Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

vol_II_p055 RIGHT — 31 lignes

L#	Texte OCR	Role auto
1	93	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[Anu. 169]	editorial_bracket parent ligne 4 via heuristic_brackets
4	It means - the rāga called śuddhakaiśika is related to madhyamagrāma on	main via surya_layout
5	account of being born of kaišikī and kārmāravī jātis. Tāra (high) şadja is its	main via surya_layout
6	graha and amśa, pańcama is the nyāsa, nisāda is kākalī here and this (rāga) is	main via surya_layout
7	with complete svaras. Its application is prescribed in the nirvahana	main via surya_layout
8	(conclusion) of citra (pūrvaranga?) 42 comprised of eighteen angas	main via surya_layout
9	(components).43 Rasas like vīra and raudra are there. The mūrchanā	main via surya_layout
10	beginning with sadja obtains. Arohin (ascending) is the varṇa. Prasannādi is	main via surya_layout
11	the alankāra. The kalā (time-unit) is formed in the dakṣiṇa (mārga), the kalā	main via surya_layout
12	obtains in the vṛtti (mārga), the kalā prevails in the citra (mārga). A tāla like	main via surya_layout
13	caccatputa obtains in the songs composed of svara and pada.	main via surya_layout
14	[The assignment of grāmas to śuddha rāgas]	section_header via surya_layout
15	[Anu. 170]	editorial_bracket parent ligne 14 via heuristic_brackets
16	(Contention) These (rāgas) are related to particular grāmas. From where	main via surya_layout
17	is this particularity obtained? It is being answered - this particularity is	main via surya_layout
18	obtained from the statement of Bharata himself. Thus has said Bharata	main via surya_layout
19	Muni-	annotation_inline parent ligne 18 via heuristic_short
20	"On account of grāma-rāgas being born of jātis"; "whatever is sung in the	main via surya_layout
21	world, all of that is contained in the jātis"44 on account of this statement.	main via surya_layout
22	And it has also been said by Kasyapa -	main via surya_layout
23	"Şādava, pañcama and kaiśika obtain in madhyamagrāma. Sādhārita and	main via surya_layout
24	kaišikamadhyama, similarly, obtain in sadja (grāma)."	main via surya_layout
25	[The application of suddha ragas]	section_header via surya_layout
26	[Anu. 171]	editorial_bracket parent ligne 25 via heuristic_brackets
27	(Contention) From where are these specific applications obtained? They	main via surya_layout
28	are obtained from the statement of the Muni. And thus has said Bharata -	main via surya_layout
29	"Madhyamagrāma (rāga) should be in the mukha (sandhi), şadja (grāma)	main via surya_layout
30	rāgain the pratimukha (sandhi), and sādhārita alone in the garbha (sandhi),	main via surya_layout
31	pañcama in the avamarśa (sandhi). In samhāra (conclusion), kaiśika has been	main via surya_layout

vol_II_p099 LEFT — 26 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	180	page_number via heuristic_pagenum
3	१३०सुसम्पूर्णस्वरा ह्येषा भाषा वै गीयते जनै:।	main via surya_layout
4	बाह्यषाडविका तत्र भाषा वेसरषाडवे ॥ १३८॥	main via surya_layout
5	उदाहरणम् -मामासारिसारिगारिसासासारिमा पाधैवतधापासामागापामध्यम। गागागारिगाग-	main via surya_layout
6	सासा	annotation_inline parent ligne 5 via heuristic_height
7	गधरिमा गानिसानिसाधपामामा । बाह्यषाडवा । [१]	editorial_bracket parent ligne 5 via heuristic_brackets
8	<i>•</i>पाइवम्	annotation_inline parent ligne 5 via heuristic_height
9	षड्जांशा मध्यमन्यासा गान्धारमन्द्रभूषिता ।	main via surya_layout
10	गान्धा(रं?रे)	annotation_inline parent ligne 9 via heuristic_height
11	कर्तव्या षाडवा ह्येपा <sup>१३१</sup>नादाख्या रागषाडवे ॥ १३९॥	main via surya_layout
12	पञ्चमेन विहीना तु षाडवा सम्प्रकीर्तिता ।	main via surya_layout
13	सङ्कीर्णेयं सदा ख्याता लोकानां रिञ्जका मता ॥ १४०॥	main via surya_layout
14	लोकिनी रिज्जकामिका	annotation_inline parent ligne 13 via heuristic_height
15	उदाहरणम् - सासानिमामा सारिमामाधामामा रिगारिरिनिगासानिधामामा । नादाख्या। [२]	editorial_bracket parent ligne 13 via heuristic_brackets
16	[एते] वेसरषाडवे।	editorial_bracket parent ligne 13 via heuristic_brackets
17	भावेसर ॰	annotation_inline parent ligne 13 via heuristic_markers
18	[१३. अथ भिन्नताने]	section_header via surya_layout
19	पञ्चमांशा तदन्ता च भिन्नताने प्रकीर्तिता ।	table via surya_layout
20	ऋषभेण विहीना तु कर्तव्या गीतकोविदै: ॥	table via surya_layout
21	साधारणा(उदा?)	table via surya_layout
22	साधारणकृता होषा भाषा <sup>१३२</sup>तानोद्भवा मता ॥ १४१॥	table via surya_layout
23	.....[तानोद्भवा]	table via surya_layout
24	[एषा भिन्नताने]	table via surya_layout
25	[१४. अथ गान्धारपञ्चमे]	table via surya_layout
26	.....<sup>१३३</sup>[गान्धारी]	table via surya_layout

