Ekakala pañcapāṇi operates with māgadhī gīti in the citra mārga
"ekakala
pañcapāṇi in the citra
(mārga) (operates alongwith) māgadhī gīti."
<sup>47</sup>
TRANSLATION
When it (ṣāḍjī) is sung as hexatonic, then the sparseness<sup>59</sup> of ṛṣabha has to
be brought about, (and) there is abundance of the remaining svaras.
[ Anu. <sup>147</sup>]
And it has ten amsas. That is thus - one suddha, five vikṛtas in the complete
state and four ṣāḍavas, because when gāndhāra is aṁśa, it excludes the
formation of ṣāḍava. The amśas have been written as such so that they
become clear.
There is the state of śuddhā with ṣaḍja as the aṁśa and ṣaḍja is the apanyāsa.
In its sampūrņa state there are eight-fold lakṣaṇas (ṣāḍava and auḍava being
irrelevant). In the sadava state (they are) nine-fold (auduvita being
irrelevant). Ṣādjī should be known as four-fold in its vikṛtā (modified) state,
excluding (its) śuddhā (form).
And it has the m\bar{u}rchan\dot{a}^{60} beginning with dhaivata. (The t\bar{a}la) ekakala
pañcapāṇi61 (known also as uttara and satpitāputraka) in the citra
(mārga) (operates alongwith) māgadhī gīti. Dvikala pancapāņi in the vārtika
mārga (operates alongwith) sambhāvitā gīti. In dakṣiṇa mārga, catuṣkala
pañcapāṇi (operates alongwith) pṛthulā gīti. (The corresponding pattern of
tāla and gīti) should be known for all the jātis in this order. Vīra, raudra and
adbluta rasas should be evoked (lit. made). Its application (viniyoga) 62 is
(prescribed) in the singing of dhruvā(s) in the first scene (or act).
[2. Ārşabhī]
[Anu. 148]
(În ārṣabhī) ṛṣabha, dhaivata (and) niṣāda are the grahas, (they) themselves
are the amsas. They alone are apanyāsas. Niṣāda63 (?) is (the limit of the
extension of) tāra upto five svaras. Ŗṣabha is the nyāsa. Mandra extends upto
nyāsa or upto the svara next to nyāsa. There is sangati (concert) of şadja-
dhaivata and ṛṣabha-gāndhāra. Ṣāḍava is devoid of ṣaḍja and auḍuvita is
devoid of șadja-pañcama. In its complete state there is the sparseness of șadja,
gandhara and pancama. In the auduvita form, there is the sparseness of
gāndhāra and madhyama and the profusion of the remaining (svaras).
[Anu. 149]
And it (ārṣabhī) is ten-fold i.e., there are ten amśas. Śuddhā (is one), vikṛtās
in the complete state are three, in the sadava state are three and in the
auduva state are (also) three, thus in the complete state are three, in the
ṣāḍava state are three, thus (they are ten). The mūrchanā 64 beginning with
pañcama obtains (here). Caccatpuța is the tāla. With the ekakala (tāla) in the
