Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21756). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p035 LEFT — 31 lignes

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1 BŖHADDEŚĪ page_header
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2 52 page_number
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3 पञ्चमयोरत्पत्वम् । <sup>१५३</sup>गान्धारस्यांशत्वे[ऽ]प्राप्ते[ऽपि] बाहुत्यम् । षाडवे पञ्चमस्यात्पत्वम् editorial_bracket
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4 पद्जागान्धारपञ्चमयोरलपत्वम् , main
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5 औडुविते न कस्याप्यल्पत्वमशेषाणां बहुत्वम् । मध्यमो न्यासः । ऋषभधैवतावपन्यासौ । अंशानां main
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6 परस्परगमनम् । main
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7 [अनु॰ १५७] section_header
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8 १५४एकादशविधत्वमस्या:। एकादशांशका: -पूर्णाश्चत्वार:, षाडवास्त्रयो धैवतांशे तदपवादाद् main
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9 औडुविताश्चत्वार:।शुद्धस्तु नास्ति।गान्धार[ादि]मूर्छना।ताल:पञ्चपाणि:।एककलेन चित्रेण editorial_bracket
parent ligne 8
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10 मागधी, द्विकलेन वार्तिकेन सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला । रसौ शृङ्गारहास्यौ । main
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11 ध्रवागाने द्वितीयप्रेक्षणके विनियोग:। main
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12 [७. पड्जमध्यमा] section_header
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13 [अनु॰ १५८] section_header
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14 षड्जमध्यमाया ग्रहा अंशाश्च सप्तैव स्वरा:। पञ्चस्वरपरस्तार:। न्यासपरस्तत्परो वा मन्द्र: main
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15 ॰हा: annotation_inline
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16 निषादहीना षाडवा । निषादगान्धारहीना औडुविता । ग्रामाविरोधेन यथेष्टं सञ्चार: । पूर्णावस्थायां main
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17 निषादगान्धारयोरल्पत्वम् । षड्जमध्यमौ न्यासौ । सप्तस्वरा अपन्यासा: । main
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18 <b>क्खरापन्या</b> (स: ? सा) annotation_inline
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19 [अनु॰ १५९] section_header
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20 सप्तदशांशका: – तत्र सप्त पूर्णा:, पञ्च षाडवा:, पञ्च औडवाश्चेति main
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21 <sup>१५५</sup>सप्तदशविधत्वमस्याः । main
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22 एतदंशकाश्रत्वार: पाडवा:। तथैव थैवतेंऽशे पाडवानाम् औदुविताश main
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23 <sup>१५६</sup>दशिंधत्वमस्या annotation_inline
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24 शुद्धत्वं नास्ति । मध्यमादिमूर्छना । ताल: पञ्चपाणि: । एककलेन चित्रेण मागधी, द्विकलेन main
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25 (F) annotation_inline
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26 वार्तिकेन सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला । सर्वरसात्मिका, ध्रुवागाने द्वितीये प्रेक्षणके main
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27 विनियोग: । annotation_inline
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28 ॥ [इति] एता: षड्जग्रामसम्बन्धा: सप्त जातय: ॥ editorial_bracket
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29 [अनु॰ १६०] section_header
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30 इदानीं मध्य[म] ग्रामसम्बन्धा जातय उच्यन्ते - editorial_bracket
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31 --- annotation_inline
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vol_I_p031 RIGHT — 38 lignes

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1 45 page_number
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2 TRANSLATION page_header
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3 (That which) reaches the heart quickly from the other (svara) is known as main
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4 rṣabha. Just as the big bull seated (or standing) among the female gos (cows) main
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5 looks splendid, similar is this svara ṛṣabha 54 born in the svara-grāma (gamut). main
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6 (56, 57 ab) annotation_inline
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7 That which holds the ganatmika vak (musical vak) is named as gandhara.55 main
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8 <math>(57 \text{ cd})</math> annotation_inline
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9 Madhyama svara is known to be so because of being the middle one among main
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10 svaras.56 Pañcama is that which measures the elaboration of svaras.57 (58) main
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11 Or, it is pañcama (fifth) in number in the order of pāṭha (lit. reading aloud main
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12 or recitation, here enumeration). Dhīvān is one who has got dhī (buddhi, main
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13 intellect), the one related to him (dhivan) is dhaivata.58 main
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14 (59) annotation_inline
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15 Or annotation_inline
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16 It is known as dhaivata because it is held on the sixth sthana (location). main