vol_II_p019 RIGHT — 32 lignes

L#	Texte OCR	Role auto
1	21	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[7. The definition of alpatva]	section_header via surya_layout
4	[Anu. 128]	editorial_bracket parent ligne 3 via heuristic_brackets
5	Now I speak of alpatva (sparseness) and bahutva (abundance). Out of	main via surya_layout
6	these, alpatva comes into being on account of the sparse use of svaras and	main via surya_layout
7	bahutva is on account of (their) abundant use. Alpatva and bahutva are	main via surya_layout
8	twofold each, one operating in samnyāsa and the like and the other through	main via surya_layout
9	antaramārga. 38 The definition of antaramārga is thus—sometimes in jātis even	main via surya_layout
10	the svara that is not an amsa (anamsa) is not sparse (alpa). Similarly in	main via surya_layout
11	Kārmāravī, gāndhāra (which is not an amśa), is used in antaramārga with	main via surya_layout
12	abundance through concert (saigati) with all the other svaras; thus will be	main via surya_layout
13	said-39	annotation_inline parent ligne 12 via heuristic_short
14	"Specially gāndhāra has movement towards all (svaras)."	main via surya_layout
15	(NŚ XXVIII.136)	main via surya_layout
16	[8. The definition of bahutva]	section_header via surya_layout
17	[ Anu. 129 ]	editorial_bracket parent ligne 16 via heuristic_brackets
18	After this he (the author) spoke (speaks) of bahutva. Bahutva is like	main via surya_layout
19	alpatva; it is to be perceived, thus is the special implication of the said	main via surya_layout
20	statement (about bahutva). How is that? Thus spoke (speaks) he (the	main via surya_layout
21	author), the inversion of strong and weak, i.e. the weak one is sparse (by	main via surya_layout
22	rule), in the case of inversion it becomes strong, thus is understood the	main via surya_layout
23	characteristic of strong (svara). Hence it has been said -	main via surya_layout
24	"The sparseness in jātis is always manifested through their svaras. There	main via surya_layout
25	is sañcāra (to and fro movement) among the amsas and the strong svaras.	main via surya_layout
26	Sparseness occurs in those jātis which have weak (svaras). Antaramārga	main via surya_layout
27	(inversion of strength and weakness) and nyāsa brings about the manifestation	main via surya_layout
28	of jātis."	annotation_inline parent ligne 27 via heuristic_height
29	(Cf. NŚ XXVIII 74cd, 75)	main via surya_layout
30	[9. The definition of nyasa]	section_header via surya_layout
31	[ Anu. 130 ]	editorial_bracket parent ligne 30 via heuristic_brackets
32	Now he (the author) spoke (speaks) of nyāsa - that (svara) on which or	main via surya_layout

vol_II_p058 RIGHT — 35 lignes

L#	Texte OCR	Role auto
1	99	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[Jāti-bhinna]	section_header via surya_layout
4	Now he (the author) has spoken of the description of jāti-bhinna -	main via surya_layout
5	The amśa of jātis should be established and so should be the sparse and the	main via surya_layout
6	abundant. Sparseness and abundance come about on account of sparse and	main via surya_layout
7	abundant usage. Jāti-bhinnais so called, formed as it is with sūkṣma, atisūkṣma	main via surya_layout
8	(short and very short in time) and curved (phrases).<sup>50</sup>	main via surya_layout
9	(308)	annotation_inline parent ligne 8 via heuristic_height
10	[Anu. 178]	section_header via surya_layout
11	This means-śuddhakaiśika madhyamais born of kaiśiki and ṣadjamadhyamā jā ūs.	main via surya_layout
12	Bhinnakaisikamadhyama, on the other hand, is jāti-bhinna on account of being	main via surya_layout
13	born of the sadjamadhyamā jāti,51 the taking up of its (jāti's) amsaand taking up	main via surya_layout
14	of the sthāyin varņa and is formed with sūkṣma and atisūkṣma (short and very short	main via surya_layout
15	in time) phrases, this is the import. Its description is thus -	main via surya_layout
16	[3. Bhinnakaisikamadhyama]	section_header via surya_layout
17	Bhinnakaisikamadhyamacomes of ṣadjamadhyamā jāti, has ṣadja as its ainśa,	main via surya_layout
18	<math>madhyama</math> as its <math>ny\bar{a}sa</math> and is (endowed) with <math>mandra</math> (low) <math>gamakas^{52}	main via surya_layout
19	(309)	annotation_inline parent ligne 18 via heuristic_height
20	[Anu. 179]	editorial_bracket parent ligne 18 via heuristic_brackets
21	This means-bhinnakaisikamadhyama is related to şadjagrāma on account	main via surya_layout
22	of being born of şadjamadhyamā jāti. Şadja is its graha and ainša. Madhyama	main via surya_layout
23	is the nyāsa. It has mandra (low) gamakas. Niṣāda is kākalī here and this (rāga)	main via surya_layout
24	is complete. It is used in the context of dānavīra i.e. heroism in charity. 53	main via surya_layout
25	Vīra, raudra and the like are the rasas. The mūrchanā beginning with ṣaḍja	main via surya_layout
26	obtains. Sañcārin is the varņa. Prasannādi is the alankāra. The kalā is formed	main via surya_layout
27	in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) and the kalā	main via surya_layout
28	prevails in the citra (mārga). A tāla like caccatpuța obtains in the songs	main via surya_layout
29	comprised of svara and pada.	main via surya_layout
30	[Śuddhabhinna]	section_header via surya_layout
31	Now he (the author) has spoken of the definition of śuddhabhinna-	main via surya_layout
32	(The rāga) that bedecks itself with its own jāti (from which it is born) and	main via surya_layout
33	kula (family), leaving the other jāti and taking up (the qualities of) its own	main via surya_layout
34	family, is called <i>śuddhabhinna</i>.	main via surya_layout
35	(310)	annotation_inline parent ligne 34 via heuristic_height

