sādhāraņakṛtā

Generative rules (2) ↗ filter all

sadharanakrta_uses_antara_kakali definition · 2 att.
Sādhāraṇakṛtā implies the use of antara (gāndhāra) and kākalī (niṣāda).
R_4p1_419 definition · 1 att.
sādhāraṇakṛtā involves the use of antara and kākalī svaras

Pseudocode (DSL v1.1) ↗ full DSL (raw text)

RULE id: sādhāraņakṛtā (cluster 170)
SCOPE: technical_term family
STATUS: empirical
CONFIDENCE: empirical
PROTECT: false

Essence pseudocode — identity + RECORD. The page citations for each slot value are in the Grammar record table above (audit trail). The full DSL adds ASSERTIONS with verbatim quotes (see Affirmations below) and CITED_RULES (see Graph relations).

Graph relations

Outgoing (5)

--[definition]--> kākalī (1)--[structural]--> kākalī (1)--[definition]--> antara (1)--[structural]--> antara (1)--[structural]--> antara-kākalī (1)

Incoming (1)

Sādhāraņakṛtā Jātis --[enumeration]--> (1)

Affirmations (3)

definition

p.vol_II_p085

english

conf 0.95

[show source]

Sādhāraņakṛtā uses antara and kākalī

"this ābhīrī is sung by the people as sādhāraņakṛtā, i.e., it uses antara and kākalī"

153 TRANSLATION Being combined with sadja as the initial and concluding note, being complete and born of deśa (region), having concert between ṛṣabha and șadja, the svaras comprised of two śrutis each being of sparse nature, this ābhīrī26 is sung by the people as sādhāraņakṛtā, i.e., it uses antara and kākalī. (68) Illustration - Sāsārīrī, Sāsārīrī, Sāsārīsārī, Sāsānīsārīrī, Sārīsārīsāsānīsarīrīgārīgārī. Sanisāsā. Gārīrī. Gāmāgarī. Gapāpagārī. Sanisāsā. Sanīsāsā dhārīgagamāsā. Pamāgārī. Sanīsāsā. Dhanīdhānī. Sādhanisā. Ririgāmā. Gāmāriri. Gāpāmāpā, Māgārīrī. Sāsārisārī. Sāsānīsārī. Rīrīsāsā sānirīrigāri. Rigāriri. Sani. Sāsāgārīri. Gāmagārī. Sāni. Gārīrī. Māgāgārī. Gāpāgārī. Sanīsāsāsanī. Sāsā. Rigagamāsā. Pamāgārī. Sanisasā. Sadhanisāsā. Sanidhānidhādhanisārīrī. Gāmāgamārirī. Gāpāmāpā. Mapamā. Magārirī. Mapāgāri. Sanisāsā. Ābhīrī [vi] Khañjanî has pañcama as aṁśa, ṣaḍja as the concluding note, is devoid of dhaivata, there is concert between ṣaḍja and niṣāda and similarly between madhyama-ṛṣabha. It should be known as hexatonic and saṅkīrṇā (mixed), giving delight to all people. (69) Illustration - Pānīmarīsari. Sāsāsarīri. Sani. Rirī. Sanisani. Ri. Pāpāpāni. Sarisani. Sagasasā. Sanirīsanīrīrī. Māgārigamā. Nīpāpānīsanīpāpāmaga. Pāpā. Ni. Nimanisarisagasāsā. Khanjanī [vii] Having niṣāda as aṁśa, ṣaḍja as the concluding note, gurjarī is born of deśa (region). There is the combination27 of niṣāda-ṛṣabha and similarly of madhyama-ṛṣabha. This bhāṣā should be known by the knowledgeable ones in music as being complete. (70) Illustration - Nidhānīnī. Rigānidhā. Nisāsādhāni. Dhāga. Ri. Sāgarī. Sānīdhānī. Gadhāsārī. Gārīmāgārī. Sanidhādhānidhāsarigārī. Sanīsāsā. Nidhāsānīgarī. Magari. Magari. Pāpāgārī.aāmā. Ridhānidhānidhāsari. Garisānīsāsānīdhāsarīri. Nidhā sāsā. Dhanīsāgā. Gārīri. Magarīmagari. Māpāgari. Magarisanī. Dhādhānidhāsarigari. Sanisāsā. Gurjarī [viii]

definition

p.vol_II_p087

english

conf 0.94

[show source]

Sādhāraṇakṛtā involves the use of antara and kākalī

"sādhāraṇakṛtā, i.e., involves the use of antara and kākalī"

structural

p.vol_II_p165

english

conf 0.90

[show source]

Sādhāraņakṛtā implies the use of antara-kākalī

"'Sādhāraņakṛtā' implies the use of antara - kākalī."

VIMARŠA 313 62. 'Ascent' and 'descent' alongwith 'high and low' seem to be repetitive, because high is reached in ascent and low is reached in descent. 63. See note 22, 23. 64. 'Nāyaka' seems to refer to a clan of singers, rather than a chief, leader or general. The association of 'auspicious occasions' does not match the other meanings (See Vol. III). 65. The region Mālava could be relevant here. It is identified in two ways - "1. Its capital was Dhārā-nagara at the time of Rājā Bhoj. Its former capital was Avanti or Ujjayini. Before the 7th or 8th century, the country was called Avanti; 2. the country of the Mālavas or Mallas, the capital of which was Multan" (Nando Lal De). 66. 'Bhinnapañcama' is misplaced here. 67. Bāhyaṣāḍavikā is the same as bāhyaṣāḍavā, just like bālā and bālikā being two grammatical forms, with no change in meaning. 68. Nādākhyā, meaning the one called nāda, is a peculiar name, incorporating a fundamental word like nāda. 69. The criterion of giving the label sankīrņā is not clear. 70. 'Sādhāraņakṛtā' implies the use of antara - kākalī. 71. 'Sakarāga' is misplaced here. 72. The flexibility of bhāṣā is indicated here, which is a very important statement. 73. The viniyoga (āhava) suggests fighting and yajña as two possibilities; the contrast between the alternatives is very striking indeed. [B. Bhāṣā - lakṣaṇa according to Šārdūla] 1. The direct relation of a vibhāṣā with a rāga rather than through a bhāṣā is notable. 2. Direct relation of a bhāṣā with a grāma is an unusual and rare reference. 3. It has not been possible to identify the region associated with dohyā 4. 'Sārdūlī' is a typical name associated with an authority on music. 5. 'Alaghu' could be the word from which 'alaghvi' is formed; but no region by the name 'alaghu' is known. 'Alavi' could be taken to bear proximity to this name; it has been identified as "Airwa, an ancient Buddhist town, twenty-seven miles north - east of Itwah (Itawa)" (Nando Lal De). 6. This is a peculiar situation from life. 7. The nature of the 'order' is not known.

sādhāraņakṛtā technical_term

Generative rules (2) ↗ filter all

Pseudocode (DSL v1.1) ↗ full DSL (raw text)

Graph relations

Outgoing (5)

Incoming (1)

Affirmations (3)