Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21736). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p116 RIGHT — 23 lignes

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1 215 page_number
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2 <b>TRANSLATION</b> page_header
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3 [15. Hayalīlā] section_header
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4 Where the (first) half is sung with svaras, in turagalīla (tāla), (and the main
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5 latter) half is sung with birudas, that is known as hayalīlā. main
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6 (397) main
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7 [16. <i>Gajalīlā</i>] section_header
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8 That which is completely composed according to gajalīlā but where the tāla main
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9 is gajalīla, that should be known by the name gajalīlā. main
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10 (398) main
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11 [17. Simhalīlā] section_header
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12 Composed in simhalilā metre, combined with svara and tena, that which is main
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13 sung with birudas is sinihalīlaka. main
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14 (399) main
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15 [18. Śarabhalila] section_header
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16 Where eight feet are composed with svaras and pāṭas, that is held to be main
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17 śarabhalīla, having eight rāgas and tālas. main
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18 (400) main
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19 [19. Śukacańcu] section_header
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20 In the beginning there is <math>r\bar{s}ga^{20}</math> with <math>gamaka</math>, that which is endowed with main
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21 <math>t\bar{a}la</math>, is sung with svaras and <math>p\bar{a}t</math>as (and) is sung in the languages of various main
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22 regions, is named śukacańcu, that is dear to the people. main
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23 (401) main
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vol_II_p125 RIGHT — 30 lignes

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1 233 page_number
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2 TRANSLATION page_header
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3 [D. Once again the group of seven Varņailās] section_header
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4 Ramaņī, candrikā, lakṣmī, padminī, similarly rañjinī, mālatī and mohinī - main
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5 thus is the group of seven varņailās. main
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6 (459) main
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7 [1. <i>Ramaņi</i>] section_header
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8 Where there is samā yati<sup>68</sup> in the first and second foot and that which is main
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9 adorned with nāda in each foot, that satpadī 69 is ramaņī. main
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10 (460) main
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11 [2. Candrikā] section_header
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12 Where srotogată<sup>70</sup> and samā yati obtain in two feet and (that which) is main
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13 combined with bindu-gamakas, that is called candrini. main
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14 (461) main
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15 [3. Lakşmi] section_header
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16 Where gopucchā, 71 sumā and srotogatā (yatis) obtain in the three feet (respectively) main
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17 (and) there is mūrchanā <sup>72</sup> accompanied by nāda, that clā is known as laksmī. main
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18 (462) main
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19 [4. <i>Padminī</i> ] section_header
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20 (That) elä which is comprised of varņadhvani<sup>73</sup> in the first, second and main
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21 third and fourth foot, is said to be padminī. main
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22 (463) main
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23 [5. Rañjini] section_header
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24 (Where) there is samā (yati) in the first and second (feet) and gopucchā main
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25 (yati) in the third (foot) and that which is adorned with gamakas is rañjinī. main
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26 (464) main
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27 [6. Mālatī] section_header
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28 That elā which is composed with short and long syllables and with alliterations, main
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29 having four feet at will, i.e. of variable length, is held to be malati. main
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30 (465) main
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vol_I_p006 RIGHT — 36 lignes

