Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21751). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p025 LEFT — 29 lignes

page vol_I_p025 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
via surya_layout
2 32 page_number
via heuristic_pagenum
3 [ अनु. १८ ] editorial_bracket
parent ligne 4
via heuristic_brackets
4 नन् चतुर्दशानां स्वराणां मध्ये आकारादीनां कथं ग्रहणम् ? सत्यमुक्तम्। main
via surya_layout
5 एतेषामसाधारणत्वेन ग्रहणं कृतम्। असाधारणत्वं main
via surya_layout
6 चैतेषामूर्ध्वध्वनिगामित्वेन। यद्वा षड्जादीनां व्यञ्जनानां स्वरत्वमुक्तम्। main
via surya_layout
7 १ननु - - - सङ्केतमात्रमेतदुक्तं भवति। आचार्याणां परिभाषेत्यर्थः। main
via surya_layout
8 [वाद्यादिभेदेन स्वराणां चातुर्विध्यम् ] section_header
via surya_layout
9 [ अनु. १९ ] editorial_bracket
parent ligne 8
via heuristic_brackets
10 इदानीमवसरप्राप्तं चातुर्विध्यं स्वराणां १०दर्शयामि। main
via surya_layout
11 11सन्दर्गः annotation_inline
parent ligne 10
via heuristic_height
12 तद्यथा— annotation_inline
parent ligne 10
via heuristic_height
13 वदनाद् वादी स्वामिवत्। संवदनात् संवादी अमात्यवत्। main
via surya_layout
14 अनुवदनादनुवादी परिजनवत्। विवदनाद् विवादी शत्रुवत्। main
via surya_layout
15 [ अनु. २० ] editorial_bracket
parent ligne 14
via heuristic_brackets
16 नन् वदनादिकं प्राणिधर्मः कथमचेतनानां स्वराणां सम्भवति ? main
via surya_layout
17 सत्यमुक्तम्। वदनं हि नामात्राः [ राग- ] प्रतिपादकत्वं विवक्षितम्, न editorial_bracket
parent ligne 16
via heuristic_brackets
18 12नाम annotation_inline
parent ligne 16
via heuristic_height
19 वचनमिति। किं तत् प्रतिपादयति ? रागस्य रागत्वं जनयति। ते च main
via surya_layout
20 14亩 annotation_inline
parent ligne 19
via heuristic_height
21 वादिनः स्वराः सप्तेव। main
via surya_layout
22 स च वाद्यंशवद्दशविधो बोद्धव्यः। वादिमण्डलं यथा— main
via surya_layout
23 सरिगमप धनि। annotation_inline
parent ligne 22
via heuristic_short
24 [ अनु २१ ] editorial_bracket
parent ligne 22
via heuristic_brackets
25 संवादिनस्तु पुनः समश्रुतिकत्वे सति त्रयोदश नवान्तरत्वेनावबोद्धव्याः। किं main
via surya_layout
26 <sup>15</sup>वाऽन्योऽन्य annotation_inline
parent ligne 25
via heuristic_height
27 तत् संवादित्वं नाम? main
via surya_layout
28 यद् वादिस्वरेण रागस्य रागत्वं जनितं तन्निर्वाहकत्वं main
via surya_layout
29 नाम संवादित्वम्। संवादिमण्डलं यथा- main
via surya_layout

