Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

vol_II_p031 RIGHT — 32 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	45	page_number via heuristic_pagenum
3	the samvādī of the amsa. It becomes ṣāḍavā with niṣāda when (any one of)	main via surya_layout
4	madhyama, pañcama and dhaivata is the amsa.	main via surya_layout
5	[ Anu. 145]	section_header via surya_layout
6	When sadji is sung as suddha then upon sadja being the amsa, there is	main via surya_layout
7	abundance of the remaining svaras. Upon<sup>57</sup> the profusion of sadja and	main via surya_layout
8	pañcama, there are thirty amsas (?). With six, it (?) becomes fourteen-fold.	main via surya_layout
9	Gāndhāra is nineteen-fold (?) and madhyama is fourteen-fold (?) -	main via surya_layout
10	Taken together seven svaras become hundred and twenty-eight (?),	main via surya_layout
11	suffice to say that.	main via surya_layout
12	[11. The particular characteristics of jātis]	section_header via surya_layout
13	[ Anu. 146]	section_header via surya_layout
14	Now out of the ten characteristics he (the author) shows the respective	main via surya_layout
15	ones of each jāti.-	main via surya_layout
16	[1. Şādjī]	section_header via surya_layout
17	Ṣādjī that pertains to ṣadja-grāma has five anisas and grahas. That is thus-	main via surya_layout
18	ṣadja, gāndhāra, madhyama, pañcama, dhaivata are grahas and amsas. Gāndhāra	main via surya_layout
19	and pañcama are the two apanyāsas. It is ṣāḍavā by being devoid of niṣāda.	main via surya_layout
20	Ṣadja is the nyāsa. There is sangati (concert) between ṣadja and gāndhāra as	main via surya_layout
21	well as ṣadja and dhaivata. Gāndhāra is very profuse, in spite of its being	main via surya_layout
22	vivādī. Sangatī<sup>58</sup> means 'reaching out to each other', i.e. to and fro movement	main via surya_layout
23	between the two svaras concerned.	main via surya_layout
24	The movement in tāra (high register) extends up to five svaras. The	main via surya_layout
25	movement in mandra (lower register) extends upto şadja (the lower octave	main via surya_layout
26	of the amsa). The state of auduvita does not obtain at all. It is complete and	main via surya_layout
27	hexatonic. When it is sung in its complete form, then the sparseness of	main via surya_layout
28	ṛṣabha-pañcama and niṣāda-pañcama should be brought about. Why? -	main via surya_layout
29	"( The svara) without which the incomplete state (of a given jāti) comes	main via surya_layout
30	about, that (svara) is sparse in that (jāti, in its complete state)."	main via surya_layout
31	[Datti 61 ab]	editorial_bracket parent ligne 30 via heuristic_brackets
32	- Because of the above statement.	main via surya_layout

