Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21745). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p104 RIGHT — 32 lignes

L#	Texte OCR	Role auto
1	ŀ	annotation_inline parent ligne 4 via heuristic_height
2	TRANSLATION	page_header via surya_layout
3	191	page_number via heuristic_pagenum
4	[3. Now in mālavapancama]	section_header via surya_layout
5	Vibhāvinī, paurālī, vegavantī, pañcamī, āndhrī and gāndhārikā alone are the	main via surya_layout
6	six (bhāṣās) in mālavapañcama.	main via surya_layout
7	(14)	annotation_inline parent ligne 6 via heuristic_short
8	Having pañcama as the initial and concluding note vibhāvinī is born of a	main via surya_layout
9	region<sup>11</sup> (and) is sung in (the context of) hair - dressing (and) restrained	main via surya_layout
10	union with an amorous woman.<sup>12</sup>	main via surya_layout
11	(15)	annotation_inline parent ligne 10 via heuristic_short
12	Illustration - Paninimāgā risānirinisārigāmāpāpāmāgārisānini	main via surya_layout
13	dhānīnīdhāmāpāpā. Vibhāvinī [i]	editorial_bracket parent ligne 12 via heuristic_brackets
14	.....Paurālī [ii]	editorial_bracket parent ligne 12 via heuristic_brackets
15	The auspicious vegavatī should be known to have pañcama as amsa, being	main via surya_layout
16	complete, (this) vibhāṣā is sung in karuṇa (rasa) 13 in which dainya (depression	main via surya_layout
17	or affliction) is profuse.	main via surya_layout
18	(16)	annotation_inline parent ligne 17 via heuristic_short
19	Illustration - Pāpānidhādhāni dhāgāsāsāsāsāni dhādhāninipā	main via surya_layout
20	dhāmā.	annotation_inline parent ligne 19 via heuristic_height
21	Gāgādhāmā māpāpādhā nīsāsārīgārī. Sanidhāpāpā. Vegavatī [iii]	editorial_bracket parent ligne 19 via heuristic_brackets
22	Having pañcama as amsa and concluding note (and) being complete,	main via surya_layout
23	pañcamī is a mūlabhāṣā. It is a bhāṣā in mālavapañcama (rāga) in (the context	main via surya_layout
24	of) the song of (one with) a mature mind. 14	main via surya_layout
25	(17)	annotation_inline parent ligne 24 via heuristic_short
26	Illustration - Pāpāpāmāsā ririgāninidhādhā. Dhādhārinigārimāgarinīdhā	main via surya_layout
27	pāpāpādhā pāmāmāpā mādhānirimā gāmāgārī sāsānisāni dhāpāpā. Pañcamī	main via surya_layout
28	[iv]	editorial_bracket parent ligne 27 via heuristic_brackets
29	Having madhyama as amśa (and) pañcama as the concluding note, andhri	main via surya_layout
30	is a bhāṣā born in the Āndhra region, well-known among the people (and)	main via surya_layout
31	is sung in (the context of) those who are corrupted by disease. 15	main via surya_layout
32	(18)	main via surya_layout