vol_II_p024 LEFT — 33 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	30	page_number via heuristic_pagenum
3	[अनु॰ १३२]	editorial_bracket parent ligne 4 via heuristic_brackets
4	८१ अस्मद्गुरुमते ऋषभस्तावदपन्यासो भवति । अनंशत्वात् कैश्चित् पुनः अंशवद्	main via surya_layout
5	ऋषभोऽप्यपन्यासः स्वीकृतः।	main via surya_layout
6	(वृ?म्र)	annotation_inline parent ligne 5 via heuristic_height
7	पञ्चमो बलवानस्यां स्यात्रिषादस्तथैव च ४२	main via surya_layout
8	न स्यात्	annotation_inline parent ligne 7 via heuristic_height
9	अंशवच्च ग्रहा ज्ञेया[:] सर्वासामेव नित्यश: ॥२३८॥	editorial_bracket parent ligne 7 via heuristic_brackets
10	८३∞स्तासां	main via surya_layout
11	[६. जातीनां गणनिर्देश:]	section_header via surya_layout
12	सर्वासामेव जातीनां त्रिजातिस्तु गणः स्मृतः ।	main via surya_layout
13	(षष्टि? जाति)	annotation_inline parent ligne 12 via heuristic_height
14	लक्षणात् स च विज्ञेयो वर्धमानस्वरो बुधै: ॥२३९॥	main via surya_layout
15	<sup>८४</sup>ते च सप्त गणा ज्ञेया	annotation_inline parent ligne 14 via heuristic_height
16	नः गा	annotation_inline parent ligne 14 via heuristic_height
17	एकस्वरो द्विस्वरश्च त्रिस्वरश्च चतुःस्वरः।	main via surya_layout
18	पञ्चस्वरश्चतुर्धा च एकधा सप्तषट्स्वरौ<sup>८६</sup>॥२४०॥	main via surya_layout
19	स्यादेकधा<sup>८५</sup> ·	main via surya_layout
20	न्सः	annotation_inline parent ligne 19 via heuristic_height
21	[अनु॰ १३३]	editorial_bracket parent ligne 19 via heuristic_brackets
22	अस्यार्थ: -त्रिजातिको गण इति संख्यानिदर्शनम्, तत्रैकस्वरांशास्तिस्न: -	main via surya_layout
23	(गु?ग)	annotation_inline parent ligne 22 via heuristic_height
24	ः मध्यमोदीच्यवा, गान्धारपञ्चमी, नन्दयन्ती चेति । प प प ।	main via surya_layout
25	द्विस्वरांशास्तिस्तः - धैवती, गान्धारोदीच्यवा, पञ्चमी चेति । धरि, सम, परि ।	main via surya_layout
26	त्रिस्वरांशास्तिस्न: - आर्षभी, नैषादी, षड्जकैशिकी चेति । धनिरि, गरिनि, सगप ।	main via surya_layout
27	(प:?पा:)	annotation_inline parent ligne 26 via heuristic_height
28	सास	annotation_inline parent ligne 26 via heuristic_height
29	चतुःस्वरांशास्तिस्न: -षड्जोदीच्यवत्यान्ध्री कार्मारवी चेति। समधनि, रिगपनि, ८७परिधनि	main via surya_layout
30	(त्य?त्या)	annotation_inline parent ligne 29 via heuristic_height
31	पञ्चस्वरांशाश्चतस्तः - षाड्जी, गान्धारी, रक्तगान्धारी, मध्यमा चेति । सगमपंध, सगमपनि,	main via surya_layout
32	पड् (ज? जा)	main via surya_layout
33	Sec. 15.	unknown via fallback

Legende des roles

vol_II_p055 RIGHT — 31 lignes

vol_II_p099 LEFT — 26 lignes

vol_II_p019 RIGHT — 32 lignes

vol_II_p058 RIGHT — 35 lignes

vol_II_p024 LEFT — 33 lignes