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1: CONTENTS
2: ix
3: Foreword by Kapila Vatsyayan
4: XI
5: Introduction
6: xvii
7: <b>Abbreviations</b>
8: Brhaddesi of Śri Matanga Muni
9: 3
10: <b>Text and Translation</b>
11: 3
12: Section I: Deśī
13: 3
14: The desi nature of Dhvani
15: 5
16: The definition of desi and marga
17: 7
18: Section II: Nāda
19: 7
20: The glory, origin, definition and kinds of Nāda
21: 9
22: Section III: Sruti
23: 9
24: The definition of śruti and its numeration
25: 19
26: Five alternatives in the relationship between sruti and svara
27: The demonstration of visual representation of srutis by
28: 25
29: Mandala-prastāra
30: <b>29</b>
31: Section IV: Svara
32: 29
33: The laksana of svara
34: The fourfoldness of svaras according to kinds beginning
35: 33
36: with vādin
37: 35
38: The samvādi-mandala in sadjagrāma
39: 37
40: The anuvādi-maṇḍala in ṣaḍjagrāma
41: 39
42: The vivādi-maṇḍala in ṣaḍjagrāma
43: 41
44: The saṃvādi-maṇḍala in madhyama-grāma
45: 41
46: The anuvādi-maṇḍala in madhyama-grāma
47: 43
48: The vivādi-maṇḍala in madhyama-grāma
49: The sevenfold combination of svaras according to the
50: 43
51: types beginning with arcika
52: 43
53: The etymology of svara-names
54: 45
55: The castes of svaras
56: 45
57: The drawing out of svara signs as contained in agama
58: 47
59: Assignment of community, colour and the like to svaras
60: 51
61: Section V: Grāma-mūrchanā
62: 51
63: The treatment of grāma
64: <b>53</b>
65: The treatment of mūrchanā
66: 57
67: Mūrchanā-maṇḍala
68: 67
69: The distinction between Mürchanā and tāna
70: 69
71: The yajña-names of tanas
72: <b>73</b>
73: The performance of tanas
74: 83
75: The mūrchanā of twelve svaras
76: 85
77: Section VI: Varņas and Alankāras
78: 85
79: The Varnas
80: 89
81: The Alankaras

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