vol_II_p168 RIGHT — 42 lignes

L#	Texte OCR	Role auto
1	VIMARŠA	page_header via surya_layout
2	319	page_number via heuristic_pagenum
3	57. Ratigana is fourfold and is composed of two syllables each – SS, IS,	list_item via surya_layout
4	SI, II.	list_item via surya_layout
5	58, 59. Dhātu-mātu stand for tonal-cum-rhythmic and verbal structure	list_item via surya_layout
6	of a composition respectively.	list_item via surya_layout
7	60. Twice Rudra would mean <math>11 \times 2 = 22</math>.	list_item via surya_layout
8	61. Bāṇagaṇa is of 16 kinds, each one composed of four syllables.	list_item via surya_layout
9	62. Here only the number of syllables is regulated and not their long	list_item via surya_layout
10	and short order.	list_item via surya_layout
11	63. Alaghu - that which is not laghu or short.	list_item via surya_layout
12	64. No regulation of the order of long and short syllables is	list_item via surya_layout
13	prescribed.	list_item via surya_layout
14	65. See notes 46, 52.	list_item via surya_layout
15	66. 'Yati' is a word that stands for splitting or pause in metre. In tāla,	list_item via surya_layout
16	yati means the order or sequence of layas. Here the first meaning seems to	list_item via surya_layout
17	be relevant.	list_item via surya_layout
18	67. This is again a reference to Matanga within the text. See note 3.	list_item via surya_layout
19	68. Samā yati is that where one and the same laya is sustained from	list_item via surya_layout
20	the beginning to the end.	list_item via surya_layout
21	69. Şaţpadī means 'one having six feet '. Śaṅkarācārya's şaţpadī	list_item via surya_layout
22	beginning with 'avinayamapanaya viṣṇo' is well - known.	list_item via surya_layout
23	70. Srotogatā yati is that where there is slow laya in the beginning	list_item via surya_layout
24	followed by fast, like the source of a river that gradually gains speed in its	list_item via surya_layout
25	current. Samā has been explained in note 68.	list_item via surya_layout
26	71. Gopucchā yati is the opposite of srotogatā; it is fast in the	list_item via surya_layout
27	beginning and gradually becomes slow, like the end of the cow's tail which	list_item via surya_layout
28	is first thin and then ends up with a thick bunch of hair.	list_item via surya_layout
29	72. See note 46.	list_item via surya_layout
30	73. 'Varṇadhvani' would literally mean 'the sound of syllables';	list_item via surya_layout
31	perhaps the contrast of a cluster of syllables in song, followed by a text-free	list_item via surya_layout
32	tonal rendering is implied.	list_item via surya_layout
33	74. Mūrchanā is not known as a kind of gamaka. The combination of	list_item via surya_layout
34	'mūrchanā' with gamaka requires further investigation.	list_item via surya_layout
35	75- 79. Lāţa (approximately present Gujarat), Karṇāta (roughly	list_item via surya_layout
36	present Karnataka), Gauda (roughly present Bengal), Andhra (roughly	list_item via surya_layout
37	present Andhra Pradesh) and Dravida (roughly present Tamilnadu) are the	list_item via surya_layout
38	regions selected for description of types of elā prabandha. Important	list_item via surya_layout
39	omissions are <i>Pāṇcāla, Avantī</i> or <i>Mālavā, Vidarbha</i> etc. SR also mentions only	list_item via surya_layout
40	the above five regions in this context.	list_item via surya_layout
41	80,81. The description of the regional specialities in the use of rhyme	list_item via surya_layout
42	and alliteration is interesting indeed.	list_item via surya_layout

vol_II_p053 LEFT — 35 lignes

L#	Texte OCR	Role auto
1	88	page_number via heuristic_pagenum
2	BRHADDEŚĪ	page_header via surya_layout
3	मुख्य इति षाडवः ? तत्र नायम्। एकः । कुतः ? सम्पूर्णत्वादमुष्य रागस्य । तस्मादुत्तरपक्ष एव	main via surya_layout
4	ज्यायान्। ननु कथं षट्सु रागेषु मुख्योऽयम्? उच्यते पूर्व-[रङ्गे तु] शुद्धषाडव: प्रयोक्तव्य इति	editorial_bracket parent ligne 3 via heuristic_brackets
5	(कथनुकथन? कथं)	main via surya_layout
6	पुष	annotation_inline parent ligne 5 via heuristic_height
7	वचनात् पूर्वरङ्गे प्रचुरप्रयोगत्वादस्य शुद्धषाडवस्यादौ निर्देश:।	main via surya_layout
8	विकारिमध्यमाजाते: सम्भूत: शुद्धषाडव: ।	main via surya_layout
9	न्	annotation_inline parent ligne 8 via heuristic_height
10	न्यासोऽस्य मध्यमोंऽशश्च गान्धारेण च दुर्बल: ॥ ३००॥	main via surya_layout
11	<b>णांश</b>श	annotation_inline parent ligne 10 via heuristic_height
12	(तु? दु)	annotation_inline parent ligne 10 via heuristic_height
13	[अनु॰ १६५]	section_header via surya_layout
14	अस्यार्थः - शुद्धषाडवो मध्यमग्रामसम्बन्धः। तारमध्यमो ग्रहः। मध्यमोऽशो न्यासश्च ।	main via surya_layout
15	गान्धारस्य चाल्पत्वम् । निषादगान्धारौ चात्र काकल्यन्तरौ । पूर्णस्वरश्चायम् । पूर्वरङ्गेऽस्य	main via surya_layout
16	(इन ? इने)	annotation_inline parent ligne 15 via heuristic_short
17	मध्यमो वादी । षड्जः संवादी । ऋषभपञ्चमावनुवादिनौ । विवादी नास्ति ।	main via surya_layout
18	प्रयोग:।	annotation_inline parent ligne 17 via heuristic_short
19	शृङ्गारहास्यौ रसौ । मध्यमादिमूर्छना । अवरोही वर्ण: । प्रसन्नान्तोऽलङ्कार: ।	main via surya_layout
20	त्रिषु मार्गेषु	main via surya_layout
21	गीयते। दक्षिणे कला, वृत्तौ कला, चित्रे कला। ३८स्वरपदगीते चच्चत्पुटादिताल: ।	unknown via fallback
22	<b>ण्पदेप</b>	annotation_inline parent ligne 20 via heuristic_height
23	आक्षिप्तिका<sup>३९</sup>	main via surya_layout
24	॰सका	annotation_inline parent ligne 23 via heuristic_markers
25	[२. शुद्धपञ्चम:]	section_header via surya_layout
26	ДO	annotation_inline parent ligne 25 via heuristic_height
27	[अनु॰ १६६]	editorial_bracket parent ligne 25 via heuristic_brackets
28	शुद्धपञ्चमः षड्जोदीच्यवतीजातेः स्मृतः।	main via surya_layout
29	र्गत:	annotation_inline parent ligne 28 via heuristic_height
30	[३. शुद्धसाधारित: ]	section_header via surya_layout
31	षड्जांशो मध्यमन्यासः स्वल्पद्विश्रुतिकस्वरः।	main via surya_layout
32	(बि?हि)	unknown via fallback
33	स्यात् षड्जमध्यमाजाते: शुद्धः साधारितस्तथा ॥ ३०१॥	main via surya_layout
34	erte Arresto de la composição de la composição de la composição de la composição de la composição de la composição de la	annotation_inline parent ligne 33 via heuristic_height
35	. . .	annotation_inline parent ligne 33 via heuristic_height

