muraja technical_term

TRANSLATION ²¹⁹ [26. Kalahaṁsa] Where, having sung one foot first, then svaras are sung, that is kalahamsa, combined with tālas like jhampā. (407) [27. Ghața] Where one-half is full of tenaka, that is ghata, like dvipadī. (408) [28. Cakravāla] That which is sung with repetition, taking the last pada (textual-cum- melodic unit of the preceding sub-section), being bedecked with the state of yamaka, is said to be cakravāla.25 (409) [29. Tripadī or Şaţpadī] Performed with any of the tālas and (rendered) exclusively with birudas, that which is sung in a two-fold way....? (410) [30. Bandhakarana] That which is sung by the gandharvas ^{26} in karana tāla, with svaras coupled with the akṣaras (syllables) of muraja (drum-variety), isagain, known as bandhakarana?7 (411) [31. Pāṭakaraṇa] ^٠ The karaṇa (prabandha) named pāṭa is composed of pāṭas (syllables) of the hands²⁸ (on a drum) (412) [32. Kaivāţa] That which is sung properly with pāṭas alone, should be known by the gandharvas as kaivāṭa, combined with tāla. (413)