Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21760). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p107 RIGHT — 29 lignes

page vol_II_p107 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 197 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Illustration - Dhāsādhāgā sānisāmāni. Mānidhāmāgā. Gāmādhāni. Dhāmāmāgā. main
via surya_layout
4 Ninidhādhā. Lalitā [ix] editorial_bracket
parent ligne 3
via heuristic_brackets
5 Niṣādavatikā<sup>25</sup> is said to be adorned with dhaivata as the initial and main
via surya_layout
6 concluding note, is a complete antara-bhāṣā and by others it is sung as being main
via surya_layout
7 devoid of ri (ṛṣabha). main
via surya_layout
8 (29) annotation_inline
parent ligne 7
via heuristic_height
9 Illustration - Dhāmāgāpā. Pāsāpāpā. Gamāmāpāni dhāpādhādhādhā. main
via surya_layout
10 Pāmādhāgāgā. Sanidhādhāpāpā. Dhāsāgamāgāpa nīdhādhānīsari main
via surya_layout
11 sāmāpānidhāpā māmāgāpa sadhānidhādhā. Niṣāḍavatī [x] editorial_bracket
parent ligne 10
via heuristic_brackets
12 Tumburu<sup>26</sup> is combined with dhaivata as the initial and concluding note, main
via surya_layout
13 is known to be hexatonic, is devoid of rşabha (and) is sung by the expounders main
via surya_layout
14 of Veda<sup>27</sup> main
via surya_layout
15 (30) annotation_inline
parent ligne 14
via heuristic_height
16 Illustration - Dhānisāgā gāmādhāpā māgani sanīdhādhā. Tumburu [xi] editorial_bracket
parent ligne 14
via heuristic_brackets
17 Gāndhāralalitā is complete, has madhyama as amśa and dhaivata as the main
via surya_layout
18 concluding note, is sung in the rituals associated with manes<sup>28</sup> (and) has main
via surya_layout
19 concert between şadja-dhaivata. main
via surya_layout
20 (31) annotation_inline
parent ligne 19
via heuristic_height
21 Illustration - Mādhāpā. Pāsāsāmaga sāsārīrī sānidhādhā sāsārigāmā main
via surya_layout
22 gāriri. Sāgarīsārī. Sādhā. Gāndhāralalitā [xii] editorial_bracket
parent ligne 21
via heuristic_brackets
23 ..................... annotation_inline
parent ligne 21
via heuristic_height
24 Illustration - Dhādhādhāpā. Gariridhāpadhāninirigā papānidhādhā main
via surya_layout
25 rigarigadhāpadhā ripāgā rinidhā pādhādhā. Kalingā [xiii] editorial_bracket
parent ligne 24
via heuristic_brackets
26 The <i>bhāṣā</i> having <i>dhaivata</i> as the initial and concluding note, is <math>\acute{s}uddh\bar{a}</math>, <math> main
via surya_layout
27 dhaivata-madhyama (have concert?). It is a <math>m\bar{u}labh\bar{a}</math>ṣ<math>\bar{a}</math> sung by Nārada<math>^{3 main
via surya_layout
28 others in bhinnaṣadja (rāga). main
via surya_layout
29 (32) annotation_inline
parent ligne 28
via heuristic_height

