Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21706). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 91 page_number
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2 TRANSLATION page_header
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3 Udghaisita (rubbed, pressed or shaken upwards) (26) Ākṣiptaka (thrown down) main
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4 (27) Sampradāna (the act of giving or bestowing), (28) Hasita (laughter), (29) main
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5 Hunkāra (the 'hum' sound) (30) Sandhipracchādana (covering the joint or main
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6 juncture) (31) Vidhuta (shaken off) (32) Udgita (sung, celebrated) (33) main
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7 Gātravarṇa (the colour of the body). main
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8 (Anu. 70) annotation_inline
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9 Now the definition of these alankāras is being given (said). That is thus—the main
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10 gradual ascent beginning from 'low' upto the starting point of 'high' is (known main
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11 as) prasannādi.27 By the word mandra28 is denoted the low sound. As - sā nī gā main
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12 mā pā dhā nī sā.29 annotation_inline
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13 (1) annotation_inline
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14 Thus is (ends) prasannādi. annotation_inline
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15 (Anu. 71) annotation_inline
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16 Beginning from tara 30 (high) and (reaching) upto mandra (low) is main
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17 prasannānta. As - sā<sup>31</sup> nī dhā pā mā gā nī sā. Thus is (ends) prasannānta. main
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18 (2) annotation_inline
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19 (Anu. 72) annotation_inline
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20 Where there is 'low' in the beginning and end and 'high' in the middle, main
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21 that is prasannādyanta. As - sā rī gā mā pā dhā nī sā, 52 sā nī dhā pā mā gā rī main
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22 (3) annotation_inline
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23 sā. Thus is (ends) prasannādyanta. main
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24 (Anu. 73) annotation_inline
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25 Where there is 'low' in the middle and 'high' in the beginning and end, main
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26 that is prasannamadhya. As - sā 33 ní dhā pā mā gā rī sā, sā rī gā mā pā dhā ni main
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27 (4) annotation_inline
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28 sā.34 Thus is (ends) prasannamadhya. main
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29 (Anu. 74) annotation_inline
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30 The pronunciation (sounding) of the seven svaras with a similar sound in main
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31 the three registers is sama. This is being said. (A svara) should be made main
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32 (sounded) in the three registers with the same number of śrutis 35 as it is main
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33 composed of (originally). As - sa ri ga ma pa dha ni - thus (it is). Or, sama main
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34 (comes into being) on account of the pronunciation of pairs of samvādin main
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35 (consonant) svaras. That is as - sama sapa ridha gani (thus). When the grāma main
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36 changes (to madhyamagrāma, then) sama, ripa, gani - thus is the special main
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37 <b>(5)</b> annotation_inline
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38 (structure of pairs). Thus is (ends) sama. main
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1 BRHADDEŚI page_header
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2 140 page_number
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3 72,73 C.r. in S R I Kalā, p. 104. main
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4 74. P.t; our reconstruction is nearer P.t. main
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5 75. cf. (i) मध्यमस्वरेण तु वैणेन मूर्छनानिर्देशो भवत्यनाशित्वात् मध्यमस्वरस्य निग्रहः प्रवेशो वा। main
