citra mārga technical_term

Dictionary: not in dictionary · Pages: 4 · Occurrences: 7 · Affirmations: 5 · Graph degree: 37 (in 9, out 28)

Variants (2): citra mārga (6), citramārga (1)

Generative rules (1) ↗ filter all

R_86_citra_marga_composition composition · 5 att.
Citra mārga is characterized by: ekakala tāla, samā yati, druta laya, uparipāṇi, māgadhī gīti, ogha avayava, two mātrās, composed of one guru + one laghu + one

Pseudocode (DSL v1.1) ↗ full DSL (raw text)

RULE id: citra mārga (cluster 86)
SCOPE: technical_term family
STATUS: empirical
CONFIDENCE: empirical
PROTECT: false

Essence pseudocode — identity + RECORD. The page citations for each slot value are in the Grammar record table above (audit trail). The full DSL adds ASSERTIONS with verbatim quotes (see Affirmations below) and CITED_RULES (see Graph relations).

Graph relations

Outgoing (23)

--[relation]--> māgadhī gīti (3)--[enumeration]--> mārga (2)--[structural]--> druta (2)--[structural]--> citra (mārga (2)--[enumeration]--> citra (1)--[relation]--> citra (1)--[relation]--> ekakala (1)--[relation]--> mārga (1)--[structural]--> yati (1)--[structural]--> sama (1)--[structural]--> māgadhī gīti (1)--[enumeration]--> śūnya (1)--[structural]--> Samā yati (1)--[structural]--> uparipāņi (1)--[structural]--> laghu (1)--[structural]--> guru (1)--[relation]--> ekakala tāla (1)--[enumeration]--> dhruva mārga (1)--[enumeration]--> śūnyamārga (1)--[relation]--> tāla (1)--[relation]--> mātrās (1)--[structural]--> mātrās (1)--[structural]--> Ogha (1)

Incoming (9)

māgadhī --[relation]--> (1)ekakala --[structural]--> (1)Pañcapāṇi --[relation]--> (1)māgadhī gīti --[definition]--> (1)māgadhī gīti --[relation]--> (1)māgadhī gīti --[structural]--> (1)dakṣiṇa mārga --[enumeration]--> (1)ekakala tāla --[relation]--> (1)vrttimārga --[enumeration]--> (1)

Affirmations (5)

enumeration

p.vol_I_p072

english

conf 0.88

[show source]

Citra mārga operation contains three layas: Citra mārga, dhruva mārga, and śūnya mārga

"Citra mārga, dhruvamārga and śūnyamārga, thus are the three layas in the operation of citra-marga."

relation

p.vol_II_p033

english

conf 0.97

[show source]

citra mārga is associated with ekakala tāla and māgadhī gīti

"Ekakala (tāla), citra mārga and māgadhī gīti (go together)."

1400 TRANSLATION 49 citra (mārga) there is māgadhī (gīti), with the dvikala (tāla) in the vārtika (mārga) there is sambhāvitā (gīti), with the catuṣkala (tāla) in the dakṣiṇa (mārga) there is pṛthulā (gīti). Vīra, raudra, adbhuta are the rasas. Its application (viniyoga) is (prescribed) in the singing of the naiskrāmiki65 (associated with exit) dhruvā in the first scene (or act). [3. Dhaivati] [Anu. 150] In dhaivati, dhaivata and ṛṣabha are the two grahas and aṁśas. In the śuddhā state, dhaivataitself is the apanyāsa and in the vikrtā state, dhaivata, ṛṣabha and madhyama are the apanyāsas, dhaivata is the nyāsa. The ṣāḍava formation is devoid of pañcama and the auduva formation is devoid of pañcama, șadja. The same two svaras, viz. şadja and pañcama should be made weak and should sometimes be leapt over. The tara is upto five svaras. The mandra is upto the nyāsa66 or upto the svara next to nyāsa. [Anu. 151] It (dhaivatī) is seven-fold. There are seven amśas. Śuddhā (is one), vikṛtās in the complete state are two and ṣāḍava-auḍuva are two each. The mūrchanā beginning with ṛṣabha obtains (in it). Pañcapāṇi is the tāla. Ekakala (tāla), citra mārga and māgadhī gīti (go together). Dvikala (tāla), vārtika (mārga) and sambhāvitā (gīti) (go together). Catuṣkala (tāla), dakṣiṇa (mārga) and pṛthulā (gīti) (go together). The kalās are twelve in the citra (mārga), twenty-four in the vārtika (mārga) and forty-eight in dakṣiṇa (mārga). Vīra, bībhatsa, bhayānaka are the rasas. Its application is (prescribed) in the singing of dhruvā in the first scene (or act). [4. Naisādī] [Anu. 152] In niṣādavatī,67 niṣāda, ṛṣabha and gāndhāra are the grahas and aniśas. Niṣāda, gāndhāra and ṛṣabha are apanyāsas. Niṣāda alone is nyāsa. The ṣāḍava formation is devoid of pañcama and the auduvita formation is devoid of