vol_II_p109 LEFT — 30 lignes

L#	Texte OCR	Role auto
1	10	page_number via heuristic_pagenum
2	[ पञ्चमोऽध्याय: ]	section_header via surya_layout
3	[देशीरागाः]	section_header via surya_layout
4	[मङ्गलाचरणम् ]	section_header via surya_layout
5	बन्धूकाभां त्रिनेत्राममृतकरकलाशेखरां रक्तवस्त्रां	main via surya_layout
6	पीनोत्तुङ्गप्रवृत्तस्तनभरनिमतां यौवनारम्भरूढाम् ।	main via surya_layout
7	सर्वालङ्कारभूषां सरसिजनिलयां बीजसङ्क्रान्तमूर्ति	main via surya_layout
8	देवीं पाशाङ्कशाढ्यामभयवरकरां विश्वयोनिं नमामि ॥ ३४५॥	main via surya_layout
9	अत:परं प्रवक्ष्यामि देशीरागकदम्बकम् ॥ ३४६॥	main via surya_layout
10	[त्रिविधदेशीरागा:]	section_header via surya_layout
11	ै[लक्ष्यलक्षणसंयुक्तं त्रिविधं वाऽपि संयुतम् ।	editorial_bracket parent ligne 10 via heuristic_brackets
12	रागाङ्गं चैव भाषाङ्गं क्रियाङ्गं च तृतीयकम् ॥ ३४७॥	main via surya_layout
13	प्रत्येकं लक्षणं चैषां प्रवक्ष्याम्यनुपूर्वश: ॥ ३४८॥	main via surya_layout
14	रेउक्तानां ग्रामरागाणां छायामात्रं भजन्ति हि ।	main via surya_layout
15	गीतज्ञै: कथिता: सर्वे रागाङ्गास्तेन हेतुना ॥ ३४९॥	main via surya_layout
16	भाषाछायाश्रिता येन जायन्ते सदृशा: किल ।	main via surya_layout
17	भाषाङ्गास्तेन कथ्यन्ते गायकै: स्तुतितत्परै: ॥ ३५०॥	main via surya_layout
18	<sup>३</sup>स्तौतिकादिभि:	annotation_inline parent ligne 17 via heuristic_height
19	<sup>४</sup>करुणोत्साहशोकादिप्रभवा या क्रिया तत: ।	main via surya_layout
20	जायन्ते च यतो नाम क्रियाङ्गाः कारणात्ततः ॥ ३५१॥	main via surya_layout
21	५तदत्र मार्गरागेषु नियमो य: पुरोदित: ।	main via surya_layout
22	स देशीरागभाषादावन्यथाऽपि क्वचिद् भवेत् ॥ ३५२॥]	editorial_bracket parent ligne 21 via heuristic_brackets
23	[भाषाङ्गरागा: ?]	editorial_bracket parent ligne 21 via heuristic_brackets
24	[१. कच्छेल्ली]	section_header via surya_layout
25	मध्यमांशग्रहन्यासा रिमन्द्रा तारतत्परा ।	main via surya_layout
26	कच्छेल्ली <sup>६</sup>गधहीना च विज्ञेया परिभूरिगा<sup>७</sup> ॥ ३५३॥	main via surya_layout
27	गतिसीना	annotation_inline parent ligne 26 via heuristic_height
28	(या)	annotation_inline parent ligne 26 via heuristic_height
29	॰जा	annotation_inline parent ligne 26 via heuristic_markers
30	مروره هم و العرب العرب العربي و العرب العرب العرب العرب العرب العرب العرب العرب العرب العرب العرب العرب العرب ا	annotation_inline parent ligne 26 via heuristic_height

