Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21772). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p025 LEFT — 31 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	32	page_number via heuristic_pagenum
3	सगमपनि, सरिमपध । षट्स्वरांशा कैशिकी - सगमपधनि । सप्तस्वरांशा षड्जमध्यमा -	main via surya_layout
4	मग	annotation_inline parent ligne 3 via heuristic_height
5	सरिगमपंध	annotation_inline parent ligne 3 via heuristic_height
6	पहज	annotation_inline parent ligne 3 via heuristic_height
7	सरिगमपधनि । एवं त्रिषष्टिरंशा व्याख्याता: ।	main via surya_layout
8	मध्यमोदीच्यवा चैव तथा गान्धारपञ्चमी ।	main via surya_layout
9	नन्दयन्ती च तिस्रस्ताः पश्चमैकांशतः स्मृताः ॥२४१॥	main via surya_layout
10	धैवती पञ्चमी चैव ज्ञेये धरिरिपांशके ।	main via surya_layout
11	॰दिवां॰	annotation_inline parent ligne 10 via heuristic_markers
12	गान्धारोदीच्यवा द्वाभ्यां मध्यम: षड्ज इत्यपि ॥२४२॥	main via surya_layout
13	(न्म)र्यभ	annotation_inline parent ligne 12 via heuristic_height
14	आर्षभ्यां निरिधा अंशा नैषाद्यां निरिगास्त्रय:।	main via surya_layout
15	(तिरि? निरि)	annotation_inline parent ligne 14 via heuristic_height
16	सगपाः षड्जकैशिक्यां तिस्रस्त्र्यंशाः प्रकीर्तिताः ॥२४३॥	main via surya_layout
17	(ला:?पा:)	annotation_inline parent ligne 16 via heuristic_height
18	चतुरंशा समनिधै: षड्जोदीच्यवती स्मृता ।	main via surya_layout
19	कार्मारवी रिपनिधैरान्ध्री गरिनिपैरपि ॥२४४॥	main via surya_layout
20	(국 ?)	annotation_inline parent ligne 19 via heuristic_height
21	सगमपधै: षाड्जी स्यात् पञ्चभिश्चापि मध्यमा ।	main via surya_layout
22	सरिमपधैरंशै:, स्याद् गान्धारी सगमनिपै: ॥२४५॥	main via surya_layout
23	तद्वत् स्याद् रक्तगान्धारी पूर्वेरंशैश्च पञ्चभिः।	main via surya_layout
24	कैशिक्येका षडंशा स्यात् सगमपनिधैः स्मृता ॥२४६॥	main via surya_layout
25	षड्जमध्या तु सप्तांशा त्रिषष्टिरिति तेंऽशका: ।	main via surya_layout
26	न्मध्यमा	annotation_inline parent ligne 25 via heuristic_height
27	[७. जातीनां प्रयोगविधिः]	section_header via surya_layout
28	८८अंशकैर्ग्रामरागांस्तु जनयन्तीति जातय: ॥२४७॥	main via surya_layout
29	(ग्रा?र्ग्रा)	annotation_inline parent ligne 28 via heuristic_height
30	आसां प्रयोगकाले तु युग्मायुग्माश्रयो विधि:।	main via surya_layout
31	मार्गेस्त्रिभि: प्रयोक्तव्याश्चित्रवार्तिकदक्षिणै: ॥२४८॥	main via surya_layout

