Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21708). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p022 RIGHT — 26 lignes

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1 E. annotation_inline
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2 27 page_number
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3 TRANSLATION page_header
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4 In gāndhārī, the two (svaras) that are not amśas viz. ṛṣabha, dhaivata are main
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5 always to be omitted respectively (for making ṣāḍava and auḍava forms). main
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6 Şadja and pañcama are to be known as the two apanyāsas. One should move main
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7 from dhaivata to ṛṣabha. In raktagāndhārī, almost everything is like this main
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8 (gãndhārī), but madhyama is apanyāsa. Dhaivata and niṣāda have to be main
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9 accorded abundant usage. Sañcāra (to and fro movement) is to be rendered main
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10 in this (jāti) between ṣaḍja and gāndhāra by the performers. main
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11 <math>(222-224)</math> annotation_inline
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12 Gāndhārodīcyavā is mostly similar to şadjodīcyavatī. Şadja and madhyama main
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13 are the two amsas and the auduvita (pentatonic) form is not desirable in it. main
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14 (225) annotation_inline
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15 In madhyamā there are five amśas, excepting the two svaras composed of main
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16 two śrutis each (viz. gāndhāra-niṣāda). These two are omitted for (forming main
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17 the ṣāḍava and auḍuva) varieties respectively i.e. ṣāḍava is formed by main
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18 omitting gåndhåra and auduva by omitting gåndhåra-niṣāda. Şadja and main
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19 madhyama are abundant. main
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20 (226) annotation_inline
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21 Madhyamodīcyavā is like gāndhārodīcyavā. It is always made of seven svaras; main
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22 pañcama is amsa in it. main
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23 (227) annotation_inline
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24 In pañcamī, ṛṣabha and pañcama have been said by the gurus to be aniśas. main
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25 These two alongwith niṣāda are apanyāsa and there is the sangati (concert) main
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26 between madhyama and ṛṣabha. Ṣaḍja, madhyama and gāndhāra are sparse. main
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vol_II_p144 LEFT — 51 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 2"-WH - - * annotation_inline
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2 270 page_number
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3 BRHADDEŚĪ page_header
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4 54. Reconstruction based on Kalā (appendix) on SR II, p. 139, list_item
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5 reading sa-ri-sangatā. list_item
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6 55. Both S Rāj II.2.1.999 c and Kalā (appendix) on SR, p.119 read list_item
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7 khañjanī. list_item
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8 56. S Rāj II.2.1.999b reads 'gāndhāreņa vivarjitā', thus describing it list_item
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9 as being devoid of 'gāndhāra'. list_item
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10 57. Gūrjarī is described as complete in S Rāj II.2.1.1001f and Kalā list_item
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11 (appendix) on SR II, p. 138, hence our reconstruction. list_item
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12 ककुभे मध्यमग्रामभाषा धैवतविश्रमा। main
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13 58. cf. annotation_inline
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14 मध्यमांशग्रहा पूर्णा सङ्कीर्णा रिधसङ्गता ॥ main
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15 S. Rāj II. 2. 1. 683. main
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16 59. Bha Bhā Vol. II,VII, 47 c reads śalavāhinī, enumerating it under the list_item
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17 five antarabhāṣās of ṣadjagrāma. S. Rāj II.2.1.123a reads sālavāhanī under the list_item
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18 uddeśa(enumeration) of the bhāṣās of kakubha and ibid 686 f reads śātavāhanī list_item
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19 while giving its lakṣaṇa (description). It also reads śālavāhanī while enumerating list_item
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20 it in verse 79 d as an <i>antarabhāṣā</i> of <i>kakubha</i>. Kalā (appendix) on SR II, p. 134 list_item
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21 reads śālavāhanī while describing it as an antarabhāṣā of kakubha. list_item
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22 60. Kalā (appendix) on SR II, p.134 reads ri-ga-sangatā, describing a list_item
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23 concert between rṣabha and gāndhāra. list_item
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24 विभाषा ककुभे भोगवर्धनी तारमन्द्रगा ॥ list_item
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25 61. cf. (i) list_item
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26 धैवतांशग्रहन्यासा मापन्यासा रिवर्जिता । list_item
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27 धनिभ्यां गमपैभृंरिवैराग्ये विनियुज्यते ॥ list_item
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28 SR II. 2. 112 c-113. main
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29 (ii) annotation_inline
parent ligne 28
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30 निषादांशग्रहा भाषा ककुभे भोगवर्धनी । main
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31 स्वल्पर्पभसमायुक्ता धैवतन्यासभूपिता ॥ main