vol_I_p019 LEFT — 32 lignes

page vol_I_p019 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 20 page_number
via heuristic_pagenum
3 नानाबुद्धिप्रसाध्यत्वात् स्वरश्रुत्योस्तु भिन्नता। main
via surya_layout
4 ₀गृहीत｡<sup>72</sup> annotation_inline
parent ligne 3
via heuristic_markers
5 आश्रयाश्रयिभेदाच्च तादात्म्यं नैव सिध्यति ॥३६॥ main
via surya_layout
6 7 अकेन annotation_inline
parent ligne 5
via heuristic_short
7 यदभाणि विवर्तत्वं स्वराणां न तदसङ्गतम्। main
via surya_layout
8 श्रुतीना74 annotation_inline
parent ligne 7
via heuristic_short
9 विवर्तत्वे स्वराणां हि भ्रान्तिज्ञानं प्रसज्यते ॥३७॥ main
via surya_layout
10 ₀त्वात्<sup>75</sup> annotation_inline
parent ligne 9
via heuristic_markers
11 कार्यकारणभावस्तु स्वरश्रुत्योर्न सम्भवेत्। main
via surya_layout
12 श्रुतीनामिह सद्भावे प्रमाणं नैव विद्यते ।।३८।। main
via surya_layout
13 ₀व76 annotation_inline
parent ligne 12
via heuristic_markers
14 अर्थापत्त्या यदि वा व्याप्तिग्रहणपूर्वकप्रमाणबलात्। main
via surya_layout
15 77ग्रहपूर्वक annotation_inline
parent ligne 14
via heuristic_short
16 सिद्ध [:] स्वरजनकानां गगनगुणानां स्वरो भेदः ॥३९॥ editorial_bracket
parent ligne 14
via heuristic_brackets
17 सत्यम् । main
via surya_layout
18 कार्यकारणभेदोऽस्ति यद्यपि स्फुटमेव हि। main
via surya_layout
19 तथापि कारणत्वं च श्रुतीनां नैव सम्भवेत् ॥४०॥ main
via surya_layout
20 ਚ78 annotation_inline
parent ligne 19
via heuristic_height
21 कार्येषु विद्यमानेषु कारणस्योपलम्भनात्। main
via surya_layout
22 घटादौ विद्यमाने तुः मृत्पिण्डो नोपलभ्यते ॥४१॥ main
via surya_layout
23 79fH annotation_inline
parent ligne 22
via heuristic_short
24 805<del>4</del> main
via surya_layout
25 825<del>0</del>23° annotation_inline
parent ligne 24
via heuristic_markers
26 परिणामोऽभिव्यक्तिस्तु न्याय्यः पक्षः सतां मतः। main
via surya_layout
27 <sup>83</sup>्मा<sub>॰</sub> <sup>84</sup>ह्यभिव्यक्तिः annotation_inline
parent ligne 26
via heuristic_markers
28 <b>65,च्यः      ६६,न्य</b>ि main
via surya_layout
29 इति तावन्मया प्रोक्तं तादात्म्यादिविकल्पनम् ॥४२॥ main
via surya_layout
30 [ अनु. १२ ] editorial_bracket
parent ligne 29
via heuristic_brackets
31 ननु श्रुतीनां द्वाविशतिप्रकारता यत्तदप्यसङ्गतम् श्रुतीनां श्रुत्यवयवानां main
via surya_layout
32 चानु [प]लम्भात्। editorial_bracket
parent ligne 31
via heuristic_brackets

