Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21754). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 1 page_number
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2 77 page_number
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3 <b>TRANSLATION</b> page_header
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4 (Anu. 51) annotation_inline
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5 But if the indication of murchanas is done with the middle heptad, then why main
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6 has it been said to be (done) with madhyama svara? Truly has this been said. main
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7 The use of singular number is in relation with the jāti (species) of svara. The main
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8 purport is that the 'murchana' should be made in the kanthya svara (the tonal main
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9 range of the voice). The inclusion of the adjective vaina 46 (pertaining to viņā) main
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10 (for svara) is in order to encompass the sthana (register or range) that could main
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11 not be described in the body (human voice). main
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12 (Anu. 52) annotation_inline
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13 But when the (process of) sādavita and auduvita is being undertaken, then main
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14 does the recognition of the (original) murchana exist or does it not exist? The main
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15 recognition of the (original) mūrchanā is certainly there. Similarly has said main
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16 Dattila - annotation_inline
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17 "When the tana is made in this manner (by omission of the prescribed main
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18 svaras), the knowledgeable one should ascertain, by counting the perishable main
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19 (omitted) (svara), that this murchana is this-manieth." main
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20 [ Dattilam 37 ] editorial_bracket
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21 (Anu. 53) annotation_inline
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22 But when şadja is omitted in the first and seventh mūrchanā, both take an main
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23 identical form viz. ri-ga-ma-pa-dha-ni, there the distinction (between the two) is main
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24 not evident. True, there is no difference. If the components are counted, there main
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25 surely is a difference; the difference is created by mandra and tara.47 main
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26 (Anu. 54) annotation_inline
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27 This distinction of murchana and tana has been spoken of merely for the main
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28 sake of the convenience of the performer and the listener.48 The objective of main
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29 tāna has also been said to be for the sake of the attainment of the three main
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30 registers. annotation_inline
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31 (Anu. 55) annotation_inline
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32 But mūrchanās are useful in jātis and rāgas, hence their treatment is justified, main
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33 where are the tanas to be used? It is being answered. The tanas are useful for main
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34 the sake of bringing out the difference between jatis and ragas of both the main
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35 grāmas (i.e. between those of one grāma and the other).49 Or, the use of tānas is main
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36 for the sake of the demonstration of the number of nașța (lit. lost) and uddișța main
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37 (lit. enumerated) (varieties of tānas).50 annotation_inline
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1 277 page_number
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2 PĂTHAVIMARŚA page_header