vol_II_p070 RIGHT — 36 lignes

L#	Texte OCR	Role auto
1	Electric and the	annotation_inline parent ligne 4 via heuristic_height
2	123	page_number via heuristic_pagenum
3	TRANSLATION	page_header via surya_layout
4	[Anu. 208]	section_header via surya_layout
5	Its meaning is thus - Rūpasādhārita is related to şadjagrāma on account of	main via surya_layout
6	being born of şadjamadhyamā and niṣādavatī. Şadja is its graha and amśa.	main via surya_layout
7	Madhyama is the nyāsa. There is the sparseness of pañcama and ṛṣabha.	main via surya_layout
8	Niṣāda is kākalī here and this (rāga) is complete. It is used in vīra and karuņa	main via surya_layout
9	(rasas). Vīra and the like is the rasa84 The mūrchanā begininng with ṣaḍja	main via surya_layout
10	obtains. Arohin is the varna. Prasannamadhya is the alankāra. The kalā is	main via surya_layout
11	formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga) and the	main via surya_layout
12	kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs	main via surya_layout
13	comprised of svara and pada.	main via surya_layout
14	(338)	main via surya_layout
15	[6. Gāndhārapañcama]	section_header via surya_layout
16	Gāndhārapañcama isborn of gāndhārī and raktagāndhārī (jātis). Gāndhāra is	main via surya_layout
17	its <i>amśa</i> and <i>gāndhāra</i> alone is <i>nyāsa</i>.	main via surya_layout
18	[Anu. 209]	section_header via surya_layout
19	Itsmeaning is thus-gāndhārapañcama is related to madhyamagrāma on account	main via surya_layout
20	of being born of gāndhārī and raktagāndhārī jātis. Although it is born of dhaivatī	main via surya_layout
21	(jāti) in the opinion of Durgaśakti, yet on account of pañcama being comprised	main via surya_layout
22	of three śrutis, it is related to madhyama (grāma) alone in spite of being born of	main via surya_layout
23	jātis belonging to both the grāmas. Gāndhāra is its graha, amśa and nyāsa. With	main via surya_layout
24	relevance to the performer, gāndhāra may become dhaivata.85 Niṣāda is	main via surya_layout
25	kākalī here and this (rāga) is complete. Its application is prescribed in	main via surya_layout
26	adbhuta, vismaya<sup>86</sup> and hāsya (rasas). Karuṇa is the rasa<sup>87</sup> The mūrchanā	main via surya_layout
27	beginning with gāndhāra obtains. Sañcārin is the varņa. Prasannamadhya is	main via surya_layout
28	the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in	main via surya_layout
29	the vārtika(mārga) and the kalā prevails in the citra (mārga). A tāla like	main via surya_layout
30	caccatputa obtains in the songs comprised of svara and pada.	main via surya_layout
31	[7.Şadjakaisika]	section_header via surya_layout
32	***************	annotation_inline parent ligne 31 via heuristic_height
33	[8. Pañcamaṣāḍava]	section_header via surya_layout
34	Pañcamaṣāḍavaisborn of dhaivatī and ārṣabhī jātis. It is combined with ṛṣabha	main via surya_layout
35	as the amśa and madhyama alone is the nyāsa.	main via surya_layout
36	(339)	main via surya_layout

vol_I_p019 RIGHT — 33 lignes

L#	Texte OCR	Role auto
1	21	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	The distinction of svara and śruti (exists) because they are prasādhya (lit.	main via surya_layout
4	accomplished, here perceived) by different buddhis (apprehensions,	main via surya_layout
5	perceptions). And also on account of the distinction of aśraya (seat or	main via surya_layout
6	substratum, here śruti) and āśrayin (that which is seated, here svara) the	main via surya_layout
7	identification (of the two) does not stand.	main via surya_layout
8	(36)	annotation_inline parent ligne 7 via heuristic_height
9	The state of svaras being reflections, that has been spoken of, does not stand	main via surya_layout
10	reason (because) if the state of svaras being reflection (is accepted), then	main via surya_layout
11	perception having the nature of delusion becomes applicable.	main via surya_layout
12	(37)	annotation_inline parent ligne 11 via heuristic_height
13	The relationship of cause and effect between śruti and svara is not possible;	main via surya_layout
14	there is no pramana (means of valid knowledge or evidence) of the existence of	main via surya_layout
15	(38)	annotation_inline parent ligne 14 via heuristic_height
16	śrulis.	annotation_inline parent ligne 14 via heuristic_height
17	(Objection) If by arthāpatti 55 (negative inference) or by the pramāņa	main via surya_layout
18	presuming vyāpti-grahaņa, (the comprehension of concomitance, i.e. anumāna,56	main via surya_layout
19	inference) svara is proved to be the bheda (modification or result) of the gagana-	main via surya_layout
20	gunas<sup>57</sup> (qualities of space or ether i.e. sounds) that are the progenitors of svara	main via surya_layout
21	(then the kārya-kāraņa relationship between the two would be established). (39)	main via surya_layout
22	(Answer) It is true.	annotation_inline parent ligne 21 via heuristic_height
23	Although the kārya-kāraņa difference (between svara and śruti) is evident,	main via surya_layout
24	(40)	annotation_inline parent ligne 23 via heuristic_height
25	yet the kāraņatva (causality) of śrutis is impossible.	main via surya_layout
26	(This is so) because (here) the cause (śruti) is available (perceptible) (even)	main via surya_layout
27	when the kāryas (svaras) are present, (but) when the jar and the like are	main via surya_layout
28	existent, the lump of clay is not available (perceptible).	main via surya_layout
29	(41)	annotation_inline parent ligne 28 via heuristic_height
30	Pariņāma 58 (transformation) (and, or) abhivyakti (manifestation) is	main via surya_layout
31	understood to be the justified proposition by the wise; thus the alternatives	main via surya_layout
32	(42)	annotation_inline parent ligne 31 via heuristic_height
33	starting with tādātmya have been spoken of by me.	main via surya_layout

