ṣadjodicyavati technical_term

TRANSLATION ⁷ "The jātis are born as śuddhā and vikṛtā through samavāya (commingling of the svaras assuming the functions of graha, aṁśa, nyāsa etc.). Further there are other eleven (jātis) that have been made 'impure', i.e. have only a vikṛtā state."7 (NŚ XXVIII.46) Out of these (jātis) I shall describe briefly here in sequence the jātis that are formulated or accomplished through ainsa svaras, omission (of one or two notes) and the like. (192) Ṣaḍja-madhyamā (is born) on account of the blending of ṣadjā and madhyamā; ṣaḍjakaiśikī is born of ṣaḍjā and gāndhārī; ṣaḍjodīcyavatī comes into being from the above two (ṣaḍjā and gāndhārī) with the addition of dhaivatī; gāndhārodīcyavā comes into existence from these (ṣaḍjā, gāndhārī and dhaivatī) with the addition of madhyamā; madhyamodīcyavā arises out of the blending of gāndhārī, madhyamā, pañcamī and dhaivatī; raktagāndhārī arises from these (gāndhārī, madhyamā and pañcamī) when naiṣādī is the fourth one; āndhrī is born of the blending of ārṣabhī and gāndhārī alone; nandayantī arises out of these two (ārṣabhī and gāndhārī) with the addition of pañcami; these (three) go to make kārmāravī, with the omission of gāndhāri and the addition of niṣādā; gāndhāra-pañcamī arises out of gāndhārī and pañcami alone; all the seven jātis go to make kaisiki excepting ārṣabhī and dhaivati, thus are the blendings or mixtures. (193-198) Now they (honorific for the author) have spoken of the classification (of jātis) – Four jātis should be known by the wise to be always composed of seven svaras, four are composed of six svaras and the other ten are known as being composed of five svaras each. (199) This itself becomes clear - Madhyamodicyavā and similarly şadja-kaišikī, kārmāravī and similarly gåndhåra-pañcami – these are complete, i.e. no svara is omitted in them. (200)

BRHADDEŚĪ ⁹⁶ [१. भिन्नषड्ज?ः] धैवतांशो मध्यमान्तः पञ्चमर्षभवर्ज?ितः । षड्ज?ोदीच्यवतीज?ातो भिन्नषड्ज?: स्मृतो बुधैः ॥३०६॥ (जमा?ज?ातो) [अनु ^१७५] [अस्यार्थः-]भित्रषड्ज?ः पड्जग्रामसम्बन्धः षड्ज?ोदीच्यवतीज?ातेर्ज?ातत्वात्। धैवतो ग्रहोंऽशश्च। मध्यमो न्यासः। ऋषभपञ्चमहीन औडुवितः। निषादगान्धारौ काकल्यन्तरौ। सर्वोपकरणप्रवृत्तस्य ५७विज?ातीयाद्रणान्निवृत्तस्य मृगयाया प्रवृत्तस्य नायकस्य प्रावेशिकीषु अस्य विज?ातीयो निरणानियृत्तस्य (?) विनियोगः। ^५८बीभत्सभयानकौ रसौ । धैवतादिमूर्छना । सञ्चारी वर्णः । ^५९प्रसन्नादिरलङ्कारः । दक्षिणे कला, वृत्तौ कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादितालः । [२.भिन्नपञ्चमः] [अन्॰ ^१७६] .असौ भिन्नपञ्चमः स्वरभिन्नोऽभिधीयते । लक्षणं च तद्यथा - शुद्धपञ्चमवत् प्रोक्तः स्वरज्ञैर्भित्रपञ्चमः। स्वर(न्ग्रे?ई) धैवतांशः पञ्चमान्तः सूत्रधारप्रवेशने ॥ ३०७॥ [अन्॰ ^१७७] अस्यार्थः - भित्रपञ्चमो मध्यमग्रामसम्बन्धः, मध्यमापञ्चमीज?ात्योर्ज?ातत्वात् पङ्ज?ोदीच्यवतीज?ातेः मध्यमा(पञ्चमी) ज?ात्यो॰ ण्या(म) भिन्न(सं?)पञ्चमो ग्रहोंऽशश्च धैवतः। पञ्चमो न्यासः। निषादोऽत्र काकली। क्वचित्रिषादस्यापि प्रयोगः । सम्पूर्ण- श्चायम् । सूत्रधारप्रवेशेऽस्य विनियोगः । बीभत्सभयानकौ रसौ । धैवतादिमूर्छना । सञ्चारी वर्णः । प्रसन्नादिख्लङ्कारः । दक्षिणे कला, वृत्तौ कला, चित्रे कला, स्वरपदगीते चच्चत्पुटादितालः ।