vol_II_p060 RIGHT — 35 lignes

L#	Texte OCR	Role auto
1	103	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[Anu. 183]	editorial_bracket parent ligne 5 via heuristic_brackets
4	[This means -] when niṣāda takes up the two śrutis of pañcama<sup>58</sup> that is	editorial_bracket parent ligne 5 via heuristic_brackets
5	comprised of four śrutis, then it is called śrutibhinna. (Contention)-Because	main via surya_layout
6	pañcamais comprised of three śrutisin madhyamagrāma, how does niṣāda take	main via surya_layout
7	up two śrutis? It is being answered. It is said to be comprised of four śrutis	main via surya_layout
8	on the analogy of its former position. Just as in bhinnakaiśika rāga, the	main via surya_layout
9	pañcama comprised of three śrutis has been omitted in şadjagrāma, 59 taking	main via surya_layout
10	recourse to its form comprised of four śrutis, similarly it will happen here also	main via surya_layout
11	and hence there is no fault. And its description is thus -	main via surya_layout
12	. . . . . . . . . . . . . . . . . . . .	annotation_inline parent ligne 11 via heuristic_height
13	[5. Bhinnatāna]	section_header via surya_layout
14	Tāna has madhyama as nyāsa, pañcama as amsa, is with sparse seventh	main via surya_layout
15	(niṣāda), comes of madhyamā and pañcamī jātis and is weak in respect of	main via surya_layout
16	rsabha.	annotation_inline parent ligne 15 via heuristic_height
17	(313)	annotation_inline parent ligne 15 via heuristic_height
18	[Anu. 184]	editorial_bracket parent ligne 15 via heuristic_brackets
19	This means-bhinnatāna is related to madhyamagrāma on account of being	main via surya_layout
20	born of madhyamā and pañcamī jātis. Pañcama is the graha and amśa,	main via surya_layout
21	madhyama is the nyāsa. There is the sparseness of madhyama and niṣāda.	main via surya_layout
22	Niṣāda is kākalī here and this (rāga) is complete. It is used in mature karuņa	main via surya_layout
23	(rasa).60 The mūrchanā beginning with pañcama obtains. Sañcārin is the	main via surya_layout
24	varņa, prasannādi is the alarikāra. The kalā is formed in the dakṣiṇa (mārga),	main via surya_layout
25	the <math>kal\bar{a}</math> obtains in the <math>v_itti</math> (<math>m\bar{a}rga</math>) and the <math>kal\bar{a}</math	main via surya_layout
26	A tāla like caccatpuţa obtains in the songs comprised of svara and pada.	main via surya_layout
27	[The assignment of bhinna-rāgas to grāmas]	section_header via surya_layout
28	[Anu. 185]	editorial_bracket parent ligne 27 via heuristic_brackets
29	The assignment of bhinna (rāgas) to grāmas has been said by Kāsyapa. That	main via surya_layout
30	is thus -	annotation_inline parent ligne 29 via heuristic_height
31	٠	page_number via heuristic_pagenum
32	"Bhinna-ṣaḍja pertains to ṣaḍja (grāma) and so does bhinnakaiśikamadhyama.	main via surya_layout
33	(Bhinna) pañcama, (bhinna) kaiśika, (bhinna) tāna are seated in madhyamagrāma."	main via surya_layout
34	Thus bhinnas have been explained, now listen to the gaudas.	main via surya_layout
35	(314)	annotation_inline parent ligne 34 via heuristic_height

vol_I_p046 LEFT — 34 lignes

L#	Texte OCR	Role auto
1	BRHADDESI	page_header via surya_layout
2	74	page_number via heuristic_pagenum
3	इति विप्रकर्षेण प्रवेशनम् ७५।	main via surya_layout
4	-धेन	annotation_inline parent ligne 3 via heuristic_height
5	मार्ववेन यथा- तस्यैव षड्जस्य निषादापेक्षया उत्तरीभूतस्य मार्दवं	main via surya_layout
6	66नाय	annotation_inline parent ligne 5 via heuristic_height
7	शिथिलीकरणं निषादापादनम् इति द्विविधं प्रवेशनम्।	main via surya_layout
8	्द ब्दाः <sup>67</sup>यावत्। इति द्विविधः प्रवेशः	main via surya_layout
9	[ अनु॰ ४९ ]	editorial_bracket parent ligne 8 via heuristic_brackets
10	<b>७</b> निग्रहस्त्वनन्तरस्वरपरित्यागोऽसंस्पर्शनम्।	main via surya_layout
11	०रः स्वपरित्यागास्पदं दर्शनम्	main via surya_layout
12	प्रयोगस्तु यथा—सा सा ग रि, पा पा मा रि।	main via surya_layout
13	तथा चाह भरतः -	annotation_inline parent ligne 12 via heuristic_short
14	69 द्विविधा तानक्रिया तन्त्र्यां प्रवेशनं निग्रहस्तथा। तत्र प्रवेशनमधर-	main via surya_layout
15	.याः	annotation_inline parent ligne 14 via heuristic_height
16	स्वरप्रकर्षादुत्तरस्वरमार्दवाद्वा। निग्रहश्चासंस्पर्शः।"	main via surya_layout
17	•श्चाह ∙स	annotation_inline parent ligne 16 via heuristic_height
18	दत्तिलेनाप्युक्तम् -	main via surya_layout
19	"तानक्रिया द्विधा तन्त्र्या प्रवेशान्निग्रहात्तथा।	main via surya_layout
20	प्रवेशो ध्वनिसादृश्यमसंस्पर्शस्तु निग्रहः।"	main via surya_layout
21	70तत्र प्रध्यन्येक्यमः [दत्तिलम् ३६]	editorial_bracket parent ligne 20 via heuristic_brackets
22	[ अनु₀ ५0 ]	editorial_bracket parent ligne 20 via heuristic_brackets
23	ननु त्रिषु स्थानेषु स्वरप्रयोग इत्युक्तं काकुविधाने। तत्र कतमं स्वर—	main via surya_layout
24	71。代保。	annotation_inline parent ligne 23 via heuristic_height
25	सप्तकमवलम्ब्य मूर्छना कार्येति ये संशेरते तान् प्रत्याह - मध्यम-	main via surya_layout
26	72。红石。	annotation_inline parent ligne 25 via heuristic_height
27	सप्तकेन मूर्जनानिर्देशो भवति मन्द्रतारसंसिद्ध्यर्थम्। कुतः ? मध्यम-	main via surya_layout
28	∘शः <sup>73</sup>कार्यो	annotation_inline parent ligne 27 via heuristic_height
29	74साव ( ? )	annotation_inline parent ligne 27 via heuristic_height
30	सप्तकस्याविनाशित्वादित्यर्थः। भरतेनाप्युक्तम् -	main via surya_layout
31	75"मध्यमस्वरेण [ वैणेन ] मूर्छना-निर्देशो भवत्यविनाशित्वान्मध्यमस्य	editorial_bracket parent ligne 30 via heuristic_brackets
32	CANADA STREET, STREET, STREET, STREET, STREET, STREET, STREET, STREET, STREET, STREET, STREET, STREET, STREET, STREET, S	unknown via fallback
33	निग्रहे पर्यग्रहे वा।"	main via surya_layout
34	ंदि	annotation_inline parent ligne 33 via heuristic_height