vol_I_p076 RIGHT — 43 lignes

L#	Texte OCR	Role auto
1	135	page_number via heuristic_pagenum
2	PÄTHA VIMARŠA	page_header via surya_layout
3	100	page_number via heuristic_pagenum
4	80. Bha Ko, p. 755.	list_item via surya_layout
5	81. Suggested by the ed. in the place of 'su'.	list_item via surya_layout
6	82. Bha Ko, p. 755.	list_item via surya_layout
7	83. C.r. in Sam S Sā, p. 10.	list_item via surya_layout
8	84. Bha Ko, p. 756.	list_item via surya_layout
9	85, 86. C.r. in S R I Sudhā, p. 84.	list_item via surya_layout
10	87. C.r. in Sam S Sā, p. 10.	list_item via surya_layout
11	88. Reading suggested by the ed.	list_item via surya_layout
12	89. MS B reading as recorded by the ed.	list_item via surya_layout
13	Section IV (Svara)	section_header via surya_layout
14	1, 2, 3. C.r. in S R I Sudhā, p. 84.	list_item via surya_layout
15	4. Bha Ko, p. 754.	list_item via surya_layout
16	5. C.r. in Sam S Sā, p. 10.	list_item via surya_layout
17	6. Bha Ko, p. 754.	list_item via surya_layout
18	7. Added by the ed.	list_item via surya_layout
19	8. 'Nāda' of the MSS has been replaced with 'pada' because 'nāda' cannot	list_item via surya_layout
20	be said to be the associate of svara, it is only the subtle or undifferentiated form	list_item via surya_layout
21	of svara. The association of pada with svara has been explained in the	list_item via surya_layout
22	annotations.	list_item via surya_layout
23	"l'alamiti' has been modified, as 'tvalamiti' because 'alamiti kṛtau' could be	main via surya_layout
24	construed as standing for alankṛti or alankāra, whereas tālamiti is neither	main via surya_layout
25	grammatically correct, nor does it fit into the context. An alternative reading	main via surya_layout
26	could be 'tālamitaḥ' (cf. Saṃ S Sā, p. 11) meaning that svara is measured with	main via surya_layout
27	tāla, but even then 'kṛtau' would pose a problem.	main via surya_layout
28	9. cf. अत्र मिरगादिप्वाद्याक्षराणा व्यञ्जनत्वात् कथ स्वरत्विमत्याक्षिप्याचार्यपरिभाषया सङ्केतमात्रमेतिर्दित	main via surya_layout
29	पृत्याह मनङ्गः ।	annotation_inline parent ligne 28 via heuristic_short
30	(SRI Kalā, p. 82)	main via surya_layout
31	10. The use of first person is notable here.	list_item via surya_layout
32	11. MS B reading as recorded by the ed.	list_item via surya_layout
33	12. C.r. in S R I Kalā, p. 92.	list_item via surya_layout
34	13. Added in accordance with C.r. in ibid. and Sudhā, p. 93.	list_item via surya_layout
35	14. Reading suggested by the ed. as tri (. te? ke).	list_item via surya_layout
36	15. C.r. in S R I Sudhā, p. 94.	list_item via surya_layout
37	16. Bha Ko, p. 765 adds 'rāga-svareņa'.	list_item via surya_layout
38	17. Portion added according to S R I Sudhā, p. 94.	list_item via surya_layout
39	18. Ed. suggests rşabhasya.	list_item via surya_layout
40	19. Ed. suggests dhaivalasya.	list_item via surya_layout
41	20. MS A reading as recorded by the ed.	list_item via surya_layout
42	21. MSS reading, reconstructed by the ed. as 'tadanu'.	list_item via surya_layout
43	Se STATISTICS	annotation_inline parent ligne 42 via heuristic_height