relation

p.vol_I_p068

english

conf 0.92

[show source]

māgadhī giti operates in citra mārga and contains two mātrās

"and in citra¹⁰ mārga māgadhī gīti... two mātrās in citra mārga"

structural

p.vol_I_p070

english

conf 0.95

[show source]

citra mārga is characterized by samā yati, druta (fast) laya, uparipāņi, māgadhī giti, with ogha as its limb

"In citra (mārga) there is samā 36 yati, druta (fast) laya,57 uparipāņi,38 māgadhī giti and ogha 59 is the limb (avayava)."

1 123 TRANSLATION Out24 of these, dhruvā is the sounded25 one, sarpiņī moves to the left (side of the performer), Kṛṣṇā is 'gone' (moved) to the right (side of the performer), and vartini is moved downwards, visarjitā is moved outwards (farther from the performer), vikşiptā is curved26 or bent, and patākā moves (179, 180) upwards, (and) patită reaches (touches) the ground. Dhruvakā and sarpiņī (are used) in citra (mārga), in vārtika (mārga) the next two viz. kṛṣṇā and padmini27 are also (used). In dakṣiṇa (mārga) (all the) eight mātrās are known (to be used). (181) (Anu. 108) Daksiņā, vrtti28 and citrā - these three vrttis are understood according to the predominance of 'song' (melody, of both 'song' and instrument)29 and of instrument, (respectively). Having the predominance of 'song' is dakṣiṇā vṛtti, having the predominance of both is vitti vitti, (and) having the predominance of instrument is citrā vṛtti. (Anu. 109) Now he (the author) explains the changing50 predominance (of different temporal components in vittis) brought about by pāņi.51 It has been said — The predominances of tāla,32 giti, laya,33 yati 34 (and) mārga become manifestors35 (rather manifest) according to their own (form) in these (vyttis). In citra (mārga) there is samā 36 yati, druta (fast) laya,57 uparipāņi,38 māgadhī giti and ogha 59 is the limb (avayava). In vārtika (mārga) there is srotogatā 40 yati, madhya laya,41 samapāṇi,42 sambhāvitā gīti and anugata45 is the limb. Similarly, in dakṣiṇa (mārga) is gopucchā yati,44 vilambita45 (lit. prolonged, here slow) laya, avapāņi,46 pṛthulā gīti and tattya is the limb. (Anu. 110) The vādya (presentation on instruments) should be done with sama, atīta and anagata grahas. Out of them, in citra (vytti) there is anagata graha. In vytti (vytti) there is sama graha, in daksiņā vytti there is atīta graha. The combination 110

structural

p.vol_I_p072

english

conf 0.89

[show source]

Citra mārga is characterized by one guru, one laghu, and one druta (half-mātrā unit)

"In citra (mārga) there is one guru, one laghu and one druta (half - mātrā unit)."