vol_II_p104 RIGHT — 32 lignes

page vol_II_p104 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 ŀ annotation_inline
parent ligne 4
via heuristic_height
2 TRANSLATION page_header
via surya_layout
3 191 page_number
via heuristic_pagenum
4 [3. Now in mālavapancama] section_header
via surya_layout
5 Vibhāvinī, paurālī, vegavantī, pañcamī, āndhrī and gāndhārikā alone are the main
via surya_layout
6 six (bhāṣās) in mālavapañcama. main
via surya_layout
7 (14) annotation_inline
parent ligne 6
via heuristic_short
8 Having pañcama as the initial and concluding note vibhāvinī is born of a main
via surya_layout
9 region<sup>11</sup> (and) is sung in (the context of) hair - dressing (and) restrained main
via surya_layout
10 union with an amorous woman.<sup>12</sup> main
via surya_layout
11 (15) annotation_inline
parent ligne 10
via heuristic_short
12 Illustration - Paninimāgā risānirinisārigāmāpāpāmāgārisānini main
via surya_layout
13 dhānīnīdhāmāpāpā. Vibhāvinī [i] editorial_bracket
parent ligne 12
via heuristic_brackets
14 .....Paurālī [ii] editorial_bracket
parent ligne 12
via heuristic_brackets
15 The auspicious vegavatī should be known to have pañcama as amsa, being main
via surya_layout
16 complete, (this) vibhāṣā is sung in karuṇa (rasa) 13 in which dainya (depression main
via surya_layout
17 or affliction) is profuse. main
via surya_layout
18 (16) annotation_inline
parent ligne 17
via heuristic_short
19 Illustration - Pāpānidhādhāni dhāgāsāsāsāsāni dhādhāninipā main
via surya_layout
20 dhāmā. annotation_inline
parent ligne 19
via heuristic_height
21 Gāgādhāmā māpāpādhā nīsāsārīgārī. Sanidhāpāpā. Vegavatī [iii] editorial_bracket
parent ligne 19
via heuristic_brackets
22 Having pañcama as amsa and concluding note (and) being complete, main
via surya_layout
23 pañcamī is a mūlabhāṣā. It is a bhāṣā in mālavapañcama (rāga) in (the context main
via surya_layout
24 of) the song of (one with) a mature mind. 14 main
via surya_layout
25 (17) annotation_inline
parent ligne 24
via heuristic_short
26 Illustration - Pāpāpāmāsā ririgāninidhādhā. Dhādhārinigārimāgarinīdhā main
via surya_layout
27 pāpāpādhā pāmāmāpā mādhānirimā gāmāgārī sāsānisāni dhāpāpā. Pañcamī main
via surya_layout
28 [iv] editorial_bracket
parent ligne 27
via heuristic_brackets
29 Having madhyama as amśa (and) pañcama as the concluding note, andhri main
via surya_layout
30 is a bhāṣā born in the Āndhra region, well-known among the people (and) main
via surya_layout
31 is sung in (the context of) those who are corrupted by disease. 15 main
via surya_layout
32 (18) main
via surya_layout

vol_II_p147 RIGHT — 43 lignes

page vol_II_p147 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 277 page_number
via heuristic_pagenum
2 PĂTHAVIMARŚA page_header
via surya_layout
3 पांशग्रहान्ता सम्पूर्णा भाषा मालवपञ्चमे । main
via surya_layout
4 वनेषु कामिनीसङ्गे नियोज्या ऋषिकैनरै:॥ main
via surya_layout
5 विभावनीति तामेवाचष्ट याष्टिकसत्तमः॥ main
via surya_layout
6 122. The name of this bhāṣā is read as mālavā at the end of the main
via surya_layout
7 illustration and so it is in S Rāj II.2.1.905. main
via surya_layout
8 123,124. cf. सञ्चार: सधयोर्यस्यां रिधयोधैव दृश्यते । main
via surya_layout
9 Kalā (appendix) on SR II, p. 137. main
via surya_layout
10 125. In spite of this adjective indicating the completeness of this main
via surya_layout
11 bhāṣā, the illustration omits ṣaḍja. main
via surya_layout
12 126. SR II. 1. 30 cd reads this name as bhinnavalitā and so does S Rāj main
via surya_layout
13 II.2.1.131 c; ibid 88a reads bhinnalalitā and ibid 907c reads bhinnavallikā. main
via surya_layout
14 Our text seems to change bhinnavalikā to bhinnavālikā in verse 34 c in order main
via surya_layout
15 to meet the demand of metre, the sixth syllable being required to be long. main
via surya_layout
16 At this point of our text the change to bhinnalālikā or bhinnalālitā seems to main
via surya_layout
17 involve an error of deciphering or copying. main
via surya_layout
18 127. Kalā (appendix) on SR II, p.137 reads 'magrahāmśā' describing main
via surya_layout
19 madhyama as graha and aṁśa. main
via surya_layout
20 128. cf. पञ्चमांशग्रहा धान्ता पूर्णा मध्यमभूयसी । main
via surya_layout
21 मध्यमग्रामगा भाषा धनिसङ्गतिराजिता ॥ main
via surya_layout
22 द्राविडी देशनाम्रेयं विख्याता याष्ट्रिकोदिता ॥ main
via surya_layout
23 S Rāj II.2.1.912. annotation_inline
parent ligne 22
via heuristic_short
24 The illustration in our text is not in accordance with any of the three main
via surya_layout
25 divergent descriptions viz. those in our text, Kalā and S Rāj. main
via surya_layout
26 129. The dual number of the instrumental case has been changed to main
via surya_layout
27 the same number of the genitive case, because the instrumental case would main
via surya_layout
28 require reference to some other svara with which the two svaras composed main
via surya_layout
29 of two śrutis each are supposed to have to and fro movement. Kalā (appen- main
via surya_layout
30 dix) on SRII, p. 141 reads 'nigayo rigayoryuktā'. main
via surya_layout
31 ्सम्पूर्णा, यं विना बाह्मपाडवा कैधिदिप्यते । main
via surya_layout
32 130. cf. annotation_inline
parent ligne 31
via heuristic_short
33 S Rāj II.2.1.107 cf. main
via surya_layout
34 131. Corresponding to this, S Rāj II.2.1.1081 gives a bhāṣā named main
via surya_layout
35 națță, which is described as being complete. main
via surya_layout
36 पञ्चमांशान्तिमा ताना भिन्नताने रिवर्जिता । main
via surya_layout
37 132. cf. annotation_inline
parent ligne 36
via heuristic_short
38 सकाकलिका शृङ्गारे विनियुक्ता पुरातनै: ॥ main
via surya_layout
39 ताना भाषैकिका भिन्नताने याष्ट्रिकसम्मता ॥ main
via surya_layout
40 S Rāj 11.2.1.1097,1099. main
via surya_layout
41 The illustration of this bhāṣā is not available in our text; the illustration main
via surya_layout
42 contained in p.t. at this point as follows seems to be out of place, since rşabha main
via surya_layout
43 -------------------------------------- annotation_inline
parent ligne 42
via heuristic_height

