Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21724). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p038 LEFT — 47 lignes

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1 BRHADDEŚĪ page_header
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2 58 page_number
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3 मा गारी गामा मासा सा table
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4 (3) table
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5 [मा मगम मा मा निध पध पम गमम] table
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6 (8) table
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7 धा गध परि रिग गरि गस धस धा table
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8 (4) table
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9 निध सा री मृगम मा मा मा मा table
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10 (६) table
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11 मां मां मंगमं मंधं धंपं पंधं पंमं गंमंगं table
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12 (৩) table
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13 धा पध परि रिंग मंग रिंग संधस सा table
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14 (८) table
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15 मां मां धनि धस धप पम पा पा table
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16 (9) table
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17 मा मग मां मां पध पम गम गस table
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18 (१०) table
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19 धा पध परि रिम मग रिग सधस सा table
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20 (११) table
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21 निंधं सां री मगम मा मा मा मा table
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22 (१२) table
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23 ॥ [इति] षड्जमध्यमा ॥ table
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24 (स॥ table
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25 [२. गान्धारोदीच्यवा] section_header
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26 गान्धारोदीच्यवायां तु द्वावंशौ षड्जमध्यमौ । main
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27 रिलोपात् षाडवं ज्ञेयं पूर्णत्वेंऽशेतराल्पता ॥४॥ main
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28 ॰(शोन्तरात्मना? शेतराल्पता) annotation_inline
parent ligne 27
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29 अल्पा निधपगान्धारा: षाडवत्वे प्रकीर्तिता: । main
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30 रिधयो: सङ्गतिर्ज्ञेया धैवतादिश्च मूर्छना ॥ ५॥ main
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31 स(गनिज्ञे ? ङ्गतिर्जे)या main
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32 तालश्चचत्पुटो ज्ञेय: कला: षोडश कीर्तिता: । main
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33 विनियोगो ध्रुवागाने चतुर्थप्रेक्षणे मत: ॥ ६॥ main
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34 <sup>१६९</sup>अस्यां मध्यमो न्यास: । षड्जधैवतावपन्यासौ । १७°प्रस्तार: - annotation_inline
parent ligne 33
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35 म(ध्य)मो main
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36 (१) table
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37 सा सा पा मा पा धप पा मा table
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38 (२) table
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39 धा पा मा मा सा सा सा सा table
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40 धा नी सा सा मा मा पा पा table
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41 (3) table
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42 नी नी नी नी नी नी नी table
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43 <b>(</b>8) table
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44 मा मा धा निस नी नी नी नी table
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45 (4) table
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46 मा पा मा परि गा गा सा सा table
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47 <b>(</b>\(\xi\) table
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vol_II_p081 RIGHT — 31 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 ٠ page_number
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2 TRANSLATION page_header
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3 145 page_number
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4 performed as to involve mutual movement between rşabha-gandhara and main
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5 similarly <i>şadja-madhyama</i>. main
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6 <math>(52-53)</math> main
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7 Illustration - Gāgāgāmā. Sāsī. Māgāmāmāgāmāsīsāsī. Gāgādhānisīsīgādhanisā main
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8 dhādhāmārīmāgārīgasā sāsāsāmā sārīdhādhādhādhadhamāgārīgāgā dhārīsāsīsā. main
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9 Māgāmāmāgā Māsīsimāgā dhādhādhāparīgamarīgamasīsisīmāgārīdhā dhamagari main
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10 gamadhanī. Sāsāgādhānisāsā. Ravicandrā [xi] editorial_bracket
parent ligne 9
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11 Ambāherī is said to have madhyama as its amśa, ṣadja as its concluding note, main
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12 gāndhāra and dhaivata as profuse, incomplete in svaras, being always devoid main
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13 of pa (pancama), this bhāṣā is said to bear the name <math>desi^{20}</math> (regional). main
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14 (54) annotation_inline
parent ligne 13
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15 Illustration – Māmāsā. Nīnī. Nidhādhāni dhādhāni. Dhānidhādhānī. main
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16 Sāgāgārī. Sanīsanīdhā. Nidhānigāgā māgānisāsāni. Sādhānīgā gānisāsā. main
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17 Sāninisanīdhā dhāmānīmā dhāsanini. Nisādhānīmādhādhāmāgāsānisānidhā. main
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18 Mādhādhā. Sādhānīdhānīsāsā. Māmādhāsāsā. Māmāgārīmāgāsāsā. main
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19 Māsāmāmāgārīmāgāsāsā. Masānī ninimāni dhādhānidhāmāgā. Sānīmādhā. main
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20 Sāsanīdhā dhanisādhādhā. Dhanidhānīsā. Ambāherī [xii] editorial_bracket