vol_II_p083 RIGHT — 33 lignes

L#	Texte OCR	Role auto
1	4 - 1	annotation_inline parent ligne 4 via heuristic_height
2	149	page_number via heuristic_pagenum
3	TRANSLATION	page_header via surya_layout
4	[ Vibhāṣā of ṭakkarāga]	section_header via surya_layout
5	Having pañcama as amsa and sadja as the concluding note, being	main via surya_layout
6	embellished with madhyama, potā is a vibhāṣā born of ṭakkarāga and is sung	main via surya_layout
7	at the end of the bhāṣās.	annotation_inline parent ligne 6 via heuristic_height
8	(61)	annotation_inline parent ligne 6 via heuristic_height
9	Illustration - Pāpānīsāsānīsārīmā dhārīdhāpāpāmāgāgā.	main via surya_layout
10	Sāgāsāgāgādharigarigarimā. Mamamaga. Garisānīdhādhā sāgāgā. Gā rī gā rī.	main via surya_layout
11	Sāsāgāmā nīdhādhāpāmārīsāsā gānīdhānī sāsāpāsā. Potā.	main via surya_layout
12	[2. Bhāṣās in mālavakaiśika]	section_header via surya_layout
13	Paurālī is born of <math>deśa^{24}</math>, i.e., is a regional variety, is combined with şadja	main via surya_layout
14	as the initial and concluding note, is complete in svaras (and) has profuse	main via surya_layout
15	șadja and madhyama. This bhāṣā should be known as the first one in	main via surya_layout
16	mālavakaišika (used as mālakaišika in the text due to exigency of metre) of	main via surya_layout
17	madhyama (grāma).	annotation_inline parent ligne 16 via heuristic_height
18	(62)	annotation_inline parent ligne 16 via heuristic_height
19	Illustration - Samā. Gāgāgāgāpāpā. Māmāgāgā. Sāmāmāmāmā. Māmā.	main via surya_layout
20	Māmārīrī. Rigāgārīsāsāsārī. Magasāsāmāgārīsānī. Sāsā. Paurālī.	main via surya_layout
21	Šuddhāhas madhyama as amśa, ṣadja as the concluding note, is a vibhāṣā,	main via surya_layout
22	complete in svaras, is associated with 'merriment' and is sung in mālavakaišika.	main via surya_layout
23	(63)	annotation_inline parent ligne 22 via heuristic_height
24	Illustration - Māmādhāsāgārīsāsā. Nidhāsāsādhānimāmādhānīsā. Rigāmāsā.	main via surya_layout
25	Sādhāmāgārigāsāsā. Suddhā [i]	editorial_bracket parent ligne 24 via heuristic_brackets
26	Ardhavesarī has madhyama as amśa and ṣadja as the concluding note, is	main via surya_layout
27	complete, weak in niṣāda and has profuse ṣaḍja and madhyama. This bhāṣā	main via surya_layout
28	should always be known as sankīrņā (mixed), by the knowledgeable ones in	main via surya_layout
29	gändharva.	annotation_inline parent ligne 28 via heuristic_height
30	(64)	annotation_inline parent ligne 28 via heuristic_height
31	Pāpāmāmā.	annotation_inline parent ligne 28 via heuristic_height
32	Illustration - Māmāgāmāsāsā. Sāmāpāpādhāsādhā.	main via surya_layout
33	Gamagamāga. Sāsāsāsā. Gāmāpapādhapādhamapāmā. Gamagamagarīsā	main via surya_layout