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17 (60 ab) annotation_inline
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18 The place of dhaivata is in the lalāţa (forehead), this is the meaning.59 main
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19 Niṣāda is known as such because all the svaras rest upon it.60 main
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20 <math>(60 \text{ cd})</math> annotation_inline
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21 (Anu. 29) annotation_inline
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22 But why is the rule that there are (only) seven svaras? It is being said main
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23 (answered) - (This rule is there) in the same way as (in the human body) seven main
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24 dhātus alone beginning with rasa61 are to be accepted in accordance with their main
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25 being dependent on seven dhātus62 (minerals). Similarly said Suśruta - main
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26 Tvak (lit. skin, here serum), blood, flesh, fat, bone, marrow and semen, main
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27 these are dhātus. Similarly, svaras are only seven on account of being dependent main
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28 on or dwelling in seven cakras 63 or seven dvipas 64 (lit. islands). main
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29 [ The castes of sveres ] section_header
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30 The svaras (comprised of) four śrutis are brāhmaņas,65 the ones (comprised main
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31 of) three śrutis are kṣatriyas,66 the ones with two śrutis should be known as main
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32 (61) annotation_inline
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33 vaisyas 67 and the antara-svaras are śūdras.68 main
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34 [ The drawing out of svara signs as contained in agama ] editorial_bracket
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35 Having acquired the eight groups beginning with akara and ending with main
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36 ya-śa, one should draw out70 the heptad of svaras (their abbreviated names i.e. main
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37 solfa-syllables) combined with letters and mātrās (vowel-endings). main
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38 (62) annotation_inline
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vol_II_p141 LEFT — 52 lignes

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1 264 page_number
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2 BRHADDEŚĪ section_header
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3 101. cf. (i) annotation_inline
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4 मार्गप्रष्टेऽध बीभत्से नीचे भम्माणपञ्चम:। main
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5 Cited in the name of Kasyapa in Abhi main
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6 Bhā on NŚ XXIX. 13, p. 77. main
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7 पथि भ्रष्टे वनभ्रान्ते विनियुक्तः शिवप्रियः। main
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8 (ii) annotation_inline
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9 SR II.2.62 ab. main
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10 102.cf. annotation_inline
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11 अवरोोहाँण वर्णे स्यात् ..... main
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12 SR 11.2.57a. annotation_inline
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13 103.cf. annotation_inline
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14 अस्यापि धैवतीजातिजन्यत्वं षड्जसंश्रयम् । main
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15 यस्य त्रिश्रुतितायोगाद् दुर्गशक्तिरभाषत ॥ main
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16 भरतादिकसम्मत्या ब्रह्मशैलाधिप: पुन: । main
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17 मध्यमग्रामसम्बन्धमाचप्टे शास्त्रमोदनात् ॥ unknown
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18 S Rāj II.2. 1.551, 552. main
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19 104.cf. annotation_inline
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20 गान्धारांशग्रहन्यासः क्वचिद् वां(द्धां)शग्रहान्तभाक्। main
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21 S Rāj II.2.1.548 cd. main
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22 105. Reconstruction based on SR II.2.105 ab. main
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23 106. This rāga has been mentioned in the initial enumeration as well main
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24 as in the assignment of rāgas to grāmas, but its description is not to be found main
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25 in the text. The following extract from SR would be useful - main
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26 पड्जर्पभांशग्रह: स्यात् कैशिकीजातिसम्भव:॥ main
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27 ऋषभोऽल्पो निगन्यासो मन्द्रगान्धारषङ्जकः। main
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28 प्रसन्नाद्यवरोहिभ्यां युक्तः षड्जादिमूर्छनः ॥ main
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29 वीररौद्राद्भुतरसः शाम्भवः षड्जकैशिकः। main