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1 xiii page_header
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2 INTRODUCTION page_header
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3 A word about the translation. It has been my attempt to bring the original to main
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4 the reader with its flavour and nuances; if in this attempt the idiom of the main
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5 English language has been violated, I owe an apology. My only submission main
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6 would be that this is not a transcreation of creative literature, this is a main
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7 presentation of 'scientific' literature in a different language. Hence the criteria main
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8 of judgement should be different from those applied to translation of creative main
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9 literature. annotation_inline
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10 Technical terms have not been translated because that is virtually impossible; main
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11 rough equivalents have generally been given in paranthesis and if an equivalent main
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12 has been found adequate, the original word has been given in paranthesis in main
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13 order to help the reader in indentifying the equivalence. main
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14 The indebtedness to Dr. Anil Bihari Beohar, Lecturer in Musicology, Indira main
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15 KalaSangitaVishwavidyalaya,Khairagarh(M.P.,) has been acknolwedged in the main
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16 title page. Once again, I acknowledge with affection his labour and patience main
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17 with the onerous task undertaken by him. To Dr. Kapila Vatsyayan, I owe a main
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18 deep debt of gratitude for her constant inspiration and encouragement. My main
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19 sincere apologies are due to her for the delay in completing this work, caused main
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20 by both personal and professional reasons. To Dr. Bettina Bäumer, Hony. main
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21 Co-ordinator, Kalākoša office of I.G.N.C.A. in Varanasi, goes my heartfelt main
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22 gratitude for her constant support, both moral and material. My younger sister main
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23 Dr. Urmila Sharma has provided valuable assistance in reading the proofs; I main
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24 express my loving gratitude to her. My affectionate thanks go to Dr. N. main
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25 Ramanathan, Reader, Department of Music, Madras University, my former main
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26 student, for going through the first half of the press-copy (upto the section on main
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27 grāma-mūrchanā) in 1988, while I was at Khairagarh. main
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28 I thank Dr. C.B. Pandey, Editor, and Dr. (Smt.) Advaitavadini Kaul, Asstt. main
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29 Editor, for seeing the book through the Press. main
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30 Prem Lata Sharma. annotation_inline
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31 Vasanta Pañcami annotation_inline
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32 'Āmnāya', Karaundi, annotation_inline
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33 Magha Sukla 5, V.S. 2048 annotation_inline
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34 Varanasi-221 005 annotation_inline
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35 <b>Feburary 8, 1992</b> annotation_inline
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36 The second of the second of the second of the second of the second of the second of the second of the second of the seco annotation_inline
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vol_I_p059 LEFT — 53 lignes

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1 BRHADDEŚI page_header
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2 100 page_number
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3 उद्घट्टितः। [ यथा - ] सरिमप पमरिस, रिगपध धपगरि, गमधनि निधमग, मपनिस editorial_bracket
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4 रि annotation_inline
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5 सा annotation_inline
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6 धा annotation_inline
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7 सा annotation_inline
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8 पा annotation_inline
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9 सनिपम् अपधनिस । सनिपम मपनिस, निधमग गमधनि, धपगरि रिगमध, पमरिस main
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10 नी annotation_inline
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11 री main
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12 सा annotation_inline
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13 गा annotation_inline
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14 धा annotation_inline
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15 सा annotation_inline
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16 मा annotation_inline
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17 सरिमप, मगरिस [ इति ] उद्घट्टितः। editorial_bracket
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18 [ २५ ] editorial_bracket
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19 पा annotation_inline
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20 सा annotation_inline
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21 अन्₀ ९५ ] section_header
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22 त्रिभिः स्वररारोहक्रमेण वा एककलादारभ्य यावत् षट्कलमित्येवं main
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23 कलामानादाक्षिप्तकः। [ यथा - ] सरिगा नु रिगमा नु गमपा नु मपधा नु पधनी नु editorial_bracket
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24 धनिसा नु सनिधा नु निधपा नु धपमा नु पमगा नु मगरी नु गरिसा नु main
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25 २६ । annotation_inline
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26 इत्याक्षिप्तकः । main
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27 अनु, ९६ section_header
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28 प्रथमात् स्वरा [ द ] नन्तरं परित्यज्य स्वरद्वये च गत्वा तेनैव editorial_bracket
parent ligne 27
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29 क्रमेणा- main
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30 व ] रोहणादेककलादवरोहणेऽपि चैककल इति द्विकलसम्प्रदानश्च द्वाविंशतिकलः। [यथा -] editorial_bracket
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31 सगमा मरिसा, रिमपा पगरी, गपधा धमगा, मधनी निपमा, पनिसा main
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32 संधपा, धनिसा। संधपा पनिसा, निपमा मधनी, धमगा गपधा, पगरी रिमपा, मरिसा संगमा, main
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33 गरिसा सम्प्रदानः। अथवा सगमा मगसा, रिमपा पमरी, गपधा धपगा, मधनी निधमा, main
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34 पा annotation_inline
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35 म annotation_inline
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36 पनिसा सनिपा, धनिसा। सधपा पधसा, निपमा मपनी, धमगा गमधा, पगरी रिगपा, main
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37 [ २७ ] editorial_bracket
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38 मरिसा सरिमा, गरिसा इति सम्प्रदानः । main
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39 अन्० ९७ section_header
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40 सम्प्रदानस्यैव द्विकलयोगेन हसनाद्धसितः। [ यथा -] सग मम रिस, रिम पप गरि, editorial_bracket
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41 गप धध मग, मध निनि पम, पनि सस धप, अधनिस सध पप निस, निप मम धनि, main
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42 ₹, annotation_inline
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43 धम गग पध, पग रिरि मप, मरि सस गम, गरिस [ इति ] हसितः। editorial_bracket
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44 Ⅰ २८ ] editorial_bracket
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45 गा annotation_inline
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46 धा annotation_inline
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47 मा annotation_inline
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48 सा annotation_inline
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49 सा annotation_inline
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50 पा annotation_inline
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51 [ अनु。 ९८ ] section_header
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52 ह्सितवत् स्वरत्रयारोहणेन चतुष्टयारोहणेन वा उभयथाप्येककलो हुद्कारः। [यथा -] editorial_bracket
parent ligne 51
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53 सरिगा गरिसा, रिगमा मगरी, गमपा पमगा, मपधा धपमा, पधनी निधपा, धनिसा main
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vol_II_p136 RIGHT — 53 lignes