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3 पांशग्रहान्ता सम्पूर्णा भाषा मालवपञ्चमे । main
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4 वनेषु कामिनीसङ्गे नियोज्या ऋषिकैनरै:॥ main
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5 विभावनीति तामेवाचष्ट याष्टिकसत्तमः॥ main
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6 122. The name of this bhāṣā is read as mālavā at the end of the main
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7 illustration and so it is in S Rāj II.2.1.905. main
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8 123,124. cf. सञ्चार: सधयोर्यस्यां रिधयोधैव दृश्यते । main
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9 Kalā (appendix) on SR II, p. 137. main
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10 125. In spite of this adjective indicating the completeness of this main
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11 bhāṣā, the illustration omits ṣaḍja. main
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12 126. SR II. 1. 30 cd reads this name as bhinnavalitā and so does S Rāj main
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13 II.2.1.131 c; ibid 88a reads bhinnalalitā and ibid 907c reads bhinnavallikā. main
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14 Our text seems to change bhinnavalikā to bhinnavālikā in verse 34 c in order main
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15 to meet the demand of metre, the sixth syllable being required to be long. main
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16 At this point of our text the change to bhinnalālikā or bhinnalālitā seems to main
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17 involve an error of deciphering or copying. main
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18 127. Kalā (appendix) on SR II, p.137 reads 'magrahāmśā' describing main
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19 madhyama as graha and aṁśa. main
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20 128. cf. पञ्चमांशग्रहा धान्ता पूर्णा मध्यमभूयसी । main
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21 मध्यमग्रामगा भाषा धनिसङ्गतिराजिता ॥ main
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22 द्राविडी देशनाम्रेयं विख्याता याष्ट्रिकोदिता ॥ main
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23 S Rāj II.2.1.912. annotation_inline
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24 The illustration in our text is not in accordance with any of the three main
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25 divergent descriptions viz. those in our text, Kalā and S Rāj. main
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26 129. The dual number of the instrumental case has been changed to main
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27 the same number of the genitive case, because the instrumental case would main
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28 require reference to some other svara with which the two svaras composed main
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29 of two śrutis each are supposed to have to and fro movement. Kalā (appen- main
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30 dix) on SRII, p. 141 reads 'nigayo rigayoryuktā'. main
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31 ्सम्पूर्णा, यं विना बाह्मपाडवा कैधिदिप्यते । main
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32 130. cf. annotation_inline
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33 S Rāj II.2.1.107 cf. main
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34 131. Corresponding to this, S Rāj II.2.1.1081 gives a bhāṣā named main
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35 națță, which is described as being complete. main
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36 पञ्चमांशान्तिमा ताना भिन्नताने रिवर्जिता । main
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37 132. cf. annotation_inline
parent ligne 36
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38 सकाकलिका शृङ्गारे विनियुक्ता पुरातनै: ॥ main
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39 ताना भाषैकिका भिन्नताने याष्ट्रिकसम्मता ॥ main
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40 S Rāj 11.2.1.1097,1099. main
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41 The illustration of this bhāṣā is not available in our text; the illustration main
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42 contained in p.t. at this point as follows seems to be out of place, since rşabha main
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43 -------------------------------------- annotation_inline