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30 SR II.2.65c - 67b. annotation_inline
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31 107. cf.(i) main
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32 मध्यमग्रामसम्बन्धो .... annotation_inline
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33 SR II.2.86 c. annotation_inline
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34 षड्जग्रामेण सम्बन्धो...... main
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35 (ii) annotation_inline
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36 S Rāj II.2.1.639 a. main
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37 108.Reconstruction based on- main
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38 तथाह मतङ्गः - प्रयोक्तृवशात् क्वचिन्मध्यमोऽशोऽपि न्यासश्च । main
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39 C.r. in Kalā on SR II.86-88 p. 76. main
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40 109.cf. annotation_inline
parent ligne 39
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41 मतङ्गो रेवगुप्तं च टक्कसैन्धवमेव च। main
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42 साधारणेषु निक्षिप्य न च तान(य) ब्रवीदथ ॥ main
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43 ग्रामरागानगणयद द्वात्रिंशदिति तद्युजै:। main
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44 पञ्चैव चोपरागान् स विना पञ्चमषाडवम् ॥ main
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45 ग्रामरागेषु निक्षिप्य कश्चित् पञ्चमपाडवम् । main
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46 त्रयस्त्रिंशदिति प्राह न तदाचार्यसम्मतम् ॥ main
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47 S Rāj II.2.1.62-64. annotation_inline
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48 110. P.t. adds the following after this, which is out of place here and main
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49 has, therefore, been omitted by us; the ed. has put it in square brackets. main
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50 • annotation_inline
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51 [इदानीं साधारणानां ग्रामविभाग: प्रदर्श्यते - editorial_bracket
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52 ---- annotation_inline
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1 49 page_number
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2 TRANSLATION page_header
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3 Pañcama is kṛṣṇa (black), dhaivata is yellow-coloured, this niṣāda is multi- main
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4 coloured, (thus) should be known the colours of svaras. main
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5 (74) annotation_inline
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6 (iii) Devatās. main
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7 The daivata 83 (presiding deity) of şadja is Brahmā, ṛṣabha is with the daivata main
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8 vahni (fire), gandhara has Bharati as its deva, madhyama is with Hara as daivata. main
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9 (75) annotation_inline
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10 Pañcama is with Satayajña (Indra is its daivata), dhaivata is with Gaṇa-nāyaka main
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11 (as its daivata), niṣāda, on the other hand, has Bhānu (Sun) as its deva; thus are main
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12 (76) annotation_inline
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13 the devatā84 of svaras. annotation_inline
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14 (iv) Singers (seers). annotation_inline
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15 The svara şadja is sung ('seen')85 by Agni (fire), ṛṣabha is revealed by main
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16 Brahmā, gāndhāra is sung by Soma (moon), madhyama svara (is revealed) by main
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17 Vișnu. annotation_inline
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18 (77) main
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19 On the other hand, the svara pancama is sung by the mahatman (great- main
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20 souled) Nārada, the svaras dhaivata and niṣāda are 'sung' by Tumburu. main
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21 (78) annotation_inline
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22 (v) Rasas annotation_inline
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23 The two svaras madhyama and pañcama should be 'made'86 (used) in the two main
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24 (rasas) hāsya and śṛṅgāra, the two (svaras) şadja and ṛṣabha should be known in main
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25 (79) annotation_inline
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26 vira, raudra and adbhuta rasas. main
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27 Gāndhāra and niṣāda should be 'done' in karuņa rasa. Dhaivata should also main
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28 (80) annotation_inline
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29 be 'done' (used) in bibhatsa and bhayānaka. main
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30 (vi) Sthānas annotation_inline