vol_I_p070 LEFT — 43 lignes

page vol_I_p070 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 122 page_number
via heuristic_pagenum
2 <b>BRHADDES!</b> page_header
via surya_layout
3 तत्र ध्रुवा सशब्दा स्यात् सर्पिणी वामगा भवेत् । main
via surya_layout
4 ध्वका च गब्दस्याः annotation_inline
parent ligne 3
via heuristic_height
5 कृष्णा दक्षिणतो याता वर्तिनी चाप्यधोगता ॥१७९॥ main
via surya_layout
6 (ना?ता) annotation_inline
parent ligne 5
via heuristic_short
7 .ताः annotation_inline
parent ligne 5
via heuristic_height
8 विसर्जिता बहिर्याता विक्षिप्ता कुञ्चिता भवेत् । main
via surya_layout
9 •वर्ति₀10 annotation_inline
parent ligne 8
via heuristic_markers
10 पताका चोर्ध्वगा जेया पतिता भूमिगा भवेत्12 ॥१८०॥ main
via surya_layout
11 ( का ?गा ) <sup>11</sup>वनि, भूम्मिगा (?) main
via surya_layout
12 ध्वका सर्पिणी चित्रे वार्तिक च परेऽपि द्वे । main
via surya_layout
13 कृष्णापिद्मिनीनाम्न्यश्चाः दक्षिणेऽष्टौ स्मृता मात्राः ॥१८१॥ main
via surya_layout
14 .नाम्न्यो annotation_inline
parent ligne 13
via heuristic_short
15 [ अनु॰ १०८ ] editorial_bracket
parent ligne 13
via heuristic_brackets
16 14दक्षिणावृतिषिचत्रेति वृत्तयो गीतोभयवाद्यप्राधान्यवशात् main
via surya_layout
17 प्रतीताः । annotation_inline
parent ligne 16
via heuristic_short
18 वृत्तिः, उभयप्रधाना वृत्तिवृत्तिः, वाद्यप्रधाना चित्रा main
via surya_layout
19 दक्षिणा annotation_inline
parent ligne 18
via heuristic_short
20 गीतप्रधाना main
via surya_layout
21 वृत्तिः। annotation_inline
parent ligne 20
via heuristic_short
22 [ अनु॰ १०९ ] editorial_bracket
parent ligne 20
via heuristic_brackets
23 इदानी प्राधान्यं ज्ञापयति पाणिकृतं विवर्तितम्। main
via surya_layout
24 तदुक्तम् :- main
via surya_layout
25 •क्ताम् annotation_inline
parent ligne 24
via heuristic_height
26 "15ताल [ गीतिलय - ] यतिमार्गप्राधान्यान्यासां यथास्वं व्यञ्जकानि editorial_bracket
parent ligne 24
via heuristic_brackets
27 (न ?) न्यादासा <b>.संस्य</b> स्वरं (र) ( ? ) main
via surya_layout
28 भवन्ति। 16चित्रे समा यतिः, द्वतो लयः, उपरिपाणिः, मागधीगीति - main
via surya_layout
29 याति+ annotation_inline
parent ligne 28
via heuristic_short
30 रोघोऽवयवः। वार्तिक स्रोतोगता यतिर्मध्यो लयः, समपाणिः, सम्भाविता main
via surya_layout
31 .पनामुस्रो, annotation_inline
parent ligne 30
via heuristic_short
32 „Ц annotation_inline
parent ligne 30
via heuristic_height
33 गीतिरनुगतं चावयवः । तद्वद्क्षिणे गोपुच्छा यतिर्विलम्बितो लयः. main
via surya_layout
34 गवोबलयवः----- annotation_inline
parent ligne 33
via heuristic_short
35 उदाद. annotation_inline
parent ligne 33
via heuristic_height
36 अवपाणिः, पृथुला गीतिस्तत्त्वं चावयवः।" main
via surya_layout
37 ÷ annotation_inline
parent ligne 36
via heuristic_height
38 अधम, annotation_inline
parent ligne 36
via heuristic_height
39 ₽. annotation_inline
parent ligne 36
via heuristic_height
40 [ अनु॰ ११० ] editorial_bracket
parent ligne 36
via heuristic_brackets
41 वृत्तीनां च वाद्यं 17समानागतातीतग्रहैः कार्यम्। तत्र main
via surya_layout
42 .पा annotation_inline
parent ligne 41
via heuristic_height
43 .ম. annotation_inline
parent ligne 41
via heuristic_height

vol_I_p066 RIGHT — 49 lignes

page vol_I_p066 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 115 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 Giti (musical rendering) without alankāra is like a night without the moon, main
via surya_layout
4 a river without water, a creeper without flowers (and) a woman without main
via surya_layout
5 (168) annotation_inline
parent ligne 4
via heuristic_short
6 ornaments.119 main
via surya_layout
7 Thus have been described these thirty-three alankāras by me. Those that main
via surya_layout
8 have not been indicated here, they should also be understood. main
via surya_layout
9 (169) annotation_inline
parent ligne 8
via heuristic_short
10 (Anu. 103) main
via surya_layout
11 Thus are the prastaras (notational representations) in (svaras) beginning main
via surya_layout
12 with şadja.120 main
via surya_layout
13 (1) table
via surya_layout
14 sarigamapadhanisa,121 prasannādi table
via surya_layout
15 (2) table
via surya_layout
16 sanidhapamagarisa, 122 prasannānta table
via surya_layout
17 (3) table
via surya_layout
18 sarigamapadhanisa 123 nidhapamagarisa, prasannādyanta table
via surya_layout
19 <b>(4)</b> table
via surya_layout
20 sanidhapamagarisa 124 sarigamapadhanisa, prasannamadhyama table
via surya_layout
21 <b>(5)</b> table
via surya_layout
22 sā rī gā mā pā dhā nī sā,125 sama table
via surya_layout
23 (6) table
via surya_layout
24 sā sā 126 sā, bindu table
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25 <b>(7)</b> table
via surya_layout
26 sā sā sā, 127 nivītta pravītta table
via surya_layout
27 (8) table
via surya_layout
28 sarigamapadhaninidhapamagarisa, veņu table
via surya_layout
29 (9) table
via surya_layout
30 sarigamapadhanisa.<sup>128</sup> kampita table
via surya_layout
31 (10) table
via surya_layout
32 sarigamapadhanisa,129 kuharita table
via surya_layout
33 (11) table
via surya_layout
34 sarigamapadhanisa,150 recita table
via surya_layout
35 sarīrisā rigagarī gamāmagā mapāpamā padhādhapā, dhanīnidhā 151 nisāsani, table
via surya_layout
36 (12) table
via surya_layout
37 prenkholita unknown
via fallback
38 mapadhanisama, main
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39 gamapadhaniga annotation_inline
parent ligne 38
via heuristic_short
40 rigamapadhari main
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41 sarigamapasa annotation_inline
parent ligne 40
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42 (13) main
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43 tāramandraprasanna annotation_inline
parent ligne 42
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44 masanidhapama, 132 main
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45 ganidhapamaga annotation_inline
parent ligne 44
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46 ridhapamagari main
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47 sapamagarisa annotation_inline
parent ligne 46
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48 (14) main
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49 mandratāraprasanna main
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vol_II_p036 RIGHT — 36 lignes