page vol_II_p136 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 PĂŢĦAVIMARŚA page_header
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2 255 page_number
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3 170. Ibid.adds asyāḥ before ‘prastāraḥ’. list_item
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4 171. Reading in SR I. 7. 94. list_item
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5 172. SR I. 7. p. 242 adds 'raktagāndhāryām 'after 'asyām'. list_item
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6 173. Ibid.adds 'asyāḥ 'before 'prastāraḥ'. list_item
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7 174. SR I. 7. p. 245 adds ‘gāndhārapañcamyāṁ ’ after ‘ asyāṁ ’. list_item
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8 175. Ibid.adds ‘asyāḥ ’before ‘ prastāraḥ’. list_item
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9 176. SR. I. 7. p. 253 adds 'madhyamodīcyavāyām' after 'asyām'. list_item
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10 177. Ibid.adds ' asyāḥ ' before ' prastāraḥ '. list_item
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11 178. SR 1. 7. p. 253 adds ‘ kārmāravyāṁ ’ after ‘ asyāṁ ’. list_item
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12 179. Ibid.adds ‘ asyāḥ ’ before ‘ prastāraḥ ’. list_item
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13 180. SR1. 7.104 reads ‘sūribhiḥ’ but SRĀ I.7.103 reads ‘sū (bhū) ribhiḥ’. list_item
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14 181. SR 1.7. p.257 adds ‘gāndhārapañcamyām’ after ‘asyām’. list_item
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15 182. Ibid.adds ‘ asyāḥ ’ before ‘prastāraḥ ’. list_item
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16 183. Reading in SR I. 7. 105. list_item
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17 184. Reading in SR I.7.106. list_item
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18 185. Reading in SR 1.7.106; SRĀ 1.7.106 and Sudhā on the same, p. list_item
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19 260 read 'tāla' which fits the context. list_item
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20 186. SR I. 7, p.261 adds 'āndhryam' after 'asyām'. list_item
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21 187. Ibid.adds ' asyāḥ ' before ' prastāraḥ '. list_item
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22 188. Reading in SR I. 7.109. list_item
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23 189. SR I. 7, p. 264 adds ‘ nandayantyām’ after ‘ asyām’. list_item
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24 190. Ibid.adds asyāḥ before prastāraḥ. list_item
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25 191. P.t. adds 'sa' or 'ma' after each jātiprastāra in this interpolated list_item
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26 portion; the significance is not clear. list_item
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27 192. The jātis described in this interpolated portion do not complete list_item
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28 the number eighteen because of two repetitions as follows- list_item
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29 Jätis left out table
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30 Jātis described in the table
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31 Jātis described table
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32 interpolated portion table
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33 in the prose portion table
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34 1. Madhyamā table
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35 1.Şadjamadhyamā table
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36 1. Şādjī table
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37 2. Pañcami table
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38 2. Gändhärodicyavā table
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39 2. Arşabhī table
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40 3. Raktagāndhārī table
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41 3. Dhaivatī table
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42 4. Kaišikī table
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43 4. Naisādī table
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44 5. Madhyamodicyavā table
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45 5. Şadjakaisikī table
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46 6. Kārmāravī table
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47 6. Şadjodicyavā table
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48 7. Gändhärapañcamī table
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49 7.Şadjamadlıyrunā table
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50 8. Āndhrī table
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51 8. Gändhäri table
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52 9. Nandayanti table
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53 9. Raktagāndhārī table
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195 lignes a valider — change uniquement les roles incorrects.