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6 ( NS Chau, p. 321 ) annotation_inline
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7 (ii) मध्यमस्वरेणेव तु मूर्छनानिर्देशः कार्यो भवति अनाशित्वान्मध्यमस्य निग्रहे पर्यग्रहे वा। main
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8 ( NŚ XXVIII, p. 27) annotation_inline
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9 76. Reconstruction based on Abhi Bhā on NS XXVIII, p. 28, reading as - main
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10 चतुर्थस्वर एव कण्ठ्यो मध्यमा ( मोऽ ) त्रेत्यपरे। main
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11 Brahaspati has interpreted 'karnye' as the 'fundamental note' that is main
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12 constantly heard in the drone. But 'kanthya' seems to be more appropriate, main
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13 because kantha (lit. throat) is the location of the middle register in the human main
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14 body. annotation_inline
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15 77. Reconstruction based on the reading of Dattilam 37. main
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16 78. cf. (i) नन् प्रथमाया सप्तम्या च मूर्छनाया षड्जलुप्ते रिगमपधनिरूप भवतीति तत्र को विशेषः। सत्यं main
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17 भेदो नास्ति, परन्तु मन्द्रतारकृतो भेदो विद्यत एव। main
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18 (C.r. in S R I Sudhā, p. 117) main
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19 (ii) ननु प्रथमाया सप्तम्या च मूर्छनाया पहजे न्तुप्ते रिगमपधनिरूप भवतीति दुर्जातो विशेषः। सत्य main
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20 लेख्यभेदो नास्ति। annotation_inline
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21 ( Abhi Bhā on XXVIII, p. 28 ) main
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22 79. cf. (i) इद च प्रयोक्त्श्रोतृसुसार्य च मूर्धनानानात्वम्। मूर्धनातानप्रयोजनमपि स्थानप्राप्त्यर्थम्। main
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23 ( NŠ XXVIII, p. 27 ) main
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24 (ii) प्रयोक्तुश्रोतृसुक्षार्थं तानमूर्छनातत्त्वम् । प्रयोजनमपि स्थानप्राप्तः । main
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25 ( NŠ Chau, p. 321 ) annotation_inline
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26 'Nānātvam' (variety) is associated with mūrchanā in NS, but in BrD the main
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27 reading mūrchanā-tānānyatvam suggests a distinction between mūrchanā and main
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28 tāna and it is in consonance with the preceding discussion in Anu. 45. main
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29 80. C.r. in S R I Sudhā, p. 117. main
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30 81. cf. ननु च मूर्धनास्तावत् जाञ्जति ( 0 ज्जाति ) ग्रह ( राग ) भाषावत्र प्रयोगोपयोगिन्यः, तानाश्च main
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31 कुतप ( कुत्र ) उपयुज्यन्ते, तानोक्तस्वरातिरिक्तानामपि जातिषु लोपा ( प्य ) भावाद् दृष्टत्वात्। main
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32 (Abhi Bhā XXVIII, p. 29) main
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33 ( Readings suggested in paranthesis ours ). main
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34 82. cf. ग्रामद्वयेऽपि तानाना पाडवीडवसजिनाम् । main
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35 नष्टोदिष्टविधानाय तत्सस्यामभिदध्यहे ॥ main
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36 (S. Rāj II, 1.1.424) main
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37 83. Reconstruction in the whole verse based on the reading in <i>Dattilam</i> 39. list_item
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38 84. ibid., <i>Dattilam</i> 40. list_item
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39 85. Reading suggested by the ed. list_item
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40 86. P.t. is utterly confused here. list_item
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41 87. cf. प्रयोजनमपि स्थानप्राप्तिः। स्थान तु त्रिविध पूर्वोक्तलक्षण काकुविधाने। list_item
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42 ( NŠ Chau, p. 321 ) main
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43 88. 'Sthāna' added on the basis of NS XXVIII, p. 27. main
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1 BRHADDEŚĪ page_header
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2 114 page_number
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3 [अनु॰ १९८] section_header
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4 षड्जोऽस्य ग्रहोंऽशो न्यासश्च । निषादोऽत्र काकली । धैवतर्षभहीनमौडुवितम् । main
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5 धैवत ऋषभहीन( ध ?)मौडवितम् annotation_inline