page vol_II_p036 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 55 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [8. Gändhārī] section_header
via surya_layout
4 Out of them, gāndhāra, ṣadja, madhyama, pañcama and niṣāda are grahas, main
via surya_layout
5 the same are amsas of gandhari. The tara extends upto five svaras. The mandra main
via surya_layout
6 , extends upto the nyāsa or upto the svara next to it. The sādava state is devoid main
via surya_layout
7 of rṣabha, the auduvita state is devoid of ṛṣabha, dhaivata. In the complete main
via surya_layout
8 state there is sparseness of rṣabha-dhaivata, and abundance of the remaining main
via surya_layout
9 ones. On account of being a svara-jāti<sup>72</sup>i.e. a jāti bearing the name of svara, main
via surya_layout
10 gāndhāra is the nyāsa. Ṣadja, pañcama are the two apanyāsas and there is main
via surya_layout
11 sangati (concert or to and fro movement) between dhaivata and ṛṣabha. That main
via surya_layout
12 is thus – when <math>g\bar{a}ndh\bar{a}r\bar{i}</math> is sung as complete then <math>m\bar{a}</math> - <math>dh\bar{a}< main
via surya_layout
13 prayoga (performance). main
via surya_layout
14 Thus is the performance. When it is sung with the omission of rṣabha then main
via surya_layout
15 while touching (lit. entering) the adhara 74 (lit. lower, but higher in pitch) main
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16 mā-dhā-dhā-gā, thus is the performance. When it is sung in its pentatonic main
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17 form then while touching the uttara 75 (lower svara) mā-gā dhā-thus is the main
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18 performance. Mā-pa-ri-dhā is never to be performed. main
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19 [Anu. 161] editorial_bracket
parent ligne 18
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20 This is eleven-fold. There are eleven ainsas - there is one in the suddhā main
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21 state, five in the vikṛtā complete state, four are hexatonic (and) one is main
via surya_layout
22 pentatonic. The mūrchanā beginning with dhaivata obtains here. Caccatpuța main
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23 is the tālain the ekakalaform. In citra mārga, there is māgadhī (gītī), in dvikala main
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24 vārtika (mārga) there is sambhāvitā (gīti), in catuşkala dakṣiṇa (mārga), there main
via surya_layout
25 is pṛthulā (gīti), karuṇa (pathos) is the rasa. It is used in the singing of dhruvā main
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26 in the third act of a drama. annotation_inline
parent ligne 25
via heuristic_height
27 [9. Raktagāndhāri] section_header
via surya_layout
28 [Anu. 162] editorial_bracket
parent ligne 27
via heuristic_brackets
29 Ṣadja, madhyama, pañcama, gândhāra and niṣāda are the grahasand aṁśas main
via surya_layout
30 of raktagāndhārī. Tāra extends up to five svaras (from the amśa), mandra main
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31 extends up to the nyāsa or the svara next to it. The hexatonic form is devoid main
via surya_layout
32 of rṣabha and the pentatonic one is devoid of rṣabha-dhaivata. There is the main
via surya_layout
33 paucity of rṣabha and dhaivata in the complete form. The remaining (svaras) main
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34 have abundance. On account of niṣāda being the amśa, its abundance is main
via surya_layout
35 indicated. Its non-abundance comes about on account of the stated main
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36 prescription. Dhaivata being non-aniśa, its sparseness is indicated, its main
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189 lignes a valider — change uniquement les roles incorrects.