vol_II_p035 LEFT — 31 lignes

page vol_II_p035 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BŖHADDEŚĪ page_header
via surya_layout
2 52 page_number
via heuristic_pagenum
3 पञ्चमयोरत्पत्वम् । <sup>१५३</sup>गान्धारस्यांशत्वे[ऽ]प्राप्ते[ऽपि] बाहुत्यम् । षाडवे पञ्चमस्यात्पत्वम् editorial_bracket
parent ligne 4
via heuristic_brackets
4 पद्जागान्धारपञ्चमयोरलपत्वम् , main
via surya_layout
5 औडुविते न कस्याप्यल्पत्वमशेषाणां बहुत्वम् । मध्यमो न्यासः । ऋषभधैवतावपन्यासौ । अंशानां main
via surya_layout
6 परस्परगमनम् । main
via surya_layout
7 [अनु॰ १५७] section_header
via surya_layout
8 १५४एकादशविधत्वमस्या:। एकादशांशका: -पूर्णाश्चत्वार:, षाडवास्त्रयो धैवतांशे तदपवादाद् main
via surya_layout
9 औडुविताश्चत्वार:।शुद्धस्तु नास्ति।गान्धार[ादि]मूर्छना।ताल:पञ्चपाणि:।एककलेन चित्रेण editorial_bracket
parent ligne 8
via heuristic_brackets
10 मागधी, द्विकलेन वार्तिकेन सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला । रसौ शृङ्गारहास्यौ । main
via surya_layout
11 ध्रवागाने द्वितीयप्रेक्षणके विनियोग:। main
via surya_layout
12 [७. पड्जमध्यमा] section_header
via surya_layout
13 [अनु॰ १५८] section_header
via surya_layout
14 षड्जमध्यमाया ग्रहा अंशाश्च सप्तैव स्वरा:। पञ्चस्वरपरस्तार:। न्यासपरस्तत्परो वा मन्द्र: main
via surya_layout
15 ॰हा: annotation_inline
parent ligne 14
via heuristic_markers
16 निषादहीना षाडवा । निषादगान्धारहीना औडुविता । ग्रामाविरोधेन यथेष्टं सञ्चार: । पूर्णावस्थायां main
via surya_layout
17 निषादगान्धारयोरल्पत्वम् । षड्जमध्यमौ न्यासौ । सप्तस्वरा अपन्यासा: । main
via surya_layout
18 <b>क्खरापन्या</b> (स: ? सा) annotation_inline
parent ligne 17
via heuristic_height
19 [अनु॰ १५९] section_header
via surya_layout
20 सप्तदशांशका: – तत्र सप्त पूर्णा:, पञ्च षाडवा:, पञ्च औडवाश्चेति main
via surya_layout
21 <sup>१५५</sup>सप्तदशविधत्वमस्याः । main
via surya_layout
22 एतदंशकाश्रत्वार: पाडवा:। तथैव थैवतेंऽशे पाडवानाम् औदुविताश main
via surya_layout
23 <sup>१५६</sup>दशिंधत्वमस्या annotation_inline
parent ligne 22
via heuristic_height
24 शुद्धत्वं नास्ति । मध्यमादिमूर्छना । ताल: पञ्चपाणि: । एककलेन चित्रेण मागधी, द्विकलेन main
via surya_layout
25 (F) annotation_inline
parent ligne 24
via heuristic_height
26 वार्तिकेन सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला । सर्वरसात्मिका, ध्रुवागाने द्वितीये प्रेक्षणके main
via surya_layout
27 विनियोग: । annotation_inline
parent ligne 26
via heuristic_short
28 ॥ [इति] एता: षड्जग्रामसम्बन्धा: सप्त जातय: ॥ editorial_bracket
parent ligne 26
via heuristic_brackets
29 [अनु॰ १६०] section_header
via surya_layout
30 इदानीं मध्य[म] ग्रामसम्बन्धा जातय उच्यन्ते - editorial_bracket
parent ligne 29
via heuristic_brackets
31 --- annotation_inline
parent ligne 29
via heuristic_height

