Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21710). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p092 RIGHT — 42 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 VIMARŚA annotation_inline
parent ligne 3
via heuristic_height
2 167 page_number
via heuristic_pagenum
3 be completed at niṣāda and there would be no place for kākalī niṣāda directly. main
via surya_layout
4 The word antara in the compound 'antara-mūrchanā' covers both antara main
via surya_layout
5 gāndhāra and kākalī niṣāda. Kākalī niṣāda could find a direct place in the main
via surya_layout
6 cycle only if the cycle ends with sadja so that the interval between nisāda and main
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7 şadja is covered; if the cycle begins with şadja then its interval from nişāda will main
via surya_layout
8 not be directly covered. The mandala (cycle) beginning with reabha in main
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9 sadjagrāma will cover both the grāmas in the following manner- main
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10 Madhyama-grama annotation_inline
parent ligne 9
via heuristic_height
11 pa annotation_inline
parent ligne 9
via heuristic_height
12 ma annotation_inline
parent ligne 9
via heuristic_height
13 Sadja-grama annotation_inline
parent ligne 9
via heuristic_height
14 ga annotation_inline
parent ligne 9
via heuristic_height
15 п annotation_inline
parent ligne 9
via heuristic_height
16 sa annotation_inline
parent ligne 9
via heuristic_height
17 an ga dha unknown
via surya_layout
18 an ga kā ni unknown
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19 ma ni annotation_inline
parent ligne 9
via heuristic_height
20 ga ni unknown
via surya_layout
21 kā ni unknown
via surya_layout
22 dha annotation_inline
parent ligne 9
via heuristic_height
23 pa annotation_inline
parent ligne 9
via heuristic_height
24 пі annotation_inline
parent ligne 9
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25 sa annotation_inline
parent ligne 9
via heuristic_height
26 67, 68. Matanga has used the word grāmaņī ( leader of the village ) only main
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27 once. Sadja and madhyama are here said to be the grāmaņis (leaders) of sadja- main
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28 grāma and madhyama-grāma respectively. Other svaras are said to be their ( of main
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29 şadja and madhyama) agre-sara; this term could be explained in two ways main
via surya_layout
30 according to the association of agre with time and space. In the context of time main
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31 agre usually stands for 'later', e.g. agre vakṣyāmaḥ, "we shall speak of it later". In main
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32 the context of space it stands for 'in front' i.e. before. Other svaras come 'later' main
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33 than şadja and madhyama, because primarily şadja and madhyama have to be main
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34 established or accepted on an arbitrary sound and then the interval of rsabha- main
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35 pañcama could be shown. Thus the other svaras beginning with rşabha and main
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36 pañcama in the two grāmas come 'later'. In the context of space, the other svaras main
via surya_layout
37 come first, agre meaning in front. Monier Williams translates agre-sara as moving main
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38 in front or preceding; here preceding will have to be construed in terms of main
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39 space and not in terms of time. ni-ga-ma-pa-dha-ni are moving in front of 'sa' main
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40 and similarly pa-dha-ni-sa-ri-ga are moving in front of 'ma'; 'sa' and 'ma' are main
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41 'behind' in the sense that they have been accepted or supposed first. The 'first' main
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42 in time comes last in space; e.g. if some beeds are filled up in a bottle, those main
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vol_I_p041 LEFT — 36 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDESI</b> page_header
via surya_layout
2 64 page_number
via heuristic_pagenum
3 सरि 🗶 म प ध 🗶 main
via surya_layout
4 [ ४ सरि ४ म प ध ] editorial_bracket
parent ligne 3
via heuristic_brackets
5 ध 🗶 स रि 🗶 म प main
via surya_layout
6 पध X स रि X म annotation_inline
parent ligne 5
via heuristic_short
7 मपध X स रि X main
via surya_layout
8 [ хमपध editorial_bracket
parent ligne 7
via heuristic_brackets
9 निगहीनाः। main
via surya_layout
10 रि 🗶 म प ध 🗶 स unknown
via fallback
11 स 🗙 गम 🗶 ध नि main
via surya_layout
12 निस X ग म X ध annotation_inline