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6 <sup>८२</sup>सम्भोगशृङ्गारेऽस्य विनियोग:। वीरादिरस:। मूर्छना षड्जादि:। वर्ण आरोही। main
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7 ॰ना(दि) annotation_inline
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8 प्रसन्नादिरलङ्कारः । दक्षिणे कला, वार्तिके कला, चित्रे कला। स्वरपदगीते चच्चत्पुटादिताल । main
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9 [७. टक्ककेशिक:] section_header
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10 धैवतांशस्तदन्तश्च स्वल्पद्विश्रुतिकस्वर: । main
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11 धैवतीमध्यमाजात्यो: सञ्जातष्टक्ककैशिक: ॥३२६॥ main
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12 ॰एक annotation_inline
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13 [अनु॰ १९९] section_header
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14 धैवतीमध्यमाजात्योर्जातत्वाट्टक्ककेशिक: षड्जग्रामसम्बन्ध:। <sup>८३</sup>ननु उभयग्रामसम्बन्धिन्यो- main
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15 (यस्याज? ठमय) annotation_inline
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16 र्जात्योः समुत्पन्नोऽयं गगः षड्जग्रामसम्बन्ध इति कथं वक्तुं युक्तम् ? अस्य प्रयोगे चतुःश्रुतिसम्बन्धः main
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17 र्जा(न्यो?त्यो) annotation_inline
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18 (कथं) annotation_inline
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19 पञ्चम उपलभ्यते। पञ्चमधैवतौ द्विग्रामयोर्भेदकारिणौ अत: पञ्चमस्य चतु:श्रुतिकत्वात् । षङ्जग्रामसम्बन्ध main
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20 (पञ्चमे पैवतेन भिग्रामयोर्भेदकारिणौ ?) annotation_inline
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21 एवायं राग:। ग्रहोंऽशो न्यासश्च धैवत:। निषादगान्धारौ चात्र काकल्यन्तरौ। पूर्णस्वरश्चायम्। main
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22 <sup>८४</sup>कश्यपमते निषादगान्धारयोर्लोपादयमौडुवित: । उद्भटनाट्ये कामग्रस्ततत्कञ्चकिप्रवेशे चास्य main
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23 विनियोग:। बीभत्सादिरस: । धैवतादिमूर्छना। आरोही वर्ण:। दक्षिणे कला, वार्तिके कला, चित्रे main
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24 मध्यमादिधैवता(?) annotation_inline
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25 कला । स्वरपदगीते चच्चत्पुटादिताल: । main
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26 [८. मालवकैशिक:] section_header
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27 ८५कैशिकीजातिसम्भूतः षड्जांशन्याससंयुतः । main
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28 दुर्बलो धैवतेन स्याद् रागो मालवकैशिक: ॥ ३२७॥ main
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29 <sup>८६</sup>पञ्चमं केचिदिच्छन्ति चास्य वै न्यासकर्मणि । main
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30 हात्याद्याः + कर्मणि annotation_inline
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31 गान्धारं च तथा चान्ये तद्धि लक्ष्ये न दृश्यते ॥ ३२८॥ main
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1 別は必要であった。 annotation_inline
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2 BRHADDEŚĪ page_header
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3 · 22 page_header
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4 एकविंशतिसंख्य इति । तद्यथा - षड्जाया एक[:] षड्जो नाम न्यास: । एवमादि बोद्धव्या editorial_bracket
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5 बोद्धव्यम् annotation_inline
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6 अष्टादशजातिषु च न्यासा:। ५८अङ्गसमाप्तौ कार्य इत्यर्थ:। main
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7 अंश: annotation_inline
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8 ५९[१०. अपन्यासलक्षणम्] section_header
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9 [अनु॰ १३१] editorial_bracket
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10 इदानीमपन्यासमाह - ६०अपन्यासोऽन्ते [न] । प्रयोग[ा]समाप्तौ अपन्यास: । स च editorial_bracket
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11 षट्पञ्चाशद्भेदभिन्नो भवति, गीतानां मध्ये बोद्धव्यः । यथा यत्र समाप्तमिव गीतं प्रतिभासते main
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12 सोऽपन्यासः । स च विदारीमध्ये भवति । गीतशरीरमध्य<sup>६१</sup> इत्यर्थः । यथा – main
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13 ॰ मध्यम annotation_inline
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14 षड्जग्रामे षड्जमध्याया: सप्तापन्यासा भवन्ति । षड्जोदीच्यवायाश्च द्वौ , पञ्चानां प्रत्येकं main
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15 (ति ? नित) annotation_inline
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16 त्रयं त्रयमिति चतुर्विंशति:।शेषास्तु मध्यमग्रामे।तथा चाह भरत: - main
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17 ‘‘न्यासो ह्यङ्गसमाप्तौ स चैकविंशतिविधो विधातव्य:। main
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18 ह्यंश annotation_inline