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32 निगयोर्गपयोर्युक्ता सङ्गत्या गानमाश्रिता । main
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33 षड्जग्रामे .....॥ annotation_inline
parent ligne 32
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34 S Rāj II.2.1.690,691.c. main
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35 तथैव याष्टिकेनोक्ता विभाषा भोगवर्धनी । main
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36 (iii) annotation_inline
parent ligne 35
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37 पङ्जग्रामेण सम्बद्धा ककुभे तारमन्द्रगा ॥ main
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38 धैवतांशग्रहन्यासा ऋषभेण विवर्जिता । main
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39 षड्जान्यस्वरभूयिष्ठा गापन्यासा, नियोजिता ॥ main
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40 वैराग्येऽप्यथवा संन्यासे .....ं। main
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41 Ibid. 707, 708.c. annotation_inline
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42 मधुरी ककुभोद्भूता सांशा धान्ताखिल स्वरा। main
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43 62. cf. (i) annotation_inline
parent ligne 42
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44 गपयोर्निपयोर्युका सङ्कीर्णा याष्ट्रिकोदिता ॥ main
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45 Kalā (appendix) on SR II,p.133. main
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46 Carl man Carlo man a March and unknown
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47 · 西西州市，1920年11日，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年 annotation_inline
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48 2012/09/09 8:44 annotation_inline
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49 (vide) annotation_inline
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50 -0.0 annotation_inline
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51 . . . . . . . . . . . . . . . . . . . . annotation_inline
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vol_I_p040 LEFT — 38 lignes

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1 62 page_number
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2 <b>BRHADDESI</b> page_header
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3 स X गमप ध नि main
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4 निस X गमप ध annotation_inline
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5 धनिसxगमप main
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6 प ध नि स 🗶 ग म annotation_inline
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7 म प ध नि स 🗶 ग main
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8 गमपधनिस 🗶 main
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9 . annotation_inline
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10 x गमप ध नि स main
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11 ऋषभहीनाः। annotation_inline
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12 [सरिगम 🗶 धनि editorial_bracket
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13 निसरिगम 🗶 ध main
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14 ध निसरिगम 🗶 annotation_inline
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15 X ध निस रिगम main
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16 म X ध नि स रि ग annotation_inline
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17 गम 🗶 ध निस रि main
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18 रिगम 🗶 ध नि स annotation_inline
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19 पञ्चमहीनाः। main
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20 सरिगमपध 🗶 annotation_inline
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21 <b>X</b> स रिगम प ध main
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22 ध X स रिगमप annotation_inline
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23 पध X स रिगम main
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24 म प ध 🗶 स रि ग annotation_inline
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25 गमपध X सरि main
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26 1 page_number
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27 रिगमपध 🗶 स main
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28 निषादहीनाः । इति षाडवाः। main
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29 . annotation_inline
parent ligne 28
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30 . annotation_inline
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31 [ X रिगम X ध नि ] editorial_bracket
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32 नि x रिगम x ध main
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33 ध नि X रिगम X annotation_inline
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34 [ Хधनि X रिगम editorial_bracket
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35 म X ध नि X रि ग main
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36 गम X ध नि X रि annotation_inline
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37 रिगम 🗶 ध नि 🗶 main
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38 सपहीनाः। ] editorial_bracket
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vol_II_p052 LEFT — 33 lignes

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1 86 page_number
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2 BRHADDEŚĪ page_header
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3 षाडव: पञ्चमश्चैव तथा कैशिकमध्यम:। main
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4 चोक्षसाधारितश्चैव चोक्षकैशिक इत्यपि ॥ main
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5 एते चोक्षास्तु विज्ञेया, भिन्नकान् साम्प्रतं शृणु ॥२९३॥ main
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6 भित्रषड्जश्च तानश्च भित्रकैशिकमध्यम:। main
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7 भित्रपञ्चमसंज्ञश्च पञ्चमो भित्रकैशिक: ॥२९४॥ main
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8 भिन्नपञ्चम इत्युक्तस्त्रयो गौडा: annotation_inline
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9 प्रकीर्तिताः annotation_inline
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10 गौडपञ्चम इत्येको गौडकैशिक इत्यपि । main
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11 गौडकैशिकमध्यमस्त्रयो गौडा: प्रकीर्तिता: ॥२९५॥ main
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12 टकरागश्च सौवीरस्तथा मालवपञ्चम:। main
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13 टङ्क annotation_inline
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14 षाडवो बोट्टरागश्च तथा हिन्दोलक: पर: ॥२९६॥ main