parent ligne 19
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21 Being combined with sadja in the beginning and having madhyama and main
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22 dhaivata as abundant and with the omission of rşabha, this bhāṣā, lalitā, is main
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23 sankīrņā (mixed) and hexatonic. There is (mutual) movement between the main
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24 svaras comprised of two śrutis each. main
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25 (55) annotation_inline
parent ligne 24
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26 Illustration - Sāgāgādhāgāmāmāgā. Dhamādhānīsāsā. Nidhāgāgā. main
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27 Säsäsämäpädhäni dhäpämäsä sädhäpädhänidhädhäsä nidhägänigädhanisasasa. main
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28 Lalitā [xiii] editorial_bracket
parent ligne 27
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29 Combined with şadja as the initial and concluding note, omitting main
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30 pañcama, being devoid of the seventh (niṣāda), having the concert of main
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31 madhyamawith ṣaḍja there, the saii kīrṇā (mixed) and pentatonic bhāṣā, born main
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vol_II_p116 RIGHT — 23 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 215 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
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3 [15. Hayalīlā] section_header
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4 Where the (first) half is sung with svaras, in turagalīla (tāla), (and the main
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5 latter) half is sung with birudas, that is known as hayalīlā. main
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6 (397) main
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7 [16. <i>Gajalīlā</i>] section_header
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8 That which is completely composed according to gajalīlā but where the tāla main
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9 is gajalīla, that should be known by the name gajalīlā. main
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10 (398) main
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11 [17. Simhalīlā] section_header
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12 Composed in simhalilā metre, combined with svara and tena, that which is main
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13 sung with birudas is sinihalīlaka. main
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14 (399) main
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15 [18. Śarabhalila] section_header
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16 Where eight feet are composed with svaras and pāṭas, that is held to be main
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17 śarabhalīla, having eight rāgas and tālas. main
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18 (400) main
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19 [19. Śukacańcu] section_header
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20 In the beginning there is <math>r\bar{s}ga^{20}</math> with <math>gamaka</math>, that which is endowed with main
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21 <math>t\bar{a}la</math>, is sung with svaras and <math>p\bar{a}t</math>as (and) is sung in the languages of various main
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22 regions, is named śukacańcu, that is dear to the people. main
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23 (401) main
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vol_II_p027 RIGHT — 38 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 37 page_number
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2 <b>TRANSLATION</b> page_header
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3 [ Anu. 136] editorial_bracket
parent ligne 4
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4 This means that kaiśikī, raktagāndhārī and gāndhārī, these three jātis do main
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5 not become ṣāḍava on account of (the omission of) ṛṣabha, on pañcama main
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6 being the amśa, because of the negation of the omission of the samvādī of main
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7 the amśa. Similarly, ṣāḍjī does not become ṣāḍava through (the omission main
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8 of) niṣāda, on gāndhāra being the aniśa (and) ṣadjodīcyavā should be known main
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9 as not being ṣāḍava through (the omission of) ṛṣabha, on dhaivata being the main
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10 ainsa. Now the giving up of the formation of auduvita that is obtained (due main
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11 to presription) is being prohibited (lit. its giving up is being prescribed). main
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12 In gāndhārī and raktagāndhārī, ṣaḍja, madhyama (and) pañcama alongwith main
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13 niṣāda are known as the amśas in which the formation of auduvita does not main
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14 operate. annotation_inline
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15 (254) annotation_inline
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16 [ Anu. 137 ] editorial_bracket
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17 (Contention) annotation_inline
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18 And this is incongruous because the formation of auduvita is not main
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19 obtained (through prescription). Truly has this been said. By the main
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20 statement negating the formation of auduvita, the auduvita obtained on main
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21 account of precription alone is prohibited. main
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22 In ṣadjamadhyamā jāti, gāndhāra and then niṣāda and then in kaiśikī and main
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23 dhaivatī, dhaivata and ṛṣabha respectively (are the svaras that are not main