parent ligne 11
via heuristic_short
13 धनिस X गम X main
via surya_layout
14 [хधनसхगम]. editorial_bracket
parent ligne 13
via heuristic_brackets
15 म 🗶 ध नि स 🗶 ग main
via surya_layout
16 गम 🗶 ध नि स 🗶 annotation_inline
parent ligne 15
via heuristic_short
17 परिहीनाः। इत्यौडुवाः। योगाः। main
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18 [ 🗶 गम 🗶 ध निस ] editorial_bracket
parent ligne 17
via heuristic_brackets
19 [ अथ ] मध्यमग्रामे-- editorial_bracket
parent ligne 17
via heuristic_brackets
20 ٠ page_number
via heuristic_pagenum
21 मपधनि X रिग main
via surya_layout
22 गमपधनि 🗙 रि annotation_inline
parent ligne 21
via heuristic_short
23 रिगमपधनि X main
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24 [ x रिगमपधनि ] editorial_bracket
parent ligne 23
via heuristic_brackets
25 नि X रिगमपध main
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26 ध नि x रिगम प annotation_inline
parent ligne 25
via heuristic_short
27 षड्जहीनाः। main
via surya_layout
28 प ध नि X रि ग म unknown
via fallback
29 म प ध नि स X ग main
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30 गमपधनिस X annotation_inline
parent ligne 29
via heuristic_short
31 [ Xगमपधनिस] editorial_bracket
parent ligne 29
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32 स X गमप ध नि main
via surya_layout
33 निस X गम प ध annotation_inline
parent ligne 32
via heuristic_short
34 ध निस X गमप main
via surya_layout
35 ारहानाः। annotation_inline
parent ligne 34
via heuristic_short
36 प ध नि स 🗶 ग म main
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vol_II_p081 RIGHT — 31 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 ٠ page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 145 page_number
via heuristic_pagenum
4 performed as to involve mutual movement between rşabha-gandhara and main
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5 similarly <i>şadja-madhyama</i>. main
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6 <math>(52-53)</math> main
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7 Illustration - Gāgāgāmā. Sāsī. Māgāmāmāgāmāsīsāsī. Gāgādhānisīsīgādhanisā main
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8 dhādhāmārīmāgārīgasā sāsāsāmā sārīdhādhādhādhadhamāgārīgāgā dhārīsāsīsā. main
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9 Māgāmāmāgā Māsīsimāgā dhādhādhāparīgamarīgamasīsisīmāgārīdhā dhamagari main
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10 gamadhanī. Sāsāgādhānisāsā. Ravicandrā [xi] editorial_bracket
parent ligne 9
via heuristic_brackets
11 Ambāherī is said to have madhyama as its amśa, ṣadja as its concluding note, main
via surya_layout
12 gāndhāra and dhaivata as profuse, incomplete in svaras, being always devoid main
via surya_layout
13 of pa (pancama), this bhāṣā is said to bear the name <math>desi^{20}</math> (regional). main
via surya_layout
14 (54) annotation_inline
parent ligne 13
via heuristic_short
15 Illustration – Māmāsā. Nīnī. Nidhādhāni dhādhāni. Dhānidhādhānī. main
via surya_layout
16 Sāgāgārī. Sanīsanīdhā. Nidhānigāgā māgānisāsāni. Sādhānīgā gānisāsā. main
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17 Sāninisanīdhā dhāmānīmā dhāsanini. Nisādhānīmādhādhāmāgāsānisānidhā. main
via surya_layout
18 Mādhādhā. Sādhānīdhānīsāsā. Māmādhāsāsā. Māmāgārīmāgāsāsā. main
via surya_layout
19 Māsāmāmāgārīmāgāsāsā. Masānī ninimāni dhādhānidhāmāgā. Sānīmādhā. main
via surya_layout
20 Sāsanīdhā dhanisādhādhā. Dhanidhānīsā. Ambāherī [xii] editorial_bracket
parent ligne 19
via heuristic_brackets
21 Being combined with sadja in the beginning and having madhyama and main
via surya_layout
22 dhaivata as abundant and with the omission of rşabha, this bhāṣā, lalitā, is main
via surya_layout
23 sankīrņā (mixed) and hexatonic. There is (mutual) movement between the main
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24 svaras comprised of two śrutis each. main
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25 (55) annotation_inline
parent ligne 24
via heuristic_short
26 Illustration - Sāgāgādhāgāmāmāgā. Dhamādhānīsāsā. Nidhāgāgā. main
via surya_layout
27 Säsäsämäpädhäni dhäpämäsä sädhäpädhänidhädhäsä nidhägänigädhanisasasa. main
via surya_layout
28 Lalitā [xiii] editorial_bracket
parent ligne 27
via heuristic_brackets
29 Combined with şadja as the initial and concluding note, omitting main
via surya_layout
30 pañcama, being devoid of the seventh (niṣāda), having the concert of main
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31 madhyamawith ṣaḍja there, the saii kīrṇā (mixed) and pentatonic bhāṣā, born main
via surya_layout

vol_I_p036 LEFT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDES!</b> page_header
via surya_layout
2 54 page_number
via heuristic_pagenum
3 आरोहणावरोहणक्रमेण स्वरसप्तकम्। main
via surya_layout
4 मूर्छनाशब्दवाच्यं हि विज्ञेयं तद् विचक्षणैः ॥ ९१ ॥ main
via surya_layout
5 अनु. ३६ section_header
via surya_layout
6 सा च मूर्छना द्विविधा-सप्तस्वरमूर्छना द्वादशस्वरमूर्छना चेति। तत्र main