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1 BRHADDEŚI page_header
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2 110 page_number
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3 समनन्तरौ स्वरौ द्वौ विचरत्युद्वाहितो द्विकल एव । main
via surya_layout
4 आरोहत्येककलां पुनरेककलां प्रसादयति। ।१४८॥ main
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5 50otto annotation_inline
parent ligne 4
via heuristic_short
6 ++++ annotation_inline
parent ligne 4
via heuristic_height
7 उद्वाहित एव स्यादुपलोलकसंज्ञको द्विरभ्यस्तः । main
via surya_layout
8 एकं द्वौ त्रीन् गच्छन् स्वरान् क्रमेण [ स ] क्रमो ज्ञेयः ॥१४९॥ editorial_bracket
parent ligne 7
via heuristic_brackets
9 51सह् annotation_inline
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10 (डो १डे) त्रीणि main
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11 ۰₹۵ annotation_inline
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12 एकान्तरमारुह्य प्रत्येकान्तरं स्वरं यस्तु । main
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13 ्र भी (?) annotation_inline
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14 निष्कृजितसंज्ञकोऽसौ ज्ञेयः सूरिभिरलङ्कारः ॥१५०॥ main
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15 क्रमयोगेनानेन तु सञ्चार्येकान्तरस्वरो द्विकलः । main
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16 <i>दे</i> (३)। annotation_inline
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17 ्नासी ज्ञेयः main
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18 द्वचवरः षट्पर एवं ह्यारोही हादमानः स्यात् ॥१५१॥ main
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19 ď annotation_inline
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20 त्रिकलत्वपरषड्जमेवमारोहि (?) main
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21 अथ रिक्षतस्तु समनन्तरस्वरे द्वे कले पुनः स्थित्वा । main
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22 अर्धकलामारोही पुनरेव तथावरोही स्यात्52 ॥१५२॥ main
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23 ।हि oतत् oचापको हि annotation_inline
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24 <b>.</b>4. main
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25 आवर्तकश्चतुर्षु स्वरेषु समनन्तरेषु सम्भवति । main
via surya_layout
26 आरोहणावरोहणविधिना चैकान्तरेष्विप वा ॥१५३॥ main
via surya_layout
27 ज्ञेयो निरन्तरकृतस्त्वष्टकलः सान्तरस्तथा कार्यः । main
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28 ,रुध्वंष्ट. unknown
via fallback
29 तज्ज्ञैः कलाश्चतसस्त्वावृत्त्या [ ऽऽ ] वर्तको भवति ॥१५४॥ editorial_bracket
parent ligne 27
via heuristic_brackets
30 प्राज्ञेः main
via surya_layout
31 अधिरुह्य च स्वरांस्त्रीन् स्वरान्तरं लङ्घयति च निवृत्तौ । main
via surya_layout
32 53से annotation_inline
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33 पुनरपि च परावृत्त्या परीवर्तकोऽष्टकलो ज्ञेयः ॥१५५॥ main
via surya_layout
34 •र्तेषु 54कलो annotation_inline
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35 यस्य स्वरावतीतौ तथा परं ह्यन्तरस्वरो भवति । main
via surya_layout
36 <b>.</b>पतितौ annotation_inline
parent ligne 35
via heuristic_short
37 परस्त्व, annotation_inline
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via heuristic_height
38 य: annotation_inline
parent ligne 35
via heuristic_height
39 एककलश्च तथा भवेत् तदुद्घट्टितो नित्यम् ॥१५६॥ main
via surya_layout
40 •द्वाहितो <sup>55</sup>,त्या main
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41 भव annotation_inline
parent ligne 40
via heuristic_height
42 आक्षिप्तकस्त्रिस्वरजः कर्तव्यः षड्विधः कलामानः । main
via surya_layout
43 <b>०रारज प्रथगेककलात्रयकृतश्च (?)</b> main
via surya_layout
44 मा. annotation_inline
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via heuristic_height
45 एककलस्त्वधरः स्यात् षट्कलिको वापरो ज्ञेयः ॥१५७॥ main
via surya_layout

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1 BRHADDESĨ page_header
via surya_layout
2 156 page_number
via heuristic_pagenum
3 पञ्चमांशा तेन बहुला धान्ता मधुकरी शुभा। main
via surya_layout
4 परस्परं तु संवादो गान्धारपञ्चमस्य हि ॥ ७६॥ main
via surya_layout
5 धैवतस्य निषादस्य संयोगो दृश्यते यत:। main
via surya_layout
6 एषा पूर्णा च सङ्कीर्णा भाषा ककुभसम्भवा<sup>६२</sup> ॥ ७७॥ main
via surya_layout
7 उदाहरणम् -[पापा] निनिनिनिपधपा धनिसासनिसनि सपधानिधाधपा धरिसासागरिमगरिस- editorial_bracket
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via heuristic_brackets
8 सम । गरिसानिनिधपापासागा । पापामाधा । माधाधामा । नीसासाधाधा । मधुकरी ।[५] editorial_bracket
parent ligne 6
via heuristic_brackets
9 निषादांशा तु षड्जान्ता[निषादग्रहसंयुता] । editorial_bracket
parent ligne 6
via heuristic_brackets
10 +++++++ annotation_inline