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31 Ṣadja arises from the throat, 67 rṣabha is known (to arise) from the cerebrum, main
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32 gāndhāra from the nose, madhyama svara from the chest. main
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33 (81) annotation_inline
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34 Pañcama svara is arisen from the throat, O glorious onel dhaivata, on the main
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35 other hand, is born of the palate-region (tālu-deśa). Niṣāda, on the other hand, main
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36 should be known to be born of all the joints (sandhis). main
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37 (82) annotation_inline
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38 Thus one should know the svaras born in the ocean of gita (melody, music), main
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39 arisen out of the mouth of Mahadeva and placed in the 'path' of desi.68 main
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40 (83) annotation_inline
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41 [ Thus ends the section on svara ] editorial_bracket
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vol_I_p059 RIGHT — 34 lignes

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1 101 page_number
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2 TRANSLATION page_header
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3 remaining svaras, udghațțita is composed of eighteen kalās (phrases). As - main
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4 sarimapa pamarisa, rigapadha dhapagari, gamadhani nidhamaga, mapanisu 66 main
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5 sanipama, padhanisa; sanipama mapanisa, nidhamaga gamadhani, dhapagari main
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6 rigamadha, pamarisa sarimapa, magarisa. Thus is (ends) udghattita. (25) main
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7 (Anu. 95) annotation_inline
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8 Aksiptaka (is formed) with the measure of kalās (time-units) starting with main
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9 one-kalā-unit 67 (and extending) upto six-kalā - unit with three svaras in the main
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10 ascending order (in each phrase). As - sarigā nu, rigamā nu, gamapā nu, main
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11 mapadhā nu, padhani nu, dhanisā 68 nu, sanidhā nu, nidhapā nu, dhapamā nu, main
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12 pamagā nu, magarī nu, garisā nu. Thus is (ends) ākṣiptaka. main
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13 (26) annotation_inline
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14 (Anu. 96) annotation_inline
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15 Leaving the immediate (svara) after the first one and going (forward) in main
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16 two svaras and on account of descent in the same order in the ekakala 69 (one main
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17 time-unit form) (and) also (the same pattern) in ekakala in descent, thus is the main
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18 sampradāna in dvikala 70 (with two-unit phrases) that is composed of twenty-two main
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19 kalās (phrases). As - sagamā marisā, rimapā pagarī, gapadhā dhamagā, madhanī main
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20 nipamā, panisā sadhapā, dhanisā; sadhapā panisā, nipamā madhani, dhamagā main
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21 gapadhā, pagarī rimapā, marisā sagamā, garisā. Thus is (ends) sampradāna.71 main
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22 Or, sagamā magasā, rimapā pamarī, gapadhā dhapagā, madhanī nidhamā, main
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23 panisā sanipā, dhanisā; sadhapā padhasā, nipamā mapanī, dhamagā gamadhā, main
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24 pagarī rigapā, marisā sarimā, garisā. Thus is (ends) sampradāna. (27) main
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25 (Anu. 97) annotation_inline
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26 Hasita is on account of 'laughter'72 (or sport) in the dvikala73 (composed of main
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27 dual units) combination. As - saga mama risa, rima papa gari, gapa dhadha main
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28 maga, madha nini pama, pani sasa dhapa, dhanisā;74 sadha papa nisa, nipa main
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29 mama dhani, dhama gaga padha, paga riri mapa, mari sasa gama, garisā. Thus main
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30 (28) annotation_inline
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31 is (ends) hasita. annotation_inline
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32 (Anu. 98) annotation_inline
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33 Like hasita, through the ascent (and descent) of three svaras, or the ascent main
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34 (and descent) of four svaras, both ways hunkāra is ekakala 75 (with one-unit main
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196 lignes a valider — change uniquement les roles incorrects.