via surya_layout
7 सप्तस्वरमूर्छना चतुर्विधा- पूर्णा, षाडवा, औडुविता, साधारणा चेति। main
via surya_layout
8 तत्र सप्तभिः स्वरैर्या गीयते सा पूर्णा। षड्भिः स्वरैर्या गीयते सा main
via surya_layout
9 षाडवा। पञ्चिभः स्वरैर्या गीयते सा औडुविता। काकल्यन्तरस्वरैर्या main
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10 13:56 annotation_inline
parent ligne 9
via heuristic_short
11 गीयते सा साधारणा। main
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12 ,पी14 main
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13 [ अनु. ३७ ] section_header
via surya_layout
14 ii<br>L unknown
via fallback
15 इदानीं मूर्छनामण्डलमुच्यते। तत्र परिपाट्याहितत्वेन प्रवृत्तत्वात् main
via surya_layout
16 सप्तस्वराणां मूर्छनानां प्रतिग्राममेकोनपञ्चाशत् स्वराः कोष्ठाश्च भवन्ति। main
via surya_layout
17 तद्यथा— section_header
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18 एकोनाः खलु पञ्चाशत् कर्तव्याः स्वरसंयुताः। main
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19 ₀ण्डू ( ? ) annotation_inline
parent ligne 18
via heuristic_markers
20 तिर्यगृध्वं च रेखाभिरष्टभिश्चैव कोष्ठकाः ॥९२॥ main
via surya_layout
21 [ अनु. ३८ ] section_header
via surya_layout
22 तत्र स-नि-ध-प-म-ग-रीत्याद्याः सप्त षड्जग्रामे। main
via surya_layout
23 म-ग-रि-स-नि-ध-पाद्याः सप्त मध्यमग्रामे। main
via surya_layout
24 तिर्यगृर्ध्वगा अपि स्वरा:15 कार्या:1 तद्यथा— main
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25 नि-ध-प-म-ग-रि-सा इति षड्जग्रामे। main
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26 ग-रि-सं-नि-ध-प-मा16 इति 17मध्यमग्रामे॥ main
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27 एवं तावदुभयग्रामिक्यश्चतुर्दश मूर्छनाः संपूर्णाः। main
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28 स-रि-ग-म-प-ध-नि annotation_inline
parent ligne 27
via heuristic_short
29 नि-स-रि-ग-म-प-ध main
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vol_II_p092 RIGHT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 167 page_number
via heuristic_pagenum
3 Kaiśikī has pañcama as nyāsa, madhyama as amśa, is weak in ni(niṣāda), main
via surya_layout
4 there is (mutual) movement between madhyama-dhaivata and abundance of main
via surya_layout
5 pancama. This bhāṣā is born of pancama (rāga) and is always sankīrṇā main
via surya_layout
6 (mixed). annotation_inline
parent ligne 5
via heuristic_short
7 (102) main
via surya_layout
8 Illustration-Pรับหลัdhลับidhลัpลีpลิpลิdhลับidhaัdhaัdhลับหลับกลับกลัdhลับกลัdhลัdhลับโรรั- main
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9 sārirīpāpā mādhāmādhamadhadhamāmādhā. Niripāpā. Kaišikī [x] editorial_bracket
parent ligne 8
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10 These are the ten <i>bhāṣās</i> in <i>pancama</i> (<i>rāga</i>) described by Yāṣṭika. main
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11 (103) main
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12 [6. Bhāṣāsin bhinnaṣaḍja] section_header
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13 After this, I shall speak of the <i>bhāṣās</i> in <i>bhinnaṣaḍja</i>. main
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14 (104) annotation_inline
parent ligne 13
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15 Having dhaivata as amsa and the same as concluding note, being devoid main
via surya_layout
16 of pañcama and ṛṣabha,45 having to and fro movement between ṣaḍja- main
via surya_layout
17 gāndhāra, this śuddhā (bhāṣā) should be known by the performers to subsist main
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18 in bhinnaṣadja and it becomes pentatonic when devoid of ṣadja.46 main
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19 (105) annotation_inline
parent ligne 18
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20 lllustration-Dhādhāmāgāmāmāgagasanisanisanidhanidhādhāmānimāmāg main
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21 ลังกลัฐจรรับก่ฝาลฝาลัปกลับก่รรัปกลเกล้ฐริธาก่าก่าเปกลีปกลิปกลัฐริธาลปกลากลัฐริธาฐริธาลี main
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22 gamadhamadhasigāsisimādhāmāmadhamagāgamasisisigāsinininismidhādhā main
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23 dhānidhāmanadhamadhamasīgāmadhāmāsā. Sānidhānidhānīgāsānidhānidhā main
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24 Suddhā [i] editorial_bracket
parent ligne 23
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25 Having dhaivata as amsa, dhaivata as the concluding note, the concert main
via surya_layout
26 between sadja-dhaivata, there being (mutual) movement between sadja- main
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27 dhaivata and ṛṣabha-madhyama, the vibhāṣā dākṣiṇātyā bears the name of deśa main
via surya_layout
28 (region)<sup>47</sup> and is born of (bhinna) şadja. main
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29 (106) main
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167 lignes a valider — change uniquement les roles incorrects.