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24 omitted for making auduva forms of the respective jātis when the above are main
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25 aniśas). annotation_inline
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26 (255) annotation_inline
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27 [ Anu. 138 ] editorial_bracket
parent ligne 24
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28 This means that in ṣadjamadhyamā, gāndhāra and then niṣāda are not main
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29 entitled to form auduvita. Dhaivatain kaiśikī and ṛṣabhain pañcamī are not main
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30 entitled to form auduvita. The prohibition applies only to the auduvita that main
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31 is obtained through prescription. And the state of being anisa is being main
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32 hypothetically considered without its being obtained (?) main
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33 Now, he (the author) draws out the svaras that do not become exceptions main
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34 in the formation of ṣāḍava and auḍuvita. main
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35 Forty-seven (svaras) are to be applied in the formation of ṣāḍava. main
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36 (256) annotation_inline
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37 [ Anu. 139] editorial_bracket
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38 This means that in the formation of ṣāḍava, forty-seven ainśas are to be main
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vol_II_p035 RIGHT — 37 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 53 page_number
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2 TRANSLATION page_header
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3 rṣabha-pañcama. There is abundance of gāndhāra although the state of amśa main
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4 does not obtain in it. There is the sparseness of pañcama in the ṣāḍava state, main
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5 in the auduvita state there is the sparseness of none; there is abundance of main
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6 all. Madhyama is the nyāsa. Ŗṣabha, dhaivata are the two apanyāsas. There main
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7 is mutual reaching out among the amsas. main
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8 [Anu. 157] section_header
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9 This is eleven-fold. There are eleven amsas, four in the complete state, main
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10 three in the sādava state, because of the exclusion of the form in which main
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11 dhaivata is the amśa, four in the auduvita state. There is no śuddha (amśa). main
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12 The mūrchanā<sup>69</sup> beginning with gāndhāra obtains. Paūcapāņi is the tāla. main
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13 With ekakala (tāla) and citra (mārga) there is māgadhī (gīti). With dvikala (tāla) main
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14 in the vārtika (mārga) there is sambhāvitā (gītī). With catuṣkala (tāla) in the main
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15 dakşina (mārga) there is pṛthulā (gīti). Śṛṅgāra and hāsya are the two rasas. Its main
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16 application (viniyoga) is prescribed in the singing of dhruvā (s) in the second main
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17 scene (or act). main
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18 [7.Şadjamadhyamā] section_header
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19 [Anu. 158] section_header
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20 All the seven svaras are grahas and anisas of şadjamadhyamā. The tāra main
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21 extends upto five svaras. The mandra is upto the nyāsa or upto the svara next main
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22 to it. In the ṣāḍava state it is devoid of niṣāda. In the auḍuvita state it is devoid main
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23 of niṣāda-gāndhāra. There is free movement (sancāra) without violating the main
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24 grāma. In the complete state, there is the sparseness of niṣāda and gāndhāra. main
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25 Ṣadja and madhyama are the two nyāsas. Seven svaras are apanyāsas. main
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26 [Anu. 159] section_header
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27 It is seventeen-fold. There are seventeen amsas – out of them seven obtain main
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28 in the <i>pūrņa</i> state, five in the <i>ṣāḍava</i> state and five in the <i>auḍava</i> state. There main
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29 is no śuddha state. The murchanā<sup>70</sup> beginning with madhyama obtains. main
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30 Pañcapāṇiis the tāla. With ekakala (tāla) in the citra (mārga), there is māgadhī main
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31 (gīti). With dvikala (tāla) in the vārtika (mārga) there is sambhāvitā (gīti). main
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32 With catușkala (tāla) in the dakșiņa (mārga) there is pṛthulā (gīti). It is relevant main
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33 in all the rasas. Its application (viniyoga) is (prescribed) in the singing of main
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34 dhruvā (s) in the second scene (prekṣaṇaka).71 main
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35 Thus end these seven jātis pertaining to sadjagrāma. main
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36 [Anu. 160] section_header
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37 Now the jātis pertaining to madhyamagrāma are being said - main
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176 lignes a valider — change uniquement les roles incorrects.