vol_I_p030 — Bṛhaddeśī

Devanāgarī

BRHADDES! मध्यमग्रामे विवादिमण्डल यथा-¹² म ग प R घ स नि

[आर्चिकादिभेदेन सप्तविधस्वरयोगः]

[अनु. २८]

इदानी सप्तविधस्वरयोगस्य नामानि ंकथ्यन्ते—आर्चिकं, गाथिकम्, सामिकम्, स्वरान्तरम्, औडुवम्, षाडवम्, सम्पूर्णं चेति। तथा चाह नारदः-¹

"आर्चिको गाथिकश्चैव सामिकश्च स्वरान्तरः।

•हि•

औडुवः षाडवश्चैव संपूर्णश्चेति सप्तमः॥

。व एकस्वरप्रयोगो य आर्चिकः सोऽभिधीयते।³ हि

गाथिको द्विस्वरो ज?्ञेयस्त्रिस्वरश्चैव सामिकः⁵॥

ાંદિ, चतुःस्वरप्रयोगो हि कथितस्तु स्वरान्तरः।⁶

औडुवः 27[ पञ्चभिष्म्चैव षाडवः षट्स्वरो भवेत्।⁸।

सम्पूर्णः सप्तभिष्टचैव विज?्ञेयो गीतयोक्तृभि॥²" ]

[स्वरसज्ञानिरुक्ति]

28[ षण्णा स्वराणा जनकः षड्भिर्वा जन्यते स्वरै।

षड्भ्यो वा जन्यतेऽङ्गेभ्यः षड्ज? इत्यभिधीयते॥¹⁰ ५५॥

English — Sharma (translation)

, The vivādi-maṇḍala in madhyama-grāma is thus —¹² ma pa ga ц dha ni sa [The sevenfold combination of svaras according to the types beginning with ārcika] (Anu. 28) Now the names of the sevenfold combination of svaras are being spoken of - ārcika,45 gāthika,46 sāmika,47 svarāntara,48 auduva,49 şādava50 and sampūrņa.51¹¹ Nārada has said so -¹ "Ārcika, gāthika, sāmika, svarāntara, auduva, sādava and the seventh is sampūrņa. That which (involves) the use of one svara is called ārcika.³ Gāthika should be known as being comprised of two svaras,⁴ the (combination of) three svaras itself is sāmika.⁵ The use of four svaras is spoken of as svarāntara.⁶ Auduva is with five (svaras),⁷ şāḍava is with six svaras⁸ and sampūrņa is known with seven (svaras)⁹ by the designers (yoktṛns) of gīta 52 (music).²"

[The etymology of svara-names]

ŧ The producer of six svaras, or the one produced by six svaras, or that which

(55)

is born of six angas is called sadja.53

Sanskrit attestations (8)

1.[attribution] ⇄Nārada is attributed as the source of the classification of sevenfold svara combinationsतथा चाह नारदः-

2.[attribution] ⇄Gīta-designers (yoktṛs) are credited with establishing the terminology for sevenfold svara combinationsसम्पूर्णः सप्तभिष्टचैव विज?्ञेयो गीतयोक्तृभि॥

3.[definition] ⇄Ārcika is defined as the use of one svaraएकस्वरप्रयोगो य आर्चिकः सोऽभिधीयते।

5.[definition] ⇄Sāmika is defined as a combination of three svarasत्रिस्वरश्चैव सामिकः

6.[definition] ⇄Svarāntara is defined as the use of four svarasचतुःस्वरप्रयोगो हि कथितस्तु स्वरान्तरः।

8.[definition] ⇄Şādava is defined as a combination with six svarasषाडवः षट्स्वरो भवेत्।

10.[definition] ⇄Sadja is the producer of six svaras or that born of six angasषण्णा स्वराणा जनकः षड्भिर्वा जन्यते स्वरै। षड्भ्यो वा जन्यतेऽङ्गेभ्यः षड्ज? इत्यभिधीयते॥

12.[structural] ⇄The vivādi-maṇḍala is presented as a diagram showing svara positions in madhyama-grāmaमध्यमग्रामे विवादिमण्डल यथा-

English attestations (12)

1.[attribution]Nārada is attributed as the source of the classification of sevenfold svara combinationsNārada has said so -

2.[attribution]Gīta-designers (yoktṛs) are credited with establishing the terminology for sevenfold svara combinationsknown with seven (svaras) by the designers (yoktṛns) of gīta 52 (music).

3.[definition]Ārcika is defined as the use of one svaraThat which (involves) the use of one svara is called ārcika.

4.[definition]Gāthika is defined as a combination comprised of two svarasGāthika should be known as being comprised of two svaras,

5.[definition]Sāmika is defined as a combination of three svarasthe (combination of) three svaras itself is sāmika.

6.[definition]Svarāntara is defined as the use of four svarasThe use of four svaras is spoken of as svarāntara.

7.[definition]Auduva is defined as a combination with five svarasAuduva is with five (svaras),

8.[definition]Şādava is defined as a combination with six svarasşāḍava is with six svaras

9.[definition]Sampūrņa is defined as a combination with seven svarassampūrņa is known with seven (svaras)

10.[definition]Sadja is the producer of six svaras or that born of six angasThe producer of six svaras, or the one produced by six svaras, or that which (is) is born of six angas is called sadja.

11.[enumeration]The sevenfold combination of svaras has seven named types in this orderNow the names of the sevenfold combination of svaras are being spoken of - ārcika,45 gāthika,46 sāmika,47 svarāntara,48 auduva,49 şādava50 and sampūrņa.51

12.[structural]The vivādi-maṇḍala is presented as a diagram showing svara positions in madhyama-grāmaThe vivādi-maṇḍala in madhyama-grāma is thus —