
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15 (nine?) sādhāraņa (rāgas) have (thus) been said to be based on the two main
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16 grämas. annotation_inline
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17 (343) main
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18 [The basis of the specification of murchanā in respect of grāma-rāgas] section_header
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19 [Anu. 213] editorial_bracket
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20 (Contention) How is the specification of particular mūrchanās in respect main
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21 of grāma-rāgas known? It is being answered. The specification of mūrchanās main
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22 is known from the statements of authorities. Similarly has said Kasyapa - main
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23 "The mūrchanā should be specified by the wise after knowing the main
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24 predominance of amsa in a jāti."94 main
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25 [The difference between gita and raga] section_header
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26 [Anu. 214] editorial_bracket
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27 (Contention) What is the difference between gita and raga? It is being main
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28 answered. The gita characterised with ten lakṣaṇas should be named after main
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29 the word rāga. Gīta is comprised of four angas (components).95 It is five- main
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30 fold in combination with dhruva96 From where is this known? From the main
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31 statements of authorities. Similarly has said Kasyapa - main
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vol_I_p105 RIGHT — 20 lignes

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1 VIMARŚA page_header
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2 193 page_number
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3 Mārga main
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4 Threefold duration of kalā represented by corresponding mārgas main
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5 Daksiņa annotation_inline
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6 8, 4, 2 dakşina, vartika and citra main
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7 Vārtika or Vṛtti annotation_inline
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8 4, 2, 1 vārtika, citrā and dhruva. main
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9 Citra annotation_inline
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10 2, 1, 1/2 Citra, dhruva and śūnya. main
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11 The introduction of sunya paves the way for the unit druta (1/2 mātrā) in main
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12 desi tālas. It is notable that the notational sign for druta in later texts is 0 that main
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13 represents zero or śūnya. (cf. SRV, section on deśi tālas) main
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14 • annotation_inline
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15 - annotation_inline
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16 . annotation_inline
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17 • annotation_inline
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18 • unknown
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19 • annotation_inline
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20 • annotation_inline
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156 lignes a valider — change uniquement les roles incorrects.