vol_II_p047 LEFT — 32 lignes

L#	Texte OCR	Role auto
1	1	page_number via heuristic_pagenum
2	[ तृतीयोऽध्याय: ]	section_header via surya_layout
3	[ रागलक्षणम् ]	section_header via surya_layout
4	[मङ्गलाचरणम् ]	section_header via surya_layout
5	भं ज्योतिस्तद्रतो हंसस्तस्मात् तं भरतं विदु:।	main via surya_layout
6	तद्भवं भरतज्ञानं तद्भवा भारती शुभा ॥ २६०॥	main via surya_layout
7	(वं)	annotation_inline parent ligne 6 via heuristic_height
8	[रागलक्षणम्, रागशब्दव्युत्पत्तिश्च]	section_header via surya_layout
9	[नारद उवाच ?]	section_header via surya_layout
10	किमुच्यते रागशब्देन किं वा रागस्य लक्षणम् ।	main via surya_layout
11	व्युत्पत्तिलक्षणं तस्य यथावद् वक्तुमर्हसि ॥२६१॥	main via surya_layout
12	मतङ्ग उवाच -	annotation_inline parent ligne 11 via heuristic_short
13	रागमार्गस्य यद्रूपं यन्नोक्तं भरतादिभि:।	main via surya_layout
14	निरूप्यते तदस्माभिर्लक्ष्यलक्षणसंयुतम् ॥२६२॥	main via surya_layout
15	तत्रादौ -	annotation_inline parent ligne 14 via heuristic_short
16	१स्वरवर्णविशेषेण ध्वनिभेदेन वा पुन:।	main via surya_layout
17	<sup>२</sup>。विशिप्टेन	main via surya_layout
18	रज्यते येन रसिच्चत्तं स रागः सम्मतः सताम् ॥२६३॥	main via surya_layout
19	यः कश्चित्	annotation_inline parent ligne 18 via heuristic_height
20	अथवा -	main via surya_layout
21	योऽसौ ध्वनिविशेषस्तु स्वरवर्णविभूषित:।	main via surya_layout
22	•	annotation_inline parent ligne 21 via heuristic_height
23	<sup>४</sup>विशेपित:	annotation_inline parent ligne 21 via heuristic_height
24	रञ्जको जनचित्तानां स च राग उदाहृत: ॥२६४॥	main via surya_layout
25	>	annotation_inline parent ligne 24 via heuristic_height
26	<sup>५</sup>स रागः कथितो बुधैः	main via surya_layout
27	सामान्यं च ६विशेषं च लक्षणं द्विविधं मतम् ।	main via surya_layout
28	<sup>७</sup>विशेषध	annotation_inline parent ligne 27 via heuristic_height
29	८द्विविधं लक्षणं	main via surya_layout
30	चतुर्विधं तु सामान्यं 'विशेषञ्चांशकादिकम् ॥२६५॥	main via surya_layout
31	१०च	annotation_inline parent ligne 30 via heuristic_height
32	विशेषश्चांश	annotation_inline parent ligne 30 via heuristic_height

Legende des roles

vol_II_p031 RIGHT — 32 lignes

vol_II_p070 RIGHT — 36 lignes

vol_I_p019 RIGHT — 33 lignes

vol_I_p076 RIGHT — 43 lignes

vol_II_p047 LEFT — 32 lignes