vol_II_p043 LEFT — 50 lignes

page vol_II_p043 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 68 page_number
via heuristic_pagenum
3 रों रों गां सम मा मा पा पा table
via surya_layout
4 (८) table
via surya_layout
5 (8) table
via surya_layout
6 मा पा मा परि गा गा गा गा table
via surya_layout
7 (१०) table
via surya_layout
8 धानी पामा धानी सासा table
via surya_layout
9 (११) table
via surya_layout
10 नी नी नी नी नी नी नी table
via surya_layout
11 (१२) table
via surya_layout
12 मा मा धा नी नी धा पा पा table
via surya_layout
13 (१३) table
via surya_layout
14 मा पा मा परि गा गा गा गा table
via surya_layout
15 (88) table
via surya_layout
16 नी नी पा धनि गा गा गा गा table
via surya_layout
17 सारी गासानी नी नी नी table
via surya_layout
18 (१५) table
via surya_layout
19 (१६) table
via surya_layout
20 नी नी धा पा पा पा पा पा table
via surya_layout
21 ॥ [इति] कार्मारवी ॥ table
via surya_layout
22 1411 page_number
via heuristic_pagenum
23 [७. गान्धारपञ्चमी] section_header
via surya_layout
24 अंशो गान्धारपञ्चम्यां पञ्चमः, सङ्गतिः पुनः । main
via surya_layout
25 (育) annotation_inline
parent ligne 24
via heuristic_short
26 कर्तव्याऽत्रापि गान्धारीपञ्चम्योरिव सूरिभि: ॥१९॥ main
via surya_layout
27 १८००भूरिभि: annotation_inline
parent ligne 26
via heuristic_short
28 चच्चत्पुट: षोडशात्र कला गादिश्च मूर्छना । main
via surya_layout
29 तुर्यप्रेक्षणसम्बन्धि-ध्रुवागाने नियोजनम् ॥२०॥ main
via surya_layout
30 <sup>१८१</sup>अस्यां गान्धारो न्यासः । ऋषभपञ्चमावपन्यासौ । <sup>१८२</sup>प्रस्तारः - unknown
via fallback
31 (१) table
via surya_layout
32 मा मा पम धनि धप मा धा नी table
via surya_layout
33 (२) table
via surya_layout
34 सनि धा पा पा पा पा पा पा table
via surya_layout
35 (3) table
via surya_layout
36 धा नी सा सा मा मा पा पा table
via surya_layout
37 नी नी नी नी नी नी नी table
via surya_layout
38 (8) table
via surya_layout
39 (4) table
via surya_layout
40 नी नी धप मा निध निध पा पा table
via surya_layout
41 <b>(६)</b> table
via surya_layout
42 पा पा री री री री पा पा table
via surya_layout
43 (७) table
via surya_layout
44 मा रिग सा सध नी नी नी नी table
via surya_layout
45 (८) table
via surya_layout
46 नी री सा रिस री री री री table
via surya_layout
47 नी गा सा निग सा नी नी नी table
via surya_layout
48 (९) table
via surya_layout
49 (१०) table
via surya_layout
50 नी मां नी मां पा पा गां गां table
via surya_layout
185 lignes a valider — change uniquement les roles incorrects.