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19 षट्पञ्चाशत्संख्यो भवेदपन्याससंज्ञोऽसौ ॥'' main
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20 [तुल॰ ना॰ शा॰ २८.७२] editorial_bracket
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21 ॥ दशविधजातिलक्षणमिति ॥ main
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22 [५. जातीनामंशादिविकल्पनम्] section_header
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23 ६२ अंशा: स्यु: पञ्च षड्जायां निषादर्षभवर्जिता: । main
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24 •या<sup>६</sup>३ annotation_inline
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25 अपन्यासस्तु गान्धार: पञ्चमश्चाथ सङ्गति: ॥२११॥ main
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26 स(ङ्गी?ङ्ग) annotation_inline
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27 (रा?रः) annotation_inline
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28 षड्जगान्धारयोस्तु स्यात् षड्जधैवतयोस्तथा । main
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29 स्याद् annotation_inline
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30 षाडवं च निषादे स्यात्रास्यामौडुवितं भवेत् ॥२१२॥ main
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31 •क्स्वं<sup>६४</sup> main
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32 °दौ• annotation_inline
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33 প্ৰ annotation_inline
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1 121 page_number
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2 TRANSLATION page_header
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3 In the dakṣiṇa (mārga) and catuṣkala tāla pṛthulā giti should be known. main
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4 With this prescription itself the gitis should be sung by the wise. main
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5 (175) annotation_inline
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6 (Anu. 105) annotation_inline
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7 In the citra (mārga) the tāla is ekakala 12 itself, on account of the use of two- main
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8 mātrā (units). In the vārtika (mārga) the tāla is dvikala 13 itself, on account of main
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9 the use of four-mātrā (units). In the dakṣiṇa (mārga) the tāla is catuṣkala 14 itself main
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10 on account of the use of eight-mātrā (units). main
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11 In citra (mārga) māgadhi gīti (operates), it is with two gurus and is (also) main
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12 composed of laghu (one short) and (one) pluta 15 (three mātrā-unit); (it is) main
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13 twice retreated;16 ardhamāgadhī is (completed) in half of that.17 main
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14 (176) annotation_inline
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15 Sambhāvitā is guru 18 in vṛtti (mārga) and pṛthulā is laghu 19 in dakṣiṇa main
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16 (177) annotation_inline
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17 (mārga). main
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18 As - table
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19 Māgadhī [-----] table
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20 Ardhamāgadhī [-----] table
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21 Sambhāvitā [-----] table
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22 Pythulā [-----] table
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23 (Anu. 106) annotation_inline
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24 In Vārtika (mārga) there is samagraha,20 in dakṣiṇa (mārga), there is atīta 21 main
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25 (lit. past) graha, in citra mārga there is anāgata<sup>22</sup> (lit. future) graha. main
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26 (Anu. 107) annotation_inline
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27 In the mārgas the use of mātrās 23 has been said. As - dakṣiṇā, vṛtti and citrā main
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28 (are the margas). annotation_inline
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29 The mātrās (to be used in them) are eight, four and two (respectively). As main
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30 — dhruvakā, sarpiņī, kṛṣṇā, vartinī and then visarjitā, vikṣiptā and patākā and main
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31 (178) annotation_inline
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32 patitā is known to be the eighth one. main
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177 lignes a valider — change uniquement les roles incorrects.