vol_I_p057 LEFT — 49 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚI	page_header via surya_layout
2	96	page_number via heuristic_pagenum
3	निधधनि २२धपपध पममप	page_header via surya_layout
4	मगगम गरिरिंग रिसंसरि [ इति ]	page_header via surya_layout
5	सनिनिस	page_header via surya_layout
6	अथवा—	page_header via surya_layout
7	१६ \|	page_header via surya_layout
8	प्रसादः ।	page_header via surya_layout
9	\| अन्₀ ८६ \|	page_header via surya_layout
10	द्वौ द्वौ स्वरौ द्विकलौ २३सञ्चरन्तावारोहक्रमेणावरोहाच्चोद्वाहितः । [ यथा— ]	page_header via surya_layout
11	वि॰	page_header via surya_layout
12	∙डु	page_header via surya_layout
13	<sup>21</sup>सरि रिंग गम मप पध धनि निस सनि निध धप पम मग गरि रिस [ इति ]	page_header via surya_layout
14	उद्वाहितः।	page_header via surya_layout
15	\| १७ \|	page_header via surya_layout
16	अनु₀ ८७	page_header via surya_layout
17	द्विरभ्यस्तैरुपलोलकः। यथा—सरिसरि रिगरिग	page_header via surya_layout
18	अयमेव	page_header via surya_layout
19	गमगम	page_header via surya_layout
20	मपमप	page_header via surya_layout
21	पधपध	page_header via surya_layout
22	धनिधनि निसनिस सनिसनि निधनिध धपधप पमपम मगमग गरिगरि रिसरिस	page_header via surya_layout
23	[ १८ ]	page_header via surya_layout
24	<b>इति । उपलोलकः।</b>	page_header via surya_layout
25	। अनु₀ ८८ ।	page_header via surya_layout
26	एकादिक्रमेणान्तरस्वरेष्वारुह्य	page_header via surya_layout
27	पुनरवरोहणक्रमण	page_header via surya_layout
28	स्थायिन	page_header via surya_layout
29	स्वर	page_header via surya_layout
30	गत्वा	page_header via surya_layout
31	प्रस्तारक्रमेणैव एकैकाभिवृद्ध्या यत्र स्वरा उच्चार्यन्ते तत्र स क्रमः। अयमेकरूपत्वात्	page_header via surya_layout
32	परिवा	page_header via surya_layout
33	प्रस्तारेण [न] भिद्यते। [ यथा ] सरिरिस सरिगगरिस सरिगममगरिस सरिगमपपमगरिस	page_header via surya_layout
34	्रगा	page_header via surya_layout
35	॰मा॰	page_header via surya_layout
36	ुपा	page_header via surya_layout
37	सरिगमपधधपमगरिस सरिगमपधनिनिधपमगरिस सरिगमपधनिस-सनिधपमगरिस	page_header via surya_layout
38	्नीनी,	page_header via surya_layout
39	धा	page_header via surya_layout
40	क्रमः। अथवान्तरस्वरमारुह्य काकलीं गत्वा तेनैव क्रमेणावरुह्य स्थायिन्यागम्यते स	page_header via surya_layout
41	<sub>व</sub>के	page_header via surya_layout
42	क्रमः [ यथा - ] सगनिनिगस [ इति ] क्रमः।	page_header via surya_layout
43	[ १९ ]	page_header via surya_layout
44	[ अनु。 ८९ ]	editorial_bracket via heuristic_brackets
45	अाद्यं तृतीयं ततो द्वितीयं ततश्च चतुर्थमनेनैव क्रमेणान्यानप्यारुह्य मन्द्राव्निष्कृजितः।	unknown via fallback
46	₀रो₀	annotation_inline via heuristic_markers
47	कोहलमते च एकान्तरस्वरारोहान्निष्कूजितः । [ यथा - ] सग रिम गप मध पनि धस	editorial_bracket via heuristic_brackets
48	[ इति निष्कृजितः ]	editorial_bracket via heuristic_brackets
49	[ २० ]	editorial_bracket via heuristic_brackets

188 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p104 RIGHT — 32 lignes

vol_II_p168 RIGHT — 42 lignes

vol_II_p053 LEFT — 35 lignes

vol_II_p109 LEFT — 30 lignes

vol_I_p057 LEFT — 49 lignes