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15 ट[क]ककैशिक इत्युक्तस्तथा मालवकैशिक:। editorial_bracket
parent ligne 14
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16 एते रागाः समाख्याता नामतो मुनिपुङ्गवैः ॥२९७॥ main
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17 नर्तः शकाख्यः ककुभस्तथा भम्माणपञ्चमः । main
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18 (नर्तः) annotation_inline
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19 हमीण annotation_inline
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20 रूपसाधारितश्चैव तथा गान्धारपञ्चम: । main
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21 षड्जकैशिकसंज्ञश्च सप्त साधारणा: स्मृता: ॥२९८॥ main
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22 [॥ इति रागसङ्ख्या, उद्देशश्च ॥] editorial_bracket
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23 [रागाणां विशेषलक्षणानि] section_header
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24 [क. तत्र शुद्धरागाः] section_header
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25 इदानीं शुद्धानां लक्षणमाह - main
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26 <sup>३५</sup>अनपेक्ष्यान्यजातीर्ये स्वजातिमनुवर्तका: । main
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27 <sup>३६</sup>स्वजा(?) main
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28 निरपेक्षा॰ annotation_inline
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29 स्वजात्यन्यतमाश्चेव ते शुद्धाः परिकीर्तिताः ॥२९९॥ main
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30 [१.शुद्धषाडव:] section_header
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31 [अनु॰ १६४] section_header
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32 तत्र षाडव इति कस्मात्३७ ? किं षड्भि: स्वरैगीयत इति षाडव:, यद् वा षट्सु रागेषु main
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33 (vide) annotation_inline
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vol_II_p035 RIGHT — 37 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 53 page_number
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2 TRANSLATION page_header
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3 rṣabha-pañcama. There is abundance of gāndhāra although the state of amśa main
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4 does not obtain in it. There is the sparseness of pañcama in the ṣāḍava state, main
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5 in the auduvita state there is the sparseness of none; there is abundance of main
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6 all. Madhyama is the nyāsa. Ŗṣabha, dhaivata are the two apanyāsas. There main
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7 is mutual reaching out among the amsas. main
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8 [Anu. 157] section_header
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9 This is eleven-fold. There are eleven amsas, four in the complete state, main
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10 three in the sādava state, because of the exclusion of the form in which main
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11 dhaivata is the amśa, four in the auduvita state. There is no śuddha (amśa). main
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12 The mūrchanā<sup>69</sup> beginning with gāndhāra obtains. Paūcapāņi is the tāla. main
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13 With ekakala (tāla) and citra (mārga) there is māgadhī (gīti). With dvikala (tāla) main
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14 in the vārtika (mārga) there is sambhāvitā (gītī). With catuṣkala (tāla) in the main
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15 dakşina (mārga) there is pṛthulā (gīti). Śṛṅgāra and hāsya are the two rasas. Its main
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16 application (viniyoga) is prescribed in the singing of dhruvā (s) in the second main
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17 scene (or act). main
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18 [7.Şadjamadhyamā] section_header
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19 [Anu. 158] section_header
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20 All the seven svaras are grahas and anisas of şadjamadhyamā. The tāra main
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21 extends upto five svaras. The mandra is upto the nyāsa or upto the svara next main
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22 to it. In the ṣāḍava state it is devoid of niṣāda. In the auḍuvita state it is devoid main
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23 of niṣāda-gāndhāra. There is free movement (sancāra) without violating the main
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24 grāma. In the complete state, there is the sparseness of niṣāda and gāndhāra. main
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25 Ṣadja and madhyama are the two nyāsas. Seven svaras are apanyāsas. main
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26 [Anu. 159] section_header
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27 It is seventeen-fold. There are seventeen amsas – out of them seven obtain main
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28 in the <i>pūrņa</i> state, five in the <i>ṣāḍava</i> state and five in the <i>auḍava</i> state. There main
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29 is no śuddha state. The murchanā<sup>70</sup> beginning with madhyama obtains. main
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30 Pañcapāṇiis the tāla. With ekakala (tāla) in the citra (mārga), there is māgadhī main
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31 (gīti). With dvikala (tāla) in the vārtika (mārga) there is sambhāvitā (gīti). main
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32 With catușkala (tāla) in the dakșiņa (mārga) there is pṛthulā (gīti). It is relevant main
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33 in all the rasas. Its application (viniyoga) is (prescribed) in the singing of main
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34 dhruvā (s) in the second scene (prekṣaṇaka).71 main
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35 Thus end these seven jātis pertaining to sadjagrāma. main
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36 [Anu. 160] section_header
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37 Now the jātis pertaining to madhyamagrāma are being said - main
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185 lignes a valider — change uniquement les roles incorrects.