Veņu uses seven kalās in ascending and descending order in a playful manner similar to ākrīḍita
"Veņu is with seven kalās 40 (phrases) in the order of ascent and descent, like
ākrīḍita 11 (playful way?)."
<sup>93</sup>
TRANSLATION
(Anu. <sup>75</sup>)
Where, having 'stayed' (stopped) for a long time at one svara in the form of
șadja and the like, having touched the octave36 (tara) of that like fire and
having stayed there for one (short) time-unit<sup>37</sup> (kalā), suddenly the 'low' (svara)
(6)
is reached, that is bindu. As - sā sa - sā. Thus is (ends) bindu.
(Anu. <sup>76</sup>)
Having touched (a svara) for the interval of one kalā (time-unit), on
account of the pronunciation of (svaras) in the reverse order of bindu, (the
alaṅkāra) named nivīttapravītta (comes into being). As - sā sā sā. thus ends
(7)
nivṛttapravṛtta.
(Anu. <sup>77</sup>)
Veņu is with seven kalās 40 (phrases) in the order of ascent and descent, like
ākrīḍita 11 (playful way?). sarigamapadhani nidhapamagarisa. Thus is (ends) veņu.
(8)
(Anu <sup>78</sup>)
On account of the shake of (svara having) three srutis in the lower heptad,
kampita (is formed), that is composed of three kalās (time-units). As -
(9)
sarigamapadhanisa,42 thus is (ends) kampita.
(Anu. <sup>79</sup>)
On account of the shake of (svara having) three śrutis 43 in the middle
heptad kuharita (is formed), that is composed of three kalās. As -
(10)
sarigamapadhanisa.44 Thus is (ends) kuharita.
(Anu. <sup>80</sup>)
On account of the shake of (svara having) three śrutis in the higher
heptad, recita (is formed), that is composed of three kalās. As -
(11)
sarigamapadhanisa <sup>45</sup> Thus is (ends) recita.
(Anu. <sup>81</sup>)
Prenkholita is with fourteen kalās 16 (phrases) on account of 'going' (ascent)
and 'coming' (descent) of (groups of) two or more svaras, in equal temporal