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via heuristic_height
11 [भाषा] ऋषभहीना तु विज्ञेया शकमिश्रिता ॥ ७८॥ editorial_bracket
parent ligne 6
via heuristic_brackets
12 निषादपञ्चमानां तु संवाद: स्यातु धैवते । main
via surya_layout
13 मजुवत्यंशजा[?]छाया छाया शकविमिश्रिता ॥ ७९॥ editorial_bracket
parent ligne 12
via heuristic_brackets
14 उदाहरणम् - नीसानिगधमागारिरिनि निनिसाधाधानिधागमामामपासा सनिसासाधाधामनी main
via surya_layout
15 धाधामानीधापामाधानीसासासा नीसासासारिगारिसा नीसानीसानिधाधामासानीमागारीरि । main
via surya_layout
16 शकमिश्रिता। ६३ [६] editorial_bracket
parent ligne 15
via heuristic_brackets
17 धैवतांशा धैवतान्ता विज्ञेया भिन्नपञ्चमी। main
via surya_layout
18 मध्यमांशा annotation_inline
parent ligne 17
via heuristic_height
19 निषाद: काकली भूयो धैवतेन विमिश्रित: ॥ ८०॥ main
via surya_layout
20 संयोगो दृश्यते यत्र काकल्या धैवतस्य च। main
via surya_layout
21 काक(ल्योद्यै?ल्या धै) वतस्य च annotation_inline
parent ligne 20
via heuristic_height
22 पञ्चमर्षभसंवादो यत्रैव सम्प्रयोजयेत्॥ main
via surya_layout
23 साधारणकृता ह्येषा पूर्णा ६४ प्राया च काकली ६५ ॥ ८१॥ main
via surya_layout
24 उदाहरणम् - धनिधाधा निधापापामरिपापापपमाधाधा पासामनिसासनिरिरिसारी । धाधा । main
via surya_layout
25 परिमापापा । पमधाधामानीधापापापरीधा पापापाधाधासनिधा । भित्रपञ्चमी । [७] editorial_bracket
parent ligne 24
via heuristic_brackets
26 एता भाषा: समुद्दिष्टा: [सप्त वै ककुभस्य च ]॥ ८२॥ editorial_bracket
parent ligne 24
via heuristic_brackets
27 भा(पा) annotation_inline
parent ligne 24
via heuristic_height
28 the state of the state of the state of the state of the state of the state of the state of the state of the state of the annotation_inline
parent ligne 24
via heuristic_height
29 . . . annotation_inline
parent ligne 24
via heuristic_height
30 7.4 annotation_inline
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via heuristic_height
31 From the substitute of the con- annotation_inline
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32 ____ annotation_inline
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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 72 page_number
via heuristic_pagenum
3 नी नी नी नी री री री री table
via surya_layout
4 (११) table
via surya_layout
5 री री मा नी सा सा नी नी table
via surya_layout
6 (१२) table
via surya_layout
7 पा पा मा गरि गा गा गा गा table
via surya_layout
8 (१३) table
via surya_layout
9 री री गा सम मा मा पा पा table
via surya_layout
10 (१४) table
via surya_layout
11 मा मा नी नी सा री गा पा table
via surya_layout
12 (१५) table
via surya_layout
13 (१६) table
via surya_layout
14 रिग मा मा मा मा मा मा मा table
via surya_layout
15 [॥ इत्यान्ध्री॥] section_header
via surya_layout
16 अन्ध्री । म॥ section_header
via surya_layout
17 [९. नन्दयन्ती] section_header
via surya_layout
18 नन्दयन्त्यां पञ्चमोंऽशो गान्धारस्तु ग्रह: स्मृत: । main
via surya_layout
19 कैश्चितु पञ्चम: प्रोक्तो ग्रहोऽस्यां गीतवेदिभि: ॥ २३॥ main
via surya_layout
20 मन्द्रर्षभस्य बाहुल्यं षाडवं षड्जलोपत:। main
via surya_layout
21 (मन्द्र) annotation_inline
parent ligne 20
via heuristic_height
22 हृष्यका मूर्छना ताल: पूर्ववद् द्विगुणा: कला: ॥ २४॥ main
via surya_layout
23 <sup>१८८</sup>पूर्वावद् main
via surya_layout
24 <b>॰</b>ना annotation_inline
parent ligne 23
via heuristic_markers
25 विनियोगो ध्रुवागाने प्रथमप्रेक्षणे भवेत् ॥ २५॥ main
via surya_layout
26 <sup>१८९</sup>अस्यां गान्धारो न्यास: । मध्यमपञ्चमावपन्यासौ । <sup>१९०</sup>प्रस्तार: - main
via surya_layout
27 गा गा गा पा पा धप मा main
via surya_layout
28 <b>(१)</b> unknown
via fallback
29 धा धा धा धा नी सनि धा table
via surya_layout
30 (२) table
via surya_layout
31 पा पा पा पा पा पा पा table
via surya_layout
32 (3) table
via surya_layout
33 धा नी मा पा गां गां गां गां table
via surya_layout
34 (8) table
via surya_layout
35 मारी गा गा गा गा गा गा table
via surya_layout
36 (4) table
via surya_layout
37 मा पा मा पा धा धनि पा पा table
via surya_layout
38 <b>(६)</b> table
via surya_layout
39 धा नी मा पा गा गा गा गा table
via surya_layout
40 (৩) table
via surya_layout
41 (८) table
via surya_layout
42 गम पा पा पा मा मा गा गा table
via surya_layout
43 धा नी मा पा गा गा गा गा table
via surya_layout
44 (9) table
via surya_layout
45 (१०) table
via surya_layout
46 मा मा मा मा मा मा मा table
via surya_layout
47 री गा मा पा पम पा पा नी table
via surya_layout
48 (११) table
via surya_layout
49 री री री री पा पा मा मा table
via surya_layout
50 (१२) table
via surya_layout
51 The state of the state of the state of the state of the state of the state of the state of the state of the state of the annotation_inline
parent ligne 27
via heuristic_height
208 lignes a valider — change uniquement les roles incorrects.