vol_I_p050 LEFT — 39 lignes

L#	Texte OCR	Role auto
1	BRHADDESI	page_header via surya_layout
2	82	page_number via heuristic_pagenum
3	तस्माद् यत्किञ्चिद् गीयते तन्मध्यमध्वनिविशेषैः	main via surya_layout
4	कण्ठध्वनिभिर्मन्द्रतारव्यवस्थासिद्ध्यर्थमेव।	main via surya_layout
5	चतुर्विधा मया प्रोक्ता मूर्छनाः सप्तस्वरात्मिकाः।	main via surya_layout
6	द्वादशस्वरमूर्छनाः	annotation_inline parent ligne 5 via heuristic_short
7	इदानी तु प्रवक्ष्यामि द्वादशस्वरमूर्छनाः ॥११७॥	main via surya_layout
8	90H	annotation_inline parent ligne 7 via heuristic_height
9	<sup>91</sup>ुनाम्	main via surya_layout
10	[ अनु॰ ६१ ]	section_header via surya_layout
11	तत्र मूर्छनानिर्देशः स्थानित्रतयप्राप्त्यर्थमिति वचनात्,	main via surya_layout
12	मन्द्रतारसिद्ध्यर्थमिति वचनाच्च द्वादशस्वरसम्पन्ना मूर्छना	main via surya_layout
13	द्रष्टव्याः	annotation_inline parent ligne 12 via heuristic_short
14	प्रयोगकाले। तथा चाह कोहलः --	main via surya_layout
15	"योजनीयो बुधैर्नित्यं क्रमो लक्ष्यानुसारतः।	main via surya_layout
16	संस्थाप्य मूर्छना जातिरागभाषादिसिद्धये" ।।१२	main via surya_layout
17	ुना	annotation_inline parent ligne 16 via heuristic_height
18	नान्दकश्वरणाप्युक्तम्-	main via surya_layout
19	“द्वादशस्वरसम्पन्ना ज्ञातव्या मूर्छना बुधैः।	main via surya_layout
20	जातिभाषादिसिद्ध्यर्थं तारमन्द्रादिसिद्धये।"	main via surya_layout
21	[ अनु₀ ६२ ]	section_header via surya_layout
22	यद्यप्याचार्यैः अप्तस्वरमूर्छनाः प्रतिपादिताः, स्थानत्रितयप्राप्त्यर्थं	main via surya_layout
23	ुदा	annotation_inline parent ligne 22 via heuristic_short
24	द्वादशस्वरैरेव मूर्छनाः प्रयुक्ताः। अन्यथा चोक्षषाडवे रिमा इति प्रयोगो	main via surya_layout
25	सा	annotation_inline parent ligne 24 via heuristic_height
26	न स्यात्। एवं च १५सति स रागः सिद्धो न स्यात्।	main via surya_layout
27	ग सिध्यान्त (२)	annotation_inline parent ligne 26 via heuristic_short
28	षाङ्जीजातौ रिगमधनि प्रयोगस्तारमन्द्रको न	main via surya_layout
29	पर्ज,	annotation_inline parent ligne 28 via heuristic_short
30	स्यात्। अन्येषामपि रागाणां नाशंकरः प्रयोगः स्यात्। तेन सरिगम [प]	editorial_bracket parent ligne 28 via heuristic_brackets
31	धन्याद्या मूर्छना धनि [ सरि ] गमपाद्याः। तद्यथा—	editorial_bracket parent ligne 28 via heuristic_brackets
32	नि अन्या	annotation_inline parent ligne 28 via heuristic_height
33	धनिसरिगमपधनिसरिग । उत्तरमन्द्रा	main via surya_layout
34	[ <sup>8</sup> ]	editorial_bracket parent ligne 33 via heuristic_brackets
35	निसरिगमपधनिसरिगम । रजनी	main via surya_layout
36	ि ३ ो	annotation_inline parent ligne 35 via heuristic_short
37	सरिगमपधनिसरिगमप । उत्तरायता	main via surya_layout
38	रिगमपधनिसरिगमपध । शुद्धषड्जा [ ४ ]	editorial_bracket parent ligne 37 via heuristic_brackets
39	गमपधनिसरिगमपधनि । मत्सरीकृता [ ५	editorial_bracket parent ligne 37 via heuristic_brackets

172 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p025 LEFT — 31 lignes

vol_II_p060 RIGHT — 35 lignes

vol_I_p046 LEFT — 34 lignes

vol_II_p083 RIGHT — 33 lignes

vol_I_p050 LEFT — 39 lignes